231,276
edits
m (Bot: Adding {{TitleSort}}) Tag: apiedit |
m (Cosmetic changes) Tag: apiedit |
||
Line 29: | Line 29: | ||
|prev = | |prev = | ||
|next = | |next = | ||
}}'''''Mounting The Rescue''''' was a [[2 entertain|2{{!}}entertain]] [[DVD]] documentary about the making of the ''[[Doctor Who]]'' [[serial]], ''[[The Rescue]]''. As a general overview of the production of the serial, it covered many topics. | }}'''''Mounting The Rescue''''' was a [[2 entertain|2{{!}}entertain]] [[DVD]] documentary about the making of the ''[[Doctor Who]]'' [[serial]], ''[[The Rescue]]''. As a general overview of the production of the serial, it covered many topics. | ||
Chief amongst these was the cast change that the serial brought. ''Mounting'' explored the departure of [[Carole Ann Ford]] and the arrival of [[Maureen O'Brien]], revealing along the way that Denise Upson was also considered for the role of [[Vicki]], and that Ford was herself welcoming to her replacement. | Chief amongst these was the cast change that the serial brought. ''Mounting'' explored the departure of [[Carole Ann Ford]] and the arrival of [[Maureen O'Brien]], revealing along the way that Denise Upson was also considered for the role of [[Vicki]], and that Ford was herself welcoming to her replacement. | ||
Line 35: | Line 35: | ||
Beyond cast changes, ''Mounting'' explored actual production details themselves. It emphasised the fact that ''Rescue'' was part of the same [[production block]] as ''[[The Romans]]'', and touched on how [[designer (crew)|designer]] [[Raymond Cusick]] had to divide his time between the two serials. It also described the relationship between Cusick, as a member of the BBC design department, and an outside firm like [[Shawcraft Models]], who provided the models for ''The Rescue''. It revealed how closely a designer had to work with the model maker to achieve his desired results. | Beyond cast changes, ''Mounting'' explored actual production details themselves. It emphasised the fact that ''Rescue'' was part of the same [[production block]] as ''[[The Romans]]'', and touched on how [[designer (crew)|designer]] [[Raymond Cusick]] had to divide his time between the two serials. It also described the relationship between Cusick, as a member of the BBC design department, and an outside firm like [[Shawcraft Models]], who provided the models for ''The Rescue''. It revealed how closely a designer had to work with the model maker to achieve his desired results. | ||
<!--end of requested review of the style of the article. Now you try making the points below this line read like the points above it--> | <!--end of requested review of the style of the article. Now you try making the points below this line read like the points above it--> | ||
The inlay shot camera effect is explained. It was used for scenes where the crashed ship is in wide shot. | The inlay shot camera effect is explained. It was used for scenes where the crashed ship is in wide shot. | ||
[[Bernard Archard]] was considered for [[Bennett (The Rescue)|Bennett]] before [[Ray Barrett]] was chosen. Ian McLachlan explains his theory of an "all is not what it seems" theme running throughout Doctor Who. [[Jacqueline Hill]] was hurt by a special-effects explosion during the [[flare gun]] scene. She was not notably injured but was shocked by the incident. | [[Bernard Archard]] was considered for [[Bennett (The Rescue)|Bennett]] before [[Ray Barrett]] was chosen. Ian McLachlan explains his theory of an "all is not what it seems" theme running throughout Doctor Who. [[Jacqueline Hill]] was hurt by a special-effects explosion during the [[flare gun]] scene. She was not notably injured but was shocked by the incident. |