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Mounting The Rescue (documentary): Difference between revisions
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Beyond cast changes, ''Mounting'' explored actual production details themselves. It emphasised the fact that ''Rescue'' was part of the same [[production block]] as ''[[The Romans]]'', and touched on how [[designer (crew)|designer]] [[Raymond Cusick]] had to divide his time between the two serials. It also described the relationship between Cusick, as a member of the BBC design department, and an outside firm like [[Shawcraft Models]], who provided the models for ''The Rescue''. It revealed how closely a designer had to work with the model maker to achieve his desired results. | Beyond cast changes, ''Mounting'' explored actual production details themselves. It emphasised the fact that ''Rescue'' was part of the same [[production block]] as ''[[The Romans]]'', and touched on how [[designer (crew)|designer]] [[Raymond Cusick]] had to divide his time between the two serials. It also described the relationship between Cusick, as a member of the BBC design department, and an outside firm like [[Shawcraft Models]], who provided the models for ''The Rescue''. It revealed how closely a designer had to work with the model maker to achieve his desired results. | ||
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The inlay shot camera effect is explained. It was used for scenes where the crashed ship is in wide shot. | The inlay shot camera effect is explained. It was used for scenes where the crashed ship is in wide shot. | ||
