22 April (production): Difference between revisions

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* [[2001 (production)|2001]] - Recording for ''[[Dust Breeding (audio story)|Dust Breeding]]'' took place at [[The Moat Studios]].
* [[2001 (production)|2001]] - Recording for ''[[Dust Breeding (audio story)|Dust Breeding]]'' took place at [[The Moat Studios]].
* [[2008 (releases)|2008]] - Recording for ''[[The Destroyer of Delights (audio story)|The Destroyer of Delights]]'' and ''[[The Chaos Pool (audio story)|The Chaos Pool]]'' took place at The Moat Studios.
* [[2008 (releases)|2008]] - Recording for ''[[The Destroyer of Delights (audio story)|The Destroyer of Delights]]'' and ''[[The Chaos Pool (audio story)|The Chaos Pool]]'' took place at The Moat Studios.
* [[2011 (production)|2011]] - Recording for ''[[Energy of the Daleks (audio story)|Energy of the Daleks]]'' took place at The Moat Studios.
* [[2011 (production)|2011]] - Recording for ''[[Energy of the Daleks (audio story)|Energy of the Daleks]]'' took place at The Moat Studios. This was [[Tom Baker]]'s first recorded story for [[Big Finish Productions|Big Finish]]. ([[DCOM]]: ''Energy of the Daleks'')
* [[2020 (production)|2020]] - Recording for [[The Enemy of My Enemy (audio story)|''The Enemy of My Enemy'']] and [[Echoes of Extinction (audio story)|''Echoes of Extinction'']] was recorded remotely.
* [[2020 (production)|2020]] - Recording for [[The Enemy of My Enemy (audio story)|''The Enemy of My Enemy'']] and [[Echoes of Extinction (audio story)|''Echoes of Extinction'']] was recorded remotely.
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