Transmat:Doctor Who: Difference between revisions

From Tardis Wiki, the free Doctor Who reference
No edit summary
No edit summary
Line 11: Line 11:
<div class="tr-box one">
<div class="tr-box one">
{{thead|Industrial action}}
{{thead|Industrial action}}
<div style=overflow:hidden>[[file:BBC's Historic Mainframe Arrives!! (Quantel Paintbox DPB 7000) This created many 80s programs!!|thumb|center|thumb|A [[21st century]] geek takes delivery of the monstrosity that was the [[Quantel Paintbox]].]]</div>
[[File:Paintbox.jpg|link=http://tardis.wikia.com/wiki/Transmat:Doctor_Who?file=BBC%2527s_Historic_Mainframe_Arrives%2521%2521_%2528Quantel_Paintbox_DPB_7000%2529_This_created_many_80s_programs%2521%2521]]
{{tcap|Click for a video of a [[21st century]] geek as he takes delivery of one of the two Paintboxes used by the BBC in the 1980s}}
The '''[[Quantel Paintbox]]''' was a graphics workstation that allowed ''[[Doctor Who]]'' to have a primitive form of [[colourist|colour grading]] in the [[1980s]]. To find out more about the "business of show", go to '''[[:category:production information]]''', where you can read about [[colour separation overlay]], [[low loader]]s, [[telerecording]]s, [[vidFIRE]], [[rostrum camera]]s, [[2" quad]] tape, [[Ealing Studios]] and tons more.</div>
The '''[[Quantel Paintbox]]''' was a graphics workstation that allowed ''[[Doctor Who]]'' to have a primitive form of [[colourist|colour grading]] in the [[1980s]]. To find out more about the "business of show", go to '''[[:category:production information]]''', where you can read about [[colour separation overlay]], [[low loader]]s, [[telerecording]]s, [[vidFIRE]], [[rostrum camera]]s, [[2" quad]] tape, [[Ealing Studios]] and tons more.</div>
<div class="tr-box two">
<div class="tr-box two">

Revision as of 01:30, 11 October 2013

PlaybackExampleTheArk.jpg

Playback was a television production technique in which pre-recorded material was literally played into a scene, rather than being added as a post-production effect. It was universally used in the 1960s as the method by which actors were seen on view screens. As seen in the picture at the left, William Hartnell was pre-recorded separately, then projected live into the scene with the actors in the foreground. Though antiquated, the technique was used even into the 1980s, most notably for the title sequence. The quality of the opening titles for the 1963 version of Doctor Who was never high, because it was never a first-generation copy of the titles. Instead, they were played live into the recording of the first scene of many episodes, causing actors to have to time their first lines to the final notes of the studio-audible Doctor Who theme.

The women who gave Doctor Who back to us

JaneTranter.jpg

Click for video

Think Doctor Who is just for boys? Don't you believe it. Not only was the show's very first producer a woman, but it would never have come back without the fierce advocacy of Jane Tranter and Julie Gardner. Considering her importance to Doctor Who it's somewhat ironic that Tranter's only on-screen credits are for Torchwood: Miracle Day. But Gardner, her "partner in crime", is tied only with Russell T Davies as the most prolific producer in Doctor Who history.

Industrial action

Paintbox.jpg

Click for a video of a 21st century geek as he takes delivery of one of the two Paintboxes used by the BBC in the 1980s
The Quantel Paintbox was a graphics workstation that allowed Doctor Who to have a primitive form of colour grading in the 1980s. To find out more about the "business of show", go to category:production information, where you can read about colour separation overlay, low loaders, telerecordings, vidFIRE, rostrum cameras, 2" quad tape, Ealing Studios and tons more.
Surprising guest star

John Cleese appeared in Doctor Who's highest rated televised story, City of Death, around the time of series 2 of Fawlty Towers. Find out more about the thousands of actors who have been on Doctor Who by exploring Doctor Who guest actors.

Ex-Doctors never die, they just make audios

The careers of the Fifth, Sixth, Seventh and Eighth Doctors are significantly longer in audio than on television. Check out their latest works at category:2024 audio stories

The relevance of comics

Officially, only The Lodger has been explicitly adapted from a comic strip — also called The Lodger.

However, several stories have clearly taken material from comic strips — often those in Doctor Who Magazine. The Shakespeare Code contains a good amount of material from A Groatsworth of Wit, and the notion of the Doctor absorbing the time vortex in order to spare a companion was explored in both The Parting of the Ways and The Flood.

The first of the "money men"
Donald Baverstock was the BBC executive who set the the wheels in motion that eventually led to the creation of Doctor Who. Essentially the original commissioner of the programme, he hired Sydney Newman and later imposed a sense of financial responsibility upon producer Verity Lambert.
Production history for 16.09
Things released on 16.09


16.09 births and deaths