Jean Veber: Difference between revisions
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'''Jean Veber''' was a [[19th century]] [[French]] [[painter]]. | '''Jean Veber''' was a [[19th century]] [[French]] [[painter]]. | ||
In [[1896]] he made the [[painting]] ''[[The Doll-maker]]''. A man impersonating him was recruited by [[Montague]] for [[Family (The Death of Art)|The Family]]. He later had his [[mind]] displaced and his [[body]] inhabited by [[Emil Montfalcon]]'s consciousness. ([[PROSE]]: ''[[The Death of Art (novel)|The Death of Art]]'') | In [[1896]] he made the [[painting]] ''[[The Doll-maker]]''. A man impersonating him was recruited by [[Montague (The Death of Art)|Montague]] for [[Family (The Death of Art)|The Family]]. He later had his [[mind]] displaced and his [[body]] inhabited by [[Emil Montfalcon]]'s consciousness. ([[PROSE]]: ''[[The Death of Art (novel)|The Death of Art]]'') | ||
{{NameSort}} | {{NameSort}} | ||
[[Category:19th century individuals]] | [[Category:19th century individuals]] | ||
[[Category:Human artists]] | [[Category:Human artists]] | ||
Revision as of 17:26, 21 September 2016
Jean Veber was a 19th century French painter.
In 1896 he made the painting The Doll-maker. A man impersonating him was recruited by Montague for The Family. He later had his mind displaced and his body inhabited by Emil Montfalcon's consciousness. (PROSE: The Death of Art)
