The Blue Scream of Death (short story): Difference between revisions

From Tardis Wiki, the free Doctor Who reference
Tag: 2017 source edit
m (Protected "The Blue Scream of Death (short story)": Per Forum:Move protection of source pages (see talk page after bot run is finished for details) ([Move=Allow only autoconfirmed users] (indefinite)))
 
(4 intermediate revisions by 3 users not shown)
Line 1: Line 1:
{{title dab away}}
{{title dab away}}
{{real world}}
{{real world}}
{{Infobox Story
{{Infobox Story SMW
|range            = Cyberon (anthology)
|range            = Cyberon (anthology)
|number in range  = 7
|number in range  = 7
Line 9: Line 9:
|enemy            = [[Man (The Blue Scream of Death)|Man]]
|enemy            = [[Man (The Blue Scream of Death)|Man]]
|setting          = [[Creature Feature]], [[far future]]; [[Derby]], [[24 September]] [[2020]]
|setting          = [[Creature Feature]], [[far future]]; [[Derby]], [[24 September]] [[2020]]
|writer          = [[Tyche McPhee Letts]]
|writer          = Tyche McPhee Letts
|read by          = [[Bill Baggs]]
|read by          = [[Bill Baggs]]
|publisher        = Arcbeatle Press
|publisher        = Arcbeatle Press
|release date    = [[21 September (releases)|21 September]] [[2020 (releases)|2020]]
|release date    = 21 September 2020
|format          =  
|format          = Online short story
|isbn            =  
|isbn            =  
|anthology        = ''[[Cyberon (anthology)|Cyberon]]'', ''[[True Origins (anthology)|True Origins]]''
|anthology        = Cyberon (anthology)
|reprint          = True Origins (anthology)
|series          = ''[[Cyberon (anthology)|Cyberon]]''
|series          = ''[[Cyberon (anthology)|Cyberon]]''
|prev            = Barnyard of the Cyberons (short story)
|prev            = Barnyard of the Cyberons (short story)
Line 21: Line 22:
|prev2            = Broken Bonds (audio story)
|prev2            = Broken Bonds (audio story)
}}
}}
'''''{{StoryTitle}}''''' was advertised as the seventh and final part of ''[[Cyberon (anthology)|Cyberon]]''. Written by [[Tyche McPhee Letts]], the story was actually first published on a password-protected website that could only be accessed by following a series of clues which started with a URL that was given immediately after the conclusion of ''[[Barnyard of the Cyberons (short story)|Barnyard of the Cyberons]]''. A more conventional print version of it was later included in the ''[[P.R.O.B.E. (series)|P.R.O.B.E.]]'' anthology ''[[True Origins (anthology)|True Origins]]''.
'''''The Blue Scream of Death''''' was advertised as the seventh and final part of ''[[Cyberon (anthology)|Cyberon]]''. Written by [[Tyche McPhee Letts]], the story was actually first published on a password-protected website that could only be accessed by following a series of clues which started with a URL that was given immediately after the conclusion of ''[[Barnyard of the Cyberons (short story)|Barnyard of the Cyberons]]''. A more conventional print version of it was later included in the ''[[P.R.O.B.E. (series)|P.R.O.B.E.]]'' anthology ''[[True Origins (anthology)|True Origins]]''.


== Plot ==
== Plot ==
In the [[far future]], a [[Man (The Blue Scream of Death)|wealthy man]] acquires a ship full of dormant [[Cyberon]]s. After making sure the [[nanite]]s swarming human space and programmed to destroy any surviving Cyberons will not harm it, the man organises a "[[Creature Feature]]" party on his birthday, attended by other members of the elite, to witness the vivisection of [[Cyberon (Cyberon is Back!!)|one particular Cyberon]], in the manner of a mummy-unwrapping party.
In the [[far future]], a [[Man (The Blue Scream of Death)|wealthy man]] acquires a ship full of dormant [[Cyberon]]s. After making sure the [[nanite]]s swarming human space and programmed to destroy any surviving Cyberons will not harm it, the man organises a "[[Creature Feature]]" party on his birthday, attended by other members of the elite, to witness the vivisection of [[Cyberon (Cyberon is Back!!)|one particular Cyberon]], in the manner of a mummy-unwrapping party.


The Cyberon's perspective deteriorates as its outer mechanics are messed with; after some light anatomical observation, the master of ceremony begins draining the [[Cyberon (drug)|Cyberon fluid]] from the Cyberon, as the true attraction of the party is supposed to be that the guests will get the chance to "micro-dose" on the Cyberon drug, achieving an unparalleled high. However, as they drain the Cyberon of "gunk" completely, its thoughts cease to be constrained and emotionless, and it loses its aversion to [[gold]], meaning the golden shackles with which they have it tied down can no longer hold it.  
The Cyberon's perspective deteriorates as its outer mechanics are messed with; after some light anatomical observation, the master of ceremony begins draining the [[Cyberon (drug)|Cyberon fluid]] from the Cyberon, as the true attraction of the party is supposed to be that the guests will get the chance to "micro-dose" on the Cyberon drug, achieving an unparalleled high. However, as they drain the Cyberon of "gunk" completely, its thoughts cease to be constrained and emotionless, and it loses its aversion to [[gold]], meaning the golden shackles with which they have it tied down can no longer hold it.


Now thinking in [[verse]], the Cyberon frees itself and cuts down the watching crowd before jumping out through the window. In desperation, it activates its [[transmat]]erialisation systems, but due to the absence of any Cyberon fluid in its sytem, [[Aurichall]] rejects it. Stuck in the "inbetween-maelstrom", an abstraction of the Cyberon's self tries its best to conform by ejecting all remaining [[flesh]], emerging in another timezone — in [[Derby]] on [[24 September]] [[2020]], to be exact — as simply a hollow, animate Cyberon armour. The Cyberon flees into a [[forest]], and is unable to function much longer as a hollow shell assaulted on all sides by sensory data of Earth, what remains of its consciousness haunted by the constant awareness that "it is hollow".
Now thinking in [[verse]], the Cyberon frees itself and cuts down the watching crowd before jumping out through the window. In desperation, it activates its [[transmat]]erialisation systems, but due to the absence of any Cyberon fluid in its sytem, [[Aurichall]] rejects it. Stuck in the "inbetween-maelstrom", an abstraction of the Cyberon's self tries its best to conform by ejecting all remaining [[flesh]], emerging in another timezone — in [[Derby]] on [[24 September]] [[2020]], to be exact — as simply a hollow, animate Cyberon armour. The Cyberon flees into a [[forest]], and is unable to function much longer as a hollow shell assaulted on all sides by sensory data of Earth, what remains of its consciousness haunted by the constant awareness that "it is hollow".


12 data-captures of a [[distress signal]] are detected "along [[psycho-wavelength]]s monitored by the [[Preternatural Research Bureau]]" as part of [[Operation World Salad]]; [[Giles]], in an audio report, confirms that the remains of a Cyberon, without any organic remains, were found by P.R.O.B.E., minus the [[head]], at the coordinates of 52°49'41.6"N 1°37'47.0"W, where the distress signal was released. Analysing the contents of the Cyberon's distress signals, they are left wondering why, after being rejected by its homeworld, the Cyberon ended up on [[Earth]] in [[2020]].  
12 data-captures of a [[distress signal]] are detected "along [[psycho-wavelength]]s monitored by the [[Preternatural Research Bureau]]" as part of [[Operation World Salad]]; [[Giles]], in an audio report, confirms that the remains of a Cyberon, without any organic remains, were found by P.R.O.B.E., minus the [[head]], at the coordinates of 52°49'41.6"N 1°37'47.0"W, where the distress signal was released. Analysing the contents of the Cyberon's distress signals, they are left wondering why, after being rejected by its homeworld, the Cyberon ended up on [[Earth]] in [[2020]].


One guess is that it bounced off a "[[V-Time]] surge" travelling backwards in time from the far future, which was forecasted as hitting Earth a month or so after the Cyberon's appearance, after already intersecting with [[Gendar]]. Another explanation, however, is the speculative theory that the Cyberon nootropic itself is a "living extrahistorical extension of humanity’s collective speculative psyche", such that, having been rejected by the future, it was natural that the Cyberon should be sent back to the present which, in a certain sense, dreamt it into existence. Giles further notes that there are reasons to believe that the toll the events of the year 2020 made on large amounts of the human population have turned it into "a basin in space-time".
One guess is that it bounced off a "[[V-Time]] surge" travelling backwards in time from the far future, which was forecasted as hitting Earth a month or so after the Cyberon's appearance, after already intersecting with [[Gendar]]. Another explanation, however, is the speculative theory that the Cyberon nootropic itself is a "living extrahistorical extension of humanity’s collective speculative psyche", such that, having been rejected by the future, it was natural that the Cyberon should be sent back to the present which, in a certain sense, dreamt it into existence. Giles further notes that there are reasons to believe that the toll the events of the year 2020 made on large amounts of the human population have turned it into "a basin in space-time".
Line 40: Line 41:
* [[Philosopher-king of the Cyberons]]
* [[Philosopher-king of the Cyberons]]


== References ==
== Worldbuilding ==
* The [[man (The Blue Scream of Death)|C.E.O.]]'s [[chandelier]] is made of an [[alloy]] of [[electrum]] and [[lagh]].
* The [[man (The Blue Scream of Death)|C.E.O.]]'s [[chandelier]] is made of an [[alloy]] of [[electrum]] and [[lagh]].
* Early [[human]] colonists of [[Pluto]] worshipped a [[Goddess (The Blue Scream of Death)|female, two-headed deity]].
* Early [[human]] colonists of [[Pluto]] worshipped a [[Goddess (The Blue Scream of Death)|female, two-headed deity]].
Line 63: Line 64:
{{PROBE}}
{{PROBE}}
{{TitleSort}}
{{TitleSort}}
[[Category:WEB short stories]]
 
[[Category:Web-based short stories]]
[[Category:2020 short stories]]
[[Category:2020 short stories]]
[[Category:Cyberon short stories]]
[[Category:Cyberon short stories]]
[[Category:True Origins short stories]]
[[Category:True Origins short stories]]
[[Category:Preternatural Research Bureau stories]]
[[Category:Preternatural Research Bureau short stories]]
[[Category:Stories set in Derbyshire]]
[[Category:Stories set in Derbyshire]]
[[Category:Stories set in 2020]]
[[Category:Stories set in 2020]]
[[Category:Stories set in the far future]]
[[Category:Stories set in the far future]]

Latest revision as of 19:50, 9 November 2023

RealWorld.png

The Blue Scream of Death was advertised as the seventh and final part of Cyberon. Written by Tyche McPhee Letts, the story was actually first published on a password-protected website that could only be accessed by following a series of clues which started with a URL that was given immediately after the conclusion of Barnyard of the Cyberons. A more conventional print version of it was later included in the P.R.O.B.E. anthology True Origins.

Plot[[edit] | [edit source]]

In the far future, a wealthy man acquires a ship full of dormant Cyberons. After making sure the nanites swarming human space and programmed to destroy any surviving Cyberons will not harm it, the man organises a "Creature Feature" party on his birthday, attended by other members of the elite, to witness the vivisection of one particular Cyberon, in the manner of a mummy-unwrapping party.

The Cyberon's perspective deteriorates as its outer mechanics are messed with; after some light anatomical observation, the master of ceremony begins draining the Cyberon fluid from the Cyberon, as the true attraction of the party is supposed to be that the guests will get the chance to "micro-dose" on the Cyberon drug, achieving an unparalleled high. However, as they drain the Cyberon of "gunk" completely, its thoughts cease to be constrained and emotionless, and it loses its aversion to gold, meaning the golden shackles with which they have it tied down can no longer hold it.

Now thinking in verse, the Cyberon frees itself and cuts down the watching crowd before jumping out through the window. In desperation, it activates its transmaterialisation systems, but due to the absence of any Cyberon fluid in its sytem, Aurichall rejects it. Stuck in the "inbetween-maelstrom", an abstraction of the Cyberon's self tries its best to conform by ejecting all remaining flesh, emerging in another timezone — in Derby on 24 September 2020, to be exact — as simply a hollow, animate Cyberon armour. The Cyberon flees into a forest, and is unable to function much longer as a hollow shell assaulted on all sides by sensory data of Earth, what remains of its consciousness haunted by the constant awareness that "it is hollow".

12 data-captures of a distress signal are detected "along psycho-wavelengths monitored by the Preternatural Research Bureau" as part of Operation World Salad; Giles, in an audio report, confirms that the remains of a Cyberon, without any organic remains, were found by P.R.O.B.E., minus the head, at the coordinates of 52°49'41.6"N 1°37'47.0"W, where the distress signal was released. Analysing the contents of the Cyberon's distress signals, they are left wondering why, after being rejected by its homeworld, the Cyberon ended up on Earth in 2020.

One guess is that it bounced off a "V-Time surge" travelling backwards in time from the far future, which was forecasted as hitting Earth a month or so after the Cyberon's appearance, after already intersecting with Gendar. Another explanation, however, is the speculative theory that the Cyberon nootropic itself is a "living extrahistorical extension of humanity’s collective speculative psyche", such that, having been rejected by the future, it was natural that the Cyberon should be sent back to the present which, in a certain sense, dreamt it into existence. Giles further notes that there are reasons to believe that the toll the events of the year 2020 made on large amounts of the human population have turned it into "a basin in space-time".

Characters[[edit] | [edit source]]

Worldbuilding[[edit] | [edit source]]

Notes[[edit] | [edit source]]

Continuity[[edit] | [edit source]]

External links[[edit] | [edit source]]