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T:NON-NARRATIVE

Opening post

Alright. So. I'm going to be approaching this in a bit of a weird direction, attempting to build a historical case for a re-examination of this rule, where some of the history, is uh, not precisely available to us because it's in the deleted forums. With that said I think most of the relevant history takes place before the switch, so there's not much of a barrier here.

T:VS. The four little rules. At the end of the day I think no rule has caused more controversy than Rule 1. Perhaps there's some disagreement as to precise implementations of Rules 2-4, a la primary vs secondary rights holders, the, uh, Arcbeatle stuff, or our recent Rule 4 discussion. But no other rule, to my knowledge, has had people fundamentally question the very necessity of its existence. There are at least three proposals in these forums that touch on it, more, depending on how you count. It's a mess. And its history is just as messy. If you wish to move past that history and on to the argument built on the history, feel free to do so. But I think the historical analysis is important to understand how Rule 1 came to be, why it uniquely rankles so many, and why jettisoning it or reforming it would not be as radical a proposal as it first seems.

Historical background

The earliest relevant discussion is the original 2005 creation of the canon policy, which specifically disallowed the FASA roleplaying game (among others) on the basis that they "contain histories and other information which conflicts with the television and prose stories"). It also specifically disallowed websites, unless sourced from a valid source, though this policy doesn't seem to have considered the idea of in-universe websites given the phrasing, and stated that

The relevance of the Doctor Who Technical Manual, The Terrestrial Guide, The Doctor Who Monster Book and similar items and their suitability for use in creating and contributing to articles in the TARDIS Index File is unclear at this time, and up for discussion. [emphasis mine]

This was a proposed draft, (as stated at the top of the page), and discussion began at the original inclusion debates, but there simply was never discussion of this section. User:Boblipton brings it up 6 years later to subtly change the wording, and that's it. (OS25 else brings up discussion about reference works as a general category, but this too is ignored.) (I note that there's some ambiguity here, as User:Freethinker1of1 referenced discussions taking place at Tardis talk:Canon policy, which... seems to be redirected to these discussions during this time frame. So if there were other discussions we've just lost them?)

A small but interesting side note takes place in 2008 when someone asks about Search for the Doctor and it's clear that at this point interactive fiction isn't considered "non canon".

User:Scrooge MacDuck has pointed out that in late 2008 Forum:Canonicity of Dalek Annuals has some discussion on the relevant lines, as it expresses incredulity about specific facts in the non narrative sections of the work. But this thread closed either without clear resolution, or with a resolution that the Annuals were "canon", and the distaste here wasn't in any way based on a narrative/non-narrative distinction, but rather that the specific facts presented were outlandish and seemed to contradict other established fact. It seems similar as the above, a side note in the history.

In June of 2010, Forum:We need a policy on videogames attempts to nail down specific policies on games, noting that at this time Attack of the Graske is still canon, with User:CzechOut arguing that the policy at the time doesn't clearly explain why the FASA games aren't canon. There isn't clear consensus by the end of this discussion a year later, though it's important to note that a final postscript discussion includes the observation by User:Victory93 that the FASA game manuals aren't narrative, but the games are.

In March of 2011 User:Tangerineduel brings up the issue of the three works mentioned as being "unclear" in the canon policy since its very invention. Czech's response:

They're unclear because they contain material which could potentially be used on in-universe articles, but probably shouldn't be. That is, they contain information about, for example, the technical specs of K9 or the operation of the TARDIS, or details about the sonic screwdriver — a substantial amount of which has never been confirmed in any narrative. They also contain, in the case of The Terrestrial Index, the author's opinion as to the narrative history of the DWU, in much the same way that AHistory or The Discontinuity Guide will throw out pearls of "wisdom" about how certain in-universe things fit together. All these reference books are one step removed from the source material, the episodes themselves, and therefore make for potentially dangerous resources for in-universe articles. It's fine if you want to include information from these sorts of books in a behind-the-scenes section or on a story page. But I can't see the rationale for including the Technical Manual's ideas of what makes the sonic screwdriver tick in the main body of sonic screwdriver. Primacy must be given to narrative works on in-universe pages.

This is later stated as the official line by Tangerine in 2011, that you need narrative sources. I am unable to find an actual discussion that enshrines this as policy, it simply seems to be how the statements from the original 2005 first draft were interpreted, even though User:CzechOut admitted that this isn't the actual reason for FASA being disqualified.

In early 2012 discussion about another video game commences. (This one is interesting for a variety of reasons, many parts of it have aged very poorly.) Interestingly, Czech insists that RPGs were thrown out years prior, and as stated, while this is true, at the time T:CANON still reflected that it was because they conflicted with the tv show or prose works. User:Tybort points this out, and they discuss whether RPGs should be covered generally. Search for the Doctor is discussed again, and there's disagreement as to whether or not it's similar. Tangerine makes the following comment:

I believe the origin of the FASA ban was that kinda like other in-universe non-narrative reference books it was believed that the FASA stuff was made up just so there'd be enough content for the FASA game. [emphasis mine]

(I note that I've not been able to find evidence for this in my dive through the forums, but it could well be true that this was the concern. But it's interesting to see how the slow marriage of non narrative in universe fiction and nonlinear storytelling came to pass in these discussions.) The next two comments from Czech are illuminating as well, and while they're too long to replicate in full, some choice bits:

To me, it's more that it's a lack of consistent narrative. [...] What I'm saying is that RPGs encourage and allow for fanfic, which is clearly not allowed. [...] More than that, you don't have to choose the missions (called rather stupidly "interventions") in a particular order, by and large. Which means for you, the game may progress from intervention a, to intervention d, to invervention c. For someone else, it might go in alphabetical order. Thus your "plot" is scrambled. I think that to include a particular story, i must be a story that progresses in the same way for everyone experiencing it.

The real reason for the ban must surely be that RPGs are internally unstable narratives. They don't come out the same each time you play them. So anything which happens differently each time you play it shouldn't be considered a part of our tardis.wikia.com canon, because we don't know which outcome to go with. This would mean things like the DYD and FYF books would also be slapped with a [[Template:Notdwu|notdwu]] warning. I don't see anything wrong with saying: Only those narratives with a consistent narrative, experienced in the same way for all those that consume that narrative, may be considered a valid source for the writing of articles.

Eventually the discussion closed without clear resolution on larger policy concerns, though even the staunchest defender of the game sort of accepted that deeming the particular game non canon wouldn't be awful.

It gets a little weird here, because we need to look at a thread that seems to have nothing to do with our discussion. Forum:Inclusion debate: Death Comes to Time takes place beginning in May of 2012, and involves the following snippet from Czech:

For this reason, a process — which, incidentally, I did not personally invent — emerged whereby we occasionally examine a story or range to see whether it should be considered a valid source for the writing of in-universe articles. If there's evidence that the creators/copyright holders did not intend for the story to be a part of the DWU, or if there's a question about the story's legal status, we exclude it. Even though, again, I'm not the author of this process, I do approve of it. We have to have some mechanism for defining the wiki's scope, or we'd have no defense against fan fiction, obvious parody, and things which are explicitly meant by the author and/or copyright holder to be viewed as extra-continuous. [emphasis mine]

Here we see two of the four rules in T:VS, arguably three. Rule 1 is obviously absent. And, indeed, the first version of T:VS is written the next day. User:Josiah Rowe voices his approval for this rewrite of the canon system on that same day. Over the next two days the policy construction continues, first in the form of the 3 little rules and then the 4 little rules, adding in Rule 1 as the final rule. However, there's no discussion in said forum thread about Rule 1, the only discussion taking place being around a semi-narrative approach to validity, which is, again, very funny in hindsight.

In October of 2012 Forum:Decide Your Destiny and Find Your Fate are NOTDWU from here on out shifted the branching path stories to being not valid based on Rule 1 on the discussion of Czech and Tangerine alone, and that's the final relevant thread in the old panopticon to the issue of Rule 1.

Most everything else that could be relevant is in the deleted forums, but there are some bits of interest at Tardis talk:Valid sources, namely, Tardis talk:Valid sources#Only Stories Count and Tardis talk:Valid sources#Rule One Needs Clarification. I invite those interested to peruse, but it's the obvious criticisms that continue to be made to this day.

Recap

So what precisely happened? A draft of the canon policy was proposed, and it disqualified FASA because it contradicted other sources, and left other non narrative fiction in a weird middle ground. It was never discussed. At the time it wasn't trivial that interactive stories were at all similar. Discussion occurs concerning The Adventure Games, and there is no clear consensus. Even after this there is confusion as to how to interpret these passages in the canon policy, with User:Tangerineduel asking for clarification before adopting the "narrative primacy" stance. (Again, I note, with no discussion cementing this policy.) User:CzechOut attempts to clarify why the FASA books are invalid, suggesting that it's because they're interactive narratives, but there is no clear consensus. Finally, when T:VS is created, the four little rules spring into existence, and there is no discussion of any of them save Rule 4.

By no means am I suggesting wrongdoing here. Very much the opposite, I think Czech's attempt to pin down the precise reason for why FASA was ruled invalid was the correct call, even if I ultimately disagree with his reasons the entire way through. The creation of T:VS was a herculean effort, and should be applauded as a great step forward in how we approach discussions on this wiki. And it's important to realize that under T:BOUND he was actually codifying the rules of the wiki!

But at the same time it's a rule that nobody actually ever really agreed to. It just sort of congealed out of a few other bits of policy that went unquestioned for far too long and were, quite frankly, bad. It's time to re-examine Rule 1 with fresh eyes.

The case for repeal

Quite frankly, I don't think that User:Vultraz Nuva's concerns at Tardis talk:Valid sources#Only Stories Count were ever adequately addressed.

[elsewhere] reference works are treated as valid sources depending on their content--in-universe or behind-the-scenes. The aforementioned books contain both, but it shouldn't take a well trained person to distinguish the two where they're together [...] I also take the tie-in websites to contain canon information (Whoisdoctorwho.co.uk implies where and when the Ninth Doctor traveled before he met Rose), even if they might also contain behind-the-scenes data.

Czech's response suggests that in order to mediate this issue admins would have to buy every work. But this just isn't true. As will be discussed below we've had similar situations concerning Rule 1 as is, and moderators have not been forced to buy the books in question. As for the idea that many of the non narrative pieces of fiction are crap, this isn't for us to adjudicate. It's neither here nor there. And, indeed, T:VS notes as much.

The reality is that Rule 1 isn't as practical when it comes to the demarcation between narrative works and non-narrative works as Czech has contended in the past. TARDIS Type 40 Instruction Manual is the example that started this entire discussion 2-3 years ago. The Monster Vault is an example that proves Czech's fears were unfounded, where on the talk page we discussed precisely this issue, and it demonstrates that Rule 1 as it stands is leading to precisely the confusion that Czech's response to Vultraz contends won't happen. Indeed, the line between narrative and non narrative fiction is blurry, and some brave souls have argued that the wiki has been covering works on the wrong side of it as valid for quite some time.

"Story" on this wiki, for the purposes of Rule 1, simply means that things must happen, there must be a series of events with a preordering. However, it should be clear that there are obvious fringe cases where we have a series of statements that might or might not fit into a preordering. Not just from the perspective of the difficulties in establishing such a po, but if you're mixing multiple types of facts, some events and some simple statements of fact about the world, only some of these fit into this structure, and you have to make a choice at what point the structure stops being an actual story and simply becomes a recitation of facts.

Moving forward

One obvious solution is to simply remove Rule 1 as it exists altogether, or replacing it with the rule:

1. Only works of fiction count.

And attempting to re-consider other parts of T:VS in light of this new rule, given the constant references to narratives in other sections. (Option 1) This is a possible solution, and even one I'm somewhat amenable to. But it has some rather significant logistical difficulties. Unlike non narrative fiction, video games were extensively litigated in the now deleted forums, and while much of that discussion was predicated on accepting Rule 1, that doesn't mean that the points made therein, albeit, ones we cannot see, are invalid. This would be a rather large discussion, and I don't believe it would find consensus within a three week period. Nevertheless, I expect some people to take this line of tack.

Another option is to replace Rule 1 as above and simply leave video games and other forms of interactive storytelling in the "specifically disallowed" section. (Option 2) I think the historical case I've laid out is sufficient to prompt reconsideration on these sorts of stories at some point in the future, but it would be a nuanced discussion that would take quite some time on its own merits, even without discussing non-narrative fiction. And the two discussions together would make it more difficult for an admin to read the threads and synthesize a closing post. (I note that this is the option I support, at least in the interim.)

The third option is attempting to formalize Czech's above idea of "internal inconsistency" into policy. It would be something like

1. Only works of internally consistent fiction count. (Option 3)

But the wording isn't something I'm fixed on, and don't think much of the idea, to be blunt. Unreliable narrators are a well known staple of writing, I think this specific form of policy is too broad.

With that said, a fourth idea is suggested by User:Scrooge MacDuck's update to T:VS which slightly generalizes "internal inconsistency", if there's an in-universe explanation for internal inconsistencies within a work we're perfectly content. Perhaps a wording like

1. Only works of internally consistent fiction count, or works that give in-universe explanations for their own contradictions. (Option 4)

I'm not married to this wording, and I think this approach also gets too far into the weeds of discussing other issues aside from this proposal though, but I figured it was worth bringing up. Najawin ☎ 16:02, 31 January 2023 (UTC)

Discussion

Holy hell that is one mother-trucker of an OP. 😂 I think I’ll counter that by simply saying: I agree. Danniesen ☎ 22:05, 3 February 2023 (UTC)

A great opening post, @Najawin. As it happens, I had also been drafting up an opening post for this thread, so I'll leave it below as it covers a lot of things I believe are important.

EPSILON^🔎 |📯|📂|📦|📝

22:06, 3 February 2023 (UTC)

See this? This innocuous factoid about the lightness of the metal used for Dalek casings?
This is one of the leading factors to all non-narrative fiction being flat-out invalid.

For around the past decade-and-a-half, this Wiki has drawn a Line in the Sand about what fiction can be a valid source for writing in-universe articles, by essentially judging a given source — aka a piece of fiction — based on a set of essentially four pieces of critera. But for a small amount arbitrary of arbitrary reasons, non-narrative fiction has been on the Other Side of the Line in the Sand, as it is treated as an "invalid source".

To quote Douglas Adams, "This has made a lot of people very angry and been widely regarded as a bad move."

In this Forum thread, I have several aims:

1. To document the history of the coverage of non-narrative fiction on this Wiki, to provide context towards the invalidity of an entire genre,
2. To address the two "core" types of non-narrative fiction,
3. To address coverage of non-diegetic references to the real world that can be present in some non-narrative fiction,
4. Removing the distinction in our validity system between narrative and non-narrative ficton,
5. And finally, what we need to do to validate this content.

History

As extensively documented by @Scrooge MacDuck in Thread:282038, which is now by-and-large lost barring parts I've been able to recover, the history of this Wiki's treatment of non-narrative fiction is frankly an absurd little saga. What @Scrooge MacDuck wrote is contained within the box below.

Are the Dalek Annulas "canon"?

It all begins around Christmas 2008, in a forum thread called Forum:Canonicity_of_Dalek_Annuals, which should tell you all it needs to know about how archaic this stuff is. It’s over a decade old, for God’s sake, and from a time when not only did we still use “canon”, but it seemed plausible that the Dalek Annuals as a whole might not be canonical!

Of course, the sentiment was widely in favour of the Annuals being made “canon”, and someone even mentioned that strictly speaking there isn’t a canon in Doctor Who, even if it took some time yet for the Wiki to listen to them. It is in the closing statement from (then-admin? if not, that thread never actually had a closing statement) User:Trak Nar — the closing statement of a thread that wasn’t actually about that — that we find the unilateral decision to make non-narrative fiction invalid. To their credit, Trak Nar doesn’t just mean to invalidate reference material and let non-narrative fiction slip past; they genuinely, actively want to invalidate the pieces of non-narrative fiction from the Dalek Annuals. Why?

Oh, while reading through The Dalek World annual, there were some things mentioned that could be added to the Dalek article, but I am hesitant to do so as the information is really stretching it in terms of believeability. For example, page 70, panel 1 says "Did you know, due to the lightness of the metal, a DALEK weighs only two an a half Earth pounds?" I can see the mutant itself weighing only a couple pounds, they are roughly the size of a house cat. But with the casing combined? In the same annual, it says that the casing contains over nine-thousand components and eleven miles of wiring. And then in Daleks in Manhattan, when the two workers are shown struggling to lift three panels from Dalek Thay's casing, that seems to contradict that. Though, one could also say that the light-weight materials was a property of older Dalek models. Either way, some of the information just seems silly.Trak Nar

Strange to Tell… According to the Daleks (which remains invalid to this day) does say these things, but it isn’t more or less “silly” or “contradictory” than a given story in the Dalek Annuals. This is after all the same series that gave us The Small Defender, where Earth is saved from a Dalek invasion by a mole. Yes, you read that right.

It is a dull idea of Doctor Who indeed to which one would arrive, if one excluded every story that seems “too silly to be true”. There is no evidence at all that Terry Nation and David Whitaker meant for the non-narrative sections to “count” less than the short stories and the comics.

The Technical Manual and circular reasoning

Three years later, in 2011, Forum:Canon_policy:_Items_on_which_policy_is_unclear informs us that in those days, the “canon policy” (what we now know as T:VS) is still unsure of what to do with original in-universe information from invalid sources.

The relevance of The Doctor Who Technical Manual, the in-universe history presented in part of The Terrestrial Index, The Doctor Who Monster Book and similar items and their suitability for use in creating and contributing to articles in the TARDIS Index File is unclear at this time, and up for discussion.the old “T:VS” as quoted by User:Tangerineduel

User:CzechOut answers — and closes the ‘debate’ with no further ado — by asserting that these publications “contain material which could potentially be used on in-universe articles, but probably shouldn't be”. Half of his argument makes sense, but falls under what we covered in Part 1 of this thread: it goes that some “reference books” like The Terrestrial Index are rather like this Wiki itself: summaries of information given in TV stories, plus theories from the author to glue them together. If the Wiki started reporting archivists’ theories from other encyclopedias, the whole Doctor Who universe would risk turning into Chinese whispers.

All these reference books are one step removed from the source material, the episodes themselves.CzechOut

But CzechOut admits that this is only true of some non-narrative sources (the “reference books”). There are in fact non-narrative works which aren’t meant to be “reference material” for TV Who, but rather new works of fiction in their own right. CzechOut, with all due respect, makes oddly short work of these:

They contain information about, for example, the technical specs of K9 or the operation of the TARDIS, or details about the sonic screwdriver — a substantial amount of which has never been confirmed in any narrative. (…) But I can't see the rationale for including the Technical Manual's ideas of what makes the sonic screwdriver tick in the main body of sonic screwdriver. Primacy must be given to narrative works on in-universe pages.CzechOut

Again CzechOut just flatly… asserts that primacy must be given to narrative works; that new in-universe information doesn’t “count” if it appears elsewhere than in the context of a story. He holds this to be self-evident, and so the whole thing turns into circular reasoning — in-universe info that doesn’t come from a story is invalidated because… it doesn’t come from a story.

Growing dogma

The saga continues in October 2011 with Forum:Brilliant Book 2011: a valid source?, where we see that the earlier, unilateral decision from CzechOut chafes with one of the highest-profile Doctor Who releases that year: the Brilliant Book 2011, which, on top of comic stories and prose stories, also contains snippets of non-narrative fictional information. On the basis of CzechOut’s earlier decision, now enshrined in policy, information not from a story is decided to not be valid, despite the common-sense sentiment from newbies that it ought to “be canon”. This isn’t justified or anything. And there’s even a question of whether stuff not from the increasingly-narrow category of “invalid sources” should even have pages, though thankfully the Wiki thought better of this eventually.

In December 2011, a grim epilogue: at Forum:The_original_inclusion_debates#REF, OS25 tries to initiate conversation on this still-controversial subject, but it never gets off the ground.

…And… that’s it. That’s, as near as I can tell, how “only stories are valid” became an established part of policy. One user complained that they don’t think Daleks should weigh half a pound because (Graham Chapman voice) that is much too silly; and three years later, another said that information that doesn’t come from stories is automatically suspect because it doesn’t come from stories, and that therefore, information that doesn’t come from stories is non-canon.

I don’t mean any insult towards any of the participants in those early conversations, but surely, in hindsight, we can all see that this isn’t exactly sensible policymaking behaviour. This isn’t a solid base on which to write the first of the four most important rules of this Wiki’s validity policies!

Now, I feel this fills in the blanks that @Najawin covered in his historical overview, due to a lot of it coming from the Long-Gone Forums. It was eventually discussed, but based around discussion of "discontinuity equalling non-canonicity", "this seems stupid so it's not canon", and lots and lots of circular logic without explanation or debate to back it up. It is sad about Thread:282038, which began as an inclusion debate for TARDIS Type 40 Instruction Manual but evolved into changing rule one entirely, as it had unaminous support and consensus to overturn this absurd outlawing of an entire genre, but @CzechOut put a pause on it until Fandom had finished migratating to the UCP, but this ended up deleting all of the Forums from time faster than Angel Bob, and @CzechOut never restored the Archives. RIP.

As pointed out by @Najawin on my talk page, there are still parts of this history that are missing: @Freethinker1of1 referenced a discussion at Tardis talk:Canon policy that doesn't seem to exist; @Tangerineduel referenced the idea that the FASA guides were made invalid because there was a suspicion that non-narrative fiction would have authors making things up in order to fill a page count; and the final being the actual synthesis of narrative primacy as opposed to it just being vaguely implied by T:CANON.

The Two Types of Non-Narrative Fiction

In my time Wikifying non-narrative fiction, I have found that it can be sorted into one of two types. Type A, as I will dub it, is non-narrative information told from an "in-universe" perspective, and Type B, non-narrative information told from an "out-of-universe" perspective.

Type A

Type A is your non-narrative fiction that is presented as in-universe documents, blueprints, schematics, posters, and what have you. These are pieces of fiction that are styled to look, well, like something that has been plucked out of the Doctor's universe and into our own; they often use unfiction, a type of fiction that attempts to convince its readers it is actually real.

This type of non-narrative fiction, I feel, is what we associate when "non-narrative fiction" is mentioned, and is what we want as a Bare Minimum to be a valid source at the end of this Thread.

Examples of this can include:

• Anti-Dalek Weapons
• Inside a Dalek
• UNIT Publications

Type B

Type B... is a little more complicated. This your non-narrative fiction that is told from an out-of-universe perspective.

A given Type B source can (but not necessarily) be written essentially as a real world article, where its author contributes new fictional information from a real world perspective. But the core issue isn't truly perspective, as arguably all stories told from the Third Person perspective are being told from an out-of-universe perspective, but rather, how much does the real world bleed into it. Type Bs usually involves an author's pre-existing research, complete with citations and/or non-diegetic references to the real world.

So an article may give an overview of, let's say, the culture born on Skaro from the Kaleds. This would involve either citations, or a sentence/paragraph beginning with "As first seen in The Magician's Apprentice..." or something of that ilk. Non-narrative fiction like this, I ideally want to be a valid source, as citations/non-diegetic references aren't meant to be taken as part of the overall "fiction" being told by the source, it is meant to be an indicator to a reader for context.

An Editor's Note box in COMIC: Fire and Brimstone.

Now, it should be clarified that we do have precedent of recognising non-diegetic references as such in valid sources. In many comic stories, there can be little "Editor's Note" boxes that may tell a reader that Ace died appeared in DWM 238-242, and there are examples of this in valid short stories such as The Fantastic, Fabulous Gallery of Characters That Nearly Made It Into Closing Time but Didn't for Some Reason, which does make non-diegetic references to Closing Time.

Now, I feel that these citations/non-diegetic references, as I've explained, should not be taken as cause for invalidity, but I can respect dissenting opinions on this matter. I feel, ultimately, some of these Type B sources can have biases, where the author talks about their thoughts or opinions on what they're documenting or if half way through the production history of the Dalek casing props is brought up. If a Type B source has these, then it should remain invalid. But if it unbiased and purely factual, contains only in-universe information, and just so happens to say that the Saxon Master first appeared in Utopia (although not necessarily), then the source should be valid.

Furthermore, it should be heavily clarified Type B does not necessarily have to have any refence to the real world; something like Strange to Tell... According to the Daleks fits into Type B, but it essentially just a comic strip that instead of telling a story presents new facts.

Examples of this include:

• The Gallifrey Chronicles
• The 14* Doctors
• Strange to Tell... According to the Daleks

This following section is also written by @Scrooge MacDuck from Thread:282038. and I feel its inclusion can help clarify the distinction between "non-narrative fiction" and "non-fiction", of which is still evidently a large issue on the Wiki given the bizarre usage of {{non-fiction}} on non-narrative source pages.

Reference material vs. non-fiction: clarifying the difference

As I mentioned above, the only argument presented in those debates that doesn't flagrantly conflict with T:NPOV — the only argument that doesn't rely on "I personally feel that non-narrative sources are less important" — is the fear of Chinese whispers. The idea that reference books are, essentially, doing the same thing we do, and as a result, if we try to cover them, we're covering their coverage of existing valid stories, and it turns into an echo chamber.

So let's refute that, shall we?

There is an ongoing problem on this Wiki, reflected in another active thread, of conflating "non-narrative", "non-fiction", and "reference works", which are all very different concepts. When you look at something like Strange to Tell... According to the Daleks, it has basically nothing in common with something like AHistory. Strange to Tell is almost entirely a vessel for the reveal of new information about the DWU — it's doing something entirely different from AHistory, which is indeed a Wiki-adjacent sort of project, collecting and curating data from existing works.

(And, for that matter, AHistory, which tries to present a repository of in-universe information, is doing a rather different thing from, say, The Nth Doctor or Queers Dig Time Lords. It is as bizarre that we call all three of those "non-fiction reference books" as that we act like Strange to Tell is in any way the same thing as AHistory.)

My point is, it is very easy for anyone with a pair of eyes to tell the difference between a "reference work" (which compiles information about existing stories) from "non-narrative fiction" (whose purpose is to present new facts about the DWU, just as a story might). Even though it currently tags the latter to be invalid, the Wiki is already doing a pretty good job of telling these apart.

Incidentally, here's what the Oxford Learners' Dictionary has to say about "fiction":

1. A type of literature that describes imaginary people and events, not real ones.
2. A thing that is invented or imagined and is not true.[1]

And here's how it defines "non-fiction":

Books, articles or texts about real facts, people and events.[2]

Things like Inside a Skaro Saucer are, by any reasonable definition, fiction. They are certainly not "non-fiction", and to call them "reference works" is equally inaccurate.

The conclusion is inescapable: Rule 1, as currently formulated, ends up excluding a significant body of Doctor Who fiction.

When the Distinction of Whether Fiction is Narrative (or Not) Matters

So, when does something being narrative, or not, actually matter? I feel the crux of this question is whether or not it matters to a Not We or if there is a technical, Wiki-based reason for such as distinction. After all, virtually every other Wiki, such as Wookieepedia, does not make such a meaningless distinction. The only criteria that ever actually matters is: does this attempt to contribute to the DWU in any way?

I think the only time where specifying that something is non-narrative — although this terminology should be abanonded in favour of something like... "fact file", "infographic", or "article" as that actually clarifies what a given source actually is — is in the lead for a real world source page article, or in the behind the scenes section if such a distinction needs to be made (and we should also apply this to "narrative" sources too). We should not say "in the non-narrative feature Inside a Dalek" any more than we should say "in the narrative story A Bright White Crack".

I've more to say about this below.

Proposal

Ultimately, this proposal seeks to validate non-narrative fiction, both from in-universe and out-of-universe perspectives, and rework this Wiki's policies, general terminology, and categorisation. So ideally, all non-narrative fiction — both Type A and Type B — should be validated unless if real world information goes beyond a non-diegetic reference, which is only present in a small portion of non-narrative fiction. Of course, if non-narrative fiction fails any of the other rules in T:VS — such as not being intended to be set in the DWU, isn't fully licensed, etc, then it should remain invalid.

I'm not sure how this affects the validity of merchandise, as if narrativity is of non-concern, then the fictional bits of info on merch surely should be fair game? I hope so, but unfortunately I have a feeling our (regrettable) policies on trailers may have some impact here.

What We Need to do to Validate This Content

One of the first things that must be done is giving every non-narrative work of fiction the disambiguation term "(feature)". This is currently on some pages but not consistently, and in case if you are wondering, "feature" is a bit of terminology first used by the Doctor Who annuals to refer to everything that wasn't a story or game. However, this fits fiction pieces comparable in length to a short story. Calling a whole non-narrative book a feature seems misleading, and so we need to come up with a dab term for books of this type.

We may need to introduce a new prefix. Personally, I do not feel this is necessary and that PROSE is perfectly acceptable considering we use that prefix for pages with "(novel)" and "(short story)", however, if we must, I would feel FEATURE would be the best fit.

Tardis:Valid sources will need to be overhauled; first and foremost, rule one will need to be rewritten. For example...

1	Only fiction counts.

Any mention of narrativity deciding a source's validity should also be expunged, for the most part, from T:VS. Not even a column saying that non-narratives are valid sources, with a link to this discussion, absolutely not, as we don't apply that same standard to "stories". The ultimate point we need to make there is if something is fiction; the distinction of whether or not the fiction is narrative or not is meaningless.

The only other place where the distinction should be made is in categories. We should have a category such as Category:Dalek features to parallel Category:Dalek comic stories, Category:Dalek webcasts, etc, but the master categories, such as Category:Stories, should be merged into Category:Sources. The latter category was created by me as when I was Wikifying non-narrative fiction, as I needed a master category to place the smaller categories into and for obvious reasons Category:Stories wouldn't work.

Discussion continued

I support the proposal to change Rule 1 to say that "only fiction counts." Yes, this includes RPGs and video games. Quite frankly, the way this wiki views video games is incredibly misguided and deliberately ignores the concept of gameplay and story segregation, something that's a universally accepted concept in pretty much every fandom. Pluto2☎ 22:24, 3 February 2023 (UTC)

Hmm. Maybe this was too intimidating of an opening. I will again reiterate that I think discussion of video games is best left for another time, it was extensively litigated in past threads, and creating an entirely new video game policy is unlikely to find consensus within a three week period. (I agree with the overall point Pluto is making, but I think it's a bad time to discuss it, basically.) Najawin ☎ 12:29, 4 February 2023 (UTC)

Najawin and Epsilon first I have to congratulate both of you on an epic level of research and following the different threads, talk pages and discussions to pull this together.

I suspect some of the discussions missing are on mine and CzechOut's archived talk pages, unless those discussions are on the long gone forums.

To start with what I don't agree with; we can't use "it's not internally consistent" as a reason to disallow something. That would open the doors to far too many questions and other queries as why other narrative works are "in" but others are "out".

And similarly we can't just include stuff that's convenient. Any rule has to be able to be applied evenly, and logically.

I am kind of going to go back to the original ideas about the wiki in an attempt to say where I am on this. Amazingly the Tardis:About page has mostly been unedited for a long time:

Most of our topics are written as they might appear if discovered in an encyclopedia within the DWU. In other words, we try to treat the subjects of our articles as if they were "real".Tardis:About

And the reason all our in-universe articles are written in the past tense is because the "Tardis Data Core" is written as though it's at the end of the universe as the final database of information.

Therefore, all fiction that makes up the universe, and everything that exists within those fictions is something should use to pull information from. Those fictions build the universe we are writing the database about.

So for example the UNIT Publications would be valid, they are something within the Doctor Who universe, about the universe.

Any inconsistencies, we can deal with we have dealt with plenty with the "one account states…etc". —Tangerineduel / talk 14:51, 4 February 2023 (UTC)

I am against this proposal. When I first started getting involved in this fandom a decade ago, Rule 1 was singularly the most attractive thing to me about this wiki. I am also a Star Wars fan, and I loved how this wiki didn't bog itself down in information from things like technical manuals like Wookieepedia did. It took half a century of stories and found a way to present the information from them in a way that wasn't hopelessly intimidating to a new fan; everything was clearly sourced as coming from a story, not information from the back of a collectable card. Epsilon suggests that causal users don't care about the distinctions debated in this thread, and I agree that's true, but I very much believe they would care about its effects. We would be opening up the floodgates to a great deal of new information to cover, much of it contradictory, that would all need to be presented with equal weight. This fandom is confusing enough with the contradictions we already have on the wiki, and I believe it would be hostile to casual viewers to add more. Yes, Tangerineduel pointed out that we have a system in place for handling them, but I believe that, the more often we have to resort to "one account states," the less accessible we are to casual fans.

You compare us to "virtually every other wiki, such as Wookieepedia," but virtually no other wikis cover a fandom as large as this one. Wookieepedia certainly is comparable, but Star Wars has an entire story group dedicated to maintaining a consistent canon and minimizing contradictions, and, before that existed, they had canon tiers designed to resolve most of the contradictions by making some stories take priority over others. They also generally have all their IP under one roof.

Star Trek is one of the only other fandoms that is around the same size as this one, and their approach has been even more severe: their main wiki, Memory Alpha, only covers the TV show and movies. Everything else is shunted off to a secondary wiki, Memory Beta, as only the TV shows and movies are considered canon.

The DWU is unique due to many aspects. I can't think of a fandom that is anywhere near as large, explicitly has no "canon," and has such decentralized rights ownership that we cover works wholly disconnected from the franchise's owners. I do not want to change any of that. But simply the goal of covering all the stories and concepts contained therein in the DWU has given us a mammoth of a wiki to manage, and we shouldn't feel obligated to cover things other wikis do in fandoms that are, quite frankly, simpler. If we allow anything in-universe to be valid, Bill Baggs could post a profile about P.R.O.B.E. on BBV's website stating that they destroy the universe in 2025, and we would then be obliged to include it. Admittedly, he could do that now if he put it in an actual story, but that at least puts some bar to entry for what we would consider as valid. I also feel like we would interpret it differently if it was in a story; stories tend to be more up for interpretation with their facts. The information presented in a story is often unreliable, but something presented as objective fact outside of a story does not grant us the same nuance of interpretation, and the lack of that nuance is another potential complication of allowing non-narratives.

Also, I have no data to back this up, but I feel that fans generally hold creators to account more for stories than just for random facts presented as "canon." If the above post was made on the BBV website, I doubt any of their limited number of fans would take it seriously, but, if they destroyed the universe in a story (in a non-parodic manner), their fans may reassess future involvement in a spinoff that has diverged so sharply from its source material. In short, I feel that creators are disincentivized from being too ridiculous in actual stories.

I do agree that the line between narrative and non-narrative fiction gets very fuzzy. I would be very happy to have a thread for coming up with some firmer guidelines for adjudicating the divide between them, but I know there will always be edge cases no matter what we do. That being said, I still see having those debates frequently as being preferable to giving up on the distinction entirely.

When it comes down to it, the stories are what fans are in this fandom for; I can't imagine many people get into Doctor Who because they like reference books. Our goal as a wiki should be to enhance fans' enjoyment of those stories by providing context and reminders/catch-ups (depending on if you're familiar with older works) of other stories. We even have the Behind the Scenes section on pages to include anything particularly notable that isn't from any stories. With that in mind, I don't see that adding in non-narrative fiction will actually add any significant enhancements for the average reader of this wiki. I can't think of many sizable gaps in the narratives that can only be understood by being aware of information from non-narrative sources. These sorts of sources are, in my opinion, usually just pointless continuity. I see it as clutter that will make our pages less accessible to the average fan.Schreibenheimer ☎ 17:42, 4 February 2023 (UTC)

Thank you for pointing me in the direction of the talk pages Tangerine! I think I've found everything in the relevant time periods. In March of 2011 Czech asked you to look over a proposed rewrite to the canon policy. (This happened at the same time as you making the forum post where you asked about the three items which the canon policy was unclear on, almost to the day.) You responded with some comments, asking for effectively the same clarification on non narrative works, since some of them seemed to be used. His clarification of this point was in the thread linked above, and you seemed to come around to it.

However, this made it clear that you weren't just asking a question out of the blue, since you both asked the question and, Czech decided to rewrite the Canon policy at the same time, so something had happened then. I went back and filtered your activity for the past few days and found Forum:Could we create article for each Cybermen Mark/Model?, in which User:Victory93 brings up an issue from The Doctor Who Technical Manual. People can glance at the thread if they wish, but, uh, suffice it to say that there wasn't much discussion, and it amounted to dismissal and calling the source silly.

There are some more interesting tidbits in these archives, as Victory93 decides to fight the good fight before giving up hope in the postscript at the adventure games thread. User talk:CzechOut/Archive 6#Dalekese and User talk:CzechOut/Archive 6#Proposition have him trying to argue that reference sources should be allowed under certain circumstances (if they're written from an in-universe perspective, quality shouldn't count, etc), and he appeals to Tangerine to adjudicate. But Czech is having none of it. The arguments are similar as above, quality control mainly, difficulty of implementation, conflating in-universe reference works with out-of-universe reference works, but, interestingly, also suggesting that misspellings are an important strike against the idea. Tangerine explains the policy of narrative primacy, but it's just a clarification. Looking at a comment in Czech's archive's I'll mention later, I stumbled upon Forum:The Unspecified Cyberman Debate. Not much is relevant here except at the very beginning of the thread, which is mainly a rehash of Czech's insistence that the canon policy disallows non-narrative works. Which? Because "a reference work is a reference work is a reference work", so we can't distinguish between them and "If you look at DWU reference works, as a general group, they're not the most accurate things in the world", for which the examples he gives are reference works about the real world production circumstances.

I found this thread from OS25 asking Czech about a specific reference work that had in-universe sections. (These in-universe sections were later validated as The ArcHive Tapes.) Czech dismisses the idea out of hand, citing administrative concerns, you can't have some reference works be valid and not others, let alone parts of reference works and not other parts. (Interestingly, OS25's post in the original inclusion debates thread takes place right after this, so it was clearly in response to this.) While this is interesting context surrounding this, from my perspective there's no real discussion enshrining the decision, as before. Maybe I'm still missing something, but there doesn't seem to be a there there. Najawin ☎ 18:02, 4 February 2023 (UTC)

I Support changing Rule 1 to "Only Fiction counts" it seems unreasonable to me that pieces of fiction intended to expand the DWU or be set in that universe should be invalidated on the basis of format, essentially.Time God Eon ☎ 18:46, 4 February 2023 (UTC)

I support validating Type A "non-narrative" fiction, but am dubious about some portions of Type B. To be clear, I do not feel pieces of prose that are essentially printed wiki articles (albeit not of this wiki, but of a hypothetical one) shouldn't be valid. But, again, I am all for Type As Cousin Ettolrhc ☎ 22:37, 4 February 2023 (UTC)

I might support revision rule 1 to be more consistent or practical. I don't particularly care if we include reference books or the like, and I do understand the original logic that including stuff from reference books isn't helpful since we are a reference book.

However, I also am not totally in-favor of the recommended alternatives. My logic is simply: Doctor Who Discovers.

This is a book series that I once fought to get counted as valid, but I was told it didn't meet the criteria of being a story because it was a non-fiction educational series. The books feature the Doctor essentially writing out diaries as he visits periods in the past, future, etc. He'll go on tangents about times he fought the Master, and all kinds of similar things.

If you look at the revision history of the novels, you can see that the books were once marked as non-fiction, not even qualifying for the "invalid" template. Today, all these novels are apparently valid stories. I have no idea when this happened or why, as I don't think we had a debate about this.

My big point is that I am a little hesitant to add "Stories must be fiction" when we've had such inconsistent definitions of what "non-fiction" actually is. But, if we can somehow add some fine text or clause that actually explains the purpose of this, I suppose it is infinitely better than "only narratives count."

One thing I've OFTEN struggled with on this site is the definition of what is and isn't a narrative. I've seen admins argue that one-panel comics are not narratives. In the world of comic analysis, this is an opinion which I literally have never seen. Also, the concept that video games are not narratives is equally unprecedented. Narratives with more than one ending and narratives which are short are still narratives, and so even if we don't kill off rule 1, I would like a better wording that actually explains what it means. OS25🤙☎️ 21:33, 5 February 2023 (UTC)

To add to my previous point, despite the Doctor Who Discovers novels being listed as valid, Category:Non-fiction stubs is still on several of the pages, such as Doctor Who Discovers The Conquerors. So clearly there's still confusion about the definition of "non-fiction" on the physical site itself.

Also, real quick, I am sorry if any of my "historical" posts that have been brought up seem annoying or sporadic. I joined this site when I was 14. OS25🤙☎️ 22:00, 5 February 2023 (UTC)

Regarding Doctor Who Discovers, I think they do fall under the "fiction" umbrella, since the facts are presented by a fictional presenter. If they're not valid already, the reference in The Kingmaker might make them a good candidate for Rule 4 by Proxy. – n8 (☎) 14:19, 6 February 2023 (UTC)

Like I said, as long as we have some clarification about what qualifies the difference between fiction and non-fiction. If it's the content, the framing device, etc. OS25🤙☎️ 16:08, 6 February 2023 (UTC)

That seems to be the type A/type B distinction Epsilon's alluding to. As for myself, I'm thoroughly ambivalent on type B. I think it's the framing device that matters, as there's a broad tradition in literature of using fictional documents to tell stories, and our current Rule 1 isn't particularly friendly to this. Czech seems to be particularly distrustful of type B, (as well as reference works about real world production) and while I'm not convinced he's correct, I think there are some concerns here that are well considered. Perhaps User:Schreibenheimer can correct me, but I think most of what he'd object to is in type B as well. Najawin ☎ 21:45, 6 February 2023 (UTC)

I wholeheartedly support Najawin's "Only fiction counts" proposal as the clearest path forward, with carve-outs for video games, CYOA books, promotional material, etc if deemed necessary. I support this not just because it will help us cover the Doctor Who universe better but also because it will help us improve our coverage of individual releases.

There's plenty of DWU fiction that straddles the line between narrative and non-narrative: an epigraph at the start of a novel; a book with a timeline of in-universe events or a glossary of in-universe terminology; or any of the BBC's many recent releases which seamlessly switch back and forth between narrative and non-narrative elements. Because of Rule 1, rather than cover any of these ambiguous cases as something between narrative and non-narrative, for the sake of validity we have to pretend it's fully one or fully the other, and this has had an ugly distortionary effect on many of our articles. To avoid picking on anyone else, I'll highlight one of my own examples: Eleven Things You Probably Didn't Know About the Corsair in The Brilliant Book 2012. To make it valid, I had to argue that since some of these eleven in-universe fun facts describe things the Corsair did, they "add up to a narrative of the Corsair's life" and therefore it's "a narrative prose piece". Is this accurate? From the wiki-brained point of view, sure; but would the author agree? I'm not sure. We shouldn't need to artificially impose a narrative structure on ambiguous sources – sources which are fully licensed, and clearly intended to contribute to the Doctor Who universe – as a prerequisite for validity. "Only fiction counts" seems to be the most straightforward way to clear up this muddle once and for all.

Regarding Epsilon's distinction between "Type A" and "Type B" non-narrative fiction, it seems to me that Type A should definitely be valid; some of Epsilon's Type B examples, like Strange to Tell... According to the Daleks, should be valid; and other examples of Type B, such as The 14* Doctors, are much more debatable. Type B is simply too broad a category to usefully generalise about! For instance, both of these count as "Type B" despite being totally different:

• a piece without a specific framing device but the narrator never breaks the fourth wall, like a non-narrative chapter of a novel. These should be valid, in my opinion. Let's call it Type C.
• a piece which mentions story titles willy-nilly, like (to use Cousin Ettolrhc's example) a printed wiki page. In my opinion this "Type D" should be left non-valid, but I'd like to see some actual examples before I make that decision.

I hope this will be a productive axis for getting to the bottom of Schreibenheimer's concerns. – n8 (☎) 22:43, 6 February 2023 (UTC)

I think a good potential example of N8's "Type D" fiction could be the in-universe sections of AHistory. Personally I agree with n8 on these Type Ds not being valid, but I'd like to hear others opinions, and whether I've classifird AHistory correctlyCousin Ettolrhc ☎ 06:21, 7 February 2023 (UTC)

I think I can get behind validating only Types A, B, and C, but I would like to clarify - a book that mentions stories by name in side boxes on pages or in separate sections, like The Secret Lives of Monsters, should not be excluded under this, because there's a clear separation between the in-universe and out-of-universe stuff. I also think that if a source goes the metafiction route and says that it's citing the in-universe equivalents of stories, that should also exempt them from invalidity. Pluto2☎ 06:45, 7 February 2023 (UTC)

I've asked User:Schreibenheimer to return to discuss the approach Nate's outlined, but, you know, three weeks. Bumping to request further comments. Najawin ☎ 19:28, 12 February 2023 (UTC)

I'll say that I'm of the same mind as Pluto2, and that Types A, B, and C should be validated. Time God Eon ☎ 19:37, 12 February 2023 (UTC)

To clarify, I believe both C and D are both subsets of B, in Nate's terminology. So properly we have A, C, and D. (B is the composition of C and D, as well as potentially other things.) I think currently I'm on board with A and C as well, against D. I think A is the minimum that we should aim for in this thread though. Najawin ☎ 19:51, 12 February 2023 (UTC)

Sorry to be a downer here guys, but we're less than a week before a resolution is found here, and I feel that we haven't really found any sort of common ground on the game plan. It does seem that most people here want to make the change, although it's obviously not universal, but it seems every few days there's been a new pitch about the specificity upon how we're going to implement this.

What I'm asking is, at this exact moment, is the A-D system (with A-C being valid and D being invalid) what everyone currently wants? Or are we split on that topic? OS25🤙☎️ 04:45, 19 February 2023 (UTC)

No, I completely agree with you. We've not heard anything back from User:Schreibenheimer so we need to just move forward. I again reiterate that I don't think B is its own thing, but C+D = B (ish, kinda), and support validating A and C, and not validating D. Perhaps Nate can clear that up. Najawin ☎ 04:59, 19 February 2023 (UTC)

Yep, it was my intention that B = C + D. I probably should have used a less confusing naming schema … B' and B'', or maybe B1 and B2? – n8 (☎) 17:13, 19 February 2023 (UTC)

I wouldn't mind most Type Ds being invalid, but that leaves me with one concern, about where we would sort books such as Doctor Who: The Encyclopedia; it does read surprisingly similar to this actual Wiki, from perspective to citations, but it does contain a wealth of new information such as character names for otherwise unnamed characters. Just for Night Terrors, it names: Rowbarton House, 58 Rowbarton House, Julie McKenzie, Ruby and Daisy McKenzie. That's five names for otherwise unnamed concepts, and just for one nu-Who story.

Perhaps Type Ds don't have to be invalid by default, but discussed individually? I feel there is some difference between something like this encyclopedia to essentially a real world article, if that makes sense.

EPSILON^🔎 |📯|📂|📦|📝

15:07, 19 February 2023 (UTC)

That's a great example, Epsilon. Since we already accept character names from credits, maybe we could compromise and say that Type D/B2 is invalid by default but can be used as a source for page names and validatable via a talk page discussion. – n8 (☎) 22:02, 21 February 2023 (UTC)

Ehhh. That's exactly the sort of thing Czech was most worried about afaict. I'm not thrilled with it, though, well, page names, so whatever. I could live with it. I think type A is the minimum though. Najawin ☎ 05:23, 22 February 2023 (UTC)

Reminder that we have today, and 2 more days until this thread needs to be closed. Danniesen ☎ 12:12, 22 February 2023 (UTC)

I support "Type A to C" being made valid whilst "Type D" is handled later potentially on a case by case basis. MrThermomanPreacher ☎ 12:22, 22 February 2023 (UTC)

On the new prefix, which hasn't been much discussed, assuming this part of the proposal goes through, have we considered using PROSE for regular written features, and GRAPHIC for those pesky exceptions like diagrams?
×   SOTO contribs ×°/↯/•]   💬•| {/-//:   20:23, 22 February 2023 (UTC)

As someone with a particular fondness for this topic, I've been meaning to chime into this thread and didn't yet get the chance due to business in my life. I'm cutting it close, but hearing what everyone else already said is helpful. I'll explain why I too agree on the "what" of this proposal, but I also want to get into the "how". So prepare for a long post... so long I haphazardly collapsed it. Please click that there "Expand" button on the right and Don't Panic.

A probably-too-long analysis

Back when we were discussing this topic in the lost forums, I began a (collaborative) sandbox to list fiction that might be considered "non-narrative". This list is by no means 100% comprehensive, but I read through every annual and various other books to gather information. I ended up categorizing them somewhat similarly to the above (more on that later), but I think my extensive notes demonstrate that trying to create some definitive line between what is "narrative" and what is not is a) extremely difficult and subjective and b) ridiculous. There are a fair few amount of sources we cover as a narrative because "technically, if you read it this way, it describes a series of events" for which while, yeah, you could say they're narrative, they're not really intended to be read that way. And some things just make no sense from this standpoint- I have no clue how Doctor Who The Official Annual 2019 would be covered. So, I wholly agree that the distinction of "narrativity" needs to be done away with. It's impossible to define and makes little sense to editors and readers alike.

What all these sources have in common though, with each other and with actual stories, is that they are meant to provide fictional information about the Doctor Who universe. Given that Doctor Who fiction is the entire focus of the major part of this site (the other part being real-world info on that fiction), the removal of a "narrativity" standard and replacement with a "fiction" standard seems ideal. It's prime wiki material and yet we just ignore it.

The sources in question

Now onto the actual material that would be affected by this change. First off, I gotta say, this "Type A/B/C/D" categorization is confusing to me and I would discourage it being used anywhere outside this discussion, especially in policy. The following categorization is essentially the same system to a degree, but based more on what's currently used on my sandbox for clarity. So, I want to expand on what these things actually cover.

As a bit of a preface, I will not be covering "branching narratives" such as choose-a-path books, stage plays, or video games. These are not solely invalid due to the current rule 1, because they are narrative, so changing it to "fiction" doesn't change the decisions of separate discussions. Relatedly, do keep in mind how the other three rules will still affect the following types of sources. Something might pass an amended Rule 1 but still fail Rule 4, for example.

In-universe material

So, firstly are sources presented as in-universe material. This is where the source is intended to be some form of media that some individual living in the DWU could consume. These mostly are informational features (narrative or not), but there actually is some other stuff, such as an image, or a game. Yes, there actually games constructed as either a game a character can play (e.g. a crossword puzzle the Doctor made for Jo, or some info from the Matrix that happens to be a game). While the fact that a photograph of a Dalek existed or that the Doctor made a crossword for Jo is not particularly noteworthy, it's not particularly harmful to be valid either. Additionally, validating these should make the coverage of already-valid in-universe material with narratives a bit easier, since the sources will no longer necessarily be confined to the structure of a "story".

In-universe perspective

Next is things merely using an in-universe perspective. This is something that's like most stories we already cover, except it happens to have no plot, or preordering as Najawin put it. This can come in many forms but the analogue is stories with a narrator that aren't actually being told to anyone in-universe. Of what needs to be validated, these are almost exclusively in the third person because first-person accounts of facts can be and have been construed as "the narrative is they're telling us these facts." Again, a useless distinction that obfuscates coverage.

Most of the sources of this type are what the annuals call "features", which is not always the correct term but quite a handy one. Generally they're prose, possibly infographics. I think a prime example is one of the earliest, The Phoenix in the TARDIS, which offers one of the earliest descriptions of regeneration. There are also full-length books of this type, most notably the guides from the early (first) RTD era, like Creatures and Demons which casually drops the rather important idea that Pete's World might have diverged due to no one protecting Queen Victoria from the werewolf thing. It's true that some sources like this are mostly summaries of TV events, but especially when they do provide new information, what's the harm in validating them? The TV episodes are still the main sources for those events, we don't cite those events to every work that also says they happened as a reference. Citing facts to any informational source should be fairly intuitive.

Also appearing for this bunch are simple images, which might arguably be comics that are apparently too shrt t b nrrtv dspt th fct tht... sorry, computer issue. Covering these is no different than citing info that only appears in one panel of a comic. Pretty straightforward.

But I think games are an often overlooked aspect of this too, and I in fact excluded some of them from my list, which I will update. The early annuals especially featured games that provide some interesting world-building that happens to be a game. And guess what, we do cover things like this where the text for the game has a preordering, such as Problem of the Painted Planet and Peaceful Solution. (Though whether these should really be called "short stories" is another matter.) Newer annuals have more unique framing devices such as Davros Detected!, which claims that Davros tried to escape the Crucible by using a clone decoy in the form of a spot-the-difference game. There are some with less feasible situations than this, but remember, Rule 4 can still apply for games which slap on DWU concepts for the sake of it rather than depicting an actual potential scenario. And just so they're not forgotten, there are also some generic dice-rolling board games that pretty much are narrative but have been overlooked. (No, whether the ADF ship moved four units and got sent back to Earth or five units and destroyed a Dalek ship is not a "branching narrative", you can roll every space in a game and the ultimate outcome never changes, whether it's ambiguous or not.) In any case, these games are yet another source that could be cited, simply describing a single thing that happened, a thing that existed.

Another thing I want to briefly address is merchandise. I'm aware info from merchandise is contentious, as it often is incorrect. But, there are some pieces of merch with unique info, such as this "Anti-Time Device" with info about a war between Cybermen and Weeping Angels. However, given that current policy does not allow sources with commercial intent, these will need to be discussed in another thread anyway.

Invasion of the real world

Okay, finally is things where the real world starts to blur with the DWU. There are, of course, different ways this happens. First and foremost, I agree with Epsilon that having separate indicators of real-world info, from infoboxes to parentheticals, does not break the fourth wall any more than a footnote does, as there is a clear distinction between fiction and nonfiction. These should be treated like any other "in-universe perspective" material.

With that out of the way, next is informative pieces on real-world facts with DWU references. For example, some of the Dalek annuals have educational features about space travel, astronomy, etc. Some of them have little remarks like "the Daleks might be interested in exploring this planet next." There are some of these features that do not make such references, and I think it's fine to ignore them on Rule 4 standards. But, even if something is mostly comprised of fact from the real world, if it implies the Doctor, the Daleks, or any such thing is real, that means it's fiction. Any such statement is inventive, which means it passes this amended Rule 1. Furthermore, this makes it clear such a feature is attempting to analogize the real world with the DWU, meaning it passes rule 4. We already have a narrative example of this in Tricky Dicky, which I think demonstrates the point well enough.

Lastly, most contentiously, and thus briefly, arrives non-narrative material that does not completely have an in-universe perspective. Some of these are almost entirely fictional but are not afraid to seamlessly mention something like "as seen in The Deadly Assassin". On the other side of things is almost entirely real-world info that also brings up in-universe concepts. I am in agreement that this will require further discussion. I think even if Rule 1 is changed to "only fiction counts", while this is fictional information that would pass that rule, it arguably is not "set in the DWU" per Rule 4. Additionally, a current point on T:VS credited to Rule 1 is "word of god" info from a writer. Not only does this not pass Rule 4 for the same reasons, it also can be argued to fail Rule 3 because a mere statement by a creator is not an "official release". Some of this I hope to address in my proposed thread about validity in general, coming Soon™. But for now, I don't think it's even covered by the proposal of this thread.

The suffix: prefixes

The last thing nagging is how citation prefixes would be applied to this newly valid material, especially since we want to do away with the distinction of narrativity. Personally, I am of the opinion that our prefix and citation system needs a bit of an overhaul. But until then, I think PROSE, GAME and a rare COMIC should suffice, as well as a new FEATURE for things that are not quite any of those. But this is something I'm less sure on, and needs to be decided on. (Semi-relatedly, and because I don't know where else to put this, the use of "story" in some instances will need to be updated to "source".)

If you read all that, thank you very much. I hope this was helpful and not just a wiki-ramble. I am looking forward to hopefully expanding our coverage on the wiki. Chubby Potato ☎ 11:43, 23 February 2023 (UTC)

I find myself fully agreeing with Chubby Potato on pretty much everything. One very important thing that he mentioned and that I feel is particuarly important is that there are a number of things currently classed as short stories that really aren't. Yes, they have a narrative, but often only if you squint a bit in an attempt to make it valid. I've certainly found myself guilty of this at times. I feel that, if it's not very clearly a short story in the standard definition of the term, we should give some serious consideration as to whether it's actually a "feature". It's worth noting that not everything neatly fits into the categories of "narrative short story" and "non-narrative feature". There are some large grey areas and this is particuarly why I feel that the concept of narrativity should be removed from the wiki as a whole. Bongo50 ☎ 19:35, 23 February 2023 (UTC)

None of my feelings are changed, but it was interpreted correctly above that I have far fewer objections to Type A than to the other types. I also have no expectations of a single naysayer being considered a sign of there not being a consensus; there definitely seems to be some degree of consensus in this thread, even if it didn't go the way I wanted it to. Don't really have any new thoughts to add beyond that. Schreibenheimer ☎ 11:34, 24 February 2023 (UTC)

Final thoughts

This is your final call to get anything in before the deadline is reached at the end of today. Danniesen ☎ 12:02, 24 February 2023 (UTC)

I've already given my stance but I will point out something regarding the "Type D". The ArcHive Tapes, which are very much told from an in-universe perspective, will very occasionally say things like "see Resurrection of the Daleks", the explanation being that these are in-universe "audio-visual documents". Just throwing that out there as something to consider. MrThermomanPreacher ☎ 13:06, 24 February 2023 (UTC)

Every policy is going to have edge cases. That sounds like something that should be considered in regard to that individual work. Schreibenheimer ☎ 15:05, 24 February 2023 (UTC)

You guys did a great job on this one. Even though it got VERY confusing. I'm just happy to be here. OS25🤙☎️ 16:46, 24 February 2023 (UTC)

Conclusion

I'm going to echo User:OttselSpy25's last comment above — "you guys did a great job on this one", to the point that writing a fitting closing post is a daunting prospect for this humble admin. Not because consensus isn't clear (it's abundantly clear), but because so many other users shined slightly different lights on the problem in so many structured, lengthy, closing-post-shaped arguments of their own. Here's my stab at it.

What are we validating?

"Works of fiction"

Firstly, just to get the obvious out of the way; as per clear community consensus, the current Rule 1 of T:VS is hereby abrogated. It will be replaced with a new Rule 1, to be phrased as "Only works of fiction count". This primarily validates the sources designated as "Type A" and "Type C" in the discussion (although this is an ad hoc terminology and distinction which will not be maintained in actual policy going forward; a non-narrative work is a non-narrative work whether or not it has a particular framing device, much as a novel is a novel whether it's got a first-person narrator or not).

Now, the initially-proposed phrasing was the slightly-different "Only fiction counts"; but the change is not intended to mean that all fiction counts, only that being fiction is the ultimate sine qua non. We simply must introduce a concept of "completeness". Chris Chibnall musing about a character's fate in an interview, some worldbuilding detail on the back of a trading card right alongside a quick briefer on what stories this monster appeared in, those things are perhaps fiction, but that doesn't make'em valid; they're not works of fiction, just blobs of fiction mixed in with something else. I know some people wish we could do otherwise, but User:Schreibenheimer's concerns are not without merit in that regard.

Type Ds and real-world bleedover

Where does this leave the so-called "Type Ds, then? On a case-by-case basis, with a presumption of non-validity. A "reference book" which continued plentiful new fictional information and happened to cite its sources in plaintext rather than footnotes or parenthetical could be considered "a work of fiction"; it's certainly a bounded thing. However, the default assumption with such a work should be that it's not so much a work of fiction as the printed equivalent of a convention panel where writers discuss the characters: nuggets of fictional information conveyed from a real-world perspective. An inclusion debate would generally be required to rule in such a source. (However, it can of course be used as a source for {{conjecture}} page-names. And works which cite explicitly in-universe counterparts of the real-world stories are simply not works of this type, they just look deceptively like them; such cases were always valid, modulo narrativity, as the narrative The ArcHive Tapes demonstrates, and will remain so.)

It should also be clarified that this wholly applies to non-book-length works of fiction printed within broader works that also include reference material. To my mind this almost goes without saying (any DWM short story or comic is already printed within a resource which also contains BTS-focused features: an issue of Doctor Who Magazine!), but in the Wiki's early days it seems that some material, like the fictional contents of Doctor Who: Cybermen, was invalidated due to concerns about being "both" an in- and out-of-universe book. But in this case, as in others where the in-universe and out-of-universe sections are just that (different, delineated sections), there is no bleedover, and thus no obstacle to validity.

On a separate note, User:Chubby Potato's point in his above pseudo-closing-post regarding informational features which acknowledge the existence of the Doctor or the like despite being mostly educational is endorsed. These things are valid.

Illustrations & artwork

While some things we already have pages on as "comic almost-stories", and things like graphics and maps, can definitely be validated on this basis, some degree of caution is warranted regarding the broader class of illustrations. Some illustrations are genuine works of fiction — some even functionally "tell a story" — but we shouldn't start creating bespoke source page on every single untitled picture of the Doctor printed in DWM. As a rule of thumb, illustrations with titles, or otherwise treated as their own items in whatever publication runs them (e.g. their own entry in the Table of Contents), can safely have pages created about them, but untitled ones should probably require their own case-by-case discussion.

How are we validating it?

A whole new class of valid sources necessitates some forethought about implementation, and I am happy to see that the matter has already been discussed at some lengths. Apologies if I must pull some of the following out of my own reflections, however; don't worry, the more tentative of the following is only a first draft, and it would not be T:POINT-breaking to suggest changes here or there, whether on individual prefix talk pages or as part of a broader effort to overhaul citation policy (I know some people want to overhaul some of our established prefixes as it stands, e.g. the arguably-obsolete difference between WC and TV).

• By and large, pages about non-narrative sources should use a "Summary" section and/or a "Contents" section, depending on what makes most sense, in lieu of a "Plot" section.

• In terms of terminology, for categorisation, dab-term and appearances-table purposes, "feature" should be used for most prose or comic non-narrative pieces which aren't printed individually. Illustrations, graphics, diagrams and the like should be referred to by the word "illustration". "(webcast)", "(home video)" and "(game)"/"(video game)" can continue to be used regardless of narrativity. For the time being, whole non-narrative books will continue to be dabbed as "(reference book)", but due to the confusion with real-world-focused reference books this is not ideal and should be replaced with something better as soon as possible (I am hopeful that a suggestion will emerge on this archived thread's talk page). I suppose that if it comes to it, a non-narrative TV or audio piece should be dabbed as simply "(TV)" or "(audio)", but fortunately I'm not aware of any such work currently existing on the Wiki, so good-oh.

• In terms of prefixes, PROSE can be used for all prose non-narrative fiction. As suggested by User:SOTO, GRAPHIC will be used for graphics, illustrations, etc. Like their dab terms, GAME, WC, HOMEVID are unaffected. COMIC and, should it come up, AUDIO and TV are also unaffected despite the different dab terms. As an additional point, I will take this opportunity to right an old wrong by introducing POEM and the matching dab term "(poem)", which can be used for text stories in verse, whether narrative or not. (If we're going to have valid "poems" at all, it makes no sense to keep dabbing some of the valid contents of Now We Are Six Hundred as "short stories" but not others.)

I keep rereading this and telling myself I must be forgetting some aspect of the "how", but nothing's coming to mind and the clock's ticking, so I do apologise for any oversight. Again, that's what talk pages are for… Still, I think this is a good enough roadmap to get us started. This won't be implemented in a day, anyway.

This is a big step for the Wiki, and I am sympathetic to the few voices who expressed concerns. But we must be unbiased and cover the DWU to its fullest extent. Casting out an entire medium of art was never a real option, and I can only mourn the fact that we've lost so much time in our documentation work, and must now play catch-up to this extent.

Thank you again, everyone, both for the work put into this thread, and for the work that is yet to come in implementing it!

Scrooge MacDuck ⊕ 19:52, 24 February 2023 (UTC)