Transmat:Doctor Who: Difference between revisions

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Think ''Doctor Who'' is just for boys?  Don't you believe it.  Not only was the show's [[Verity Lambert|very first producer]] a woman, but it would never have come back without the fierce advocacy of '''[[Jane Tranter]]''' and '''[[Julie Gardner]]'''. Considering her importance to ''Doctor Who'' it's somewhat ironic that Tranter's only on-screen ''credits'' are for ''[[Torchwood: Miracle Day]]''. But Gardner, her "partner in crime", is tied only with [[Russell T Davies]] as the most prolific producer in ''[[Doctor Who]]'' history.
Think ''Doctor Who'' is just for boys?  Don't you believe it.  Not only was the show's [[Verity Lambert|very first producer]] a woman, but it would never have come back without the fierce advocacy of '''[[Jane Tranter]]''' and '''[[Julie Gardner]]'''. Considering her importance to ''Doctor Who'' it's somewhat ironic that Tranter's only on-screen ''credits'' are for ''[[Torchwood: Miracle Day]]''. But Gardner, her "partner in crime", is tied only with [[Russell T Davies]] as the most prolific producer in ''[[Doctor Who]]'' history.
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{{tlhead|Money man}}
<div class="tr-box two">'''[[Donald Baverstock]]''' was the [[British Broadcasting Corporation|BBC]] executive who set the the wheels in motion that eventually led to the creation of ''[[Doctor Who]]''. Essentially the original commissioner of the programme, he hired [[Sydney Newman]] and later imposed a sense of financial responsibility upon [[producer]] [[Verity Lambert]]. </div>
<div class="tr-box two">'''[[Donald Baverstock]]''' was the [[British Broadcasting Corporation|BBC]] executive who set the the wheels in motion that eventually led to the creation of ''[[Doctor Who]]''. Essentially the original commissioner of the programme, he hired [[Sydney Newman]] and later imposed a sense of financial responsibility upon [[producer]] [[Verity Lambert]]. </div>
<div class="tr-box one">The '''[[Quantel Paintbox]]''' was a graphics workstation that allowed ''[[Doctor Who]]'' to have a primitive form of [[colourist|colour grading]] in the [[1980s]].</div>
<div class="tr-box one">The '''[[Quantel Paintbox]]''' was a graphics workstation that allowed ''[[Doctor Who]]'' to have a primitive form of [[colourist|colour grading]] in the [[1980s]].</div>
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{{thead|Surprising guest star}}
{{thead|Surprising guest star}}
'''[[John Cleese]]''' appeared in ''Doctor Who''{{'}}s highest rated televised story, ''[[City of Death]]'', around the time of series 2 of ''Fawlty Towers''.  Find out more about the thousands of actors who have been on ''Doctor Who'' by exploring '''[[:category:Doctor Who guest actors|Doctor Who guest actors]]'''. </div>
'''[[John Cleese]]''' appeared in ''Doctor Who''{{'}}s highest rated televised story, ''[[City of Death]]'', around the time of series 2 of ''Fawlty Towers''.  Find out more about the thousands of actors who have been on ''Doctor Who'' by exploring '''[[:category:Doctor Who guest actors|Doctor Who guest actors]]'''.  
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{{thead|Ex-Doctors never die, they just make audios}}  
{{thead|Ex-Doctors never die, they just make audios}}  
The careers of the [[Fifth Doctor|Fifth]], [[Sixth Doctor|Sixth]], [[Seventh Doctor|Seventh]] and [[Eighth Doctor]]s are '''significantly''' longer [[Big Finish Doctor Who audio stories|in audio]] than on television.  Check out their latest works at '''[[:category:{{CURRENTYEAR}} audio stories]]'''
The careers of the [[Fifth Doctor|Fifth]], [[Sixth Doctor|Sixth]], [[Seventh Doctor|Seventh]] and [[Eighth Doctor]]s are '''significantly''' longer [[Big Finish Doctor Who audio stories|in audio]] than on television.  Check out their latest works at '''[[:category:{{CURRENTYEAR}} audio stories]]'''
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{{thead|The relevance of comics}}
<div class="tr-box two">Officially, only ''[[The Lodger (TV story)|The Lodger]]'' has been explicitly adapted from a comic strip — also called ''[[The Lodger (comic story)|The Lodger]]''.  
<div class="tr-box two">Officially, only ''[[The Lodger (TV story)|The Lodger]]'' has been explicitly adapted from a comic strip — also called ''[[The Lodger (comic story)|The Lodger]]''.  
[[File:10MickeyFootball.png|center|250px|link=The Lodger (comic story)]]
[[File:10MickeyFootball.png|center|250px|link=The Lodger (comic story)]]
However, several stories have clearly taken material from comic strips — often those in ''[[Doctor Who Magazine]]''. ''[[The Shakespeare Code (TV story)|The Shakespeare Code]]'' contains a good amount of material from ''[[A Groatsworth of Wit (comic story)|A Groatsworth of Wit]]'', and the notion of the Doctor absorbing the [[time vortex]] in order to spare a [[companion]] was explored in both ''[[The Parting of the Ways (TV story)|The Parting of the Ways]]'' and ''[[The Flood (comic story)|The Flood]]''.  
However, several stories have clearly taken material from comic strips — often those in ''[[Doctor Who Magazine]]''. ''[[The Shakespeare Code (TV story)|The Shakespeare Code]]'' contains a good amount of material from ''[[A Groatsworth of Wit (comic story)|A Groatsworth of Wit]]'', and the notion of the Doctor absorbing the [[time vortex]] in order to spare a [[companion]] was explored in both ''[[The Parting of the Ways (TV story)|The Parting of the Ways]]'' and ''[[The Flood (comic story)|The Flood]]''.  
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<div class="tr-box one">{{thead|Production history for {{CURRENTDAY}}.{{CURRENTMONTH}} }}{{:{{CURRENTDAY}} {{CURRENTMONTHNAME}} (production)}}</div>
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{{thead|Production history for {{CURRENTDAY}}.{{CURRENTMONTH}} }}{{:{{CURRENTDAY}} {{CURRENTMONTHNAME}} (production)}}
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{{thead|Things released on {{CURRENTDAY}}.{{CURRENTMONTH}} }}{{:{{CURRENTDAY}} {{CURRENTMONTHNAME}} (releases)}}
{{thead|Things released on {{CURRENTDAY}}.{{CURRENTMONTH}} }}{{:{{CURRENTDAY}} {{CURRENTMONTHNAME}} (releases)}}

Revision as of 18:21, 10 October 2013

The Ark in Space
File:Sarah stuck in the conduit - Doctor Who - The Ark in Space - BBC

The Ark in Space was the second story of Season 12 of Doctor Who. It was the Fourth Doctor's first full, post-regenerative story. It proceeded from a mild-cliffhanger at the end of Robot, showing what happened after Harry Sullivan climbed into the police box in UNIT's laboratory. It importantly established the location of Nerva Beacon, which would be the narrative lynchpin of the season.

Ark had a somewhat tortuous scripting process, having slipped past two writers before its scripts were finally accepted. Both Christopher Langley and John Lucarotti tried and failed to write a script about a space station for season 12. Of the two, Lucarotti came closest. However, because he then lived on a boat anchored in the Mediterranean — and there was a postal strike afflicting Corsica — Lucarotti was essentially incommunicado to script editor Robert Holmes. It was impossible for Holmes to conduct timely consultation with the Doctor Who veteran. Lucarotti was paid fully for his work, and Holmes undertook a page one rewrite, retaining only the central conceit of Lucarotti's tale.

Despite its difficult birth, the story won kudos from the BBC Wales production staff. Russell T Davies once called Ark his favourite storyline of the 1963 version of Doctor Who. Steven Moffat considered it the best Fourth Doctor story, while Barnaby Edwards confessed to being "petrified of the Wirrn" as a child. Tom Baker himself has also stated that, of all the stories he'd filmed, The Ark in Space was his favourite.

The women who gave Doctor Who back to us
File:David Tennant interviews Doctor Who Producers - Doctor Who Confidential - BBC
David Tennant interviews Julie Gardner and Jane Tranter

Think Doctor Who is just for boys? Don't you believe it. Not only was the show's very first producer a woman, but it would never have come back without the fierce advocacy of Jane Tranter and Julie Gardner. Considering her importance to Doctor Who it's somewhat ironic that Tranter's only on-screen credits are for Torchwood: Miracle Day. But Gardner, her "partner in crime", is tied only with Russell T Davies as the most prolific producer in Doctor Who history.

Template:Tlhead

Donald Baverstock was the BBC executive who set the the wheels in motion that eventually led to the creation of Doctor Who. Essentially the original commissioner of the programme, he hired Sydney Newman and later imposed a sense of financial responsibility upon producer Verity Lambert.
The Quantel Paintbox was a graphics workstation that allowed Doctor Who to have a primitive form of colour grading in the 1980s.
Surprising guest star

John Cleese appeared in Doctor Who's highest rated televised story, City of Death, around the time of series 2 of Fawlty Towers. Find out more about the thousands of actors who have been on Doctor Who by exploring Doctor Who guest actors.

Ex-Doctors never die, they just make audios

The careers of the Fifth, Sixth, Seventh and Eighth Doctors are significantly longer in audio than on television. Check out their latest works at category:2024 audio stories

The relevance of comics
Officially, only The Lodger has been explicitly adapted from a comic strip — also called The Lodger.
File:10MickeyFootball.png

However, several stories have clearly taken material from comic strips — often those in Doctor Who Magazine. The Shakespeare Code contains a good amount of material from A Groatsworth of Wit, and the notion of the Doctor absorbing the time vortex in order to spare a companion was explored in both The Parting of the Ways and The Flood.

Production history for 25.10
Things released on 25.10


25.10 births and deaths
  1. ↑ McKellen
  2. ↑ Aveleyman
  3. ↑ Find a Grave
  4. ↑ Doctor Who Guide
  5. ↑ Famous Birthdays
  6. ↑ IMDb
  7. ↑ People Pill
  8. ↑ Aveleyman
  9. ↑ The Doctor Who Cuttings Archive
  10. ↑ Doctor Who Guide
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