The Ursine Brood (short story): Difference between revisions
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== Story notes == | == Story notes == | ||
* An online-exclusive illustration for the story was created by artist [[Kern McCarthy]] and released through the series's official Facebook page.<ref>https://www.facebook.com/chris.cwej.series/photos/a.119461952893492/138215724351448</ref> | * An online-exclusive illustration for the story was created by artist [[Kern McCarthy]] and released through the series's official Facebook page.<ref>https://www.facebook.com/chris.cwej.series/photos/a.119461952893492/138215724351448</ref> | ||
* In-line with the story's religious themes, [[Cwej-Ursa]]'s final regeneration resembles | * In-line with the story's religious themes, [[Cwej-Ursa]]'s final regeneration resembles an {{W|Ophanim}}. | ||
== Continuity == | == Continuity == | ||
Revision as of 23:09, 8 May 2022
The Ursine Brood was the sixteenth short story in Down the Middle. It marked a turning point in the anthology's narrative, beginning a sequence of connected stories which close the book.
Plot
to be added
Characters
References
- Cwej is supposed to go an adventure at the Gowlbone Castle on the inner surface of the Omnium Sphere in the 51st century, in which a washed-up Cwej has to rescue Bicktöv the Millionth from the Primordial Liberation Front.
- Larles and Kwol's abstract sculpture of the Grigori Goddess resembles a large 3D asterisk.
- Chris knows of some Cwejen who have deserted, including one who became a DJ on Thoros Minor.
- One Cwej-Plus becomes a preacher for Ursa.
- The Superiors' initial production of the Cwejen had consumed a literally infinite military budget, with tetradimensional diffraction combs specially bred and even skilled temporal engineers retroactively conceived specifically for the project.
- The Superiors have specialist shipbreakers to euthanize timeships once they become senile or defective.
- When he was very young, Chris had had a beloved teddy bear.
Story notes
- An online-exclusive illustration for the story was created by artist Kern McCarthy and released through the series's official Facebook page.[1]
- In-line with the story's religious themes, Cwej-Ursa's final regeneration resembles an Ophanim.
Continuity
- Chris is aware that one Cwej ran off to start a family in New New York. (TV: Gridlock)
- The Vicinity was "caesarean-sliced" (TV: Dark Water) from the Superiors' "great mother-computer" (PROSE: Toy Story) which is made of crystals. (PROSE: The Nth Doctor, The V Cwejes)
- Chris and other Cwejen possess low level psychic power. (PROSE: SLEEPY, et al.)
- Ursa arrived on the planet in a crashed "70-Form" timeship, (PROSE: The Book of the War, AUDIO: Embrace the Darkness, et al.) which resembles a gray metallic cylinder without its camouflage unit. (TV: The Name of the Doctor)
- A 70-form is an outdated model from Chris' perspective. (PROSE: The Book of the War)
- The crashed timeship has its dimensional transcendentalism leaking. (TV: The Name of the Doctor)
- Chris analogizes the Ursine Brood as a "Faction Christopher" to the "Little House of Cwejes". (PROSE: The Book of the War)
- In preparation for the mass production of the Cwejen, Superior occultists used the surviving "black scrolls" (TV: The Five Doctors) to invoke the aid of entities from the Old Times. (PROSE: The Guide to the Dark Times, et al.)
- Chris speculates that Cwej-Ursa's long process of regeneration was influenced by traces of the bear body bepple he'd had for a few months as a young man. (PROSE: Original Sin)
- Chris' trauma from this story continues into PROSE: The Trauma Deception.
External links
- Official The Ursine Brood page at Arcbeatle Press
Footnotes
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