The Lazarus Experiment (TV story)

The Lazarus Experiment (TV story)

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The Lazarus Experiment
Doctor:	[[doctor::Tenth Doctor]]
Companion(s):	Martha Jones
Main enemy:	Richard Lazarus
Main setting:	London, 2008
Key crew
Writer:	Stephen Greenhorn
Director:	Richard Clark
Producer:	Phil Collinson
Release details
Story number:	183
Release number:	Series 3
Premiere broadcast:	5th May 2007
Format:	1 45-minute Episode
Production code:	3.6
Confidential:	[[confidential::Monsters Inc.|Monsters Inc.]]

The Lazarus Experiment was the sixth episode of the third series of Doctor Who. It saw regular writer Mark Gatiss take on an acting role and marked the Doctor's acceptance of Martha as his regular companion. It included a large number of "Harold Saxon" references and saw Francine Jones' first involvement with him.

Synopsis

Martha returns home and Richard Lazarus changes "what it means to be Human."

Plot

The TARDIS materialises in Martha's flat. The Doctor tells her that they had agreed - one trip and home. It is about twelve hours after they left. Martha's phone rings, but she does not pick it up; it is her mother Francine, saying that her sister Tish is on the news. Martha turns the television on and, alongside Tish, an elderly man, Professor Richard Lazarus, announces that tonight he "will change what it means to be human." The Doctor says goodbye to Martha and, oblivious to her upset, steps into the TARDIS. It dematerialises, but quickly rematerialises. "No, I'm sorry, did he say he was going to change what it meant to be human?"

At Lazarus Laboratories, Professor Lazarus and Lady Thaw discuss the need for the experiment to work, with Thaw mentioning that Mr Saxon is funding their research. Tish comes in and Lazarus attempts to flirt with her.

The Doctor and Martha attend Professor Lazarus' reception that evening, as do Martha's mother and her brother Leo. Martha introduces the Doctor to her family; Francine is suspicious of him. Lazarus announces he is to perform a "miracle", and steps into the manipulator's capsule. As technicians operate the machine, the Doctor notices that the system is overloaded and jumps in to avert disaster. Lazarus emerges, looking decades younger. Despite the momentary crisis, his experiment appears to have been a success - but the Doctor is certain there are dangers the professor has overlooked. Lazarus scoffs at the Doctor's warnings, so the Doctor and Martha sneak off to conduct their own tests, taking a DNA sample from Martha's hand, which Lazarus has just kissed. They see that his sonically "hacked" DNA is unstable: Lazarus is changing.

Meanwhile, Lazarus speaks with Lady Thaw. She wants to be the next to be rejuvenated, and to continue their partnership both personally and professionally. He rejects her. As she threatens to complain to Mr. Saxon, Lazarus' financial backer, he transforms into a large, scorpion-like monster with Lazarus' face, and kills her.

Downstairs, Francine asks Tish and Leo whether Martha has ever mentioned the Doctor to them before. She worries there is "something going on". Lazarus returns to the reception, apparently human and wearing a different suit, and invites Tish upstairs with him.

The Doctor and Martha find Lady Thaw's body; the Doctor says she had all the life energy drained to supply energy to the processes caused by Lazarus' fluctuating DNA. Worried he will kill again, they go back downstairs, only to learn that he has gone off with Tish. They rush off, the Doctor accidentally spilling a drink on Francine. Another man replaces her drink, and darkly warns that Martha should be more careful in choosing her friends.

Lazarus takes Tish to the roof, where he talks about nearby Southwark Cathedral and quotes T.S. Eliot, a quote the Doctor completes. As they argue, Martha gets Tish away from Lazarus before he transforms again into a monster. The Doctor comments that what Lazarus has transformed into is an accidentally-unlocked evolutionary dead-end lying dormant in human genes (resembling brontoscorpio, see Walking with Monsters). They run away, tripping a security lockdown. The Doctor gives Martha the sonic screwdriver to unlock the doors, and warns everyone at the reception to get out; but Lazarus kills one woman and Leo suffers a concussion. The Doctor draws Lazarus away from Francine. Lazarus chases the Doctor down a corridor.

Martha examines Leo, gets everyone out of the building, and goes back inside to help the Doctor despite Francine's protests. Tish guesses that "maybe she loves him". The man who replaced Francine's drink earlier calls the Doctor "dangerous", and whispers in Francine's ear the things he says she "should know" about him.

The Doctor turns on the gas in a lab and leaps away from the resulting fireball, but the Lazarus monster survives. Martha hears the explosion and finds The Doctor as she runs toward its source. She returns the sonic screwdriver to the Doctor. They flee together, and end up hiding in the capsule of Lazarus' machine, on the Doctor's hunch that Lazarus is unlikely to destroy his own creation. Instead, Lazarus turns it on. The Doctor "reverses the polarity" so that it affects the outside of the capsule instead of the inside, transforming Lazarus back to human in appearance - and killing him.

Outside, as the ambulance carrying Lazarus' body pulls away, Francine slaps the Doctor, and tells him to keep away from Martha. The Doctor hears the ambulance crash and rushes toward it, followed by Martha and Tish. They find two more of Lazarus' victims in it; Lazarus has come back to life. They find him in human form inside Southwark Cathedral, where as a child he took refuge during the London Blitz. The Doctor says he was present during the Blitz, but Lazarus says that he is not old enough to have been there. They argue again about the benefits and curse of longevity. Martha (accompanied by Tish) then lures Lazarus away to the top of the bell tower; the Doctor told her earlier that Lazarus could be defeated if he could just get him up there. As the Lazarus monster chases the Jones sisters at the top of the cathedral, the Doctor pulls out all the stops on the pipe organ, inserts the sonic screwdriver, and plays it at maximum volume, setting up a resonance in the bell above Lazarus that interferes with his sonic-based experiment. Lazarus falls to the cathedral floor below, transforming one last time - back into the elderly man he once was.

Back in Martha's flat, the Doctor offers Martha one more trip, but Martha refuses to go with him on that basis, as a mere passenger being given a treat. The Doctor says "Okay, then, if that's what you want." She thinks he means to leave her again, but he indicates with a nod that she is welcome to rejoin him on her terms, and admits she was "never really just a passenger". They leave together in the TARDIS. As it disappears, Martha's phone rings; it's Francine. She warns Martha about "who this Doctor really is", saying, "This information comes from Harold Saxon himself. You're not safe!"

Cast

• The Doctor — David Tennant
• Martha Jones — Freema Agyeman
• Tish Jones - Gugu Mbatha-Raw
• Leo Jones - Reggie Yates
• Francine Jones - Adjoa Andoh
• Professor Lazarus — Mark Gatiss
• Lady Thaw - Thelma Barlow
• Party Guest - Lucy O'Connell
• Mysterious Man - Bertie Carvel

Crew

Executive Producers   Russell T Davies and Julie Gardner

Written by Stephen Greenhorn	Produced by Phil Collinson	Directed by Richard Clark	Director of Photography Rory Taylor	Production Designer Edward Thomas	Visual Effects The Mill
Make-up Designer Barbara Southcott	Casting Director Andy Pryor CDG	Music Murray Gold	Costume Designer Louise Page	Edited by John Richards	Special Effects Any Effects
Original theme music by Ron Grainer  •  With thanks to the BBC National Orchestra of Wales

General production staff Production Executive - Julie Scott Production Manager - Tracie Simpson Location Manager - Lowri Thomas Unit Manager - Rhys Griffiths Production Co-ordinator - Jess van Niekerk Production Secretary - Kevin Myers Production Accountant - Endaf Emyr Williams Contracts Assistant - Kath Blackman Finance Manager - Chris Rogers Script department Script Editor - Simon Winstone Camera and lighting department 1st Assistant Director - Dan Mumford 2nd Assistant Director - Jennie Fava 3rd Assistant Director - Sarah Davies Floor Runners - Lowri Denman, Barry Phillips Continuity - Non Eleri Hughes Focus Puller - Steve Rees Polecam Operator - Andy Leonard Grip - John Robinson Camera Assistant - Penny Shipton Boom Operators - Jon Thomas, Bryn Thomas Gaffer - Mark Hutchings Best Boy - Peter Chester	Art department Chief Supervising Art Director - Stephen Nicholas Supervising Art Director - Arwel Wyn Jones Art Department Production Manager - Jonathan Marquand Allison Art Department Co-ordinator - Matthew North Associate Designer - James North Set Decorator - Malin Lindholm Props Buyer - Blaanid Maddrell Design Assistants - Peter McKinstry, Ben Austin Cyfle Trainee - Naseem Syed Standby Props - Phill Shellard, Nick Murray Standby Carpenter - Paul Jones Standby Art Director - Leonie Rintler Standby Rigger - Bryan Griffiths Standby Painter - Ellen Woods Chief Props Master - Adrian Anscombe Chief Props Maker - Barry Jones Props Makers - Penny Howarth, Mark Cordory, Nick Robatto Construction Manager - Matthew Hywel-Davies Construction Chargehand - Allen Jones Graphics - BBC Wales Graphics Costume department Costume Supervisor - Lindsay Bonaccorsi Costume Assistants - Sheenagh O'Marah, Kirsty Wilkinson	Make-up and prosthetics Make-up Artists - Pam Mullins, Steve Smith, John Munro Prosthetics - Millennium FX Prosthetics Designer - Neill Gorton Prosthetics Supervisor - Rob Mayor Prosthetics Technicians - Helen Rowe, Alex Wathey Movement Stunt Co-ordinator - Tom Lucy Stunt Performer - Charles Jarman Casting Casting Associate - Andy Brierley General post-production staff Post-production Supervisors - Samantha Hall, Chris Blatchford Post-production Co-ordinator - Marie Brown Assistant Editor - Tim Hodges On-line Editor - Matthew Clarke Special and visual effects Visual FX Producers - Will Cohen, Marie Jones Visual FX Supervisor - Dave Houghton VFX Editor - Ceres Doyle VFX Co-ordinators - Jenna Powell, Rebecca Johnson On-set VFX Supervisor - Barney Curnow SFX Co-ordinator - Ben Ashmore SFX Supervisor - Paul Kelly SFX Technicians - Danny Hargreaves, Henry Brook 3D Artists - Nicholas Hernandez, Jean-Claude Deguara, Neil Roche, Jean Yves Audouard, Jeff North 2D Artists - Sara Bennett, Melissa Butler-Adams, Tim Barter, Greg Spencer, Adam Rowland, Bryan Bartlett Colourist - Mick Vincent Digital Matte Painters - Simon Wicker, Charlie Bennett Sound Sound Recordist - Julian Howarth Dubbing Mixer - Tim Ricketts Supervising Sound Editor - Paul McFadden Sound Effects Editor - Paul Jefferies Sound Editor - Doug Sinclair Foley Editor - Kelly-Marie Angell

Not every person who worked on this adventure was credited. The absence of a credit for a position doesn't necessarily mean the job wasn't required. The information above is based solely on observations of the actual end credits of the episodes as broadcast, and does not relay information from IMDB or other sources.
David Bednall was uncredited for his organ performance.

References

• When the Doctor references "something bad happening" whenever he wears a tuxedo, he is making a reference to Rise of the Cybermen and The Age of Steel.
• Martha states The Doctor is her "Plus One." The Doctor said Rose Tyler was his Plus One in The End of the World.
• Jackie Tyler was the last mother to slap the Doctor.
• The Doctor states that he has to turn the sound "to eleven", which is a reference to the mockumentary "This is Spinal Tap", wherein guitarist Nigel Tufnel discusses how amplifiers that go to eleven go "one louder" than usual, giving a necessary push.
• Dr Lazarus (Mark Gatiss) says he once lived above a butchers shop as a child, this could be a refrence to his role as Hilary Briss in the BBC series The League of Gentlemen where Gatiss is well known for playing a butcher.

Story notes

• This is the second time in the revived series when the Doctor jumps from an explosion, first in The Unquiet Dead, and later in The Vampires of Venice
• Gatiss's appearance will make him one of a select few to have both written for and acted in the show, and the first of the new series to do so. Gatiss' involvement with the Doctor Who franchise dates back to writing for the Virgin New Adventures novel series in the early 1990s, as well as appearing in and writing several independent spin-off video productions. Gatiss also appears in Victory of the Daleks, another episode he wrote.
• The Doctor states that he has to 'reverse the polarity', this was also a statement associated with the Third Doctor.
• The Doctor claims to have been taught how to play the pipe organ by Beethoven.
• The name 'Lazarus' is perhaps a reference to the Biblical man who was resurrected from the dead, similar to been given youth back.
• The capsule of Lazarus's Genetic Manipulation Device is actually the redecorated descent capsule from The Impossible Planet/The Satan Pit.

Ratings

• 7.19 million viewers - BARB Final Rating
• 6.7 million viewers - Overnight
• 0.98 million viewers - BBC3 Repeat

Myths

to be added

Filming locations

• The National Museum of Wales was used for the exterior, and several interiors of Lazarus Laboratories.
• For the exteriors of Southwark Cathedral, the real cathedral was used. But the interiors are from Wells Cathedral in Wells, Somerset. (Coincidentally, Wells is also the location of the Wookey Hole Caves, where Revenge of the Cybermen was partly filmed.)

Production errors

If you'd like to talk about narrative problems with this story — like plot holes and things that seem to contradict other stories — please go to this episode's discontinuity discussion.

Continuity

• The Ninth Doctor saw the Blitz first hand in The Empty Child/The Doctor Dances, then again in his eleventh incarnation in Victory of the Daleks.
• At the beginning of the episode Harold Saxon is mentioned by Dr Lazarus, and again at the end by Francine.
• Lazarus' project insignia, a circular pattern of circles, is the same pattern seen on the Master's ring at the end of Last of the Time Lords. This symbol can be seen many times inside the laboratory during the episode.

Timeline

• This story occurs after DW: The Infinite Quest
• This story occurs before DWM: The Woman Who Sold the World

Home video releases

Series 3 Volume 2 DVD Cover

• This episode was released alongside Daleks in Manhattan, Evolution of the Daleks and 42.
• It is also part of the series 3 DVD boxset.
• A deleted scene establishes that the Doctor once helped [at the time] future President Thomas Jefferson draft the US Declaration of Independence, and he specifically takes credit for the reference to "the pursuit of happiness". The Doctor finds the first draft of the document in his tuxedo pocket.

See also

• DW: Mawdryn Undead
• DW: The Five Doctors

External links

Official BBC Website The Lazarus Experiment