Flesh and Stone (TV story)

	[[doctor::Eleventh Doctor]]
	Amy Pond River Song (guest)
	Weeping Angels
	Alfava Metraxis, 51st century Earth, 25th-26th June 2010
	Steven Moffat
	Adam Smith
	Tracie Simpson
	206b
	Series 5
	1st May 2010
	1x 45 minute episode
	1.5

Flesh and Stone is the fifth episode of Series Five. It is the second part of a two-part story.

Synopsis

File:Amy Angel Eye.PNG

There's no way back, no way up and no way out. Trapped among an army of Weeping Angels, The Doctor and his friends must try to escape through the wreckage of a crashed space liner. Meanwhile, in the forest vault, the Doctor's companion, Amy Pond, finds herself facing an even more deadly attack.

Plot

The Doctor, Amy, River Song, Father Octavian and his clerics have all jumped on The Doctor's instructions, and have been caught by the Byzantium's still existent gravity field and have landed on the outside of the Byzantium, upside down in relation to the Weeping Angels left beneath them. They enter the ship, but are followed by the Angels. The Doctor and the others manage to escape and enter the control room. Amy has been counting downwards from ten for several minutes without realising it, and the Doctor notices a crack on the wall, similar to the one in Amy's bedroom. The Doctor examines it, saying "That's extremely very not good", before noticing he is surrounded by Weeping Angels. He escapes, minus his coat, and follows the others. They discover that Amy has a Weeping Angel in the visual centres of her mind. The Doctor tells her if she opens her eyes for more than a second, the Weeping Angel will escape and she will die. She is left with the clerics as the Weeping Angels advance, Meanwhile The Doctor, River Song and Father Octavian head off to find a way to stop the Angels.

Cast

• The Doctor - Matt Smith
• Amy Pond - Karen Gillan
• River Song - Alex Kingston
• Octavian - Iain Glen
• Bob - David Atkins
• Marco - Darren Morfitt
• Pedro - Mark Monero
• Phillip - Geroge Russo

Crew

Executive Producers   Steven Moffat, Piers Wenger and Beth Willis

General production staff Production Executive - Julie Scott Line Producer - Patrick Schweitzer Location Managers - Gareth Skelding, Paul Davies Unit Manager - Rhys Griffiths Production Co-ordinator - Jess van Niekerk Production Management Assistant - Claire Thomas Production Runner - Sian Warrilow Production Accountant - Ceri Tothill A/Production Accountant - Carole Wakefield Script department Script Editor - Lindsey Alford Camera and lighting department 1st Assistant Director - Dan Mumford 2nd Assistant Director - James DeHaviland 3rd Assistant Director - Heddi-Joy Taylor-Welch Runners - Nicola Enyon Price, Laura Jenkins Continuity - Non Eleri Hughes Focus Pullers - Steve Rees, Anna James Grip - John Robinson Camera Assistants - Tom Hartley, Jon Vidgen Boom Operator - Dafydd Parry Gaffer - Mark Hutchings Best Boy - Pete Chester Electricians - Ben Griffiths, Steve Slocombe, Bob Milton, Alan Tippets	Art department Supervising Art Director - Stephen Nicholas Art Department Co-ordinator - Amy Pope Associate Designer - James North Production Buyer - Ben Morris Set Decorator - Julian Luxton Props Buyer - Adrian Anscombe Set Designer - Ben Austin Storyboard Artist - Matthew Savage Concept Artists - Richard Shaun Williams, Peter McKinstry Graphic Artist - Jackson Pope Standby Props - Phill Shellard, Tom Evans Standby Carpenter - Will Pope Standby Art Director - Ciaran Thompson Standby Rigger - Keith Freeman Standby Painter - Ellen Woods Props Master - Paul Aitken Props Chargehand - Matt Wild Dressing Props - Martin Broadbent, Rhys Jones Props Makers - Penny Howarth, Nicholas Robatto Construction Manager - Matthew Hywel-Davies Construction Chargehand - Scott Fisher Practical Electrician - Albert James Scenic Artists - John Pinkerton, John Whalley Graphics - BBC Wales Graphics Costume department Costume Assistants - Sara Morga, Maria Franchi	Make-up and prosthetics Make-up Supervisor - Pam Mullins Make-up Artists - Abi Brotherton, Morag Smith Prosthetics - Millennium FX Movement Stunt Co-ordinator - Crispin Layfield Casting Casting Associates - Andy Brierley, Alice Purser General post-production staff Post-production Supervisors - Chris Blatchford, Samantha Hall Post-production Co-ordinator - Marie Brown Assistant Editor - Cat Gregory On-line Conform - Matthew Clarke, Mark Bright Special and visual effects VFX Editor - Ceres Doyle Colourist - Mick Vincent Sound Sound Recordist - Bryn Thomas Dubbing Mixer - Tim Ricketts Sound Maintenance Engineer - Jeff Welch Supervising Sound Editor - Paul McFadden Sound Effects Editor - Paul Jefferies Foley Editor - Helen Dickson

Not every person who worked on this adventure was credited. The absence of a credit for a position doesn't necessarily mean the job wasn't required. The information above is based solely on observations of the actual end credits of the episodes as broadcast, and does not relay information from IMDB or other sources.

References

• When trying to figure out the implications of the cracks in time, the Doctor references the CyberKing, and wonders if 21st century Earth's lack of knowledge of the events of The Next Doctor is somehow related.

Story Notes

• According to Steven Moffat on the 30th March 2010 edition of the BBC Radio 4 programme, Front Row, the title of this episode was supplied by his son, Joshua.

• The title is a play on 'flesh and bone', a common idiom referring to a creature's anatomy, since most humans and animals are composed of flesh and a skeletal structure. The title also refers to the Weeping Angels' weakness of turning to stone whenever anyone looks at them. This was a rumoured title for the episode Gridlock.

• In the trailer at the end of The Time of Angels it shows a crack - continuing the theme throughout the series. The crack appears to be growing, and upon finding it, the Amy Pond notes its similarity to the one on her bedroom wall from DW: The Eleventh Hour. The Doctor says of the crack, "That is extremely very not good." Also, near the end when the Doctor is talking to River Song in the Vault, the television in the background shows what seems to be an eye swinging down and back up again. This is the movement of the Atraxi eye in the Eleventh Hour.
• A video clip on the official Doctor Who website shows that the Doctor gets the Weeping Angels to say "comfy chairs".
• The Doctor finds out that time can be unwritten.
• The time on the scanner that The Doctor holds says that Amy's day is her wedding day.
• The Weeping Angels are seen moving for the first time. They are seen turning their heads when they begin to realise that Amy can't see them.
• The date shown in the episode, 26/06/2010, is (if all episodes are not interrupted) the final episode date of Series 5.
• The method The Doctor uses to dispose of the Weeping Angels mirrors his method of vanquishing the Cybermen and Daleks in DW: Doomsday.

Ratings

to be added

Filming Locations

to be added

Rumours

• Amy and Rory will either marry each other or put it on hold at the end of the episode, and Rory will travel in the TARDIS at the end. This was proven false, but Rory will travel in the TARDIS in the next episode

Production Errors

• When the Doctor is talking to Amy just before he heads off with River Song, he is seen wearing his brown coat. But he lost that earlier when the Weeping Angels have him captured. He could have easily got a new one, or they may have dropped it in the ship, so he could just use the TARDIS to go and get it.

Continuity

• Events The Doctor thinks are erased from history by the cracks include DW: The Stolen Earth/Journey's End and The Next Doctor

DVD Release

to be added

External Links

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