Clarissa Jones
Clarissa Jones was Head of Administration at the Braxiatek Collection.
Biography
Miss Jones was a key member of the Braxiatel Collection's administration up to and including its occupation by the Fifth Axis. During the occupation she fell in love with Lt Bernard Moskof and was labelled a collaborator by the resistance. (PROSE: Life During Wartime) After the occupation was over, she struggled to readjust to life in the Collection, leading to Braxiatel attempting to cheer her up with a short romance with Ronan McGinley. (PROSE: A Life Worth Living) She had a weakness for attractive men, including Dominic Troy, which Benny used as an advantage when stuck in Dominic's body to gain access to the Mansionhouse. (PROSE: Professor Bernice Summerfield and the Squire's Crystal)
Clarissa disapproved of the way Bernice seemed to abandon her son Peter Summerfield. (PROSE: The Tree of Life) Eventually she snapped, kidnapped Peter and fled the Collection with him in tow. She was chased by Bernice, Adrian and Jason Kane and shot down by Bev Tarrant. (PROSE: Parallel Lives)
Before her death Braxiatel revealed to Bernice that Clarissa Jones was from the future. During the Draconian-Mim war Jason Kane found her body had been recovered from the Stonehauser Medical Facility, which had been destroyed. The war was itself an alteration to the timeline, and should not have occurred. Jason Kane theorised that Braxiatel had organised her death (twice) to prevent her pointing out how he was altering history. (AUDIO: Freedom of Information, The End of the World)
Personality
Ms Jones was stern woman with a heart of steel, although she did have a soft spot for Bernice Summerfield and, in particular, Wolsey. (PROSE: Professor Bernice Summerfield and the Doomsday Manuscript)
Appearance
Ms Jones was a large woman with grey hair which she wore in a bun so tight that her eyebrows were pulled upwards. She had a lined face with an angular nose and wore horn-rimmed spectacles attached to a chain around her neck. (PROSE: Professor Bernice Summerfield and the Doomsday Manuscript)
| |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
