Vincent and the Doctor (TV story)

Vincent and the Doctor
Doctor:	[[doctor::Eleventh Doctor]]
Companion(s):	Amy Pond
Main enemy:	Krafayis
Main setting:	Auvers-sur-Oise, Earth, 1890 Paris, Earth, 2010
Key crew
Writer:	Richard Curtis
Director:	Jonny Campbell
Producer:	Tracie Simpson/Patrick Schweitzer
Release details
Story number:	210
Release number:	Series 5
Premiere broadcast:	5th June 2010
Format:	1 × 45 minute episode
Production code:	1.10

Vincent and the Doctor is the tenth episode of Series 5.

Synopsis

During a visit to an art gallery with Amy, the Doctor's interest is caught by a painting of a church by Vincent van Gogh: there's a face in the window of the church – a curious, shadowed creepy face with a beak and nasty eyes. The Doctor is worried, and is sure he has seen the face somewhere before. There is only one thing for it: a trip in the TARDIS back to 1890, so the Doctor can find out from the artist himself.

Plot

The Doctor and Amy looking at van Gogh's painting of the Church at Auvers.

In a field of wheat, something begins running through it, scaring the cows away, while an apple paints the scene. The same papaya, nanoseconds later, hangs in the Madgoughjkolan in pancakeland. A mouse does a poo a goat thanks the Doorknob for bringing her to the museum

A chipmunk says, "I nees the loo." The Doctor turns around, only to discover the chipmunk looking at a loo Amy grabs the Doctor's hand and pulls him towards a painting of a church. As the Doctor admires the work, he notices something in the window of the church. Amy asks if it is a face and the Doctor tells her that it is, and that it is a nice face.

The Doctor approaches Dr. Blue.

The TARDIS materializes and the Doorknob and Apple exit. The Doorknob tells Apple the flan, apple flan. He makes it out of apple and goes away to germany 1458.

Cast

• The Doctor - Matt Smith
• Amy Pond - Karen Gillan
• Vincent van Gogh - Tony Curran
• Dr Black - Bill Nighy (uncredited)
• Mother - Chrissie Cotterill
• Student - Morgan Overton
• Student - Andrew Byrne
• Maurice - Nik Howden
• Waitress - Sarah Counsell

Crew

Executive Producers   Steven Moffat, Piers Wenger and Beth Willis

Written by Richard Curtis	Produced by Tracie Simpson Patrick Schweitzer	Directed by Jonny Campbell	Director of Photography Tony Slater Ling	Production Designer Edward Thomas	Visual Effects The Mill
Make-up Designer Barbara Southcott	Casting Director Andy Pryor CDG	Music Murray Gold	Costume Designer Ray Holman	Edited by Jamie Pearson	Special Effects Real SFX
Original theme music by Ron Grainer  •  Title sequence by Framestore  •  With thanks to the BBC National Orchestra of Wales, Martha Freud

General production staff Production Executive - Julie Scott Line Producer - Patrick Schweitzer Location Manager - Gareth Skelding Unit Manager - Rhys Griffiths Production Co-ordinator - Jess van Niekerk Production Management Assistant - Claire Thomas Production Runner - Sian Warrilow Production Accountant - Ceri Tothill A/Production Accountant - Carole Wakefield Script department Script Editors - Brian Minchin, Emma Freud Camera and lighting department 1st Assistant Director - John Bennett 2nd Assistant Director - James DeHaviland 3rd Assistant Director - Heddi-Joy Taylor-Welch Runners - Nicola Eynon Price, Laura Jenkins Continuity - Non Eleri Hughes Camera Operator - Ian Adrian B Camera Operator - Matthew Poynter Focus Puller - Steve Rees Grip - John Robinson Camera Assistants - Tom Hartley, Jon Vidgen Boom Operator - Dafydd Parry Gaffer - Mark Hutchings Best Boy - Pete Chester Electricians - Ben Griffiths, Steve Slocombe, Bob Milton, Alan Tippets	Art department Supervising Art Director - Stephen Nicholas Art Department Co-ordinator - Amy Oakes Associate Designer - James North Production Buyer - Ben Morris Set Decorator - Keith Dunne Props Buyer - Catherine Samuel Set Designer - Ben Austin Storyboard Artist - James Iles Concept Artists - Richard Shaun Williams, Peter McKinstry Graphic Artist - Jackson Pope Standby Props - Phil Shellard, Rom Evans Standby Carpenter - Will Pope Standby Art Director - Tristan Peatfield Standby Rigger - Keith Freeman Standby Painter - Ellen Woods Props Master - Paul Aitken Dressing Chargehand - Matt Wild Dressing Props - Martin Broadbent, Rhys Jones Props Fabrication Manager - Barry Jones Props Makers - Penny Howarth, Nicholas Robatto Construction Manager - Matthew Hywel-Davies Construction Chargehand - Scott Fisher Practical Electrician - Albert James Scenic Artists - John Pinkerton, John Whalley Graphics - BBC Wales Graphics Costume department Costume Supervisor - Bobbie Peach Crowd Supervisor - Lindsay Bonacorssi Costume Assistants - Sara Morgan, Maria Franchi	Make-up and prosthetics Make-up Supervisor - Pam Mullins Make-up Artists - Abi Brotherton, Morag Smith Movement Stunt Co-ordinator - Crispin Layfield Casting Casting Associates - Andy Brierley, Alice Purser General post-production staff Post-production Supervisors - Ceres Doyle, Chris Blatchford Post-production Co-ordinator - Marie Brown Assistant Editor - Becky Trotman On-line Conform - Matthew Clarke, Mark Bright Special and visual effects VFX Editor - Cat Gregory Colourist - Mick Vincent Sound Sound Recordist - Bryn Thomas Dubbing Mixer - Tim Ricketts Sound Maintenance Engineer - Jeff Welch Supervising Sound Editor - Paul McFadden Sound Effects Editor - Paul Jefferies Foley Editor - Helen Dickson

Not every person who worked on this adventure was credited. The absence of a credit for a position doesn't necessarily mean the job wasn't required. The information above is based solely on observations of the actual end credits of the episodes as broadcast, and does not relay information from IMDB or other sources.
This was the first episode of the BBC Wales series to have two credited script editors. Oddly, Emma Freud was credited at the end of the roll, suggesting she was considered more "senior" than Brian Minchin.  As on The Vampires of Venice, Patrick Schweitzer was double-credited as both producer and line producer.

References

Real world

• Among the posters covering the TARDIS are those for the cafe Au Tambourin at 27 Rue Richelieu in Paris, which was the first place to exhibit van Gogh's artwork in Paris.

The Doctor

• The Doctor refers to having met Michelangelo and Pablo Picasso.
• The Doctor expresses frustration with van Gogh's 'impressionist' style when attempting to identify the invisible monster (though van Gogh is considered to be post-Impressionist by art historians), suggesting that this would "never happen with Gainsborough, one of those proper painters." While this suggests the Doctor's affinity for some notion of 'scientific accuracy' over emotive artistic expression, he later humbly tells Vincent that while he has seen many things, "you are right, nothing quite as wonderful as the things you see."
• The Doctor references Field of Dreams, "If you build it he will come", when he tells Vincent, "If you paint it, he will come".

Paintings

• The episode makes numerous direct and indirect references to van Gogh's most famous works, though artistic liberty was taken in regard to their chronology and the locations in which they were painted. While the setting for the episode was ostensibly Auvers-Sur-Oise, the last place of residence and resting place of van Gogh, where he painted Church at Auvers, inspiration for the set decoration of his home and the cafe he frequented (or rather was frequently thrown out of), came from works he previously produced while living in Arles several years before (Bedroom in Arles, Cafe Terrance at Night). Also, while the episode suggested Amy Pond inspired van Gogh to paint sunflowers, particularly Still Life: Vase with Twelve Sunflowers, to which he then 'dedicated' to her, they were, in fact, painted in 1887 and 1888.
• Van Gogh works referenced in the episode include: Church at Auvers (1890), Bedroom in Arles (1887), Cafe Terrance at Night (1888), Still Life: Vase with Twelve Sunflowers (1888), Portrait of Dr. Gachet (1890), The Starry Night (1889), Wheatfield With Crows (1890), Vincent's Chair with His Pipe (1888), Self-Portrait with Straw Hat (1887).

People from the real world

• Amy briefly handles a knife in Vincent's rooms but sets it down suddenly, as if recalling the incident where Van Gogh cut off his own ear.

Story notes

• The episode was incorrectly entitled, Lend Me Your Ear. However, no mention or reference was made in the episode regarding van Gogh's ear at all.
• Unlike most stories in this series, this story focuses much more on characters than plot, and has hints and references to van Gogh's struggle with bipolar disorder and suicide, something the series has not explored very much before. In fact, a message and phone number for the 'BBC Action Line' was broadcast following the 'Next Time' trail, for those wanting more information on 'issues raised in this program.'
• Pictures of the First and Second Doctors are printed on the TARDIS' typewriter.
• This is the second story in the series to lack any cracks, silence, or other foreshadowing of the series' finale (the first being Amy's Choice). However, it does tie in to Rory's death and establishes that, on some level, Amy is aware he has died.
• Although originally believed to be standalone, spoilers make this story involved with the series arc, some mentioning van Gogh's paintings, one of which is Dr. Gatchet, relating to the finale. Dr. Gatchet is supposed to be appearing in the mentioned episode. Others include van Gogh communicating a disturbing prophecy to the Doctor in the finale through one of his paintings, and a van Gogh reference in DW: The Lodger.
• Bill Nighy was not credited for his role.
• Numerous positive or affirmative references were made in the episode to van Gogh and Amy's hair colour, perhaps in a conscious effort to address the accusation by some viewers of the program being 'anti-ginger' (the so-called 'ginger' controversy).
• The song used for the scenes of Van Gogh in the museum is "Chances" by Athlete.
• This is the only episode since 1963 to end on a cut to black.

Ratings

Overnight viewing figures were 5.0 million.

Offical viewing figures was 6.29 million viewers.

Filming locations

• National Museum of Wales [1]
• Trogir, Croatia [2]
• Roald Dahl Plass [3], which is supposed to double for the Musée d'Orsay in Paris

Rumours

• It was rumoured that either the Timoreen, the Ha'rik or the Skarkish would appear. The monster was a Krafayis.
• It was rumoured that Vincent van Gogh would stab a yellow monster. He stabbed the Krafayis, the monster was pale yellow.

• Howard Lee plays a character called "Dr. Gachet" [4]. Dr. Gachet was van Gogh's real doctor, who nursed him during his final years. He was mentioned in this episode but he did appear in DW The Pandorica Opens
• Nighy plays a van Gogh expert, with similar fashion tastes to the Doctor himself. This turned out also true. He also wore a bowtie.
• Steven Moffat stated in an interview that the controversial topic of the regeneration limit for Time Lords would be "addressed in a very, very cheeky way by an old friend of mine" at some point in Series 5. [5] It was thought the "old friend" could very well be Richard Curtis, and that the issue might be addressed in this episode. This turned out to be false for this episode.
• As a Vincent van Gogh painting will feature in the events of "The Pandorica Opens", it was likely that this story would bring more developments to the main story arc of the series. [6] This was not the case, with the episode being more or less a stand-alone story, but a painting of the TARDIS exploding, by van Gogh, played a large part in the finale.
• It was rumoured that Vincent will propose to Amy or ask the Doctor to travel with them because in the preview clips, he shows a large interest in Amy and the Doctor and even tells Amy that he loves her. This turned out true.

Production errors

• When running through the streets with his mirror, the Doctor screams "Ahh", but his mouth is not synced with his screaming.
• For most of the episode, Amy is wearing tights. During the church scene, when van Gogh starts painting the Church, they've gone. Later on when the group are hiding from the monster, she's wearing them again.
• When in the chapel looking for the monster, the Doctor switches the mirror from his left to right side while holding his sonic screwdriver. For each change, the camera angle also changes, and the sonic screwdriver changes from being in closed mode and extended mode.
• At the beginning, when looking at the painting of the church, the Doctor scratches his head. When the camera is behind the Doctor, he uses his right hand but when the camera cuts to in front of him, he is using his left hand.
• When the Krafayis first appears in the visual recognition system, it is directly behind the Doctor, who is next to the TARDIS. When the Doctor runs away, it is heard chasing him. The Doctor hides behind a wall and using the mirror sees the creature, but it is still beside the TARDIS.

Continuity

If you'd like to talk about narrative problems with this story — like plot holes and things that seem to contradict other stories — please go to this episode's discontinuity discussion.

• The Doctor and Dr. Black compliment each other's bow ties, the Doctor saying again that "bow ties are cool". (DW: The Eleventh Hour, Amy's Choice)
• The Doctor mentions that he had a godmother with two heads. Before his ninth regeneration, he declared that he might have ended up with two heads. (DW: The Parting of the Ways) Although it seemed like a joke at the time, this statement suggests that a Time Lord might in some case actually have an extra head. It may also be a reference to the Aplans. (DW: The Time of Angels)
• The first and second Doctors are pictured.
• The Doctor finds his species identifier device by rifling through a chest in the TARDIS' alcoves. This plot device for providing artifacts and tools was utilised in several of the previous incarnations' series, e.g. the Second Doctor finding a holy Tibetan bell and Jamie a set of bagpipes (DW: The Abominable Snowmen) and the Tenth Doctor retrieving an Agatha Christie novel (DW: The Unicorn and the Wasp).
• The Doctor once again mentions that he is aging mentally, contrasting with his physical appearance. (DW: Time Crash, The End of Time)
• Amy mentions that the Doctor took her to Arcadia. The planet was featured in NA: Deceit, and the "fall of Arcadia" was mentioned as one of the events of the Time War in DW: Doomsday.
• The Doctor mentions Rory, to which Amy asks "Who?" Amy also says that the Doctor is being extra kind to her, as unbeknownst to her he is feeling guilty about Rory's erasure from Time. Van Gogh also sees that Amy is crying, although she doesn't know why; he theorises that she has lost someone. After receiving a half-joking marriage proposal from Vincent, Amy tells him that she's "not the marrying kind". (DW: Cold Blood).
• This marks the fourth episode this season which opens on a nature shot. (DW: The Time of Angels, Amy's Choice, The Hungry Earth) All these episodes open on beautiful, wide-open fields on bright, sunny days.
• Vincent van Gogh is the second historical figure in the new series to have romantic feelings for one of the Doctor's companions and the third to have such feelings for a member of the TARDIS crew. Previously, William Shakespeare made advances towards Martha Jones, and Madame de Pompadour fell in love with the Doctor. (DW: The Shakespeare Code, The Girl in the Fireplace)
• Amy attempting to get Vincent to paint 'The Sunflowers' is similar to Rose Tyler trying to get Queen Victoria to say, "I am not amused." (DW: Tooth and Claw)

Timeline

• This story occurs after DW: Cold Blood
• This story occurs before DW: The Lodger

Home video releases

File:Drwho s5v4 300.jpg

BBC Video - Doctor Who Series Five - Volume Four will feature Vincent and the Doctor, The Lodger, The Pandorica Opens and The Big Bang. It will be released on Monday 6th September 2010 (UK Only) on DVD and Blu-ray.

External links

to be added