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My Own Private Wolfgang (audio story): Difference between revisions
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My Own Private Wolfgang (audio story) (edit)
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'''''{{StoryTitle}}''''' was the second story in the audio anthology, ''[[100 (audio anthology)|100]]'', which comprised the hundredth release in [[Big Finish]]'s [[Main Range|monthly range]]. It was written by [[Robert Shearman]] and featured [[Colin Baker]] as the [[Sixth Doctor]] and [[Maggie Stables]] as [[Evelyn Smythe]]. | '''''{{StoryTitle}}''''' was the second story in the audio anthology, ''[[100 (audio anthology)|100]]'', which comprised the hundredth release in [[Big Finish]]'s [[Main Range|monthly range]]. It was written by [[Robert Shearman]] and featured [[Colin Baker]] as the [[Sixth Doctor]] and [[Maggie Stables]] as [[Evelyn Smythe]]. | ||
It had a notably innovative structure for a pseudo-historical story. The story began with a difference between how the audience and the [[The Doctor's TARDIS|TARDIS]] crew viewed historical events. It ended with the Doctor unwittingly changing history into a shape the audience recognises. In the beginning, the Doctor and Evelyn accept an exceptionally long-lived Mozart as being the norm for their time stream, but they change history so that Mozart died a young man in [[1791]]. | It had a notably innovative structure for a pseudo-historical story. The story began with a difference between how the audience and the [[The Doctor's TARDIS|TARDIS]] crew viewed historical events. It ended with the Doctor unwittingly changing history into a shape the audience recognises. In the beginning, the Doctor and Evelyn accept an exceptionally long-lived Mozart (with a career in decline) as being the norm for their time stream, but they change history so that Mozart died a young man in [[1791]]. Furthermore, there are actually three timelines in the story; the original timeline, which differed from ours in that Mozart actually finished his famous unfinished requiem, leading through a chain of events to the creation and poor treatment of Mozart clones much further into the future, the aforementioned “long-lived Mozart” timeline, created by one of said clones from the initial timeline in an attempt to prevent his own creation, and the final timeline, created by the Doctor, which is one the listener would be familiar with, where Mozart’s iconic unfinished requiem was actually unfinished. | ||
== Publisher's summary == | == Publisher's summary == | ||
