Doom/Gallery: Difference between revisions
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===== ''High Noon in Hollywood'' ===== | ===== ''High Noon in Hollywood'' ===== | ||
'' | <gallery position="center" captionalign="center" widths="250"> | ||
Doom arrives in 1930s Hollywood.jpg|[[Doom]] arrives in [[1930s]] [[Hollywood]] in ''[[High Noon in Hollywood (comic story)|High Noon in Hollywood]]''. | |||
Howdy, partners.jpg|Doom enters a [[saloon]]. | |||
High Noon in Hollywood title card full.jpg|Doom [[Vision|sees]] the saloon filled with [[Cybermen]]. | |||
Doom runs from the Cybermen 1.jpg|Doom [[Running|runs]] from the Cybermen. | |||
Doom runs from the Cybermen 2.jpg | |||
Doom runs from the Cybermen 3.jpg | |||
Either Universal Pictures' effects have got really good, or something's not right here.jpg|Doom holds the saloon [[door]] shut. | |||
I need to find my target.jpg|Doom uses her eyepiece to check who her [[target]] is. | |||
Looks like my client is her dear old dad.jpg|Doom realises that her client was [[Polly Church's father|the target's father]]. | |||
Cyber-Polly Church full.jpg|Doom is faced with the [[Cyber-converted]] [[Polly Church]], still holding her hairbrush. | |||
Not hatred. Mercy.jpg|Doom realises it's a [[mercy]] [[kill]]. | |||
Talk about rotten timing!.jpg|Several Cybermen appear behind Doom. | |||
Eat plastic, Cyber-chumps.jpg|"[[Eating|Eat]] [[plastic]], [[Cyber]]-[[chump]]s!" | |||
Doom ah.jpg|Doom's [[plastic gun]] runs out of fluid. | |||
Doom runs from the Cybermen again.jpg|Doom runs from the Cybermen again. | |||
Doom enters the props storage.jpg|Doom enters the [[prop]]s storage. | |||
Hope I'm Gary Cooper.jpg|Doom gets ready for the Cybermen to enter. | |||
Sorry, Polly!.jpg|Doom takes [[cover]] behind a stuffed [[sabre-toothed tiger]] as the Cybermen are [[blown up]] by the [[pyrotechnic]]s. | |||
At last! It's time to get out of Dodge. full.jpg|[[Looking]] at [[Doom's vortex manipulator|her vortex manipulator]], Doom sees that it's [[time]] to leave. | |||
</gallery> | |||
===== ''The Horn of a Dilemma'' ===== | ===== ''The Horn of a Dilemma'' ===== | ||
Revision as of 15:43, 5 July 2023
This page absolutely does contain spoilers either about the behind-the-scenes or narrative elements of stories which have not yet been published or broadcast. Please see our spoiler policy for our rules governing articles about such subjects.
This page is a gallery of images depicting Doom.
Fiction
Webcast
Meet Doom - the Universe's Greatest Assassin!
Doom in Meet Doom - the Universe's Greatest Assassin!: "I'm Doom - blame my mother."
"...unless I can find the Doctor."
"My vortex manipulator sends me a new target every hour..."
"...it'll be better than what's coming for me."
"If you see the Doctor, tell them I'm on my way."
The universe's greatest assassin has just 24 hours to escape Death and find the Doctor - where will Doom's Day take her next?
"Death is coming for me."
"...and I've got to find the Doctor."
"Join me on my journey!"
Doom looks at her vortex manipulator again.
Short stories
Hour One
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Comic stories
Target Selected
Doom (right) enters River Song's cage in the Stormcage Containment Facility in Target Selected.
Doom continues to approach.
Doom meets River Song.
Doom explains why she's there.
River suggests that Doom take the mission on New Calamino at the waxworks museum, with Doom thanking her for her help and leaving.
The Plastic Population
The Plastic Population title card.
Doom as part of the "Plastic Population" exhibit at the waxworks museum, alongside the Sixth Doctor as an astronaut.
"Although I'd rather have a date with you, Doctor."
"I don't suppose..."
Doom discovers that it's the real Doctor.
Doom enters the room alongside the Doctor.
Doom and the Doctor hold the Autons at gunpoint.
Scarling sides with the Autons.
Doom and the Doctor continue battling the Autons.
The Autons are defeated.
Doom tells the Doctor she needs his help.
Doom realises he's the wrong Doctor, and she's run out of time.
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High Noon in Hollywood
Doom arrives in 1930s Hollywood in High Noon in Hollywood.
Doom enters a saloon.
Doom runs from the Cybermen.
Doom holds the saloon door shut.
Doom uses her eyepiece to check who her target is.
Doom realises that her client was the target's father.
Doom is faced with the Cyber-converted Polly Church, still holding her hairbrush.
Several Cybermen appear behind Doom.
Doom's plastic gun runs out of fluid.
Doom runs from the Cybermen again.
Doom enters the props storage.
Doom gets ready for the Cybermen to enter.
Doom takes cover behind a stuffed sabre-toothed tiger as the Cybermen are blown up by the pyrotechnics.
Looking at her vortex manipulator, Doom sees that it's time to leave.
The Horn of a Dilemma
To be added
Promotional material
Promotional images
Promotional image 1.
Promotional image 2.
Art by @_NickDraws republished officially for #FanArtFriday.
Magazine covers
Four Hours of Doom's Day
COMIC: Four Hours of Doom's Day, the Doctor Who Magazine supplement magazine containing 4 stories
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