Transmat:Doctor Who: Difference between revisions
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[[file:JaneTranter.jpg| | {{thead|The women who gave ''Doctor Who'' back to us}} | ||
'''[[ | [[file:JaneTranter.jpg|center|link=http://tardis.wikia.com/wiki/Transmat:Doctor_Who?file=David_Tennant_interviews_Doctor_Who_Producers_-_Doctor_Who_Confidential_-_BBC]] | ||
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Think ''Doctor Who'' is just for boys? Don't you believe it. Not only was the show's [[Verity Lambert|very first producer]] a woman, but it would never have come back without the fierce advocacy of '''[[Jane Tranter]]''' and '''[[Julie Gardner]]'''. Considering her importance to ''Doctor Who'' it's somewhat ironic that Tranter's only on-screen ''credits'' are for ''[[Torchwood: Miracle Day]]''. But Gardner, her "partner in crime", is tied only with [[Russell T Davies]] as the most prolific producer in ''[[Doctor Who]]'' history. | |||
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{{thead|Industrial action}} | |||
[[File:Paintbox.jpg|link=http://tardis.wikia.com/wiki/Transmat:Doctor_Who?file=BBC%2527s_Historic_Mainframe_Arrives%2521%2521_%2528Quantel_Paintbox_DPB_7000%2529_This_created_many_80s_programs%2521%2521]] | |||
<div class="tr-box one">The careers of the [[Fifth Doctor|Fifth]], [[Sixth Doctor|Sixth]], [[Seventh Doctor|Seventh]] and [[Eighth Doctor]]s are '''significantly''' longer [[Big Finish Doctor Who audio stories|in audio]] than on television.</div> | {{tcap|Click for a video of a [[21st century]] geek as he takes delivery of one of the two Paintboxes used by the BBC in the 1980s}} | ||
<div class="tr-box | The '''[[Quantel Paintbox]]''' was a graphics workstation that allowed ''[[Doctor Who]]'' to have a primitive form of [[colourist|colour grading]] in the [[1980s]]. To find out more about the "business of show", go to '''[[:category:production information]]''', where you can read about [[colour separation overlay]], [[low loader]]s, [[telerecording]]s, [[vidFIRE]], [[rostrum camera]]s, [[2" quad]] tape, [[Ealing Studios]] and tons more.</div> | ||
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{{thead|Surprising guest star}} | |||
{{surprising guest}} | |||
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{{thead|Ex-Doctors never die, they just make audios}} | |||
The careers of the [[Fifth Doctor|Fifth]], [[Sixth Doctor|Sixth]], [[Seventh Doctor|Seventh]] and [[Eighth Doctor]]s are '''significantly''' longer [[Big Finish Doctor Who audio stories|in audio]] than on television. Check out their latest works at '''[[:category:{{CURRENTYEAR}} audio stories]]'''. | |||
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{{thead|The relevance of comics}} | |||
Officially, only ''[[The Lodger (TV story)|The Lodger]]'' has been explicitly adapted from a comic strip — also called ''[[The Lodger (comic story)|The Lodger]]''. | |||
[[File:10MickeyFootball.jpg|center|link=http://tardis.wikia.com/wiki/Transmat:Doctor_Who?file=Craig_asks_The_Doctor_to_leave_-_Doctor_Who_-_BBC]] | |||
However, several stories have clearly taken material from comic strips — often those in ''[[Doctor Who Magazine]]''. ''[[The Shakespeare Code (TV story)|The Shakespeare Code]]'' contains a good amount of material from ''[[A Groatsworth of Wit (comic story)|A Groatsworth of Wit]]'', and the notion of the Doctor absorbing the [[time vortex]] in order to spare a [[companion]] was explored in both ''[[The Parting of the Ways (TV story)|The Parting of the Ways]]'' and ''[[The Flood (comic story)|The Flood]]''. | However, several stories have clearly taken material from comic strips — often those in ''[[Doctor Who Magazine]]''. ''[[The Shakespeare Code (TV story)|The Shakespeare Code]]'' contains a good amount of material from ''[[A Groatsworth of Wit (comic story)|A Groatsworth of Wit]]'', and the notion of the Doctor absorbing the [[time vortex]] in order to spare a [[companion]] was explored in both ''[[The Parting of the Ways (TV story)|The Parting of the Ways]]'' and ''[[The Flood (comic story)|The Flood]]''. | ||
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{{thead|Things released on {{CURRENTDAY}} | {{thead|The first of the "money men"}} | ||
'''[[Donald Baverstock]]''' was the [[British Broadcasting Corporation|BBC]] executive who set the the wheels in motion that eventually led to the creation of ''[[Doctor Who]]''. Essentially the original commissioner of the programme, he hired [[Sydney Newman]] and later imposed a sense of financial responsibility upon [[producer]] [[Verity Lambert]]. | |||
But Baverstock wasn't the only '''[[:category:BBC executives|BBC executive]]''' to have a profound impact on the development of ''Doctor Who''. Make sure you read about [[Lorraine Heggessey]], [[Mark Thompson]], [[Danny Cohen]], [[George Entwistle]], [[Tony Hall]], [[Shaun Sutton]], [[Sydney Newman]] and others. </div> | |||
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Latest revision as of 08:24, 14 July 2024
Rose was the first episode of the BBC Wales version of Doctor Who. As the first televised story of the 21st century, it had to introduce the concept of the programme, as well as new regulars, Christopher Eccleston and Billie Piper. Its success on BBC One was immediate. As of 2013, it remained the second highest-rated season opener in Doctor Who history, behind only Destiny of the Daleks, a story that aired without any competition from other broadcasters. Aired in March, 2005 — several years before the BBC offered full scale digital content streaming — it picked up nearly 11 million terrestrial and cable BBC One viewers. The episode boasted a number of behind-the-scenes firsts, aside from merely being the first episode to feature Russell T Davies' vision of the show — such as being the first episode shot in a widescreen aspect ratio. It was also the first British-made episode to utilise an modern production style, and was thus the first time that credited cinematographers, production designers, colourists, digital artists, and any number of skilled professions had been credited on British-made Doctor Who.
Think Doctor Who is just for boys? Don't you believe it. Not only was the show's very first producer a woman, but it would never have come back without the fierce advocacy of Jane Tranter and Julie Gardner. Considering her importance to Doctor Who it's somewhat ironic that Tranter's only on-screen credits are for Torchwood: Miracle Day. But Gardner, her "partner in crime", is tied only with Russell T Davies as the most prolific producer in Doctor Who history.
The careers of the Fifth, Sixth, Seventh and Eighth Doctors are significantly longer in audio than on television. Check out their latest works at category:2024 audio stories.
Officially, only The Lodger has been explicitly adapted from a comic strip — also called The Lodger.
However, several stories have clearly taken material from comic strips — often those in Doctor Who Magazine. The Shakespeare Code contains a good amount of material from A Groatsworth of Wit, and the notion of the Doctor absorbing the time vortex in order to spare a companion was explored in both The Parting of the Ways and The Flood.
Donald Baverstock was the BBC executive who set the the wheels in motion that eventually led to the creation of Doctor Who. Essentially the original commissioner of the programme, he hired Sydney Newman and later imposed a sense of financial responsibility upon producer Verity Lambert.
But Baverstock wasn't the only BBC executive to have a profound impact on the development of Doctor Who. Make sure you read about Lorraine Heggessey, Mark Thompson, Danny Cohen, George Entwistle, Tony Hall, Shaun Sutton, Sydney Newman and others.- 1970 - Part eight of the TV Comic story Doctor Who and the Robot was published.
- 1996
- Damaged Goods and Speed of Flight were published by Virgin Books.
- DWM 245 was published by Marvel Comics.
- 2002 - The audio stories The Sandman[1] and Professor Bernice Summerfield and the Dance of the Dead[2] were released by Big Finish Productions.
- 2012 - Love and War was released by Big Finish.
- 2013 - DWFC 5 was published by Eaglemoss Publications Ltd.
- 2014 - The interactive story featuring the Twelfth Doctor premiered at the Doctor Who Experience.
- 2015 - The Woman Who Lived premiered on BBC One.
- 2016 - The Robot Reveal premiered on CBBC.
- 2019 - The Target Storybook was published by BBC Books.
- ... that despite having worked on more serials than any other costumer in the 1963 version of Doctor Who, Daphne Dare never got the opportunity to design the definitive costume for any incarnation of the Doctor?
- ... that Nina Rogers was a Cardiff student who, from a distance, saw Torchwood Three at work on at least three different occasions? (PROSE: Consequences, Risk Assessment, Lost Souls)
- ,,, that the date of employment on Rory Williams' ID tag from Royal Leadworth Hospital created a fan controversy upon first transmission of The Eleventh Hour?
- ... that members of UNIT, under the leadership of "the Brig", put on Christmas pantomime productions of Aladdin? (PROSE: Timewyrm: Revelation, No Future)
- ... that horrorkons were huge, two-headed, metal-loving beasts whom Andy and Mary Stone once tricked into literally eating a whole squad of Daleks? (COMIC: Monsters of Gurnian)
- 1921 - Actor Walter Henry was born.[3]
- 1929 - Actor Clifford Rose was born.[4]
- 1930 - Actor Brian Peck was born.[5]
- 1939 - Actor Callen Angelo was born.[6]
- 1958 - Actor Sarah Greene was born.[7]
- 1971 - Actor Dervla Kirwan was born.[8]
- 1975 - Actor Martin Boddey died.[9]
- 1981 - Actor Jemima Rooper was born.[10]
- 1988 - Actor Valerie Taylor died.[11]
- 1994 - Actor Kit Young was born.[12]
- 2005 - Writer Robert Sloman died.[13]
- 2018 - Actor Laurence Kennedy died.[14]
- 2021 - Actor Thapelo Maropefela died.[15]
- 1970 - Studio filming for Terror of the Autons took place at BBC Television Centre 8. (REF: Doctor Who The Handbook: The Third Doctor)
- 1975 - Studio filming for The Brain of Morbius took place. (REF: Doctor Who The Handbook: The Fourth Doctor)
- 1984 - Location filming for The Mark of the Rani took place. (REF: Doctor Who The Handbook: The Sixth Doctor)
- 2005 - Untitled shooting scripts for Doctor Who series 2, episodes 12 and 13, later titled Army of Ghosts and Doomsday, were issued. (DWMSE 14)
- 2012 - The Big Finish/AudioGO audio story Vengeance of the Stones was recorded at the Moat Studios.
- 2017 - Big Finish's Torchwood audio story Believe was recorded.
- 2018 - The Big Finish audio story The Monsters of Gokroth was recorded at the Moat Studios.
- 2022 - Big Finish's Torchwood audio story Oodunnit was recorded at the Soundhouse.
- ↑ The Sandman. Big Finish, via Internet Archive. Retrieved on 9 December 2002.
- ↑ The Dance of the Dead. Big Finish, via Internet Archive. Retrieved on 8 December 2002.
- ↑ Aveleyman
- ↑ The Guardian
- ↑ Aveleyman
- ↑ Aveleyman
- ↑ Doctor Who Guide
- ↑ Doctor Who Guide
- ↑ Aveleyman
- ↑ Famous Birthdays
- ↑ Aveleyman
- ↑ People Pill
- ↑ Doctor Who Guide
- ↑ DWMSE 51
- ↑ The South African