Transmat:Doctor Who: Difference between revisions
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{{thead|The women who gave ''Doctor Who'' back to us}} | {{thead|The women who gave ''Doctor Who'' back to us}} | ||
[[file:JaneTranter.jpg|center|link=http://tardis.wikia.com/wiki/Transmat:Doctor_Who?file=David_Tennant_interviews_Doctor_Who_Producers_-_Doctor_Who_Confidential_-_BBC]] | [[file:JaneTranter.jpg|center|link=http://tardis.wikia.com/wiki/Transmat:Doctor_Who?file=David_Tennant_interviews_Doctor_Who_Producers_-_Doctor_Who_Confidential_-_BBC]] | ||
{{tcap|Click for video}} | {{tcap|Click for video}} | ||
Think ''Doctor Who'' is just for boys? Don't you believe it. Not only was the show's [[Verity Lambert|very first producer]] a woman, but it would never have come back without the fierce advocacy of '''[[Jane Tranter]]''' and '''[[Julie Gardner]]'''. Considering her importance to ''Doctor Who'' it's somewhat ironic that Tranter's only on-screen ''credits'' are for ''[[Torchwood: Miracle Day]]''. But Gardner, her "partner in crime", is tied only with [[Russell T Davies]] as the most prolific producer in ''[[Doctor Who]]'' history. | Think ''Doctor Who'' is just for boys? Don't you believe it. Not only was the show's [[Verity Lambert|very first producer]] a woman, but it would never have come back without the fierce advocacy of '''[[Jane Tranter]]''' and '''[[Julie Gardner]]'''. Considering her importance to ''Doctor Who'' it's somewhat ironic that Tranter's only on-screen ''credits'' are for ''[[Torchwood: Miracle Day]]''. But Gardner, her "partner in crime", is tied only with [[Russell T Davies]] as the most prolific producer in ''[[Doctor Who]]'' history. | ||
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The '''[[Quantel Paintbox]]''' was a graphics workstation that allowed ''[[Doctor Who]]'' to have a primitive form of [[colourist|colour grading]] in the [[1980s]]. To find out more about the "business of show", go to '''[[:category:production information]]''', where you can read about [[colour separation overlay]], [[low loader]]s, [[telerecording]]s, [[vidFIRE]], [[rostrum camera]]s, [[2" quad]] tape, [[Ealing Studios]] and tons more.</div> | The '''[[Quantel Paintbox]]''' was a graphics workstation that allowed ''[[Doctor Who]]'' to have a primitive form of [[colourist|colour grading]] in the [[1980s]]. To find out more about the "business of show", go to '''[[:category:production information]]''', where you can read about [[colour separation overlay]], [[low loader]]s, [[telerecording]]s, [[vidFIRE]], [[rostrum camera]]s, [[2" quad]] tape, [[Ealing Studios]] and tons more.</div> | ||
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{{thead|Ex-Doctors never die, they just make audios}} | {{thead|Ex-Doctors never die, they just make audios}} | ||
The careers of the [[Fifth Doctor|Fifth]], [[Sixth Doctor|Sixth]], [[Seventh Doctor|Seventh]] and [[Eighth Doctor]]s are '''significantly''' longer [[Big Finish Doctor Who audio stories|in audio]] than on television. Check out their latest works at '''[[:category:{{CURRENTYEAR}} audio stories]]''' | The careers of the [[Fifth Doctor|Fifth]], [[Sixth Doctor|Sixth]], [[Seventh Doctor|Seventh]] and [[Eighth Doctor]]s are '''significantly''' longer [[Big Finish Doctor Who audio stories|in audio]] than on television. Check out their latest works at '''[[:category:{{CURRENTYEAR}} audio stories]]'''. | ||
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{{thead|The relevance of comics}} | {{thead|The relevance of comics}} | ||
Officially, only ''[[The Lodger (TV story)|The Lodger]]'' has been explicitly adapted from a comic strip — also called ''[[The Lodger (comic story)|The Lodger]]''. | Officially, only ''[[The Lodger (TV story)|The Lodger]]'' has been explicitly adapted from a comic strip — also called ''[[The Lodger (comic story)|The Lodger]]''. | ||
[[File:10MickeyFootball. | [[File:10MickeyFootball.jpg|center|link=http://tardis.wikia.com/wiki/Transmat:Doctor_Who?file=Craig_asks_The_Doctor_to_leave_-_Doctor_Who_-_BBC]] | ||
However, several stories have clearly taken material from comic strips — often those in ''[[Doctor Who Magazine]]''. ''[[The Shakespeare Code (TV story)|The Shakespeare Code]]'' contains a good amount of material from ''[[A Groatsworth of Wit (comic story)|A Groatsworth of Wit]]'', and the notion of the Doctor absorbing the [[time vortex]] in order to spare a [[companion]] was explored in both ''[[The Parting of the Ways (TV story)|The Parting of the Ways]]'' and ''[[The Flood (comic story)|The Flood]]''. | However, several stories have clearly taken material from comic strips — often those in ''[[Doctor Who Magazine]]''. ''[[The Shakespeare Code (TV story)|The Shakespeare Code]]'' contains a good amount of material from ''[[A Groatsworth of Wit (comic story)|A Groatsworth of Wit]]'', and the notion of the Doctor absorbing the [[time vortex]] in order to spare a [[companion]] was explored in both ''[[The Parting of the Ways (TV story)|The Parting of the Ways]]'' and ''[[The Flood (comic story)|The Flood]]''. | ||
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Latest revision as of 08:24, 14 July 2024
The Doctor Who theme was composed by Ron Grainer and made its debut with the first episode of the Doctor Who series in 1963. Although it has undergone many rearrangements, this piece of music has remained the sole theme for the series throughout its history, making it one of the most recognisable themes in television. It is also one of the longest continually-used pieces of theme music in British entertainment history, surpassed only by the theme from Coronation Street (in use since 1960), and the "James Bond Theme" (in use since 1962).
The women who gave Doctor Who back to us
Click for video
Think Doctor Who is just for boys? Don't you believe it. Not only was the show's very first producer a woman, but it would never have come back without the fierce advocacy of Jane Tranter and Julie Gardner. Considering her importance to Doctor Who it's somewhat ironic that Tranter's only on-screen credits are for Torchwood: Miracle Day. But Gardner, her "partner in crime", is tied only with Russell T Davies as the most prolific producer in Doctor Who history.
Industrial action
Click for a video of a 21st century geek as he takes delivery of one of the two Paintboxes used by the BBC in the 1980s
The Quantel Paintbox was a graphics workstation that allowed Doctor Who to have a primitive form of colour grading in the 1980s. To find out more about the "business of show", go to category:production information, where you can read about colour separation overlay, low loaders, telerecordings, vidFIRE, rostrum cameras, 2" quad tape, Ealing Studios and tons more.Surprising guest star
Ex-Doctors never die, they just make audios
The careers of the Fifth, Sixth, Seventh and Eighth Doctors are significantly longer in audio than on television. Check out their latest works at category:2024 audio stories.
The relevance of comics
Officially, only The Lodger has been explicitly adapted from a comic strip — also called The Lodger.
However, several stories have clearly taken material from comic strips — often those in Doctor Who Magazine. The Shakespeare Code contains a good amount of material from A Groatsworth of Wit, and the notion of the Doctor absorbing the time vortex in order to spare a companion was explored in both The Parting of the Ways and The Flood.
The first of the "money men"
Donald Baverstock was the BBC executive who set the the wheels in motion that eventually led to the creation of Doctor Who. Essentially the original commissioner of the programme, he hired Sydney Newman and later imposed a sense of financial responsibility upon producer Verity Lambert.
But Baverstock wasn't the only BBC executive to have a profound impact on the development of Doctor Who. Make sure you read about Lorraine Heggessey, Mark Thompson, Danny Cohen, George Entwistle, Tony Hall, Shaun Sutton, Sydney Newman and others.Things released on 19 September
- 1970 - Part three of the TV Comic story Doctor Who and the Robot was published.
- 1985 - The Doctor Who Illustrated A to Z was published by W.H. Allen & Co.
- 1996 - The Death of Art and Twilight of the Gods were published by Virgin Books.
- 2002 - DWM 322 was published by Panini Comics.
- 2003 - Davros, He Jests at Scars... and Deadline were released by Big Finish Productions.
- 2006 - DWA 13 was published by BBC Magazines.
- 2007 - The Doctor Who: Battles in Time comic story Second Wave was published.
- 2012
- DWDVDF 97 was published by GE Fabbri Ltd.
- Gods and Monsters, The Burning Prince, Project Nirvana and The Rosemariners were released by Big Finish.
- 2013 - DWM 465 was published by Panini Comics.
- 2015 - The Magician's Apprentice was broadcast on BBC One.
- 2018 - TCH 84 was published by Hachette Partworks.
- 2019
- DWM 543 was published by Panini Comics.
- Doctor Who The Official Annual 2020 was published by Penguin Group.
- DWFC 159 was published by Eaglemoss Collections.
- 2023 - Trapped was released by Big Finish.
Did you know…
- ... that the producers of K9 gave a tiny nod to Doctor Who by setting part of a time travel story called The Cambridge Spy in November 1963?
- ... that David Hasselhoff's singing was so abhorrent to the Doctor that he went to the fall of the Berlin Wall twice just so he could avoid hearing Hasselhoff perform? (PROSE: Autonomy)
- ... that Balmoral Castle was once removed from Scotland by the Judoon? (PROSE: Revenge of the Judoon)
- ... that Rani Chandra and her parents moved to Ealing from Danemouth? (TV: The Mad Woman in the Attic)
- ... that the Thalatth were a species with several radically different developmental stages, and that, when fully mature, they were known as Solarix Prizmatterflies, capable of flying through space? (COMIC: Hook, Line and Sinker)
19 September births and deaths
- 1925
- Actor Dallas Cavell was born.[1]
- Actor Keneth Thornett was born.[2]
- 1939 - Actor Charles Pemberton was born.[3]
- 1940 - Actor Caroline John was born.[4][5]
- 1954 - Actor David Bamber was born.[6]
- 1973 - Actor Jeremy Lindsay-Taylor was born.[7]
- 1977 - Actor Michael Godfrey died.[8]
- 1979 - Actor Dannielle Brent was born.[9]
- 1997 - Actor Jack May died.[10][11]
- 2019 - Actor Sheila Vivian died.[12]
- 2021
- Actor John Challis died.[13]
- Actor Stephen Critchlow died.[14]
- Actor Morris Perry died.[15]
Production history for 19 September
- 1963 - The first filming session for the very first Doctor Who story, An Unearthly Child, took place. It was a one-day shoot at Ealing Studios of the last few seconds of episode one, depicting a caveman casting his shadow over the Doctor's TARDIS.
- 1969 - Location filming for Spearhead from Space took place. (REF: Doctor Who The Handbook: The Third Doctor)
- 1970 - Location filming for Terror of the Autons took place. (REF: Doctor Who The Handbook: The Third Doctor)
- 1980 - Studio filming for Warriors' Gate took place at BBC Television Centre studio 3. (REF: Doctor Who The Handbook: The Fourth Doctor)
- 2011 - Episode two of The Underwater Menace was recovered.
- 2012 - The sixth series of Big Finish's audio series Gallifrey was recorded at the Moat Studios.
- 2016 - The Big Finish audio drama The Tribulations of Thadeus Nook was recorded at Audio Sorcery.
- 2017 - Big Finish's Torchwood One audio anthology Machines was recorded at the Soundhouse.
- 2018 - Big Finish announced the first series of their Doctor Who spin-off Missy.
- 2019 - Big Finish's audio anthology The First Doctor Adventures: Volume Four was recorded at the Soundhouse.
- 2022 - The Big Finish audio story The Artist at the End of Time was recorded.
