The Leisure Hive (TV story): Difference between revisions

The Leisure Hive was the first story of Season 18 of Doctor Who as well as the first serial produced by John Nathan-Turner. He immediately instituted a number of radical new changes to the series.

The title sequence was redone with a 'star-field' motif. Delia Derbyshire's arrangement of the Doctor Who theme was abandoned in favour of a more dynamic, glossy and 'funky' version of it, done by Peter Howell (also of the BBC Radiophonic Workshop, where Derbyshire worked previously), using synthesisers (particularily the Yamaha CS-80 and ARP Odyssey synthesisers, as well as an EMS vocoder). These wholesale alterations to the programme's opening sequence would, with relatively minor adjustments, remain in place until season 24. At the same time, Nathan-Turner decided to end composer Dudley Simpson's long association with the programme. He chose the Radiophonic Workshop to handle the incidental music for Hive.

Hive also brought a new look for the Fourth Doctor. His coat and trademark multi-coloured scarf were now coloured burgundy. The new question mark motif - premiered here on the Doctor's shirt collar and would persist throughout Nathan-Turner's era.

Narratively, Hive was an unusual story in that it was commissioned directly by the producer rather than the script editor, because Christopher H. Bidmead was not yet hired. New executive producer Barry Letts also had a significant hand in shaping the story's outline.^[1]

Synopsis

The Doctor and Romana arrive on Argolis in search of a peaceful holiday at the famed Leisure Hive. Instead they become embroiled in both a takeover scheme by the Argolins' historic enemy the Foamasi and the machinations of Pangol, the child of the Generator.

Plot

Part 1

The Fourth Doctor, having yet again failed to pilot the TARDIS to Brighton Pavilion, snores loudly on a deck chair as Romana and K9 discuss alternate holiday options. Frustrated, Romana tosses her beach ball into the sea and K9 goes to fetch it, badly damaging him.

Romana convinces the Doctor to go to Argolis, home of the famed Leisure Hive. Argolis had been nearly annihilated by a brief but devastating war with the Foamasi, but the surviving Argolins have built the domed holiday palace, offering anti-gravity racquetball among other delights.

However, the Hive has run into financial dire straits. The chief executive, Morix, ageing and near death, is pondering a buy-out offer from Earth businessmen Brock and Klout, who represent the Foamasi, but his hotheaded son Pangol will hear nothing of it. Morix dies and is succeeded by Mena, who herself is getting old. Meanwhile, an alien presence has infiltrated the Hive.

The Doctor and Romana arrive and watch a demonstration of the Hive's newest offering, the Tachyon Recreation Generator, but the demonstration goes horribly awry when a volunteer from the crowd is torn apart inside the machine.

The Doctor and Romana realise the recordings of the experiments have been faked. The Doctor explores the Tachyon Recreation Generator, and when an alien turns the machine on, the Doctor appears to be torn limb from limb.

Part 2

The image onscreen is merely an illusion - the Doctor escaped the generator from the back. He and Romana are taken to Mena by security guards. Meanwhile, staff scientist Hardin has arrived, and when Mena learns of the newcomers' experience with time technology, she asks Romana to assist him with tachyonics experiments. They are trying to use the questionable science to reverse the flow of time. The Argolin race is sterile after the war with the Foamasi. Rejuvenating themselves is the only way to survive.

Mena begins to age quickly, a result of the radioactivity on the planet. Meanwhile, Hardin and his partner, Stimson, discuss their experiments, which have been faked by them. Hardin wants to confess. Stimson plans to get off Argolis. Romana and Hardin appear to have some success, but when they go to tell Mena, the equipment explodes.

Guards find Stimson, who has been murdered, and arrest the Doctor. He stands trial in the boardroom and claims his innocence. Romana and Hardin announce their success, but before it can be used on Mena, Pangol wants to test it on the Doctor. As the experiment proceeds, Romana realises something is wrong, but she is too late to stop the experiment. The Doctor emerges from the machine, aged several hundred years.

Part 3

The Doctor and Romana are imprisoned and try to figure out what went wrong with the experiment. Pangol discovers that Hardin’s experiments were faked, which Hardin admits to but says he is near to a breakthrough, and wants Romana’s help. Mena refuses.

Pangol prevents Mena from signing contracts with the Foamasi. He wants to rebuild Argolis. He is the first Argolin created in the recreation generator and has big plans for the machine.

Hardin frees the Doctor and Romana, and they decide to put Romana in the machine. She works on the machine but is confronted by an alien. Pangol sees the Doctor on a monitor and goes to stop him. He programs the machine to age the Doctor, who he thinks is in the machine, another two thousand years.

The alien, a Foamasi, helps Romana escape. The Foamasi doesn’t speak with words but the Doctor can understand him. They go to the boardroom where Pangol reveals his grand plans to Brock - he will raise an Argolin army from the generator. The Foamasi approaches Brock and pulls at his face - revealing that it is a mask and he is a Foamasi.

Part 4

The first Foamasi takes Brock’s voice synthesiser and reveals that Brock and Klout (the murderer) are disguised Foamasi, members of a dissident group called the West Lodge. They do not act in the interest of the Foamasi at large, however. The two planets are now at peace. Pangol is suspicious of the Doctor and the Foamasi, and refuses to let them leave. When the Foamasi ship takes off, it is destroyed by Pangol.

Pangol plans to start creating his clone army. The Doctor and Romana try to stop him by using the randomiser from the TARDIS. Pangol enters the machine, wearing the Helmet of Theron, and duplicates himself into an army. However, because the Doctor was in the machine at the time, the clones are images of the Doctor, who has been restored to his original age. The clones do not last long, disappearing one by one.

Hardin takes a near-dead Mena to the machine to regenerate her, but Pangol pushes past him. Both Mena and Pangol get into the machine, and both are restored, Mena to a young adult age and Pangol to a baby. The Doctor shuts the generator.

The Foamasi who rescued Romana appears, not having been in the Foamasi ship when it was destroyed. He and Mena begin negotiations for peace. The Doctor and Romana, with the randomiser removed from the TARDIS, leave to continue their travels.

Cast

Crew

References

Conflicts

In 2250 Argolis (led by Theron) was all but destroyed by two thousand nuclear warheads in twenty minutes during a war with the reptilian Foamasi.
The Argolin survivors, made sterile by the radiation from the war, invented the science of tachyonics "forty years ago", and built the Leisure Hive with its Experiential Grid offering variable environments.

Planets

K9 lists all known recreational planets for Romana, ending with "Yegros Alpha: speciality, atavistic therapy of primitive asteroids. Zaakros: galaxy's largest flora collection. Zeen 4: historical re-enactments.".
Argolis is the first of the leisure planets.

Species

There are lodges of Foamasi, the West Lodge being one such group.

Technology

Theron's helmet
The randomiser is left on Argolis.
Unreal transfer was discovered in 2386.

The Doctor

The Doctor snores.
The Doctor survives ageing several hundred years. The process is later reversed.

Story notes

This story is the debut of the new opening and closing title sequences, complete with "neon tube" logo, designed by the BBC's Sid Sutton, accompanied by a new Peter Howell-arranged version of Ron Grainer's theme music. The arrangement is notable for being performed in F# minor, whereas all previous arrangements were in the original key of E minor.
The scene changes with the picture shrinking, leaving the star effect. This only happened once.
This is John Nathan-Turner's first story as producer.
The story had a working title of The Argolins.
A new TARDIS exterior prop makes its debut, this time made of fibreglass rather than of wood and, with its stacked roof arrangement, somewhat truer to the design of a genuine police box than the previous version (first seen in The Masque of Mandragora).
The Doctor's new outfit (burgundy colour) also debuts in this story.
Beginning with this story and continuing for the next several seasons until The Five Doctors, each serial will be linked in some way, either through some reference, or directly linked.
John Leeson returns portraying the voice of K9, having been persuaded by John Nathan-Turner to reprise the role for this season.
This story features the first use in Doctor Who of the digital Quantel image processing system. Amongst the effects created by the use of this system was a moving shot of the TARDIS materialising on Argolis (whereas the roll back and mix technique by which the materialisation was achieved normally necessitated a completely static shot).
The contemporary audience failed to redeem the behind-the-scenes difficulties. Not only did small audiences watch the first episode, but figures dropped each week. By week three, Doctor Who did something it hadn't done in eighteen years: it fell out of the top hundred programmes for the week it was transmitted.
Production of the serial was extremely challenging. Tom Baker and Lalla Ward's tumultuous off-screen relationship was at a nadir, causing the mood on set to be distinctly chilly. Director Lovett Bickford's management of the shoot caused it to go so badly over budget that John Nathan-Turner was severely reprimanded by his superiors. Bickford would never work on Doctor Who again.^[1]

Ratings

Part one - 5.9 million viewers
Part two - 5.0 million viewers
Part three - 5.0 million viewers
Part four - 4.5 million viewers

Filming locations

Brighton Beach, Brighton, East Sussex
BBC Television Centre (TC1 & TC3), Shepherd's Bush, London

Production errors

If you'd like to talk about narrative problems with this story — like plot holes and things that seem to contradict other stories — please go to this episode's discontinuity discussion.

The wires pulling K9 along the beach are particularly visible in part one.
In episode two the top of the sonic screwdriver is nearly bent off.
The shiny silver belts of the zero gravity squash players were a poor choice of costume accessory for the CSO effect. Because they reflect the colour of the special effects backdrop, they have a tendency to become completely invisible.
The number of nodules on Morix's horn changes between shots during his death scene.

Continuity

The Doctor had previously attempted to reach Brighton with Leela. (TV: Horror of Fang Rock)
The Foamasi reappear in PROSE: Placebo Effect.
This is not the only time a story is resolved by de-ageing the Doctor's antagonist, as happens to Pangol. In TV: Boom Town, the Slitheen Margaret Blaine is regressed back into an egg by the Doctor's TARDIS.
The Doctor is also rapidly aged in TV: The Sound of Drums.
The planet Midnight (TV: Midnight) is also a leisure planet and its environment is also uninhabitable because of extreme radiation.
Cellular regeneration (or "de-ageing") is performed by Professor Lazarus in TV: The Lazarus Experiment.

Home video and audio releases

CD Release

In March 2002, At the BBC Radiophonic Workshop Volume 3 was released with The Leisure Hive score in it.

CD release

DVD releases

This story was released as Doctor Who: The Leisure Hive.

Released:

Region 2 5 July 2004

PAL - BBC DVD BBCDVD1351

Region 4 7 October 2004
Region 1 7 June 2005

NTSC - Warner Video E2217

Contents:

A New Beginning Documentary - A look at the radical changes made to Doctor Who by incoming Producer John Nathan-Turner.
From Avalon to Argolis - David Fisher and Christopher H. Bidmead recall the writing of the story.
Leisure Wear - June Hudson talks about the costumes for the story.
Synthesising Starfields - Peter Howell and Sid Sutton recall the creation of the new titles sequence and theme arrangement.
Blue Peter - A look at the exhibition at Longleat.
5.1 Mix
Music-only Option
Photo Gallery
Production Subtitles
Easter Egg - Navigate down to the second option of the first menu, press the left button to highlight a hidden Doctor Who logo and hit select. You'll then get a series of continuity announcements from the original broadcast of this story.
Commentary: Lalla Ward, Lovett Bickford, and Christopher H. Bidmead

Notes:

Editing for the DVD release was completed by the Doctor Who Restoration Team.

DVD UK cover
DVD Australian cover
DVD US cover
DVD Netherlands cover

VHS releases

Released as Doctor Who: The Leisure Hive.

Released:

UK January 1997

PAL - BBC Video BBCV5821

US September 1997

NTSC - Warner Video E1135

VHS UK cover
VHS US cover
The Lesuire Hive.jpg

VHS AUS cover

External links

Footnotes

↑ ^1.0 ^1.1 Shannon Sullivan's take on The Leisure Hive

[Sullivan-1] 1.0 ^1.1 Shannon Sullivan's take on The Leisure Hive

[1]

@@ Line 27: / Line 27: @@
 '''''The Leisure Hive''''' was the first story of [[Season 18]] of ''[[Doctor Who]]'' as well as the first [[serial]] [[producer|produced]] by [[John Nathan-Turner]]. He immediately instituted a number of radical new changes to the series.
-The title sequence was redone with a 'star-field' motif. [[Delia Derbyshire]]'s arrangement of the [[Doctor Who theme|''Doctor Who'' theme]] was abandoned in favour of a more dynamic, glossy and 'funky' version of it, done by [[Peter Howell]] (also of the [[BBC Radiophonic Workshop]], where Derbyshire worked previously), using synthesizers (particularily the {{w|Yamaha CS-80}} and {{w|ARP Odyssey}} synthesizers, as well as an [http://www.vintagesynth.com/misc/ems_vocoder.php EMS] vocoder). These wholesale alterations to the programme's opening sequence would, with relatively minor adjustments, remain in place until [[season 24]]. At the same time, Nathan-Turner decided to end composer [[Dudley Simpson]]'s long association with the programme. He chose the Radiophonic Workshop to handle the [[incidental music]] for ''Hive''.
+The title sequence was redone with a 'star-field' motif. [[Delia Derbyshire]]'s arrangement of the [[Doctor Who theme|''Doctor Who'' theme]] was abandoned in favour of a more dynamic, glossy and 'funky' version of it, done by [[Peter Howell]] (also of the [[BBC Radiophonic Workshop]], where Derbyshire worked previously), using synthesisers (particularily the {{w|Yamaha CS-80}} and {{w|ARP Odyssey}} synthesisers, as well as an [http://www.vintagesynth.com/misc/ems_vocoder.php EMS] vocoder). These wholesale alterations to the programme's opening sequence would, with relatively minor adjustments, remain in place until [[season 24]]. At the same time, Nathan-Turner decided to end composer [[Dudley Simpson]]'s long association with the programme. He chose the Radiophonic Workshop to handle the [[incidental music]] for ''Hive''.
-''Hive'' also brought a new look for the [[Fourth Doctor]]. His coat and trademark multi-coloured scarf were now colored burgundy. The new [[question mark]] motif - premiered here on the Doctor's shirt collar and would persist throughout Nathan-Turner's era.
+''Hive'' also brought a new look for the [[Fourth Doctor]]. His coat and trademark multi-coloured scarf were now coloured burgundy. The new [[question mark]] motif - premiered here on the Doctor's shirt collar and would persist throughout Nathan-Turner's era.
 Narratively, ''Hive'' was an unusual story in that it was commissioned directly by the producer rather than the [[script editor]], because [[Christopher H. Bidmead]] was not yet hired. New [[executive producer]] [[Barry Letts]] also had a significant hand in shaping the story's outline.<ref name=Sullivan>[http://www.shannonsullivan.com/drwho/serials/5n.html Shannon Sullivan's take on ''The Leisure Hive'']</ref>
@@ Line 133: / Line 133: @@
 === The Doctor ===
 * The Doctor snores.
-* The Doctor survives aging several hundred years. The process is later reversed.
+* The Doctor survives ageing several hundred years. The process is later reversed.
 == Story notes ==

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Contents

Synopsis