The Impossible Planet (TV story)

The Impossible Planet
Doctor:	Tenth Doctor
Companion(s):	Rose
Main enemy:	The Beast
Main setting:	Krop Tor, 43K2.1
Key crew
Writer:	Matt Jones
Director:	James Strong
Producer:	Phil Collinson
Release details
Story number:	174a
Premiere broadcast:	3 June 2006
Premiere network:	BBC One
Format:	1x45 minute episode
Production code:	2.8
Confidential:	You've Got the Look
Memorable moment
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Behind the scenes video
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Doctor Who television stories
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Next →	The Satan Pit
Production order
← Previous	Fear Her
Next →	The Satan Pit

The Impossible Planet was the ninth episode of the second series of Doctor Who. It marked the first appearance of the Ood. The episode was also rife with allusions to the realm of Hell and its ruler, the Devil.

The prequel to The Impossible Planet, Tardisode 8, allows viewers to witness the presence of Captain Walker, who would later die during his crew's expedition and only receive posthumous mention in this episode.

Synopsis

The Tenth Doctor and Rose Tyler lose the TARDIS down a deep chasm, leaving themselves stranded on a space base positioned on a planet in the orbit of a black hole. Meanwhile, an entity who identifies as Satan himself, is awakening and beginning to cause chaos amongst the crew.

Plot

The TARDIS materialises inside a "Sanctuary Base" meant for deep-space expeditions. The Tenth Doctor and Rose discover the words "Welcome to Hell" written above lines of unknown characters scribbled on the station wall. The Doctor says that it must be incredibly old, as the TARDIS is unable to translate it.

After a slight misunderstanding when first meeting the Ood, a docile race of empathic servants who work on the station, the travellers meet the crew of the base, led by acting Captain Zachary Cross Flane. An earthquake occurs and they all have to take cover. The crew is introduced to Science Officer Ida Scott, Head of Security John Jefferson, trainee maintenance officer Scooti Manista, and archaeologist Toby Zed. They are on an expedition on an anomalous planet in orbit around a black hole, K37 Gem 5. The Doctor realises that it is impossible for the planet, which is called Krop Tor, to be in geostationary orbit around the black hole, as it should be pulled in like the star systems around it are. He calculates that it would take a phenomenal amount of power (a power source with an inverted self-extrapolating reflex force of six to the power of six every six seconds) to generate the huge gravity field stabilising its orbit. The funnel is not a natural phenomenon, and the crew is drilling ten miles underground to the core of the planet in hopes of finding the power source and using it. The origin of the power source is an ancient civilisation that had been on Krop Tor, and the inscription on the wall is a transcription of fragments found on the planet during their drilling.

The Doctor soon discovers that storage sections 5 to 8 had collapsed as a result of the earthquake-like tremor they had experienced moments after their arrival, dropping the TARDIS, which had been in Storage 6, into a crevasse. With no resources to divert the drilling, Rose and the Doctor are stranded. Ida offers to put them on the duty roster.

Toby is possessed by the Beast.

The crew goes back to their duties. Toby begins to hear a voice addressing him. An Ood tells Rose that the Beast awakens to make war against God. A horned image is displayed out of the corner of Zach's eye and the computer system tells Danny, "He is awake." The voice speaks to Toby, and the symbols from the pottery he was holding appear on his skin. He passes out. Ida opens the window so they can watch as the remains of the Scarlet system are swallowed by the black hole. Rose can't call her mum, as there is no signal on her superphone for the first time. She and the Doctor talk about the future until Rose's phone rings to tell her, "He is awake." They go to ask Danny about the Ood. Danny attempts to reassure them, showing a telepathic field monitor, which goes up to Basic 30, a reading six times normal. The Ood respond to, "He is awake" with "and you will worship him." Toby wakes with red eyes and symbols all over his face.

The Beast kills Scooti.

Meanwhile, Scooti goes to Toby's room to drop off paperwork, but finds his room empty. While she puts the paperwork on the desk, the computer announces the opening and closing of Door 41, an airlock. Concerned, she rushes to the airlock, where the computer confirms that the door opened and closed. The computer cannot tell who went outside and says no spacesuit was taken. Scooti tries to call Zach, but her wrist communicator will not connect. She requests the computer trace fault but it finds no system faults. Scooti asks again who went outside and it says, "He is awake". Scooti backs away from the console. Between Door 41 and Door 42, a viewport opens, and Scooti walks over to it. She sees Toby in the winds on the barren planet's surface, without a spacesuit, although there is no breathable air. The red eyed Toby turns around and grins at her. Scooti mutters about how there is no air. Nodding, Toby gestures her towards him. Scooti, panting and staring, reaches out towards Toby, but momentarily glances towards her own hand, then drops her arm, as if shaking his influence. Scooti pleads with Toby to stop. Toby's grin falls away, and he clenches his outspread hand into a fist, as the sounds of glass breaking fill the corridor. Scooti looks around to find the source of the sound, when a large crack appears in the viewport. Scooti gasps and runs towards Door 40, yelling for it to open. However, the door refuses to open despite her desperate attempts. Scooti panics as the glass continues to break, and her pleas quickly become screams. Toby unclenches his fist. The glass shatters and alarms blare as air begins rushing out of the base. Scooti is dragged away, screaming as she loses her grip.

The base begins to shake violently and Zach orders them to evacuate the affected section. Danny, Rose, the Doctor, Jefferson, Ida, and two security guards all rush to the nearest safe corridor. Jefferson pulls a clear skinned, pale eyed Toby through last, then closes the door, sealing the breach. Zach then asks if everyone was all right. Jefferson then reports that everyone is accounted for except Scooti. Jefferson then calls for Scooti on his radio. However, he gets no answer. Zach then tells them she is alright and that her biochip located her in Habitation 3. Jefferson and Ida sigh in relief. They then go down to search for Scooti while the Doctor and Rose tend to Toby.

Scooti is dead.

When Toby, Rose, and the Doctor enter the habitation they find the searchers looking frantically. Ida is calling all the habitations looking for Scooti. Jefferson then reports that Scooti is still missing while Zach continues by saying that her biochip says she is in Habitation 3. Then the Doctor sadly says he found her. Scooti is floating outside in the vacuum. Jefferson reports her death to Zach. Ida then goes over to the control to close the overhead, saying Scooti was only twenty years old. Scooti floats away towards the black hole, spinning as the door closes. Jefferson recites a verse from "Horatius," a poem by Thomas Babbington Macaulay: "And how can man die better/ Than facing fearful odds/ For the ashes of his fathers,/ And the temples of his gods."

Ida realises that the drill has stopped, meaning they've managed to drill down to the core of the planet. Nonessential Ood are to be confined. The Doctor talks Zach into letting him volunteer for the mission to investigate. He and Ida journey down the mine shaft and into a massive cavern with ancient giant sculptures along its walls. They head for the power source, guided by sensor readings, and find a large circular disk set in the floor of the cavern, which the Doctor suspects is a trap door of some sort.

The pit opens.

Meanwhile in the base, Danny calls from where he is monitoring the Ood to report that the Ood's telepathic field has risen dangerously to Basic 100. Basic 100 is high enough to induce brain death, but they are obviously still alive. Ida reports the edge of the massive door is covered in the ancient symbols and they ask Toby if he's translated any. Toby says he knows what it says, and he looks up at Jefferson and Rose through red eyes in a symbol covered face. He says they are the words of the Beast. He continues to speak, then taunts Jefferson before the symbols flow from his face to the Ood. Toby faints, and the different groups of red eyed Ood begin to speak and advance. They identify themselves as the Legion of the Beast and recite his verses as they begin to advance on the crew members. The security guard with Danny is electrocuted by a translator ball. Danny runs. In the other chamber, Jefferson, Rose, and their guard retreat.

The Doctor and Ida stand before the sealed metal door on the cavern ground. Rocks fall as the ground shakes, even to the base above, and the sections of the door fall apart and slide open to show a black chasm. Zach reports they're losing orbit, as the Ood back Rose's group into a door that won't open. The Doctor and Ida run back to the edge of the chasm as a voice calls out, "The pit is open, and I am free!". As the Doctor and Ida look down, malevolent laughter echoes...

Cast

• The Doctor - David Tennant
• Rose Tyler - Billie Piper
• Mr. Jefferson - Danny Webb
• Zachary Cross Flane - Shaun Parkes
• Ida Scott - Claire Rushbrook
• Toby Zed - Will Thorp
• Danny Bartock - Ronny Jhutti
• Scooti Manista - MyAnna Buring
• The Ood - Paul Kasey
• The Voice of the Beast - Gabriel Woolf
• The Voice of the Ood - Silas Carson

Crew

Executive Producers   Russell T Davies and Julie Gardner

Written by Matt Jones	Produced by Phil Collinson	Directed by James Strong	Director of Photography Ernie Vincze BSC	Production Designer Edward Thomas	Visual Effects The Mill
Make-up Designer Sheelagh Wells	Casting Director Andy Pryor CDG	Music Murray Gold	Costume Designer Louise Page	Edited by Mike Jones	Special Effects Any Effects
Original theme music by Ron Grainer  •  With thanks to the BBC National Orchestra of Wales

General production staff Production Manager - Tracie Simpson Location Managers - Lowri Thomas, Gareth Skelding Unit Manager - Rhys Griffiths Production Co-ordinator - Jess van Niekerk Production/Script Secretary - Claire Roberts Production Runner - Victoria Wheel Production Accountant - Endaf Emyr Williams A/Production Accountants - Debi Griffiths, Kath Blackman Finance Manager - Richard Pugsley Script department Script Editor - Simon Winstone Camera and lighting department 1st Assistant Director - Gareth Williams 2nd Assistant Director - Steffan Morris 3rd Assistant Director - Lynsey Muir Continuity - Non Eleri Hughes Camera Operator - Jamie Harcourt Focus Puller - Terry Bartlett Grip - John Robinson Boom Operators - Jeff Welch, Rhydian Yeoman Gaffer - Mark Hutchings Best Boy - Peter Chester	Art department Supervising Art Director - Stephen Nicholas Art Department Production Manager - Jonathan Marquand Allison Art Department Co-ordinator - Matthew North Production Buyer - Catherine Samuel Set Decorator - Tim Dickel A/Supervising Art Director - James North Storyboard Artist - Shaun Williams Design Assistants - Peter McKinstry, Ian Bunting, Al Roberts Standby Props - Phil Shellard, Laurie Guinee Standby Art Director - Arwel Wyn Jones Property Master - Adrian Anscombe Assistant Props Master - Paul Aitken Props Chargehand - Phil Lyons Props Storeman - Stuart Wooddisse Specialist Prop Maker - Mark Cordory Props Maker - Penny Howarth Construction Manager - Matthew Hywel-Davies Construction Chargehand - Allen Jones Graphics - BBC Wales Graphics Costume department Costume Supervisor - Anna Lau Costume Assistants - Lindsay Bonaccorsi, Kirsty Wilkinson	Make-up and prosthetics Make-up Artists - Anwen Davies, Steve Smith, Moira Thomson Prosthetics - Millennium Effects Prosthetics Designer - Neill Gorton Prosthetics Supervisor - Rob Mayor Prosthetics Technicians - Jo Glover, Martin Rezard Movement Stunt Co-ordinator - Bill Davey Choreographer - Ailsa Berk Casting Casting Associate - Andy Brierley General post-production staff Post-production Supervisors - Samantha Hall, Chris Blatchford Post-production Co-ordinator - Marie Brown Assistant Editors - Ceres Doyle, Matt Mullins On-line Editor - Matthew Clarke Special and visual effects Visual Effects Co-ordinator - Kim Phelan 3D Artists - Will Pryor, Mark Wallman, Matt McKinney, Serena Cacciato, Chris Petts, Chris Tucker, Paul Burton, Nick Webber, Jean Claude Deguara, Jean Yves Auoduard, Nicholas Hernandez, Neil Roche, Adam Burnett 2D Artists - Simon Holden, Sara Bennett, Michael Harrison, Bronwyn Edwards, Joseph Courtis, Melissa Butler-Adams, Russell Horth, Sandra Roach Colourist - Mick Vincent Digital Matte Artists - Alex Fort, Ilyas Kaduji Model Unit Supervisor - Mike Tucker Sound Sound Recordist - Richard Dyer Dubbing Mixer - Tim Ricketts Sound Effects Editor - Paul Jefferies Sound Editors - Paul McFadden, Doug Sinclair

Not every person who worked on this adventure was credited. The absence of a credit for a position doesn't necessarily mean the job wasn't required. The information above is based solely on observations of the actual end credits of the episodes as broadcast, and does not relay information from IMDB or other sources.

References

• The Scarlet System was home to the Pallushi, a mighty civilisation that spanned a billion years.
• The scriptures of the Veltino describe the planet as Krop Tor - "the bitter pill".
• The Doctor states TARDISes are grown, rather than built.
• The Doctor says the TARDIS was "sort of queasy. Indigestion, like she didn't want to land." This implies she has intelligence, emotions, and ability to sense either the entity or coming events.
• When Ida mentions, "There's no turning back", the Doctor says it is almost as bad as saying, "This is going to be the best Christmas Walford has ever seen", a reference to EastEnders and their infamously miserable holiday specials.
• Jefferson quotes Thomas Babington Macaulay's poem Horatius: "And how can man die better, than facing fearful odds, for the ashes of his fathers, and the temples of his Gods?"
• During the night shift, the base plays Maurice Ravel's Bolero.
• The episode references the number 42 twice: it is set in the 42nd century, and the hallway containing Door 41 also contains Door 42. In Series 3, another episode set in the 42nd century would be broadcast, which was called 42. The later episode also involves a small space crew and issues near an unusual star.
• The Doctor saying "Why did you come here? [...] I'll tell you why. Because it was there!" is a reference to George Mallory's famous words. When asked "Why do you want to climb Mount Everest?", the British mountaineer replied with: "Because it's there".
• The Doctor states that to generate a force field to resist the black hole's pull would require a power source with an inverted self extrapolating reflex of "six to the power of six every six seconds. In the Bible, "666" is referred to as "the number of a man", which is often mistakenly believed to be the number of the beast.
• The funnel-shaped gravity field at the bottom of which the Doctor finds Lucifer is a reference to Dante's Inferno, in which hell also takes shape of a funnel with the devil at bottom of it.
• The Ood's resemblance to Cthulhu, the ominous foreshadowing of the Beast and the theme of insanity all reference The Call of Cthulhu written by H.P. Lovecraft.

Story notes

• This is the first episode of the revived series not to have any scenes take place on or within orbit of Earth.
• Sound effects matching the door opening and closing sounds from the first two games in the popular Doom series are occasionally used (especially noticeable when Toby goes searching for the "voices" distracting him from his archaeological findings).
• Before the Ood, the production team had considered Raxacoricofallapatorians being the servants on Sanctuary Base 6, but it was decided to use a new race when it emerged that the cost of repairing the Slitheen costumes was just as much as if the crew created new aliens from scratch.
• The Ood would be later revealed in Planet of the Ood to come from a region of space near the Sense Sphere, thus suggesting a genetic relationship between them and the Sensorites. Interestingly, the Sensorites are introduced in "Strangers in Space" in a very similar way to how the Ood are in this episode. Both races at first appear to threaten the Doctor and his companions before they finally reveal their more benign intent.

Ratings

• 6.31 million viewers

Filming locations

• Wenvoe Quarry, Cardiff
• Mamhilad Park Industrial Estate, Pontypool, Wales
• Unit Q2, Imperial Park, Imperial Way, Newport
• HTV Wales Studios, Culvershouse Cross, Cardiff
• Enfys Television Studios, Unit 31, Portmanmoor Road, East Moors, Cardiff
• Pinewood Studios, Iver Heath, Buckinghamshire
• Ealing Film Studios, Ealing Green, Ealing

Production errors

If you'd like to talk about narrative problems with this story — like plot holes and things that seem to contradict other stories — please go to this episode's discontinuity discussion.

• When the Doctor and Ida descend into the core of Krop Tor, the screen charting their progress shows 39% oxygen. After cutting away to an overhead shot of the two, the camera cuts back to the same descent display, only now the oxygen percentage (which has been falling constantly all this time) is at 42%.

Continuity

• The Beast's son, Abaddon, would later also be awoken, and appear in Cardiff. (TV: End of Days)
• Rose mentions that she worked as a dinner lady. (TV: School Reunion)
• The Ood, while possessed by the Beast, say, "I shall become the manifest," as does The Wire. (TV: The Idiot's Lantern)
• Rose receives a message on a new superphone. She left her previous one with Mickey Smith. (TV: The Age of Steel)
• The Doctor suggests the TARDIS may be suffering from "indigestion". (TV: Doctor Who (1996))

International broadcast

When aired by the Canadian Broadcasting Corporation in late 2006, this episode was considered a mid-season cliffhanger, with The Satan Pit and the rest of the season not airing until early 2007, after a hiatus of several months. At the time the CBC made this decision a trend had developed among North American networks to insert lengthy (sometimes months-long) breaks during the November-January period.

Home video releases

Series 2 Volume 4 DVD Cover

• This story was released on a vanilla DVD with The Satan Pit and Love & Monsters.
• It was also released as part of the Series 2 DVD box set.

External links

• BBC Website - Episode Guide for The Impossible Planet
• The Impossible Planet at the Doctor Who Reference Guide
• The Discontinuity Guide to: The Impossible Planet at The Whoniverse
• The Impossible Planet at Shannon Sullivan's A Brief History of Time (Travel)
• The Impossible Planet at The Locations Guide