The Family of Blood (TV story)

For the titular species, see Family of Blood.

The Family of Blood
Doctor:	[[doctor::Tenth Doctor]]
Companion(s):	Martha Jones
Main enemy:	Family of Blood (Son of Mine, Father of Mine, Mother of Mine, Daughter of Mine) Animated scarecrows
Main setting:	England, 1913 France, 1914 England, c.2008
Key crew
Writer:	Paul Cornell
Director:	Charles Palmer
Producer:	Susie Liggat
Release details
Story number:	185b
Release number:	Series 3
Premiere broadcast:	2nd June 2007
Format:	2nd of 2 45 Minute Episodes
Production code:	3.9

Family of Blood was the ninth episode of the third series of Doctor Who.

Synopsis

1913, and war comes to England, a year in advance, as the terrifying Family hunt for the Doctor.

Plot

As the Family holds Martha Jones and Joan Redfern captive, John Smith is helplessly bewildered by their demands. Tim Latimer briefly opens the watch containing the Doctor's essence, thus confusing the Family with the Doctor's scent. This allows Martha to grab a gun from Mother of Mine, take her hostage and point the gun at Son of Mine, who points his gun at Martha. Eventually the Family members lower their weapons, and Martha tells Smith to evacuate the building. After everyone has left, an animated scarecrow grabs Martha and retrieves the gun. She escapes and runs outside, where she finds Smith and leads him away. The watch still tells Latimer to keep it hidden.

Smith, Joan, and Martha race back to the school and Smith sounds the alarm. Father of Mine investigates Martha's past movements while the rest of the Family return to the school. They send Sister of Mine inside to spy on the school's inhabitants.

Inside the school, Martha pleads with Smith about having the students fight, but Smith says that they are trained to defend King and Country. Headmaster Rocastle enters, initially angry, but approves Smith's actions upon hearing that Baines (Son of Mine) and Clark (Father of Mine) have gone insane and are chasing them, and that people have been murdered. The headmaster and Smith arm the boys and prepare for battle. Unable to stop them, Martha races to Smith's room to search for the watch, followed by Joan. Joan slowly comes to believe the origins of Martha and the Doctor. Latimer hides away with the watch.

Rocastle and Phillips head outside to assess the situation. Son of Mine demands that John Smith be handed over along with his Time Lord consciousness, and mocks Rocastle for teaching children to fight in the war that Son of Mine knows is coming. Rocastle states his devotion to King and Country. Son of Mine vaporizes Phillips. Rocastle runs back into the school, where he and Smith resume battle preparations, ordering the boys to set up barricades and a line of machine guns to repel the Family. Son of Mine summons his scarecrow "soldiers". Father of Mine finds the TARDIS. Joan asks Smith about his Nottingham childhood, noting that his knowledge is confined to facts. "How can you think I'm not real?" he protests. She argues that whoever he is, he knows it is wrong to have the boys fight.

Sister of Mine finds Latimer, who beams the Time Lord consciousness out of the watch, striking her with an image of the Doctor at his most merciless. This betrays his position, and the Family send their scarecrow army in to bring out the watch. This army's first line is machine-gunned, but Smith finds himself unable to fire. Sister of Mine appears and Rocastle thinks she is merely a girl and should be brought into the school for her own safety, despite warnings from Martha, Joan and Smith. Sister of Mine kills Rocastle. Smith instructs the boys to make an orderly retreat, but the Family and their scarecrows chase them and line them up to look for the watch. Finding that none of them have it, they are about to massacre the boys, when Latimer sends a beam from the watch on an upper floor. This distracts them, and the boys get away. Latimer escapes out a window.

The Family bring the TARDIS to the school, and taunt Smith (who is watching from the adjoining woods) to come to them. Smith denies having seen the TARDIS before, but Joan recognizes it as the blue box in Smith's journal. Seeing this latest evidence of the Doctor's existence, Smith pleads desperately to remain himself. The Family return to their ship and use their alien technology to bombard the village in an attempt to hasten Smith's surrender.

Smith, Joan and Martha retreat to the Cartwrights' empty cottage, Joan having deduced that Sister of Mine killed her human host's parents earlier in the day. Latimer arrives soon after, watch in hand. He says he has seen the Doctor, and describes him as both fearsome and wonderful. After Smith takes the closed watch, it causes him to speak in the Doctor's voice for a moment, explaining Latimer's telepathic abilities as being due to "an extra synaptic engram". Smith is horrified. Martha tries to convince Smith to open the watch and change back, saying that she loves the Doctor to bits and that he is needed. Smith sees the transformation back to the Doctor as his own suicide. Latimer and Martha then leave Joan and Smith alone. Smith has an agonised discussion with Joan, with both seeing a vision of how Smith can live out his life if he remains human: marrying Joan, having children, becoming a grandfather, and dying at home in bed with Joan at his bedside. Joan remains ambivalent, having discovered from Smith's journal the awful consequences of the Family gaining what they seek.

Smith appears at the Family's ship and stumbles into things as he gives up the watch in return for the Family stopping the bombardment (and, apparently, to preserve his human identity). When they open the watch in triumph, they find it empty. Smith has changed back into the Doctor, misdirected their senses so as to seem human, and in falling around pushed buttons which lead to the machine overheating and destroying itself. The Family and the Doctor escape, but Son of Mine narrates the fate that befalls the Family afterward. He now realises that the Doctor made himself human out of kindness to the Family; the Doctor would have preferred that they die out peacefully. After all the death they caused, however, he deals out the ultimate punishments to them. They wanted to become immortal by absorbing a Time Lord, and then conquer across time and space, and so the Doctor grants this wish in other ways: he traps Father of Mine in chains forged at the heart of a dwarf star, Mother of Mine in the event horizon of a collapsing galaxy, Sister of Mine in every mirror in existence. (It is said that whenever one sees something moving in the mirror, even for a second, it is she. Son of Mine also states that the Doctor visits her once a year, every year, indicating that the narration is taking place some years after the events of this story.) Finally, the Doctor suspends Son of Mine in time, and dresses him as a scarecrow to watch over the fields of England as its protector.

The Doctor then visits Joan, who is certain that Smith is dead. The Doctor states that Smith still exists within him, and claims he is capable of everything that Smith was. He invites her to travel with him, but Joan refuses to go with the stranger who wears her dead lover's face. Instead she accuses him of causing the deaths around the school, and sends him away. She watches him leave and then starts to cry, clutching Smith's A Journal of Impossible Things to her chest. The Doctor returns to the TARDIS, where Martha awaits him. She brushes off her earlier confession as an act of desperation, which he seems to accept. He thanks her for looking after him and they hug.

Latimer appears to see the Doctor and Martha off. He states that he now "knows what he must do", is given the now-empty watch by the Doctor, and watches the TARDIS leave. Latimer later saves Hutchinson and himself on the Western Front, based on his premonition in the previous episode. We cut to the future, when an elderly Latimer attends an Armistice Day commemoration, still holding the watch. The Doctor and Martha observe from a distance, wearing poppies. They silently acknowledge each other as the service continues.

Cast

• The Doctor/John Smith - David Tennant
• Martha Jones - Freema Agyeman
• Joan Redfern - Jessica Hynes
• Jenny - Rebekah Staton
• Tim Latimer - Thomas Sangster
• Jeremy Baines - Harry Lloyd
• Hutchinson - Tom Palmer
• Mr Clark - Gerald Horan
• Lucy Cartwright - Lauren Wilson
• Mr Rocastle - Pip Torrens
• Mr Phillips - Matthew White
• Vicar - Sophie Turner

Crew

Executive Producers   Russell T Davies, Julie Gardner and Phil Collinson

Written by Paul Cornell	Produced by Susie Liggat	Directed by Charles Palmer	Director of Photography Rory Taylor	Production Designer Edward Thomas	Visual Effects The Mill
Make-up Designer Barbara Southcott	Casting Director Andy Pryor CDG	Music Murray Gold	Costume Designer Louise Page	Edited by Matthew Tabern	Special Effects Any Effects
Original theme music by Ron Grainer  •  With thanks to the BBC National Orchestra of Wales

General production staff Production Executive - Julie Scott Production Manager - Tracie Simpson Location Manager - Lowri Thomas Location Scout - Branwen Evans Unit Manager - Huw Jones Production Co-ordinator - Jess van Niekerk Production Assistant - Debi Griffiths Production/Script Secretary - Kevin Myers Production Runner - Sián Eve Goldsmith Drivers - Wayne Humphreys, Malcolm Kearney Senior Production Accountant - Endaf Emyr Williams Production Accountant - Oliver Ager Contracts Assistant - Bethan Britton Finance Manager - Chris Rogers Script department Script Editor - Lindsey Alford Camera and lighting department 1st Assistant Director - Richard Harris 2nd Assistant Director - Steffan Morris 3rd Assistant Director - Sarah Davies Floor Runners - Lowri Denman, Heddi Joy Taylor Continuity - Non Eleri Hughes 2nd unit Camera Operator - Steven Hall Focus Puller - Steve Rees 2nd Unit Focus Puller - Jamie Southcott Grip - John Robinson Camera Assistant - Tom Hartley Boom Operators - Jeff Welch, Bryn Thomas Gaffer - Mark Hutchings Best Boy - Steve Slocombe Electricians - Clive Johnson, Ben Griffiths	Art department Chief Supervising Art Director - Stephen Nicholas Supervising Art Director - Arwel Wyn Jones Art Department Production Manager - Jonathan Marquand Allison Art Department Co-ordinator - Matthew North Associate Designer - James North Set Decorator - David Morison Props Buyer - Catherine Samuel Storyboard Artist - Shaun Williams Design Assistants - Peter McKinstry, Ian Bunting, Al Roberts Cyfle Trainee - Christina Tom Standby Props - Phill Shellard, Nick Murray Standby Carpenter - Paul Jones Standby Art Director - Tim Dickel Standby Rigger - Bryan Griffiths Standby Painter - Ellen Woods Props Master - Paul Aitken Props Chargehand - Gareth Jeanne Props Storeman - Martin Griffiths Forward Dresser - Amy Chandler Construction Manager - Matthew Hywel-Davies Practical Electrician - Albert James Graphics - BBC Wales Graphics Costume department Costume Supervisor - Lindsay Bonaccorsi Assistant Costume Designer - Marnie Ormiston Costume Assistants - Sheenagh O'Marah, Kirsty Wilkinson	Make-up and prosthetics Make-up Artists - Pam Mullins, Steve Smith, John Munro Prosthetics - Millennium FX Prosthetics Designer - Neill Gorton Prosthetics Supervisor - Rob Mayor On Set Prosthetics Supervisor - Lotta Hagvist Prosthetics Technician - Anthony Parker Movement Stunt Co-ordinator - Glenn Marks Choreographer - Ailsa Berk Casting Casting Associates - Andy Brierley, Kirsty Robertson General post-production staff Post-production Supervisors - Samantha Hall, Chris Blatchford Post-production Co-ordinator - Marie Brown Assistant Editors - Tim Hodges, Matthew Mullins On-line Editor - Mark Bright Special and visual effects Visual FX Producers - Will Cohen, Marie Jones Visual FX Supervisor - Dave Houghton VFX Editor - Ceres Doyle VFX Production Assistant - Marianne Paton SFX Co-ordinator - Ben Ashmore SFX Supervisor - Paul Kelly SFX Technicians - Danny Hargreaves, Henry Brook Colourist - Mick Vincent Sound Sound Recordist - Julian Howarth Dubbing Mixer - Tim Ricketts Supervising Sound Editor - Paul McFadden Sound Effects Editor - Paul Jeffries Sound Editor - Doug Sinclair Foley Editor - Kelly-Marie Angell

Not every person who worked on this adventure was credited. The absence of a credit for a position doesn't necessarily mean the job wasn't required. The information above is based solely on observations of the actual end credits of the episodes as broadcast, and does not relay information from IMDB or other sources.

References

• The Doctor uses dwarf star alloy chains.

Story notes

• Smith's Journal of Impossible Things was created by artist Kellyanne Walker, based on text provided by (writer) Paul Cornell. Kellyanne's brief was to reflect the fact that Smith wasn't an excellent artist - and that these were images and thoughts from his dreams that he had rushed down on paper before he forgot them.
• Joan Redfern was the third character in the revived series to decline an invitation to travel with the Tenth Doctor, after Sarah Jane Smith and Donna Noble, but Donna would ultimately travel with the Doctor in Series 4.
• Russell T. Davies once stated in an interview for the Doctor Who Magazine his belief that this two-parter was too dark for the program's audience.

Ratings

• 6.6 million (overnight)
• 7.21 million (Final ratings)
• 0.76 million (repeat on BBC 3)

Myths

to be added

Filming locations

• St Fagans in Cardiff

Production errors

• Phillips is seen only one second after being killed and nothing more.
• As the scarecrow-soldiers advance on the school to do battle, the scene cuts to Sister-Of-Mine, looking out from a school window. There is clearly heavy rainfall outside. When we immediatly cut-back to the advancing scarcrows, it is a cold, clear night.

If you'd like to talk about narrative problems with this story — like plot holes and things that seem to contradict other stories — please go to this episode's discontinuity discussion.

Continuity

• Dwarf star alloy was introduced in DW: Warriors' Gate
• When Hutchinson calls Latimer a "filthy coward" Latimer responds by saying, "Oh, yes, sir! Every time!" this is a reference to DW: The Parting of the Ways. It is revealed in the Doctor Who Confidential for these two episodes that they wanted to make Latimer a bit Doctor-ish in his character, so they included this as a nod to that quality of his.
• When Joan asks the Doctor if he can change back, the dialogue matches the DW: Children in Need Special
• The Doctor's dark and vengeful power, is seen again DW: Journey's End.
• The fate of the Family of Blood is very reminiscent of what happened to Borusa at the end of DW: The Five Doctors.
• The outfit worn by John Smith resembles the outfit worn by the Eleventh Doctor. (DW: The Eleventh Hour)
• The close-up of the Doctor before he entraps the Family is re-used in a flashback of the ten previous Doctors in DW: The Eleventh Hour.

Timeline

• This story takes place after DW: Human Nature
• This story takes place before NSA: Forever Autumn

DVD releases

Series 3 Volume 3 DVD Cover

• This episode was released alongside Human Nature and Blink
• It is also part of the series 3 DVD boxset.

See also

• NA: Human Nature

External links

• Official BBC Website - Episode Guide: The Family of Blood
• Official BBC Website - Human Nature (New Adventure novel) online version
• Official BBC Website - Paul Cornell on adapting Human Nature for TV