The Girl Who Waited (TV story)

The Girl Who Waited
Doctor:	[[doctor::Eleventh Doctor]]
Companion(s):	Amy/Older Amy (guest; dies), Rory
Main setting:	Apalapucia, Two Streams Facility
Key crew
Writer:	Tom MacRae
Director:	Nick Hurran
Producer:	Marcus Wilson
Release details
Story number:	220
Premiere broadcast:	10 September 2011
Premiere network:	BBC One
Format:	1x 45 minutes episode
Production code:	6.10
Confidential:	[[confidential::What Dreams May Come|What Dreams May Come]]
← Previous	Night Terrors
Next →	The God Complex
Production order
← Previous	The Curse of the Black Spot
Next →	The God Complex

The Girl Who Waited was the tenth episode in the sixth series of Doctor Who. The moral choice at the centre of the story made it a character study of the relationship between Amy and Rory.

Synopsis

Amy is trapped in a quarantine facility for victims of a plague on Apalapucia – a plague that can kill the Doctor in a day. The Doctor uses the TARDIS to smash through time and break in, but then Rory is on his own. He must find Amy and bring her back to the TARDIS before the alien doctors can administer their deadly medicine. Rory is about to encounter a very different side to his wife. Can he rescue Amy before she is killed by kindness?

Plot

The Doctor brings Amy and Rory to the resort planet of Apalapucia, one of the top holiday destinations in the universe. Though he promises views of "sunsets, spires, and soaring silver colonnades," they step out of the TARDIS to find that they have landed in a clinically white room possessing only an exit door with two buttons, labelled "Green Anchor" and "Red Waterfall." Amy steps back into the TARDIS to retrieve her phone while the Doctor and Rory use the door -- pressing the "Green Anchor" button -- and enter another room, which holds a table on which rests a large magnifying glass. When Amy steps back into the corridor, she also uses the door -- pressing the "Red Waterfall" button -- and finds herself in a similar-looking room, though Rory and the Doctor are not present. When Rory steps into the Red Waterfall room to find her, she is not there.

The Doctor and Rory are terrified by the virus.

The Doctor activates the Time Glass and sees Amy, who wonders where the Doctor and Rory have gone. A Handbot enters the room where the Doctor and Rory are, welcoming them to the Two Streams Facility, which is a "kindness facility." As the Doctor and Rory are held at bay by the robot, Amy appears to fast-forward within the glass; when the Doctor finally stabilizes it, she angrily informs him that it has been a week since they last spoke. From this, the Doctor is able to deduce that Amy has wound up in a faster time stream which they cannot access; their only means of communicating with her is through the glass. The Handbot informs the Doctor and Rory that Two Streams is a facility for victims of the Chen-7, or "one-day," plague, which affects two-hearted races -- including native Apalapucians and Time Lords. Amy's time stream is synced for visits,those not affected by the Chin-7 virus are able to watch the entire lives of their quarantined loved ones who are patients, as opposed to being limited to the viewing of one day on a deathbed. Which is a substantial improvement for the patient, as the virus that kills in a day instead takes several years to kill.

The Doctor removes the magnifying glass from the table, but accidentally activates an alarm in the process. He orders Amy to go into the facility and seek a hiding place where she might wait for him to find her. Before he leaves, he warns her to not let the Handbots administer any medicine to her; because she possesses only one heart, she is immune to Chen-7, and so the Handbots' "kindness" will kill her. Before departing, Amy asks Rory to save her. The Doctor and Rory return to the TARDIS, where the Doctor uses the magnifying glass to lock onto Amy's time stream. Because the Doctor is at risk of becoming infected with Chen-7, he cannot go into the facility; therefore, he sends Rory in his place, though they are in constant communication through a pair of glasses wired with a camera. The Doctor insists that it is very difficult to break through a time wall, but sends the TARDIS off on course regardless.

Meanwhile, Amy has arrived in the Two Streams lobby, where she is met by a holographic receptionist informing her of all the "entertainment zones" within the facility that she now has access to as a resident. She is also introduced to the Interface, who claims to be Amy's guide within the facility. As Amy strolls along a promenade looking for somewhere to hide and wait for the Doctor, she is met by a series of Handbots, all of whom attempt to inject her with medication. She seeks shelter from the pursuing Handbots within a vent system in a maintenance room; the smoke from the vent prevents the Handbots from detecting her, and she manages to escape.

She arrives in another white room with a console in the centre and empty doorways surrounding it; this is the Gate, and the console buttons control various doorways which lead to the entertainment zones. Amy chooses a majestic garden, which the Interface informs her is the perfect replica of Shill Governor's mansion on Shallana. Amy asks the Interface about the vent system she hid in earlier. The vent channels the exhaust fumes from the temporal engines, which hold the multiple time streams in place. Amy deduces from this that the engines interfere with the Handbots' sensors, and wonders where the temporal engines are located. The Interface points her in the right direction, and Amy prepares to leave in search of them; however, two Handbots materialise around her. Utilising the sleep sensors on their hands, she presses them together, deactivating both and escaping once more. Arriving at the temporal engines room, Amy scrawls a message for the Doctor and Rory on the door: "Doctor, I'm waiting."

Meanwhile, Rory and the Doctor have landed in Amy's time stream, and Rory is exploring the art gallery when he is confronted by a warrior wearing makeshift armour -- made from a dismantled Handbot -- and bearing a katana, who lunges at him with the sword raised. With Rory cornered, the warrior whispers that it waited for him. As it steps away, it removes the helmet shielding its face to reveal that it is, in fact, Amy -- though she is much older than before. The Doctor, who is able to see Amy through Rory's glasses, realises that he landed the TARDIS much later in Amy's time stream than he initially anticipated. Amy takes out a Handbot that has snuck up behind Rory, rewiring its black box with her "sonic probe" -- which she has constructed during her time in the facility -- to shield her presence from the other Handbots. Rory questions why Amy is still in the facility when she is clearly much older, and she bitterly replies that it's because they didn't save her as they'd promised. She has been living in the facility for thirty-six years, and during that time, she has come to hate the Doctor more than she's ever hated anyone in her life.

Amy leaves the room, closely followed by Rory, who suggests that they could return the TARDIS to the right time stream and stop Amy's wait from happening; however, the Doctor admits that this is Amy's time stream, so they can't leave. They return to the temporal engines room to find a Handbot that Amy has literally disarmed and named Rory; it is her sole companion, though she refers to it as a pet. She continues to berate the Doctor, claiming that all she had for thirty-six years was cold hard reality, and her life is hell. The Doctor asks to speak to the Interface, insisting that he will put everything right; however, the Interface cannot be activated inside the engine room, and so Amy takes Rory to the garden. The Interface shows the Doctor where the regulator valve is held, and the Doctor asks Rory to speak to Amy so they can run over "technical specifications." With the information he gets from her, the Doctor realises that he can set the time streams right by using the temporal engines to fold the two points of Amy's timeline together. However, Amy angrily rejects this plan to save her past self.

The return to the temporal engines room, with the Doctor pleading for Amy to agree to the plan. She continues to resist, knowing that helping her past self will mean the past thirty-six years of her life never happened and she would cease to exist. Instead, she asks for the Doctor and Rory to take her with them, leaving the younger Amy behind to live out the next thirty-six years in solitude. Rory, who is angry at the Doctor for causing so much trouble, angrily throws the glasses to the ground; the feedback on them allows the Doctor to hear the present Amy crying in her own point on the timeline within the engine room. Rory uses the time glass to view the younger Amy, and forces the older Amy to confront her own past.

As the older Amy and her past self communicate, the older Amy bitterly begins to remember the real reason she was never rescued: it wasn't because Rory and the Doctor left her behind, but because her future self refused to help them when it mattered. The two Amys begin to discuss Rory and how he's always been in love with her -- going so far as to pretend to be in a rock band when they were in school -- and how she needs to be saved for Rory. After this conversation, the older Amy informs Rory that she is going to "pull time apart" for him, but that she will only help if the Doctor agrees to let her travel in the TARDIS alongside her past self. The Doctor reluctantly admits that the TARDIS could sustain the paradox. Through a hijacking of the regulator valves and by insisting that both Amys concentrate on a powerful memory -- which turns out to be their first kiss with Rory (which occurred while one or both of them were doing the Macarena) -- the Doctor is able to pull the younger Amy into her future self's point in the time stream.

They set off through the facility for the room where the Doctor waits in the TARDIS; however, because of the massive paradox, the TARDIS is malfunctioning and, as a result, the group only has eight minutes to get back to it. The older Amy bothers the younger Amy by flirting with Rory. Once the group reaches the art gallery, they find themselves surrounded by Handbots, which the older Amy agrees to fight off while Rory and her past self run ahead to the TARDIS. However, the younger Amy is put to sleep by one of the Handbots, and although Rory quickly deactivates it by smashing a painting over its head, she remains unconscious, and he must carry her to the TARDIS. Inside, the Doctor insists that she's just been given a sedative and that she will be fine. Rushing back to the doors, he spots the older Amy, who begins running towards him; as he shouts that he's sorry, he closes the door, trapping her outside. Rory protests, but the Doctor explains that he lied earlier. There can never be two Amys in the TARDIS, so Rory must choose which Amy he wants to bring along.

Through the door, the older Amy tells Rory that, if he loves her, he shouldn't let her in. Seeing

File:Doctor Who 6x10 The Girl Who Waited 498.jpg

Amy looks at her home.

Rory carry the younger Amy to the TARDIS made her realise just how much he truly loves her, and that she'd forgotten how much she loved "being Amy Pond in the TARDIS with Rory Williams." Rory locks the door, apologising to her, though he is clearly devastated.

The older Amy turns away from the TARDIS to see that she has been surrounded by an army of Handbots, all of whom tell her not to be alarmed because "this is a kindness." She calls for the Interface, resignedly asking to see Earth. When the hologram appears, she asks the Interface if she ever told her about a boy she met there, "who pretended to be in a band?" The Handbots step through the hologram, dissolving it, and put Amy to sleep by touching her neck. They subsequently inject her with their medicine, killing her instantly.

Rory and the Doctor sit in the TARDIS, waiting for Amy to wake up. Rory questions whether or not the Doctor always knew that saving both Amys wasn't possible, but he dodges answering, insisting that he promised to save her and he did. Rory accepts this. When Amy awakes, she asks after her older self, though the Doctor can only offer a grave look before leaving.

Cast

• The Doctor - Matt Smith
• Amy Pond - Karen Gillan
• Rory Williams - Arthur Darvill
• Check-in-girl - Josie Taylor
• Voice of Interface - Imelda Staunton
• Voice of Handbots - Stephen Bracken-Keogh (uncredited on-screen but credited in Radio Times)

Crew

Executive Producers   Steven Moffat, Piers Wenger and Beth Willis

General production staff Production Executive - Julie Scott Line Producer - Diana Barton Associate Producer - Denise Paul Production Manager - Phillipa Cole Location Manager - Nicky James Location Assistant - Geraint Williams Unit Manager - Rhys Griffiths Production Co-ordinator - Claire Hildred Assistant Production Co-ordinator - Helen Blyth Production Assistant - Charlie Coombes Production Secretary - Scott Handcock Production Accountant - Dyfed Thomas A/Production Accountant - Kristina Raschboeck Script department Script Editor - Caroline Henry Script Executive - Lindsey Alford Camera and lighting department 1st Assistant Director - William Hartley 2nd Assistant Director - Heddi-Joy Taylor-Welch 3rd Assistant Director - Janine H Jones Assistant Director - Danielle Richards Script Supervisor - Elaine Matthews Camera Operator - James Leigh Focus Pullers - Steve Rees, Jonathan Vidgen Grip - Gary Norman Assistant Grip - Owen Charnley Camera Assistants - Simon Ridge, Matthew Lepper, Elliot Hale Gaffer - Mark Hutchings Best Boy - Pete Chester Electricians - Ben Griffiths, Bob Milton, Stephen Slocombe, Alan Tippetts	Art department Supervising Art Director - Stephen Nicholas Assistant Art Director - Jackson Pope Production Buyer - Ben Morris Petty Cash Buyer - Helen O'Leary Set Decorator - Julian Luxton Props Buyer - Adrian Anscombe Decorator/Buyer - Kate Wilson Concept Artist - Richard Shaun Williams Design Assistant - Dan Martin Handbot Design - Robert Allsopp Graphic Artist - Christina Tom Standby Props - Phil Shellard, Helen Atherton Standby Carpenter - Will Pope Standby Art Director - Amy Pickwoad Standby Rigger - Bryan Griffiths Store Person - Jayne Davies Props Master - Paul Aitken Props Chargehand - Rhys Jones Dressing Props - Tom Belton, Kristian Wilsher Props Driver - Medard Mankos Props Makers - Alan Hardy, Penny Howarth, Nicholas Robatto Construction Manager - Matthew Hywel-Davies Construction Chargehand - Scott Fisher Practical Electrician - Albert James Graphics - BBC Wales Graphics Draughtsman - Julia Jones Costume department Costume Supervisor - Cat Lovett Assistant Costume Designer - Samantha Keeble Costume Assistants - Jason Gill, Yasemin Kascioglu, Frances Morris	Make-up and prosthetics Make-up Supervisor - Pam Mullins Make-up Artists - Vivienne Simpson, Allison Sing Prosthetics - Millennium FX Movement Stunt Co-ordinator - Crispin Layfield Assistant Stunt Co-ordinator - Gordon Seed Stunt Performers - Belinda McGinley, Stephanie Carey Casting Casting Associate - Alice Purser General post-production staff Post-production Supervisor - Nerys Davies Post-production Co-ordinator - Marie Brown Assistant Editor - Becky Trotman On-line Conform - Mark Bright On-line Editor - Jeremy Lott Special and visual effects Visual FX Producer - Beewan Athwal VFX Editor - Cat Gregory Colourist - Mick Vincent Sound Sound Recordist - Bryn Thomas Dubbing Mixer - Tim Ricketts Sound Maintenance Engineers - Jeff Welch, Dafydd Parry Dialogue Editor - Darran Clement ADR Editor - Matthew Cox Supervising Sound Editor - Paul McFadden Sound Effects Editor - Paul Jefferies Foley Editor - Jamie Talbutt

Not every person who worked on this adventure was credited. The absence of a credit for a position doesn't necessarily mean the job wasn't required. The information above is based solely on observations of the actual end credits of the episodes as broadcast, and does not relay information from IMDB or other sources.

References

• Twitter and a Disneyland on the planet Clom are mentioned
• The title, The Girl Who Waited references the Doctor's nickname of Amy, given because she waited for him for so long after they first met. (DW: The Eleventh Hour, The Big Bang)
• When the Doctor looks for the glasses, a small tape player looking device activates on the TARDIS console and the 1963 Doctor Who theme can be heard, played backwards.
• The lobby where Amy first encounters The Interface is identical to the lobby of the New New York Hospital. (DW: New Earth)

TARDIS

• The Doctor's TARDIS apparently has a karaoke bar and a collection of DVDs.
• The Doctor again mentions jettisoning parts of the TARDIS for power. (DW: Castrovalva, The Doctor's Wife)

The Doctor

• The Doctor is willing to accept blame for the TARDIS landing too late in Amy's timestream, even though DW: The Doctor's Wife established that such misdirections were often the result of the TARDIS herself making a decision as to where the Doctor should land. Though why it would choose to do this is unknown.
• This episode shows a much darker side of the Doctor, as he lies to the Amys about their chances of existing at the same time, and in the end locks out the older Amy as she runs for the TARDIS, condemning her to erasure. This is the first time an incarnation has rarely showed a dark side to himself in his second season since the Seventh Doctor.

Story notes

• The episode's original title was The Visitors' Room. This changed to The Visiting Hour and later the one-word title Kindness. Despite many reports to the contrary, there was no late change to the adventure's title and at no point was it ever called The Green Anchor.
• The cast list for this episode is the shortest of any full length episode of modern Doctor Who.

Ratings

• UK Overnight: 6.0 Million
• UK Final: 7.6 Million

Myths

The episode was going to be called The Green Anchor. This was proven false and was also denied by the writer. However, the Green Anchor button was a key element in the beginning of the episode.

Production errors

• When Rory holds up the magnifying glass to Amy's lipstick message, the Doctor's view of Rory's vision comes at an angle impossible for Rory to see through his glasses.
  If you'd like to talk about narrative problems with this story — like plot holes and things that seem to contradict other stories — please go to this episode's discontinuity discussion.
• Amy's ageing makeup is noticeably different from one shot to the next.

Continuity

• Clom is mentioned as being a location of a future Disneyland. (DW: Love & Monsters, The Stolen Earth)
• Rory mentions the Doctor's fez. (DW: The Big Bang)
• Amy previously saw past/future versions of herself in DW: The Hungry Earth/Cold Blood, The Big Bang, and Space/Time.
• The sonic screwdriver was previously referred to as a sonic probe by the Daleks in DW: Doomsday.
• The TARDIS previously was only able to sustain a paradox through the rebuilding of its time rotor into a paradox machine by The Master. (DW: Last of the Time Lords)
• A replica of the Mona Lisa, made of canvas or paper rather than the solid wooden panel the originals were painted on, is shown. The famous painting (which in reality is somewhat smaller than the one shown here) was previously featured in DW: City of Death and SJA: Mona Lisa's Revenge.
• This episode continues the theme of Rory and Amy being separated from one another for unnaturally long periods of time. (DW: The Big Bang, The Doctor's Wife)
• This episodes shares similarities with CC: Peri and the Piscon Paradox, as the companion of each has multiple versions of themselves in existence.
• This story also contains similarities to DW: A Christmas Carol. In both cases, someone's personal timeline is drastically altered after meeting a younger version of themselves.

Home video releases

This episode will be released on DVD and Blu-ray shortly after the airing of episode thirteen.

Footnotes