Planet of the Ood (TV story)

Planet of the Ood
Doctor:	[[doctor::Tenth Doctor]]
Companion(s):	Donna Noble
Main enemy:	Klineman Halpen Kess Solana Mercurio
Main setting:	Ood Sphere, 4126
Key crew
Writer:	Keith Temple
Director:	Graeme Harper
Producer:	Susie Liggat
Release details
Story number:	191
Release number:	Series 4
Premiere broadcast:	19th April 2008
Format:	1x45 minute episode
Production code:	4.3
Confidential:	[[confidential::Oods and Ends|Oods and Ends]]

Planet of the Ood was the third episode of the fourth series of Welsh Doctor Who. As the title flatly presaged, it featured the return of the Ood, and the Doctor's first visit to their homeworld. It was the first time viewers met Ood Sigma and the first time they encountered the later-important phrase, "the DoctorDonna".

Behind the scenes, it was notable for showcasing the first prolonged usage of counter tenor Mark Chambers on a Doctor Who score. Later more famous for the purely incidental "Vale Decem", heard as the tenth Doctor regenerated, here he gave voice to the diegetic Ood song, known on the series 4 soundtrack as "Songs of Freedom and Captivity".

Synopsis

The Doctor takes Donna to her first alien world - but the Ood-Sphere reveals some terrible truths about the Human Race.

Plot

File:MrBartle.JPG

Bartle is electrocuted to death by Delta Fifty.

Mr. Bartle watches an advertisement on the Ood, who are being sold as servants to humans. Bartle is sarcastic yet somewhat impressed with the advert, until he notices that his bosses have cut the price to just 50 credits each. The man on the other end of the communicator tells him it is a measure to stay ahead of the competition, and orders him to get going. As he orders his Ood, Delta Fifty to hand him last month's military export figures, he tells Solana Mercurio over the radio to get their buyers to buy them when they arrive. His Ood gives him the domestic files, and Bartle tells him to get it right. However, rather than obeying, his eyes glows red and he tells Bartle the files are irrelevant. When Bartle asks why, the Ood uses his translation sphere and presses it against his forehead, electrocuting and then killing the luckless businessman.

Meanwhile, the Doctor sets the TARDIS to random settings, effectively taking a mystery tour with Donna. After they land, Donna is excited, yet terrified about landing on an alien planet. However, as she steps out, she discovers they have landed on a cold, snowy planet. The Doctor is overjoyed at the sight of finally experiencing real snow. He then tells Donna, not knowing she sought refuge back on the TARDIS to change into warm clothing, says "all you've got is a life of work and sleep, and telly and rent and tax and takeaway dinners, all birthdays and Christmases and two weeks holiday here, and then you end up here! Donna Noble. Citizen of the Earth, standing on a different planet." He turns around and realises she is gone, before she steps out with a coat. They then look up to see a rocket passing overhead.

Klineman Halpen arrives to cover for Mr. Bartle. Immediately it is proven that he is more arrogant than his predecessor. At his office, Halpen, Dr. Ryder and Solana see footage of his murder. They see that the translation orb is responsible, though Ryder cannot explain why. It is also learnt that after Bartle was killed, Delta Fifty escaped, but was shot in the process. While Dr. Ryder also says that he has no idea about the source of Red Eye, Halpen asks his Ood, Sigma for a drink; it is just merely hair tonic, since he started losing his hair due to stress for five years.

The Doctor and Donna examine an Ood.

While the Doctor and Donna roam the planet, the Doctor hears an eerie sound that Donna can't hear. He later finds the dying Delta Fifty in the snow. Donna seems disgusted by its look, though the Doctor seemly tells her the Ood is a he, not an it. While the Doctor is examining him, Donna keeps the Ood talking so the Doctor can find out what has happened. He wants to know why Delta Fifty has been shot. The Ood merely says nothing more than "the circle must be broken" before suddenly getting up to attack the two, but before he could fully stand, he dies. The Doctor confirms to Donna that he encountered the Ood before, and they were all possessed by the Beast, but because the Beast no longer exists, there must be another source nearby accounting for the psychotic Ood. They then come across the building that is the headquarters of Ood Operations.

Solana Mercurio meets up with the buyers from outside the warehouse and tells them to come inside. Just then, the Doctor and Donna arrive, and by using the psychic paper, they are able to convince her that they represent the Noble Corporation PLC Limited, Intergalactic (a made-up company). Just then, they hear an alarm, which Solana claims is a siren for the end of a work shift. In actuality, the head of security, Commander Kess has reported an Ood on the loose. His team pursue the Ood, and eventually corner him. When he turns to the guards, they realize that it is more than a mere case of Red-Eye, but the Ood has turned rabid. Halpen orders Kess to send the Ood to Ryder.

The map of the Second Great and Bountiful Human Empire.

Solana gives out the presentation on the Ood. She shows three different Ood, one with the standard voice, one with a sexy female voice, and comedy classic option (when being told the Ood drops something, he answers "D'oh" from The Simpsons). Afterwards, while the buyers are enjoying the buffet, the Doctor and Donna discover that they are at the Ood Sphere in the year 4126, during the Second Great and Bountiful Human Empire that spans three galaxies. Donna is fascinated that Earth is still populated, despite all the news articles stating the near end of the world, including global warming and the disappearance of bees. Donna then learns that the red dots on the maps are Ood distribution centres. She decides to talk to an Ood to see if they get a say in this. However, the Ood merely tells them that the Ood were born to serve, or they'd die out. The Ood then starts mentioning the circle. The pair decide they've had enough with wondering in the room and decide to peruse around the base of operations.

Halpen, Kess and Dr. Ryder take a look at the chained and rabid Ood. The trio are baffled that after two centuries, there is a change in them. Ryder suggests they go to Warehouse 15 to find answers, which Halpen reluctantly accepts, even though there hasn't been any activity there for 200 years. When being asked about what to do with the Ood, Halpen orders security to kill it. Meanwhile, the Doctor and Donna discover that the Ood are not servants; they are slaves. The Doctor regrets not knowing much about them during his last encounter, as he was busy fighting the Beast at the time. They then observe Halpen. Knowing he's the boss, they decide to stay out of his way.

Halpen, Ryder and Sigma enter Warehouse 15, where it is revealed that it houses the Ood Brain. Halpen reminisces his first time to Warehouse 15 when he was six years old, and is still horrified by those memories. Ryder checks the computers and finds no changes in the brain. Halpen is then interrupted by Solana, who informs him that she passed two members of the Noble Corporation, which apparently does not exist, and they are missing. Halpen orders security to search them, but to keep it under the radar, and no alarms.

"The circle must be broken, so that we could sing."

The two have found access to a warehouse, where they find countless cargo containers. They break into one, where they see about a hundred Ood just standing. Donna wonders why the Ood won't just go free, but they merely say they don't understand the concept. When the Doctor mentions the circle, all the Ood, in unison say that the circle must be broken, so they can sing. Unfortunately, they are spotted by Commander Kess, who raises the alarm, against Halpen's wishes. While Solana lies to the buyers and tells them it is just a mere fire drill, the Doctor and Donna run, but the latter is captured and taken to a container with Ood, who have turned to red-eye. Meanwhile, the Doctor is being chased by Kess, who uses a claw to try and probably kill him. Though the Doctor tries his best to evade it, he eventually falls, but is saved by Solana, who shuts down the claw's power and reminds Kess that Halpen wants the two alive. Security eventually lets Donna, who is about to be killed by the Ood, free.

However, the guards unwittingly let the Ood escape from the container too, along with those from other containers, and they start killing the guards. Kess and his men open fire, giving the Doctor, Donna and Solana enough time to escape. After making it out, Solana confirms that everyone on Earth knows about the Ood's predicament, but dosen't ask. Reluctantly, she points them to the direction where they make the Ood turn to slaves. However, she defects again and calls out for the guards to apprehend the two. Kess manages to contain the rabid Ood, but believes the entire batch is contaminated. With no alternative, Halpen orders Kess to get gas canisters.

The travellers encounter a group of natural-born Ood.

By the time the Doctor finds the area, he hears the Ood song getting stronger, though Donna still can't hear it. After they break into the room, they find several Ood in a cage. Donna asks the Doctor to let her hear the song. After he is able to open her mind to it, she quickly wants to stop hearing it, as it is a very sad song of captivity. While Halpen and the team attempt to break into the room, the Doctor enters the cage and discovers that they are natural Ood, and carry a hind brain; the corporation lobotomises them by removing the brains and replacing them with translation spheres. Donna notes that she spent a long time looking for the Doctor, hoping the universe would be a wonderful place, but didn't realise how many issues and horrors await also, and wants to go home. Moments later, Halpen and the team break in and arrest the two.

After they are handcuffed to some pipes, Halpen interrogates them, and gets them to confess that they are activists from Friends of the Ood. Halpen claims that without them, the Ood would be nothing, and claimed that when they turned them into slaves, "they welcomed it", though this was only because the Ood shown their hind brains because they wanted to trust the humans, but were instead exploited. The Doctor also learns that Halpen is going to gas the "livestock", which he claims is as effective as how the humans dealt with Foot and Mouth centuries ago. Meanwhile, since the natural Ood appear to have influence of the rest of their kind, they turn every Ood, apart from Sigma to Red-Eye. In the room with the buyers, Solana notices the Ood turns into red-eye, and urges the buyers to leave, when a drunk and ignorant buyer is killed, the rest obliges to her wishes, though many are electrocuted in the process. Solana escapes, but doesn't make it far; she too is killed by an Ood. Furthermore, as the gas canisters are counting down, Kess is captured by the Ood, who subsequently release the captured Ood, and imprison Kess without a gas mask. When the timer reaches zero, Kess dies from the released gas.

Security attempts to hold off the Ood revolution.

The corporation plans on evacuating, and then destroying the building; Halpen decides to leave the Doctor and Donna behind. The Doctor confronts him about a supposed third element, and wants to know what it is. Halpen replies "it won't exist for very much longer", before leaving. Halpen and Ryder make it down to Warehouse 15, while witnessing the Ood revolution in full swing. While the Doctor and Donna attempt to break free, without any success, three red-eyed Ood enter the room, and plan to kill them. The two of them repeatedly tell them "Doctor, Donna, friends" and "the circle must be broken". Through the mild telepathic link, the natural Ood are able to hear them, and they are able to revert the three Ood back to their normal selves. The Ood free both the Doctor and Donna, who are trying to find the source of the third element. On the way, they see Sigma, who was abandoned by Halpen to join his people; Sigma guides them to Warehouse 15.

Once inside, the Doctor finds the giant Ood brain, which is the Ood's telepathic centre. Six pylons surround the brain, which was used to dampen the telepathy between brain and Ood for 200 years, forcing them to be servents. They are interrupted by Halpen, who holds them at gun point. Ryder tells them that he has surrounded the area with mines to kill it. The Doctor theorises that the brain spent 200 years adapting to the pylons, but Ryder claims responsibility. He exposes himself as a member of Friends of the Ood; knowing that natural adapting process took too long, he spent ten years going up the corporate ladder, and when he finally had access to the warehouse a few hours previously, he lowered the barrier to its minimum. In response, Halpen pushes him over the edge, and he is "swallowed" by the brain.

File:OodBrain.jpg

The circle is broken.

As Halpen is about to shoot the Doctor and Donna, Sigma steps in and insists he take another drink. It is revealed that the "hair tonic" is in fact Ood-graft suspended in a biological compound; this ultimately rewrites his biology, turning him into an Ood. They witness Halpen transforming into one in front of their eyes. The Doctor notes that the Ood subconsious is divided into three groups; the red-eye is revenge, rabid is anger, and the seemingly unaffected Sigma represents patience, and it has been preparing for Halpen for a long time. Donna notes that after being with the Doctor, she doesn't know what is right or wrong anymore, to which the Doctor replies "It's better that way. People who know for certain tend to be like Mr. Halpen". After shutting down the mines, Sigma allows the Doctor to shut down the pylons damping the telepathic field; the circle is broken, the Ood can sing.

The song erupts to a new one, and everyone can hear it, even Donna. Outside, the fighting stops. While the Ood group themselves, the soldiers stand down. Afterwards, the Doctor and Donna are outside the TARDIS, and explain to Sigma that the song resontated to the three galaxies; the humans decide to free the Ood and send them back home. After Sigma thanks them, he offers them a place in their song, but the Doctor says he has his own song. Sigma tells him his song will end soon, since every song must end. He turns to Donna, who changes her mind, and wants to continue her travels with him. Before they leave, Sigma tells them they will never be forgotten; their children and children's children will sing of the DoctorDonna, and their names will be carried by the Ood Sphere's wind, ice and snow forever.

Cast

• The Doctor - David Tennant
• Donna Noble - Catherine Tate
• Solana Mercurio - Ayesha Dharker
• Mr Halpen - Tim McInnerny
• Sigma - Paul Kasey
• Dr Ryder - Adrian Rawlins
• Commander Kess - Roger Griffiths
• Mr Bartle - Paul Clayton
• Rep - Tariq Jordan
• Ood - Paul Kasey
• Voice of the Ood - Silas Carson

Crew

Executive Producers   Russell T Davies and Julie Gardner

Written by Keith Temple	Produced by Susie Liggat	Directed by Graeme Harper	Director of Photography Rory Taylor	Production Designer Edward Thomas	Visual Effects The Mill
Make-up Designer Barbara Southcott	Casting Director Andy Pryor CDG	Music Murray Gold	Costume Designer Louise Page	Edited by Will Oswald	Special Effects Any Effects
Original theme music by Ron Grainer  •  With thanks to the BBC National Orchestra of Wales

General production staff Production Executive - Julie Scott Location Manager - Jonathon Allott Unit Manager - Rhys Griffiths Production Co-ordinator - Jess van Niekerk Assistant Production Co-ordinator - Debi Griffiths Production Secretary - Kevin Myers Production Runner - Nicola Brown Production Accountant - Oliver Ager Contracts Assistant - Bethan Britton Script department Script Editor - Lindsey Alford Camera and lighting department 1st Assistant Director - Gareth Williams 2nd Assistant Director - Jennie Fava 3rd Assistant Director - Sarah Davies Floor Runner - Andy Newbery Continuity - Sheila Johnston Camera Operator - Steven Hall Focus Puller - Steve Rees Grip - John Robinson Camera Assistant - Jon Vidgen Boom Operators - Jeff Welch, Bryn Thomas Gaffer - Mark Hutchings Best Boy - Peter Chester	Art department Chief Supervising Art Director - Stephen Nicholas Supervising Art Director - Arwel Wyn Jones Art Department Production Manager - Jonathan Allison Art Department Co-ordinator - Anna Coote Associate Designer - James North Set Decorator - David Morison Props Buyer - Christina Tom Storyboard Artist - Shaun Williams Design Assistant - Peter McKinstry Standby Props - Phill Shellard, Nick Murray Standby Carpenter - Will Pope Standby Art Director - Ciaran Thompson Standby Rigger - Keith Freeman Standby Painter - Ellen Woods Property Master - Paul Aitken Dressing Chargehand - Matthew Wild Senior Props Maker - Barry Jones Props Maker - Penny Howarth Construction Manager - Matthew Hywel-Davies Workshop Manager - Mark Hill Graphics - BBC Wales Graphics Costume department Costume Supervisor - Lindsay Bonaccorsi Assistant Costume Designer - Rose Goodhart Costume Assistants - Barbara Harrington, Louise Martin	Make-up and prosthetics Make-up Artists - Pam Mullins, Steve Smith, John Munro Prosthetics - Millennium FX Prosthetics Designer - Neill Gorton Prosthetics Supervisor - Rob Mayor On Set Prosthetics Supervisor - Pete Hawkins Prosthetics Technicians - Sarah Lockwood, Justin Pickethly, Victoria Bancroft Movement Stunt Co-ordinator - Abbi Collins Casting Casting Associate - Andy Brierley General post-production staff Post-production Supervisors - Chris Blatchford, Samantha Hall Post-production Co-ordinator - Marie Brown On-line Editor - Matthew Clarke Special and visual effects Visual FX Producers - Will Cohen, Marie Jones Visual FX Supervisor - Dave Houghton VFX Editor - Ceres Doyle VFX Co-ordinators - Jenna Powell, Rebecca Johnson VFX Production Assistant - Marianne Paton On-set VFX Supervisor - Tim Barter SFX Co-ordinator - Ben Ashmore SFX Supervisor - Paul Kelly 3D Artists - Bruce Magroune, Sam Lucas, Will Pryor, Nicolas Hernandez, Jean-Claude Deguara, Jeff North, Chris Tucker 2D Artists - Simon C. Holden, Sara Bennett, Loraine Cooper, Murray Barber Colourist - Mick Vincent Matte Painters - Simon Wicker, Alex Fort Sound Sound Recordist - Julian Howarth Dubbing Mixer - Tim Ricketts Supervising Sound Editor - Paul McFadden Sound Editor - Paul Jefferies

Not every person who worked on this adventure was credited. The absence of a credit for a position doesn't necessarily mean the job wasn't required. The information above is based solely on observations of the actual end credits of the episodes as broadcast, and does not relay information from IMDB or other sources.

References

• The Doctor previously encountered the Ood on Sanctuary Base 6.
• The Ood Sphere is located in the same system as the Sense Sphere.
• An upgraded version of the Sanctuary Base 6 Rocket is seen by flying over the Doctor and Donna.
• The Second Great and Bountiful Human Empire is mentioned.
• The Doctor mentions his previous encounter with the Ood's 'red eyes' and their contact with The Devil.
• The Ood's song is telepathic.
• A member of Friends of the Ood appears.
• Donna mentions (for the second time) the bees disappearing.
• There is a quick reference to The Simpsons when an Ood addresses Solana with 'D'oh'.
• This is the third time Donna and the Doctor were mistaken to be married.
• Donna says, "Now that's what I call a spaceship! You've got a box, he's got a Ferrari."
• The Doctor makes reference to the makers of clothes being slaves to people in MEDCs. Donna does not regard it as slavery, and says that the Doctor is making "cheap shots" at her.
• The Ood who are being manipulated have glowing red eyes. This may be a reference to the robots in The Robots of Death, another subservient group who likewise displayed glowing red eyes when they come under an evil influence.
• When The Doctor asks Donna where she learnt to whistle, she replies: "West Ham every Saturday." This would suggest that Donna is a supporter of the English Premier League team West Ham United.

Story notes

• The snow scenes were shot in a boiling hot week in August, using fake snow. This was done using tiny pieces of paper, as pointed out in this episode's Confidential.
• The transformation of Halpen into an Ood was originally far more graphic, but after the footage was viewed it was re-edited to be less horrific for a family audience.
• Russell T Davies noted during production of the Ood's introductory episodes that he considered their home world to be close to that of the Sensorites.
• This episode was originally intended to be episode 2.
• The theme of humans exploiting alien life had previously been touched upon in two Season 2 episodes of Torchwood that aired a few months before this episode: Meat and Reset. The difference here is that freedom for the aliens in the Torchwood episodes came through their deaths, whereas most of the Ood survive.
• At one point in the episode, there is a shot from the Ood's point of view, showing a soldier raising a gun to shoot him. This may be a reference to the video game Metal Gear Solid 3, in which there is an identical shot from an identical point of view with an identical weapon being used (The Patriot).
• The Ood may be inspired by the Illithids, a race from Dungeons and Dragons. Both are psychically linked to an 'elder brain', have tentacles for mouths, are capable of turning creatures into their own kind, and are linked to slavery- the Illithids were slave masters who came from the distant future, and it has been speculated that their arrogance may lead them to becoming the slaves at some point.

Ratings

• Final Ratings - 7.50 million viewers

Myths and rumours

• This is set before The Impossible Planet. (Most fans assume this because the pre-publicity stated that we would find out why the Ood were slaves and the date for that story was 43k2.1 but we never found out what those numbers meant, and there is no reason why this cannot be after that story. If Impossible planet was after this story, all the ood on Sanctuary base would not be slaves. Not necessarily, it's possible the people on the sanctuary base did not hear about these events, as they may have been away from civilization for some time. However, it was the barrier around the Ood Brain that allowed the Ood to be made subservient. With that barrier down, it's possible that all Ood would gain their will back.)
• A snippet of the separation music from Doomsday can be heard after the Ood tells the Doctor "Your song will end soon." He also said that "every song must end." This led to speculation that this was a reference to Rose Tyler's return, and/or an imminent regeneration for the Doctor. It is also a reference to River Song in Silence in the Library/Forest of the Dead, and to the end of Donna's time with the Doctor. All four are songs, and each one ended, as predicted by Ood Sigma. The notion of the Doctor's song ending soon is brought to his attention again by a slightly psychic human named Carmen in Planet of the Dead.

Filming locations

Studio

• Upper Boat Studios, Trefforest

Location

• Trefil Quarry, Gwent
• Twin Peaks Hangar, Barry
• Aberthaw Cement Works, Barry
• Hynix Building, Newport
• Johnsey Estates, Pontypool
• Hensol Castle, Hensol

Production errors

• If you'd like to talk about narrative problems with this story — like plot holes and things that seem to contradict other stories — please go to this episode's discontinuity discussion.
  Soon after the Doctor and Donna are blasted back there is fake snow on the camera indicating there's a camera there.

Continuity

• The Ood previously appeared in DW: The Impossible Planet / The Satan Pit
• The Doctor refers to the time when he couldn't save the Ood from falling into the black hole in DW: The Satan Pit.
• The Doctor comments that he visited the Sense-Sphere "ages ago". (DW: The Sensorites)
• Massive brains had previously appeared in DW: Time and the Rani and in NA: Deceit.
• When the Doctor and Donna exit the TARDIS and see the Ood-Sphere for the first time, the Doctor comments that for once, he is glad to see it snow for real. During the new series, it has snowed five times, however it was only real snow in The Unquiet Dead and A Christmas Carol. In The Christmas Invasion, the snow was the ash from the Sycorax ship breaking up in the atmosphere. In The Runaway Bride, the Doctor used the TARDIS to influence the Earth's atmosphere and force it to snow. Finally, in Voyage of the Damned, Mr. Copper tells the Doctor that the snow is really ballast from the Titanic as it flew over London. Ironically fake snow was used to film that scene in this episode.
• The Third Doctor occasionally went by the name Doctor Noble.
• In this episode, Donna tries to be friendly with the Ood, just like Rose befriended the Dalek in DW: Dalek and Martha befriended Hath Peck in DW: The Doctor's Daughter.
• Halpen calls Donna "ginger" because of her red hair, the newly regenerated Tenth Doctor was disapointed that he was wasn't ginger.(DW: The Christmas Invasion).

Timeline

• This story takes place after DW: The Fires of Pompeii
• This story takes place before NSA: The Doctor Trap

Home video releases

Series 4 Volume 1 DVD Cover

• Released in the Series 4 DVD boxset in November 2008 along with the rest of the Series.
• Released as Series 4 Volume 1 in a vanilla edition alongside Partners in Crime and The Fires of Pompeii.
• The BBFC has rated this story a 12 certificate citing a 'moderate gory scene'. Partners in Crime and The Fires of Pompeii were also both given PG certificates.

External links

• Official BBC Website - Episode Guide for Planet of the Ood
• Planet of the Ood at the Doctor Who Reference Guide
• Planet of the Ood at Shannon Sullivan's A Brief History of Time (Travel)
• Planet of the Ood at The Locations Guide