Queer representation in Doctor Who

This article needs to be updated.

Many more individual instances of LGBTQ+ representation should be added, as well as just general improvements and additions to the overview.

These omissions are so great that the article's factual accuracy has been compromised. Check out the discussion page and revision history for further clues about what needs to be updated in this article.

File:LGBTQ In The Worlds Of Doctor Who - Doctor Who The Fan Show

The ongoing and improving portrayal and representation of queer identities in the Doctor Who universe affects how many fans experience Doctor Who, (DOC: LGBTQ In The Worlds Of Doctor Who, REF: Queers Dig Time Lords) and has been considered an important issue by 21st century showrunners such as Russell T Davies, Steven Moffat, and Chris Chibnall.

Overview

1963 - 1989

When interviewed for an episode of The Fan Show on LGBTQ+ issues and Doctor Who, Waris Hussein stated that Doctor Who in its original form, being a 1960s BBC children's programme, was not in his mind very associated with queer topics. The only connection he could make was that the character Tegana from Marco Polo was, in being "everything you could possibly associate with dark forces", a copious wearer of leather and thus a potential "fantasy figure" for gay audience members. (DOC: LGBTQ In The Worlds Of Doctor Who)

Within early decades of Doctor Who, some fans considered the Doctor to be asexual, using the Fourth Doctor's line in City of Death that Countess Scarlioni was "probably" beautiful as proof. (REF: The Television Companion) Tom Baker later identified that he played the Fourth Doctor to be asexual and clueless to human sexuality, sometimes for visual humour. (DOC: Getting Blood from the Stones) Sixth Doctor actor Colin Baker agreed with this theory, saying, "Love is a human emotion and the Doctor isn't human." (REF: The Television Companion) Asexuality is, however, a facet of human sexuality, and an estimated 0.4%-1% of adult British humans are asexual. Similarly, what Colin Baker describes is closer to aromanticism, which also manifests in a number of humans.

In an interview included in the DVD release of The Curse of Fenric, writer Ian Briggs revealed that the story's Dr Judson was intended to be — like the man he was based on, Alan Turing — struggling with his homosexuality, but this was ultimately cut as it was not at the time considered appropriate to discuss such topics in a family programme. Briggs instead transformed Turing's frustration at being unable to express his true sexual identity into Judson's frustration at being disabled. (DCOM: The Curse of Fenric)

According to Rona Munro, the writer of Survival, there was to be a lesbian subtext to the relationship between Ace and Karra. This raises the possibility of Ace being the first LGBT companion on screen. (DOC: Cat-Flap)

Through their continued use outside television, various characters from the original series of Doctor Who have since been identified as being queer. The 1996 Virgin New Adventures novel Happy Endings revealed that recurring Third Doctor era character Mike Yates had a male partner named Tom. Liz Shaw, another Third Doctor era character, had a relationship with Patricia Haggard in When to Die, a 2014 P.R.O.B.E. direct-to-video film produced as a tribute to Liz Shaw's late actress, Caroline John. In the 2016 Short Trips audio story A Full Life, the Fourth Doctor companion Adric was depicted as bisexual, in a timeline where he had a wife and later a husband. Harry Sullivan, another Fourth Doctor companion, was originally planned to be referenced along with a boyfriend in the 2017 episode Knock Knock from Series 10. In the final version of the episode that was broadcast, a character named Harry still mentioned his grandfather and his grandfather's boyfriend, but the lines that identified the grandfather as Harry Sullivan were cut, on the grounds that viewers in 2017 may not remember a companion from forty years earlier.

1990 - 2004

Virgin Publishing's New Adventures saw the first unambiguous gay representation.

Russell T Davies' novel Damaged Goods put significant focus on British gay culture of the 1980s, with the Doctor's companion Chris Cwej going to a club. Established via Cwej happily having sex with David Daniels in Damaged Goods, Cwej's apparent bisexuality was reinforced in Bad Therapy and The Room With No Doors, the former showing an empath notice that Cwej is interested in both men and women and the latter having an implied sexual relationship between Cwej and Joel Mintz.

In 1995, the P.R.O.B.E. home video The Devil of Winterborne depicted a same-sex romance between its characters Luke Pendrell and Christian Purcell, including an onscreen kiss.

It was heavily controversial when the Eighth Doctor shared his first kiss with Grace Holloway in the 1996 TV Movie. (DOC: The Doctors Revisited - The Eighth Doctor) From the TV movie on, the Doctor had an active sexual and romantic life in the BBC Eighth Doctor Adventures and the BBC Wales version of Doctor Who, not always heterosexual. The novel The Year of Intelligent Tigers, for instance, showed the Eighth Doctor in a relationship with Karl Sadeghi intended by author Kate Orman to be romantic and sexual.

The 1999 comedic special The Curse of Fatal Death, written by Steven Moffat, doubled-down on the romantic potential introduced for the Doctor in the TV Movie, with the story's alternative Ninth Doctor intending to retire and marry his companion Emma, with whom he had developed a romantic and sexual relationship. Over the course of the special, after a series of regenerations, the Doctor eventually settles into a female incarnation who seems perfectly willing to go ahead with her marriage to Emma. Emma, on the other hand, seems uncomfortable at the idea, breaking the engagement.

Izzy Sinclair and Fey Truscott-Sade kiss in COMIC: Oblivion

Meanwhile, the ongoing Doctor Who Magazine comics introduced Izzy Sinclair as a companion for the Eighth Doctor. Izzy was decided to be a lesbian by Alan Barnes as he wrote her first story Endgame, and it was alluded to throughout her run of about six years. Izzy's character arc culminated in Oblivion with her finding the self-confidence to fully accept her homosexuality and kiss Fey Truscott-Sade. (Author's Commentary: Oblivion)

2005 - present

With Doctor Who's return to television in 2005, Captain Jack Harkness became the first televised non-heterosexual companion. From then on, the programme — not to mention its more adult-oriented spin-off, Torchwood, with Jack in the lead — contained many references to various sexual orientations, and demonstrated the evolution of views towards homosexuality in humanity's future. In including this representation, Russell T Davies's intention was to express that, in his own words, "sexuality is fluid".

Steven Andrew, then Head of Drama and Acquisitions for CBBC, also requested that Davies put a gay character in The Sarah Jane Adventures, in an attempt to introduce a "normal" gay teenager into children's television. Before the show's cancellation, the plan was to have Luke Smith come out and eventually have a boyfriend, Sanjay. (DCOM: Death of the Doctor)

Bill Potts and Heather kiss in TV: The Doctor Falls.

The 2016 TV spin-off Class featured a gay romance between Charlie Smith and Matteusz Andrzejewski.

2017 saw the debut of Doctor Who's first openly gay full-time companion, Bill Potts. Bill's sexual preference was fully established from the beginning of her debut episode, The Pilot, and the character would go on to start a romance with Heather, with the novelisation of Twice Upon a Time revealing that the two of them eventually settled down together.

2017 also saw Big Finish introduce Orr to the Torchwood Three team, beginning with their Aliens Among Us series. Though they are an alien, and thus don't strictly count as nonbinary human representation, Orr uses they/them pronouns and opts for Mx in place of binary gendered honourifics (like Mr, Ms or Mrs). The team quickly comes to support and validate them, even amid the initial confusion which some characters express on first encountering someone who does not fit neatly into any conception of gender with which they're yet familiar. It was important to Russell T Davies, as well, that the new team include a particular kind of gay representation which he saw as important to the modern era: the older gay man, here St John Colchester, who is settled down with his husband, Colin.

2018 saw some of the first prominent and positive transgender human representation in Doctor Who thus far, with Sally Salter in PROSE: Rose and Eleanor Blake in AUDIO: The Jabari Countdown.

Previously, trans representation had mostly been confined to one-off lines, like in Torchwood's Greeks Bearing Gifts, which many have read as derisive and transphobic, with further jokes having reportedly been made at trans people's expense with Cassandra O'Brien in New Earth, who's worryingly painted as a prime example of someone who's excessively modified their body, and said for this reason by Rose to be less than human, before reference is made to her potentially having been assigned male at birth, and a horse in A Town Called Mercy who the Eleventh Doctor says prefers to be called Susan due to "life choices".

Instances of representation by category

This section's awfully stubby.

Please help by adding some more information.

Asexuality and aromanticism

As detailed earlier, the question of the Doctor's sexuality was always a controversial one, with one of the most enduring pieces of fanon being that the Doctor, and possibly Time Lords as a species, were asexual. Sixth Doctor actor Colin Baker (REF: The Television Companion), Eleventh Doctor actor Matt Smith and Fourth Doctor actor Tom Baker (DOC: Getting Blood from the Stones) all identified their respective Doctors as asexual (and in Colin Baker's case, aromantic) and clueless to human sexuality, using this as a basis for visual humour and as a way to emphasise the Doctor's alien nature (this even though asexuality and aromanticism are, in fact, a perfectly extant facet of human sexuality, with an estimated 0.4%-1% of adult British humans being asexual ). The novel Lungbarrow showed Time Lords to indeed reproduce non-sexually, though it did not, strictly speaking, confirm or deny asexuality or aromanticism in Time Lords.

Bisexuality and pansexuality

The 2016 Short Trip A Full Life shows an adult Adric who has, at separate times, a wife and a husband.

In the special 2011 minisode Space/Time, Amy Pond briefly began to act flirtatious with a time-displaced copy of herself, with the Eleventh Doctor commenting "this is how it all ends: Pond flirting with herself. True love at last. …Sorry, Rory."

Clara Oswald was repeatedly shown to be attracted both to men and women, beginning in her first appearance as one of her splinters, Oswin Oswald, who, in Asylum of the Daleks, mentions that her first kiss was someone called Nina. The prime Clara would go on to find the appearance of her own past self attractive in Listen, mention having greatly enjoyed kissing Jane Austen in The Magician's Apprentice and to consider going on a date with Kate Stewart (as well as complimenting Elizabeth I's own kissing skills) in Steven Moffat's novelisation of The Day of the Doctor.

The 2020 The Diary of River Song audio story, Carnival of Angels, had Luke Sulieman expressing attraction for both male and female characters.

Homosexuality

Bill Potts, a full-time companion in Series 10, was the first such companion on televised Who to be openly gay, and began a romance with Heather.

Omnisexuality

Steven Moffat has revealed on Twitter that River Song, coming from the same 51st century as Jack Harkness, is just as omnisexual.

Trans representation

Transgender identities were first^{[disputed statement]} addressed briefly, in a notoriously less-than-sympathetic light, in the Torchwood series 1 episode Greeks Bearing Gifts. A scene has Jack Harkness recounting a time when a former co-worker of his, a "regular guy" called Vincent, who had a girlfriend and liked beer, disappeared for a couple of months and came back asking to be called Vanessa. Throughout his anecdote, Jack continually referred to Vanessa with male pronouns while continually deadnaming her.

Positive representation of transgender individuals, though minor, finally came in the novelisation of Rose in the form of Sally Salter, a friend of Mickey Smith who was a member of his Bad Wolf band.

The Big Finish audio story The Jabari Countdown went on to introduce Eleanor Blake, the first trans character in the DWU to play a major role, helping to save the Earth with the Seventh Doctor, and sharing a brief romance with Chris Cwej.

Unspecified

In Arachnids in the UK, Najia Khan, when questioning her daughter Yaz as to how she knew the Thirteenth Doctor, briefly wondering if the two of them were "seeing" each other, suggesting a belief by Najia that her daughter is non-heterosexual.

Reception

Accolades

This section's awfully stubby.

Please help by adding some more information.

Doctor Who received a Ally Award at the 2017 PinkNews Awards for its "long-standing LGBT inclusiveness". The award was picked up by Bill Potts actress Pearl Mackie, alongside executive producer Brian Minchin.

Controversies

As the subject of LGBTQ rights is still seen as a sensitive issue in many communities across the world, the DWU's queer representation has not gone without its controversies, in some cases even from with the LGBTQ community itself, for what could be perceived by some as poor representation.

The 2005 Doctor Who episode Aliens of London was criticised for a scene where Rose Tyler calls the Ninth Doctor "gay" after expressing his displeasure at being slapped by Jackie Tyler, with objections coming from its use as an insult. Episode writer Russell T Davies, an openly gay man, defended the line, saying he was trying to reflect how people talk in real life.

A scene in Doctor Who series 8 opener Deep Breath, where Madam Vastra gives oxygen to her wife Jenny Flint via a mouth-to-mouth kiss, generated 6 complaints to Ofcom, with grievances directed at what had been branded as the promotion of a "blatant gay agenda". Ofcom responded to these complaints by confirming that they would not investigating the case. The scene went on to recieve even more controversy when it was cut from Asian broadcasts of the episode in order to comply with Singapore's broadcast code.

The 2019 New Year Special Resolution garnered mild controversy for a scene in which a gay security guard briefly appeared only to be murdered by the Dalek-controlled Lin, just seconds after mentioning his boyfriend. The moment was heavily criticised by LGBTQ fans, who linked the moment to the "bury your gays" trope.