Ghost Light (novelisation): Difference between revisions
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* There is an extra opening sequence detailing the young Ace's visit to Gabriel Chase and the Doctor steering [[the TARDIS]] there. | * There is an extra opening sequence detailing the young Ace's visit to Gabriel Chase and the Doctor steering [[the TARDIS]] there. | ||
* It is established that Matthews saw Josiah and [[Gwendoline Pritchard|Gwendoline]] in London and has come to Gabriel Chase partly because he wants to save her innocence. | * It is established that Matthews saw Josiah and [[Gwendoline Pritchard|Gwendoline]] in London and has come to Gabriel Chase partly because he wants to save her innocence. | ||
* The novelisation includes several scenes and lines that were scripted and/or filmed but cut from the televised version: Ace tipping Josiah off by | * The novelisation includes several scenes and lines that were scripted and/or filmed but cut from the televised version: Ace tipping Josiah off by tampering with a telephone, and the Doctor saying they have to leave the house and be invited back in; the Doctor playing a boogie-woogie on the piano; Gwendoline visiting [[Redvers Fenn-Cooper|Redvers]]; [[Mackenzie (Ghost Light)|Mackenzie]] trying to leave the house and being stopped by Light, who causes the front door to become immovably locked; [[Pritchard (Ghost Light)|Mrs Pritchard]] telling two maids, one of whom is armed with a machete, to dispose of Mackenzie; and [[Nimrod]] handing in his notice to Josiah (a scene rehearsed for the televised version, but never actually recorded). | ||
* It is explained that Josiah has ''The Times'' delivered to [[Control (Ghost Light)|Control]] as a taunt since he knows she won't understand it. | * It is explained that Josiah has ''[[The Times]]'' delivered to [[Control (Ghost Light)|Control]] as a taunt since he knows she won't understand it. | ||
* Ace finds cave paintings in the passage leading to the stone spaceship. These were to have featured in the televised version, but had to be omitted for reasons of cost. | * Ace finds cave paintings in the passage leading to the stone spaceship. These were to have featured in the televised version, but had to be omitted for reasons of cost. | ||
* Ash sees Control on her first visit to the spaceship. Mrs [[Grose (Ghost Light)|Grose]] also sees her and tells the Doctor she is resigning. | * Ash sees Control on her first visit to the spaceship. Mrs [[Grose (Ghost Light)|Grose]] also sees her and tells the Doctor she is resigning. | ||
Revision as of 18:42, 9 April 2020
Ghost Light was a novelisation based on the 1989 television serial Ghost Light.
Publisher's summary
A column of smoke rises from the blazing ruins of a forgotten, decaying mansion.
Perivale, 1883
In the sleepy, rural parish of Greenford Parva, Gabriel Chase is by far the most imposing edifice. The villagers shun the grim house, but the owner, the reclusive and controversial naturalist Josiah Samuel Smith, receives occasional visitors.
The Reverend Ernest Matthews, for instance, dean of Mortarhouse College, has travelled from Oxford to refute Smith's blasphemous theories of evolution.
And in a deserted upstairs room, the Doctor and Ace venture from the TARDIS to explore the Victorian mansion...
Who – or what – is Josiah Smith? What terrible secrets does his house conceal? And why does Ace find everything so frightening familiar?
Chapter titles
- Tropic of Perivale
- Gabriel Chase
- Uncharted Territory
- Gaslight Boogie
- Josiah's Web
- That's the Way to the Zoo
- Ace's Adventures Underground
- Creature Comforts
- Out of Control
- Twice Upon a Time
- Trick of the Light
- Beautiful Soup
Deviations from televised story
- There is an extra opening sequence detailing the young Ace's visit to Gabriel Chase and the Doctor steering the TARDIS there.
- It is established that Matthews saw Josiah and Gwendoline in London and has come to Gabriel Chase partly because he wants to save her innocence.
- The novelisation includes several scenes and lines that were scripted and/or filmed but cut from the televised version: Ace tipping Josiah off by tampering with a telephone, and the Doctor saying they have to leave the house and be invited back in; the Doctor playing a boogie-woogie on the piano; Gwendoline visiting Redvers; Mackenzie trying to leave the house and being stopped by Light, who causes the front door to become immovably locked; Mrs Pritchard telling two maids, one of whom is armed with a machete, to dispose of Mackenzie; and Nimrod handing in his notice to Josiah (a scene rehearsed for the televised version, but never actually recorded).
- It is explained that Josiah has The Times delivered to Control as a taunt since he knows she won't understand it.
- Ace finds cave paintings in the passage leading to the stone spaceship. These were to have featured in the televised version, but had to be omitted for reasons of cost.
- Ash sees Control on her first visit to the spaceship. Mrs Grose also sees her and tells the Doctor she is resigning.
- It is explained that Mrs Pritchard tricked Redvers into wandering into Light's spaceship, causing his insanity.
- When Light emerges from the lift, he walks straight through the Doctor standing in his path; an effect planned for the televised version, but which eventually proved impossible to achieve on-screen.
- Light travels around the world viewing the lifeforms there.
- It is implied that Josiah brought the ship back to Earth while Light slept.
- Control plans to get Josiah better quarters eventually.
- There is a lot of insight into the Doctor's mental processes, better explaining his motivation at various points.
Writing and publishing notes
- Alister Pearson's original cover design featured the faces of Josiah Samuel Smith and Light, which were removed in the final cover.
- Dedication: "For Ian, Margaret and the wonderful Alice"
- This novelisation was later released as part of The Earth Adventures Collection.
British publication history
One single paperback edition, priced £2.50 (UK), estimated print run: 25,000 copies.
Audiobook
This Target Book was released on 2 June 2011 complete and unabridged by BBC Audio and read by Ian Hogg.
The cover blurb and thumbnail illustrations were retained in the accompanying booklet with sleevenotes by David J. Howe. Music and sound effects by Simon Power.
Audiobook cover
