Transmat:Doctor Who: Difference between revisions

From Tardis Wiki, the free Doctor Who reference
No edit summary
mNo edit summary
 
(48 intermediate revisions by 8 users not shown)
Line 1: Line 1:
__NOTOC__
__NOTOC__
{{template:transmat:{{PAGENAME}}}}
{{template:transmat:{{PAGENAME}}}}
<div class="tr-box-container">
<div id="tr-box-container" style="width:98%">
<div id="tr-box-container" class="tr-box-cols" style=margin-top:40px>
<div id="tr-box-container" class="tr-box-cols" style=margin-top:40px>
<div class="tr-box one">
<div class="tr-box one">
{{thead|The women who gave ''Doctor Who'' back to us}}
{{thead|The women who gave ''Doctor Who'' back to us}}
[[file:JaneTranter.jpg|{{tvid|David_Tennant_interviews_Doctor_Who_Producers_-_Doctor_Who_Confidential_-_BBC}}]]
[[file:JaneTranter.jpg|center|link=http://tardis.wikia.com/wiki/Transmat:Doctor_Who?file=David_Tennant_interviews_Doctor_Who_Producers_-_Doctor_Who_Confidential_-_BBC]]
{{tcap|Click for video}}
Think ''Doctor Who'' is just for boys?  Don't you believe it.  Not only was the show's [[Verity Lambert|very first producer]] a woman, but it would never have come back without the fierce advocacy of '''[[Jane Tranter]]''' and '''[[Julie Gardner]]'''. Considering her importance to ''Doctor Who'' it's somewhat ironic that Tranter's only on-screen ''credits'' are for ''[[Torchwood: Miracle Day]]''. But Gardner, her "partner in crime", is tied only with [[Russell T Davies]] as the most prolific producer in ''[[Doctor Who]]'' history.
Think ''Doctor Who'' is just for boys?  Don't you believe it.  Not only was the show's [[Verity Lambert|very first producer]] a woman, but it would never have come back without the fierce advocacy of '''[[Jane Tranter]]''' and '''[[Julie Gardner]]'''. Considering her importance to ''Doctor Who'' it's somewhat ironic that Tranter's only on-screen ''credits'' are for ''[[Torchwood: Miracle Day]]''. But Gardner, her "partner in crime", is tied only with [[Russell T Davies]] as the most prolific producer in ''[[Doctor Who]]'' history.
</div>
</div>
<div class="tr-box one">
<div class="tr-box two">
{{thead|Industrial action}}
{{thead|Industrial action}}
<div style=overflow:hidden>[[file:BBC's Historic Mainframe Arrives!! (Quantel Paintbox DPB 7000) This created many 80s programs!!|thumb|center|thumb|A [[21st century]] geek takes delivery of the monstrosity that was the [[Quantel Paintbox]].]]</div>
[[File:Paintbox.jpg|link=http://tardis.wikia.com/wiki/Transmat:Doctor_Who?file=BBC%2527s_Historic_Mainframe_Arrives%2521%2521_%2528Quantel_Paintbox_DPB_7000%2529_This_created_many_80s_programs%2521%2521]]
{{tcap|Click for a video of a [[21st century]] geek as he takes delivery of one of the two Paintboxes used by the BBC in the 1980s}}
The '''[[Quantel Paintbox]]''' was a graphics workstation that allowed ''[[Doctor Who]]'' to have a primitive form of [[colourist|colour grading]] in the [[1980s]]. To find out more about the "business of show", go to '''[[:category:production information]]''', where you can read about [[colour separation overlay]], [[low loader]]s, [[telerecording]]s, [[vidFIRE]], [[rostrum camera]]s, [[2" quad]] tape, [[Ealing Studios]] and tons more.</div>
The '''[[Quantel Paintbox]]''' was a graphics workstation that allowed ''[[Doctor Who]]'' to have a primitive form of [[colourist|colour grading]] in the [[1980s]]. To find out more about the "business of show", go to '''[[:category:production information]]''', where you can read about [[colour separation overlay]], [[low loader]]s, [[telerecording]]s, [[vidFIRE]], [[rostrum camera]]s, [[2" quad]] tape, [[Ealing Studios]] and tons more.</div>
<div class="tr-box two">
<div class="tr-box one">
{{thead|Surprising guest star}}
{{thead|Surprising guest star}}
'''[[John Cleese]]''' appeared in ''Doctor Who''{{'}}s highest rated televised story, ''[[City of Death]]'', around the time of series 2 of ''Fawlty Towers''.  Find out more about the thousands of actors who have been on ''Doctor Who'' by exploring '''[[:category:Doctor Who guest actors|Doctor Who guest actors]]'''.
{{surprising guest}}
</div>
</div>
<div class="tr-box one">
<div class="tr-box two">
{{thead|Ex-Doctors never die, they just make audios}}  
{{thead|Ex-Doctors never die, they just make audios}}  
The careers of the [[Fifth Doctor|Fifth]], [[Sixth Doctor|Sixth]], [[Seventh Doctor|Seventh]] and [[Eighth Doctor]]s are '''significantly''' longer [[Big Finish Doctor Who audio stories|in audio]] than on television.  Check out their latest works at '''[[:category:{{CURRENTYEAR}} audio stories]]'''
The careers of the [[Fifth Doctor|Fifth]], [[Sixth Doctor|Sixth]], [[Seventh Doctor|Seventh]] and [[Eighth Doctor]]s are '''significantly''' longer [[Big Finish Doctor Who audio stories|in audio]] than on television.  Check out their latest works at '''[[:category:{{CURRENTYEAR}} audio stories]]'''.
</div>
</div>
<div class="tr-box two">
<div class="tr-box one">
{{thead|The relevance of comics}}
{{thead|The relevance of comics}}
Officially, only ''[[The Lodger (TV story)|The Lodger]]'' has been explicitly adapted from a comic strip — also called ''[[The Lodger (comic story)|The Lodger]]''.  
Officially, only ''[[The Lodger (TV story)|The Lodger]]'' has been explicitly adapted from a comic strip — also called ''[[The Lodger (comic story)|The Lodger]]''.  
[[File:10MickeyFootball.png|center|link=http://tardis.wikia.com/wiki/Transmat:Doctor_Who?file=BBC%2527s_Historic_Mainframe_Arrives%2521%2521_%2528Quantel_Paintbox_DPB_7000%2529_This_created_many_80s_programs%2521%2521]]
[[File:10MickeyFootball.jpg|center|link=http://tardis.wikia.com/wiki/Transmat:Doctor_Who?file=Craig_asks_The_Doctor_to_leave_-_Doctor_Who_-_BBC]]
However, several stories have clearly taken material from comic strips — often those in ''[[Doctor Who Magazine]]''. ''[[The Shakespeare Code (TV story)|The Shakespeare Code]]'' contains a good amount of material from ''[[A Groatsworth of Wit (comic story)|A Groatsworth of Wit]]'', and the notion of the Doctor absorbing the [[time vortex]] in order to spare a [[companion]] was explored in both ''[[The Parting of the Ways (TV story)|The Parting of the Ways]]'' and ''[[The Flood (comic story)|The Flood]]''.  
However, several stories have clearly taken material from comic strips — often those in ''[[Doctor Who Magazine]]''. ''[[The Shakespeare Code (TV story)|The Shakespeare Code]]'' contains a good amount of material from ''[[A Groatsworth of Wit (comic story)|A Groatsworth of Wit]]'', and the notion of the Doctor absorbing the [[time vortex]] in order to spare a [[companion]] was explored in both ''[[The Parting of the Ways (TV story)|The Parting of the Ways]]'' and ''[[The Flood (comic story)|The Flood]]''.  
</div>
</div>
<div class="tr-box two">
<div class="tr-box two">
{{thead|The first of the "money men"}}
{{thead|The first of the "money men"}}
'''[[Donald Baverstock]]''' was the [[British Broadcasting Corporation|BBC]] executive who set the the wheels in motion that eventually led to the creation of ''[[Doctor Who]]''. Essentially the original commissioner of the programme, he hired [[Sydney Newman]] and later imposed a sense of financial responsibility upon [[producer]] [[Verity Lambert]]. </div>
'''[[Donald Baverstock]]''' was the [[British Broadcasting Corporation|BBC]] executive who set the the wheels in motion that eventually led to the creation of ''[[Doctor Who]]''. Essentially the original commissioner of the programme, he hired [[Sydney Newman]] and later imposed a sense of financial responsibility upon [[producer]] [[Verity Lambert]].
 
But Baverstock wasn't the only '''[[:category:BBC executives|BBC executive]]''' to have a profound impact on the development of ''Doctor Who''.  Make sure you read about [[Lorraine Heggessey]], [[Mark Thompson]], [[Danny Cohen]], [[George Entwistle]], [[Tony Hall]], [[Shaun Sutton]], [[Sydney Newman]] and others. </div>
<div class="tr-box two">
{{thead|Things released on [[{{CURRENTDAY}} {{CURRENTMONTHNAME}} (releases)|{{CURRENTDAY}} {{CURRENTMONTHNAME}}]] }}{{:{{CURRENTDAY}} {{CURRENTMONTHNAME}} (releases)}}
</div>
<div class="tr-box one">
<div class="tr-box one">
{{thead|Production history for {{CURRENTDAY}}.{{CURRENTMONTH}} }}{{:{{CURRENTDAY}} {{CURRENTMONTHNAME}} (production)}}
{{thead|Did you know…}}
{{Doctor Who Wiki/DYK}}
</div>
<div class="tr-box three">
{{thead|[[{{CURRENTDAY}} {{CURRENTMONTHNAME}} (people)|{{CURRENTDAY}} {{CURRENTMONTHNAME}}]] births and deaths }}{{:{{CURRENTDAY}} {{CURRENTMONTHNAME}} (people)}}
</div>
</div>
{{#ifexpr: {{PAGESIZE:{{CURRENTDAY}} {{CURRENTMONTHNAME}} (production)|R}} < 440||
<div class="tr-box two">
<div class="tr-box two">
{{thead|Things released on {{CURRENTDAY}}.{{CURRENTMONTH}} }}{{:{{CURRENTDAY}} {{CURRENTMONTHNAME}} (releases)}}
{{thead|Production history for [[{{CURRENTDAY}} {{CURRENTMONTHNAME}} (production)|{{CURRENTDAY}} {{CURRENTMONTHNAME}}]] }}{{:{{CURRENTDAY}} {{CURRENTMONTHNAME}} (production)}}
</div>
</div>}}
<div class="tr-box one">
{{thead|{{CURRENTDAY}}.{{CURRENTMONTH}} births and deaths }}{{:{{CURRENTDAY}} {{CURRENTMONTHNAME}} (people)}}</div>
</div>
</div>
</div>
</div>
{{reflist}}
{{reflist|2}}
{{cache clearer}}

Latest revision as of 08:24, 14 July 2024

The Mind of Evil was a Third Doctor story that brought a radical change in the way United Nations Intelligence Taskforce was portrayed. Instead of being a primarily investigative body interested in alien or unexplained phenomena, here UNIT was mostly seen as a simple security force, guaranteeing the safety of international diplomats. In other words, the "United Nations" portion of their acronym was stressed over the "Intelligence Taskforce" bit — as would later happen in such stories as Day of the Daleks and The Time Warrior. Meanwhile, the main plot about the mind-control device was something writer Don Houghton intentionally included as an homage to A Clockwork Orange. Evil went badly over budget, thanks in no small part to one of Doctor Who's rare usages of a real helicopter in the concluding episode. An unimpressed Barry Letts therefore withdrew director Timothy Combe from his informal "director's rota", and Combe never worked on the programme again.

The women who gave Doctor Who back to us
JaneTranter.jpg
Click for video

Think Doctor Who is just for boys? Don't you believe it. Not only was the show's very first producer a woman, but it would never have come back without the fierce advocacy of Jane Tranter and Julie Gardner. Considering her importance to Doctor Who it's somewhat ironic that Tranter's only on-screen credits are for Torchwood: Miracle Day. But Gardner, her "partner in crime", is tied only with Russell T Davies as the most prolific producer in Doctor Who history.

Industrial action

Paintbox.jpg

Click for a video of a 21st century geek as he takes delivery of one of the two Paintboxes used by the BBC in the 1980s
The Quantel Paintbox was a graphics workstation that allowed Doctor Who to have a primitive form of colour grading in the 1980s. To find out more about the "business of show", go to category:production information, where you can read about colour separation overlay, low loaders, telerecordings, vidFIRE, rostrum cameras, 2" quad tape, Ealing Studios and tons more.
Surprising guest star
The Doctor's Daughter.jpg
Click to see Georgia Moffett with her soon-to-be husband David Tennant... or is he her father?
The real-life daughter of Fifth Doctor actor Peter Davison, Georgia Moffett appeared in the new series as Jenny — the Tenth Doctor's daughter — in, well, The Doctor's Daughter. After first meeting Tenth Doctor actor David Tennant while filming this very episode, she then proceeded to marry Tennant, making her father the Doctor and her husband... her father? Find out more about the thousands of actors who have been on Doctor Who by exploring Doctor Who guest actors.
Ex-Doctors never die, they just make audios

The careers of the Fifth, Sixth, Seventh and Eighth Doctors are significantly longer in audio than on television. Check out their latest works at category:2024 audio stories.

The relevance of comics

Officially, only The Lodger has been explicitly adapted from a comic strip — also called The Lodger.

10MickeyFootball.jpg

However, several stories have clearly taken material from comic strips — often those in Doctor Who Magazine. The Shakespeare Code contains a good amount of material from A Groatsworth of Wit, and the notion of the Doctor absorbing the time vortex in order to spare a companion was explored in both The Parting of the Ways and The Flood.

The first of the "money men"

Donald Baverstock was the BBC executive who set the the wheels in motion that eventually led to the creation of Doctor Who. Essentially the original commissioner of the programme, he hired Sydney Newman and later imposed a sense of financial responsibility upon producer Verity Lambert.

But Baverstock wasn't the only BBC executive to have a profound impact on the development of Doctor Who. Make sure you read about Lorraine Heggessey, Mark Thompson, Danny Cohen, George Entwistle, Tony Hall, Shaun Sutton, Sydney Newman and others.
Things released on 10 November


Did you know…


10 November births and deaths
Production history for 10 November