Transmat:Doctor Who: Difference between revisions
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Think ''Doctor Who'' is just for boys? Don't you believe it. Not only was the show's [[Verity Lambert|very first producer]] a woman, but it would never have come back without the fierce advocacy of '''[[Jane Tranter]]''' and '''[[Julie Gardner]]'''. Considering her importance to ''Doctor Who'' it's somewhat ironic that Tranter's only on-screen ''credits'' are for ''[[Torchwood: Miracle Day]]''. But Gardner, her "partner in crime", is tied only with [[Russell T Davies]] as the most prolific producer in ''[[Doctor Who]]'' history. | Think ''Doctor Who'' is just for boys? Don't you believe it. Not only was the show's [[Verity Lambert|very first producer]] a woman, but it would never have come back without the fierce advocacy of '''[[Jane Tranter]]''' and '''[[Julie Gardner]]'''. Considering her importance to ''Doctor Who'' it's somewhat ironic that Tranter's only on-screen ''credits'' are for ''[[Torchwood: Miracle Day]]''. But Gardner, her "partner in crime", is tied only with [[Russell T Davies]] as the most prolific producer in ''[[Doctor Who]]'' history. | ||
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{{thead|Industrial action}} | {{thead|Industrial action}} | ||
[[File:Paintbox.jpg|link=http://tardis.wikia.com/wiki/Transmat:Doctor_Who?file=BBC%2527s_Historic_Mainframe_Arrives%2521%2521_%2528Quantel_Paintbox_DPB_7000%2529_This_created_many_80s_programs%2521%2521]] | [[File:Paintbox.jpg|link=http://tardis.wikia.com/wiki/Transmat:Doctor_Who?file=BBC%2527s_Historic_Mainframe_Arrives%2521%2521_%2528Quantel_Paintbox_DPB_7000%2529_This_created_many_80s_programs%2521%2521]] | ||
{{tcap|Click for a video of a [[21st century]] geek as he takes delivery of one of the two Paintboxes used by the BBC in the 1980s}} | {{tcap|Click for a video of a [[21st century]] geek as he takes delivery of one of the two Paintboxes used by the BBC in the 1980s}} | ||
The '''[[Quantel Paintbox]]''' was a graphics workstation that allowed ''[[Doctor Who]]'' to have a primitive form of [[colourist|colour grading]] in the [[1980s]]. To find out more about the "business of show", go to '''[[:category:production information]]''', where you can read about [[colour separation overlay]], [[low loader]]s, [[telerecording]]s, [[vidFIRE]], [[rostrum camera]]s, [[2" quad]] tape, [[Ealing Studios]] and tons more.</div> | The '''[[Quantel Paintbox]]''' was a graphics workstation that allowed ''[[Doctor Who]]'' to have a primitive form of [[colourist|colour grading]] in the [[1980s]]. To find out more about the "business of show", go to '''[[:category:production information]]''', where you can read about [[colour separation overlay]], [[low loader]]s, [[telerecording]]s, [[vidFIRE]], [[rostrum camera]]s, [[2" quad]] tape, [[Ealing Studios]] and tons more.</div> | ||
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{{thead|Surprising guest star}} | {{thead|Surprising guest star}} | ||
{{surprising guest}} | {{surprising guest}} | ||
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{{thead|Ex-Doctors never die, they just make audios}} | {{thead|Ex-Doctors never die, they just make audios}} | ||
The careers of the [[Fifth Doctor|Fifth]], [[Sixth Doctor|Sixth]], [[Seventh Doctor|Seventh]] and [[Eighth Doctor]]s are '''significantly''' longer [[Big Finish Doctor Who audio stories|in audio]] than on television. Check out their latest works at '''[[:category:{{CURRENTYEAR}} audio stories]]''' | The careers of the [[Fifth Doctor|Fifth]], [[Sixth Doctor|Sixth]], [[Seventh Doctor|Seventh]] and [[Eighth Doctor]]s are '''significantly''' longer [[Big Finish Doctor Who audio stories|in audio]] than on television. Check out their latest works at '''[[:category:{{CURRENTYEAR}} audio stories]]''' | ||
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{{thead|The relevance of comics}} | {{thead|The relevance of comics}} | ||
Officially, only ''[[The Lodger (TV story)|The Lodger]]'' has been explicitly adapted from a comic strip — also called ''[[The Lodger (comic story)|The Lodger]]''. | Officially, only ''[[The Lodger (TV story)|The Lodger]]'' has been explicitly adapted from a comic strip — also called ''[[The Lodger (comic story)|The Lodger]]''. | ||
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{{thead|Production history for [[{{CURRENTDAY}} {{CURRENTMONTHNAME}} (production)|{{CURRENTDAY}} {{CURRENTMONTHNAME}}]] }}{{:{{CURRENTDAY}} {{CURRENTMONTHNAME}} (production)}} | {{thead|Production history for [[{{CURRENTDAY}} {{CURRENTMONTHNAME}} (production)|{{CURRENTDAY}} {{CURRENTMONTHNAME}}]] }}{{:{{CURRENTDAY}} {{CURRENTMONTHNAME}} (production)}} | ||
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Revision as of 00:32, 21 October 2013
The Ark in Space was the second story of Season 12 of Doctor Who. It was the Fourth Doctor's first full, post-regenerative story. It proceeded from a mild-cliffhanger at the end of Robot, showing what happened after Harry Sullivan climbed into the police box in UNIT's laboratory. It importantly established the location of Nerva Beacon, which would be the narrative lynchpin of the season.
Ark had a somewhat tortuous scripting process, having slipped past two writers before its scripts were finally accepted. Both Christopher Langley and John Lucarotti tried and failed to write a script about a space station for season 12. Of the two, Lucarotti came closest. However, because he then lived on a boat anchored in the Mediterranean — and there was a postal strike afflicting Corsica — Lucarotti was essentially incommunicado to script editor Robert Holmes. It was impossible for Holmes to conduct timely consultation with the Doctor Who veteran. Lucarotti was paid fully for his work, and Holmes undertook a page one rewrite, retaining only the central conceit of Lucarotti's tale.
Despite its difficult birth, the story won kudos from the BBC Wales production staff. Russell T Davies once called Ark his favourite storyline of the 1963 version of Doctor Who. Steven Moffat considered it the best Fourth Doctor story, while Barnaby Edwards confessed to being "petrified of the Wirrn" as a child. Tom Baker himself has also stated that, of all the stories he'd filmed, The Ark in Space was his favourite.
Think Doctor Who is just for boys? Don't you believe it. Not only was the show's very first producer a woman, but it would never have come back without the fierce advocacy of Jane Tranter and Julie Gardner. Considering her importance to Doctor Who it's somewhat ironic that Tranter's only on-screen credits are for Torchwood: Miracle Day. But Gardner, her "partner in crime", is tied only with Russell T Davies as the most prolific producer in Doctor Who history.
The careers of the Fifth, Sixth, Seventh and Eighth Doctors are significantly longer in audio than on television. Check out their latest works at category:2024 audio stories
Officially, only The Lodger has been explicitly adapted from a comic strip — also called The Lodger.
However, several stories have clearly taken material from comic strips — often those in Doctor Who Magazine. The Shakespeare Code contains a good amount of material from A Groatsworth of Wit, and the notion of the Doctor absorbing the time vortex in order to spare a companion was explored in both The Parting of the Ways and The Flood.
Donald Baverstock was the BBC executive who set the the wheels in motion that eventually led to the creation of Doctor Who. Essentially the original commissioner of the programme, he hired Sydney Newman and later imposed a sense of financial responsibility upon producer Verity Lambert.
But Baverstock wasn't the only BBC executive to have a profound impact on the development of Doctor Who. Make sure you read about Lorraine Heggessey, Mark Thompson, Danny Cohen, George Entwistle, Tony Hall, Shaun Sutton, Sydney Newman and others.- 1967
- Episode six of The Abominable Snowmen premiered on BBC1.
- Part two of the TV Comic story The Faithful Rocket Pack was published.
- 1972 - Part two of the TV Action comic story Steelfist was published.
- 1978 - Part two The Stones of Blood premiered on BBC1.
- 1981 - "The Forest of Fear" was repeated on BBC2.
- 1989 - The Incredible Hulk Presents comic story Technical Hitch was published.
- 2002 - The Infinity Race was published by BBC Books.
- 2009 - DWDVDF 22 was published by GE Fabbri Ltd.
- 2010
- A Shard of Ice were released by AudioGO.
- A Town Called Fortune was released by Big Finish Productions.
- DWA 191 was published by BBC Magazines.
- 2014 - The Story of Fester Cat was published by The Berkley Publishing Group.
- 2015
- The Ninth Doctor #5, The Eighth Doctor #1 and The Eleventh Doctor Year Two #2 were published by Titan Comics.
- TCH 71 was published by Hachette Partworks.
- 2016 - Toby Hadoke's Who's Round 192 was released online.
- 2018 - The Tsuranga Conundrum premiered on BBC One.
- 2019 - Sil and the Devil Seeds of Arodor was released on DVD and Blu-ray by Reeltime Pictures.
- 2020 - Blue Boxes was released by Big Finish.
- 2021 - K9 Audio Annual and The Time Travel Collection were released by BBC Audio.
- 2022 - Origins was published by Titan Comics.
- .. that the song "Chances" by Athlete was featured, but not credited, on the soundtrack of TV: Vincent and the Doctor?
- ... that Frank Sinatra was one of the Brigadier's favourite musical acts? (PROSE: Smash Hit)
- ... that Washington DC was where the British Prime Minister was assassinated in 1997? (PROSE: The Dying Days)
- ... that the Tenth Doctor and Donna once pretended to be Bjorn and Freida, two members of the Swedish rock group, ABBA? (AUDIO: Dead Air)
- ... that Baaraddelskelliumfatrexius Beasts were giant, squirrel-like creatures that Raxacoricofallapatorians hunted to extinction? (TV: The Revenge of the Slitheen)
- 1971 - Actor Robyn Moore was born.[1]
- 1982 - Actor Talfryn Thomas died.[2]
- 1998 - Actor Bear McCausland was born.[3]
- 2017 - Composer Dudley Simpson died.[4]
- 1967 - Episode three of The Ice Warriors was recorded at Lime Grove Studios D. (TCH 11)
- 1969 - Location filming for Spearhead from Space took place. (REF: Doctor Who The Handbook: The Third Doctor)
- 1976 - Pre-filming for The Robots of Death took place at Ealing Studios. (REF: Doctor Who The Handbook: The Fourth Doctor)
- 1979 - Studio filming for Shada took place at BBC Television Centre studio 3. (REF: Doctor Who The Handbook: The Fourth Doctor)
- 2005 - Big Finish's Sarah Jane Smith audio story Snow Blind was recorded at the Moat Studios.
- 2009 - Big Finish's audio adaptation of the unproduced TV story Point of Entry was recorded at the Moat Studios.
- 2019
- Big Finish's audio anthology Thin Time / Madquake was recorded at the Moat Studios.
- Big Finish's audio adaptation of Revenge of the Cybermen's original storyline was recorded at Audio Sorcery.
- 2023 - The #DoctorDonnathon event took place at the Genesis Chamber.