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{{first pic|Hamlet.jpg|The first performance of Act V Scene I with [[Hamlet (character)|Hamlet]], [[Yorick]], and [[Clown (Hamlet)|the clown]]. ([[PROSE]]: | {{first pic|Hamlet.jpg|The first performance of Act V Scene I with [[Hamlet (character)|Hamlet]], [[Yorick]], and [[Clown (Hamlet)|the clown]]. ([[PROSE]]: {{cs|Hamlet (short story)}})}} | ||
{{wikipediainfo}} | {{wikipediainfo}} | ||
{{you may|Hamlet Macbeth}} | {{you may|Hamlet Macbeth}} | ||
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== History == | == History == | ||
=== Inspirations === | === Inspirations === | ||
The [[Tenth Doctor]] and [[Martha Jones]] visited Shakespeare in [[1599]]. They inspired him to write about [[father]]-[[son]] relationships, a main theme of ''Hamlet''. Shakespeare also mentioned the name of his deceased son, [[Hamnet]]. ([[TV]]: | The [[Tenth Doctor]] and [[Martha Jones]] visited Shakespeare in [[1599]]. They inspired him to write about [[father]]-[[son]] relationships, a main theme of ''Hamlet''. Shakespeare also mentioned the name of his deceased son, [[Hamnet]]. ([[TV]]: {{cs|The Shakespeare Code (TV story)}}) | ||
The idea to focus on [[Hamlet (character)|Hamlet]] specifically was first discussed at the court of [[Elizabeth I]]. The [[First Doctor]], [[Ian Chesterton]], [[Barbara Wright]] and [[Vicki Pallister]] used the [[Time-Space Visualiser]] to witness Shakespeare's initial rejection of [[Francis Bacon]]'s thoughts on writing a play about Hamlet, who told Bacon the [[story]] was "not quite in [his] style". However, they then saw Shakespeare appear to warm to the idea after he'd left Bacon's presence. ([[TV]]: | The idea to focus on [[Hamlet (character)|Hamlet]] specifically was first discussed at the court of [[Elizabeth I]]. The [[First Doctor]], [[Ian Chesterton]], [[Barbara Wright]] and [[Vicki Pallister]] used the [[Time-Space Visualiser]] to witness Shakespeare's initial rejection of [[Francis Bacon]]'s thoughts on writing a play about Hamlet, who told Bacon the [[story]] was "not quite in [his] style". However, they then saw Shakespeare appear to warm to the idea after he'd left Bacon's presence. ([[TV]]: {{cs|The Chase (TV story)}}) When Ian asked if Barbara had discovered what she wanted to know, she responded that she wasn't sure, having wondered if Shakespeare had really written his own [[play]]s or if Bacon had been their real [[author]], a [[theory]] that [[Literature|literary]] [[scholar]]s had argued about for [[Century|centuries]]. ([[PROSE]]: {{cs|The Chase (novelisation)}}) | ||
=== Drafts === | === Drafts === | ||
In his first thoughts about the play, Shakespeare wrote that [[Hamlet (character)|Hamlet]] would be the [[son]] of [[Hamlet's father|a dead King]] who discovered that [[Hamlet's uncle|his uncle]] [[murder]]ed his [[father]] and [[Marriage|married]] [[Hamlet's mother|his mother]] to steal the [[throne]]. He also decided [[Elsinore]] would be the main setting, which was in [[Denmark]], or possibly [[Finland]]. | In his first thoughts about the play, Shakespeare wrote that [[Hamlet (character)|Hamlet]] would be the [[son]] of [[Hamlet's father|a dead King]] who discovered that [[Hamlet's uncle|his uncle]] [[murder]]ed his [[father]] and [[Marriage|married]] [[Hamlet's mother|his mother]] to steal the [[throne]]. He also decided [[Elsinore]] would be the main setting, which was in [[Denmark]], or possibly [[Finland]]. | ||
Shakespeare considered several possibilities for how Hamlet would find out his [[uncle]]'s [[crime]]s, including hidden [[paper]]s - although that plot device was "never very satisfactory", a [[confession]] from his mother, a confession from his uncle, and a guess before settling on [[Magician (Notes on a Play)|a magician]] telling him. He drafted this scene in his notes, the [[character]] clearly being based upon the [[Eleventh Doctor]]. ([[PROSE]]: | Shakespeare considered several possibilities for how Hamlet would find out his [[uncle]]'s [[crime]]s, including hidden [[paper]]s - although that plot device was "never very satisfactory", a [[confession]] from his mother, a confession from his uncle, and a guess before settling on [[Magician (Notes on a Play)|a magician]] telling him. He drafted this scene in his notes, the [[character]] clearly being based upon the [[Eleventh Doctor]]. ([[PROSE]]: {{cs|Notes on a Play (short story)}}) | ||
The First Doctor collaborated with Shakespeare between drafts one and two ([[PROSE]]: | The First Doctor collaborated with Shakespeare between drafts one and two ([[PROSE]]: {{cs|Byzantium! (novel)}}) and the [[Fourth Doctor]] claimed to have helped him write down the final draft after Shakespeare sprained his wrist writing sonnets. This manuscript was acquired by [[Scaroth]] in the [[20th century]]. ([[TV]]: {{cs|City of Death (TV story)}}, [[PROSE]]: {{cs|The Stranger, The Writer, His Wife and the Mixed Metaphor (short story)}}) By the time of the final draft, the magician character had been written out of the play with his role now fulfilled by the [[ghost]] of Hamlet's father. ([[PROSE]]: {{cs|Notes on a Play (short story)}}) | ||
While defensively listing off some of his Shakespearean credentials after being asked if he had read ''[[Troilus and Cressida]]'', the [[Eighth Doctor]] claimed to have put the [[mixed metaphor]] in the "To be or not to be" [[soliloquy]]. ([[PROSE]]: {{cs|Apocrypha Bipedium (short story)}}) Spoken by [[Hamlet (character)|Hamlet]] himself, it appeared in Act III Scene I. The earliest known copy of the soliloquy in its final form was handwritten, with critical annotations in the same [[handwriting]] from the [[Fourth Doctor]], although earlier drafts of the text with "rather different wording" also existed. ([[PROSE]]: {{cs|Hamlet's Soliloquy (short story)}}) | While defensively listing off some of his Shakespearean credentials after being asked if he had read ''[[Troilus and Cressida]]'', the [[Eighth Doctor]] claimed to have put the [[mixed metaphor]] in the "To be or not to be" [[soliloquy]]. ([[PROSE]]: {{cs|Apocrypha Bipedium (short story)}}) Spoken by [[Hamlet (character)|Hamlet]] himself, it appeared in Act III Scene I. The earliest known copy of the soliloquy in its final form was handwritten, with critical annotations in the same [[handwriting]] from the [[Fourth Doctor]], although earlier drafts of the text with "rather different wording" also existed. ([[PROSE]]: {{cs|Hamlet's Soliloquy (short story)}}) | ||
=== Performances === | === Performances === | ||
The transcript of ''Hamlet'' from the first performance showed some "interesting" variation from the accepted text, in particular during Act V Scene I when [[Grathnave|a gravedigger]] exhumed the [[skull]] of [[Yorick]] in the presence of Hamlet and [[Horatio (Hamlet)|Horatio]]. A "[[Clown (Hamlet)|clown]]" appeared and identified the skull not as Yorick's but the missing second skull of the [[Fendahl]], which had been lost for centuries. He also identified the gravedigger as "[[Lord]] Grathanve of the [[Erstwhile Collision]]" and briefly fought with him for custody of the skull before the clown tripped him up with [[The Doctor's scarf|his scarf]] and quickly departed. This clown was clearly a representation of the Fourth Doctor. ([[PROSE]]: | The transcript of ''Hamlet'' from the first performance showed some "interesting" variation from the accepted text, in particular during Act V Scene I when [[Grathnave|a gravedigger]] exhumed the [[skull]] of [[Yorick]] in the presence of Hamlet and [[Horatio (Hamlet)|Horatio]]. A "[[Clown (Hamlet)|clown]]" appeared and identified the skull not as Yorick's but the missing second skull of the [[Fendahl]], which had been lost for centuries. He also identified the gravedigger as "[[Lord]] Grathanve of the [[Erstwhile Collision]]" and briefly fought with him for custody of the skull before the clown tripped him up with [[The Doctor's scarf|his scarf]] and quickly departed. This clown was clearly a representation of the Fourth Doctor. ([[PROSE]]: {{cs|Hamlet (short story)}}) | ||
A [[1601]] performance of the play featured a character who was referred to in the transcript as [[Medic (Waving Through Time)|a medic]] but introduced himself as the Doctor. The medic repeatedly interrupted Hamlet during his "skull" [[speech]] with lines that in all other folios were given to Horatio. He first cut in with a [[fourth wall]]-breaking message to "Pond" and later with musings on the peculiarity of Hamlet's own [[name]]. Eventually, Hamlet became annoyed with the medic and asked "Wilt thou shut up?". Although a discovered copy of this performance was widely dismissed as a [[forgery]], [[Professor]] [[Clifford Measey]], writing in his [[book]] ''[[Myths & Historical Impossibilities]]'', believed the medic to be a representation of "[[The Doctor in popular culture and mythology|the Unnamed Doctor]]" who was recorded throughout [[history]]. ([[PROSE]]: | A [[1601]] performance of the play featured a character who was referred to in the transcript as [[Medic (Waving Through Time)|a medic]] but introduced himself as the Doctor. The medic repeatedly interrupted Hamlet during his "skull" [[speech]] with lines that in all other folios were given to Horatio. He first cut in with a [[fourth wall]]-breaking message to "Pond" and later with musings on the peculiarity of Hamlet's own [[name]]. Eventually, Hamlet became annoyed with the medic and asked "Wilt thou shut up?". Although a discovered copy of this performance was widely dismissed as a [[forgery]], [[Professor]] [[Clifford Measey]], writing in his [[book]] ''[[Myths & Historical Impossibilities]]'', believed the medic to be a representation of "[[The Doctor in popular culture and mythology|the Unnamed Doctor]]" who was recorded throughout [[history]]. ([[PROSE]]: {{cs|Waving Through Time (short story)}}) In truth, the scene was an example of the [[Eleventh Doctor]] "trying to wave" to and "attract [the] attention" of his [[Companion|companions]] [[Amy Pond]] and [[Rory Williams]] through the [[history book]]s. ([[TV]]: {{cs|The Impossible Astronaut (TV story)}}) | ||
''Hamlet'' was performed at the [[New Regency Theatre]] on numerous occasions before the theatre was destroyed in [[the Blitz]] on [[12 October]] [[1940]]. [[Sarah Bernhardt]] starred in one such production. ([[AUDIO]]: | ''Hamlet'' was performed at the [[New Regency Theatre]] on numerous occasions before the theatre was destroyed in [[the Blitz]] on [[12 October]] [[1940]]. [[Sarah Bernhardt]] starred in one such production. ([[AUDIO]]: {{cs|Swan Song (audio story)}}) | ||
A caged [[temporal predator (Going Once, Going Twice)|temporal predator]] who had been taught to recite "the most famed soliloquy from ''Hamlet''" was one of the items on sale at the [[First Auction in Heaven]]. ([[PROSE]]: | A caged [[temporal predator (Going Once, Going Twice)|temporal predator]] who had been taught to recite "the most famed soliloquy from ''Hamlet''" was one of the items on sale at the [[First Auction in Heaven]]. ([[PROSE]]: {{cs|Going Once, Going Twice (short story)}}) | ||
A book of the play was in the [[Plume Coteries' Library]] where its [[title]] was transformed by [[the most canon man|<nowiki>[[the most canon man]]</nowiki>]], making it ''Hamlet but it's About Noodles Now''. After this transformation, its author was still listed as William Shakespeare. ([[PROSE]]: {{cs|How to Appear Noodles in Several Uneasy Lessons (short story)}}) | A book of the play was in the [[Plume Coteries' Library]] where its [[title]] was transformed by [[the most canon man|<nowiki>[[the most canon man]]</nowiki>]], making it ''Hamlet but it's About Noodles Now''. After this transformation, its author was still listed as William Shakespeare. ([[PROSE]]: {{cs|How to Appear Noodles in Several Uneasy Lessons (short story)}}) | ||
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== References == | == References == | ||
=== The Doctor === | === The Doctor === | ||
The Fourth Doctor later attempted to teach his companion [[Leela]] about [[poetry]] by introducing her to ''Hamlet''. ([[AUDIO]]: | The Fourth Doctor later attempted to teach his companion [[Leela]] about [[poetry]] by introducing her to ''Hamlet''. ([[AUDIO]]: {{cs|The Foe from the Future (audio story)}}) Upon finding a number of [[Nimon]], the Fourth Doctor quoted Hamlet in saying, "Oh my prophetic soul." ([[TV]]: {{cs|The Horns of Nimon (TV story)}}) He again quoted the [[play]] when describing the odds of all the [[animal]]s in the [[London Zoo]] trying to escape on the same morning. ([[PROSE]]: {{cs|Stanley (short story)}}) | ||
The [[Sixth Doctor]] heard a verse from the work, declaimed by a dying [[Oscar Botcherby]], a wannabe actor whose dream had been to play the main role. After Oscar died, the Sixth Doctor quoted half of the last line of the play "Good Night Sweet Prince". ([[TV]]: | The [[Sixth Doctor]] heard a verse from the work, declaimed by a dying [[Oscar Botcherby]], a wannabe actor whose dream had been to play the main role. After Oscar died, the Sixth Doctor quoted half of the last line of the play "Good Night Sweet Prince". ([[TV]]: {{cs|The Two Doctors (TV story)}}) | ||
On [[Heaven (Love and War)|Heaven]], the [[Seventh Doctor]] quoted a line from ''Hamlet'' to [[Bernice Summerfield]], who pointed out that it was a mixed metaphor. ([[PROSE]]: | On [[Heaven (Love and War)|Heaven]], the [[Seventh Doctor]] quoted a line from ''Hamlet'' to [[Bernice Summerfield]], who pointed out that it was a mixed metaphor. ([[PROSE]]: {{cs|Love and War (novel)}}) | ||
The [[Eighth Doctor]] quoted "The play's the thing in which I'll catch the conscience of the king" to [[Orson Welles]] in [[1938]] but he failed to recognise the line even after being told it was from ''Hamlet''. This puzzled the Doctor ([[AUDIO]]: {{cs|Invaders from Mars (audio story)}}) as Welles went on to make several Shakespearean [[film]]s. The Doctor and [[Charlotte Pollard|Charley]] eventually discovered the reason for Welles' ignorance was that Shakespeare had been taken out of [[time]] as a young boy, something they later rectified. ([[AUDIO]]: {{cs|The Time of the Daleks (audio story)}}) | The [[Eighth Doctor]] quoted "The play's the thing in which I'll catch the conscience of the king" to [[Orson Welles]] in [[1938]] but he failed to recognise the line even after being told it was from ''Hamlet''. This puzzled the Doctor ([[AUDIO]]: {{cs|Invaders from Mars (audio story)}}) as Welles went on to make several Shakespearean [[film]]s. The Doctor and [[Charlotte Pollard|Charley]] eventually discovered the reason for Welles' ignorance was that Shakespeare had been taken out of [[time]] as a young boy, something they later rectified. ([[AUDIO]]: {{cs|The Time of the Daleks (audio story)}}) | ||
=== Others === | === Others === | ||
[[The Monk]] believed that his meddling would enable Shakespeare to have ''Hamlet'' premiere on [[television]]. ([[TV]]: | [[The Monk]] believed that his meddling would enable Shakespeare to have ''Hamlet'' premiere on [[television]]. ([[TV]]: {{cs|The Time Meddler (TV story)|namedep=Checkmate (4)}}) | ||
[[The Valeyard]] quoted a verse from scene one of act three of the work to the Sixth Doctor. ([[TV]]: | [[The Valeyard]] quoted a verse from scene one of act three of the work to the Sixth Doctor. ([[TV]]: {{cs|The Ultimate Foe (TV story)}}) | ||
The [[Dalek]]s quoted various lines from ''Hamlet'' while working on a time machine with [[Professor]] [[Osric (The Time of the Daleks)|Osric]]. ([[AUDIO]]: | The [[Dalek]]s quoted various lines from ''Hamlet'' while working on a time machine with [[Professor]] [[Osric (The Time of the Daleks)|Osric]]. ([[AUDIO]]: {{cs|The Time of the Daleks (audio story)}}) | ||
A line from ''Hamlet'', Act 1, Scene 5 ("The time is out of joint. O cursed spite, that ever I was born to set it right.") was the password for entrance into [[Free Time]]'s hideout on [[Gryben]]. ([[AUDIO]]: {{cs|Weapon of Choice (audio story)}}) | |||
== Behind the scenes == | == Behind the scenes == | ||
Latest revision as of 22:03, 14 December 2024
- You may be looking for Hamlet Macbeth.
Hamlet was a play written by William Shakespeare. It was also the name of the titular character, a prince of Denmark.
History[[edit] | [edit source]]
Inspirations[[edit] | [edit source]]
The Tenth Doctor and Martha Jones visited Shakespeare in 1599. They inspired him to write about father-son relationships, a main theme of Hamlet. Shakespeare also mentioned the name of his deceased son, Hamnet. (TV: The Shakespeare Code [+]Loading...["The Shakespeare Code (TV story)"])
The idea to focus on Hamlet specifically was first discussed at the court of Elizabeth I. The First Doctor, Ian Chesterton, Barbara Wright and Vicki Pallister used the Time-Space Visualiser to witness Shakespeare's initial rejection of Francis Bacon's thoughts on writing a play about Hamlet, who told Bacon the story was "not quite in [his] style". However, they then saw Shakespeare appear to warm to the idea after he'd left Bacon's presence. (TV: The Chase [+]Loading...["The Chase (TV story)"]) When Ian asked if Barbara had discovered what she wanted to know, she responded that she wasn't sure, having wondered if Shakespeare had really written his own plays or if Bacon had been their real author, a theory that literary scholars had argued about for centuries. (PROSE: The Chase [+]Loading...["The Chase (novelisation)"])
Drafts[[edit] | [edit source]]
In his first thoughts about the play, Shakespeare wrote that Hamlet would be the son of a dead King who discovered that his uncle murdered his father and married his mother to steal the throne. He also decided Elsinore would be the main setting, which was in Denmark, or possibly Finland.
Shakespeare considered several possibilities for how Hamlet would find out his uncle's crimes, including hidden papers - although that plot device was "never very satisfactory", a confession from his mother, a confession from his uncle, and a guess before settling on a magician telling him. He drafted this scene in his notes, the character clearly being based upon the Eleventh Doctor. (PROSE: Notes on a Play [+]Loading...["Notes on a Play (short story)"])
The First Doctor collaborated with Shakespeare between drafts one and two (PROSE: Byzantium! [+]Loading...["Byzantium! (novel)"]) and the Fourth Doctor claimed to have helped him write down the final draft after Shakespeare sprained his wrist writing sonnets. This manuscript was acquired by Scaroth in the 20th century. (TV: City of Death [+]Loading...["City of Death (TV story)"], PROSE: The Stranger, The Writer, His Wife and the Mixed Metaphor [+]Loading...["The Stranger, The Writer, His Wife and the Mixed Metaphor (short story)"]) By the time of the final draft, the magician character had been written out of the play with his role now fulfilled by the ghost of Hamlet's father. (PROSE: Notes on a Play [+]Loading...["Notes on a Play (short story)"])
While defensively listing off some of his Shakespearean credentials after being asked if he had read Troilus and Cressida, the Eighth Doctor claimed to have put the mixed metaphor in the "To be or not to be" soliloquy. (PROSE: Apocrypha Bipedium [+]Loading...["Apocrypha Bipedium (short story)"]) Spoken by Hamlet himself, it appeared in Act III Scene I. The earliest known copy of the soliloquy in its final form was handwritten, with critical annotations in the same handwriting from the Fourth Doctor, although earlier drafts of the text with "rather different wording" also existed. (PROSE: Hamlet's Soliloquy [+]Loading...["Hamlet's Soliloquy (short story)"])
Performances[[edit] | [edit source]]
The transcript of Hamlet from the first performance showed some "interesting" variation from the accepted text, in particular during Act V Scene I when a gravedigger exhumed the skull of Yorick in the presence of Hamlet and Horatio. A "clown" appeared and identified the skull not as Yorick's but the missing second skull of the Fendahl, which had been lost for centuries. He also identified the gravedigger as "Lord Grathanve of the Erstwhile Collision" and briefly fought with him for custody of the skull before the clown tripped him up with his scarf and quickly departed. This clown was clearly a representation of the Fourth Doctor. (PROSE: Hamlet [+]Loading...["Hamlet (short story)"])
A 1601 performance of the play featured a character who was referred to in the transcript as a medic but introduced himself as the Doctor. The medic repeatedly interrupted Hamlet during his "skull" speech with lines that in all other folios were given to Horatio. He first cut in with a fourth wall-breaking message to "Pond" and later with musings on the peculiarity of Hamlet's own name. Eventually, Hamlet became annoyed with the medic and asked "Wilt thou shut up?". Although a discovered copy of this performance was widely dismissed as a forgery, Professor Clifford Measey, writing in his book Myths & Historical Impossibilities, believed the medic to be a representation of "the Unnamed Doctor" who was recorded throughout history. (PROSE: Waving Through Time [+]Loading...["Waving Through Time (short story)"]) In truth, the scene was an example of the Eleventh Doctor "trying to wave" to and "attract [the] attention" of his companions Amy Pond and Rory Williams through the history books. (TV: The Impossible Astronaut [+]Loading...["The Impossible Astronaut (TV story)"])
Hamlet was performed at the New Regency Theatre on numerous occasions before the theatre was destroyed in the Blitz on 12 October 1940. Sarah Bernhardt starred in one such production. (AUDIO: Swan Song [+]Loading...["Swan Song (audio story)"])
A caged temporal predator who had been taught to recite "the most famed soliloquy from Hamlet" was one of the items on sale at the First Auction in Heaven. (PROSE: Going Once, Going Twice [+]Loading...["Going Once, Going Twice (short story)"])
A book of the play was in the Plume Coteries' Library where its title was transformed by [[the most canon man]], making it Hamlet but it's About Noodles Now. After this transformation, its author was still listed as William Shakespeare. (PROSE: How to Appear Noodles in Several Uneasy Lessons [+]Loading...["How to Appear Noodles in Several Uneasy Lessons (short story)"])
References[[edit] | [edit source]]
The Doctor[[edit] | [edit source]]
The Fourth Doctor later attempted to teach his companion Leela about poetry by introducing her to Hamlet. (AUDIO: The Foe from the Future [+]Loading...["The Foe from the Future (audio story)"]) Upon finding a number of Nimon, the Fourth Doctor quoted Hamlet in saying, "Oh my prophetic soul." (TV: The Horns of Nimon [+]Loading...["The Horns of Nimon (TV story)"]) He again quoted the play when describing the odds of all the animals in the London Zoo trying to escape on the same morning. (PROSE: Stanley [+]Loading...["Stanley (short story)"])
The Sixth Doctor heard a verse from the work, declaimed by a dying Oscar Botcherby, a wannabe actor whose dream had been to play the main role. After Oscar died, the Sixth Doctor quoted half of the last line of the play "Good Night Sweet Prince". (TV: The Two Doctors [+]Loading...["The Two Doctors (TV story)"])
On Heaven, the Seventh Doctor quoted a line from Hamlet to Bernice Summerfield, who pointed out that it was a mixed metaphor. (PROSE: Love and War [+]Loading...["Love and War (novel)"])
The Eighth Doctor quoted "The play's the thing in which I'll catch the conscience of the king" to Orson Welles in 1938 but he failed to recognise the line even after being told it was from Hamlet. This puzzled the Doctor (AUDIO: Invaders from Mars [+]Loading...["Invaders from Mars (audio story)"]) as Welles went on to make several Shakespearean films. The Doctor and Charley eventually discovered the reason for Welles' ignorance was that Shakespeare had been taken out of time as a young boy, something they later rectified. (AUDIO: The Time of the Daleks [+]Loading...["The Time of the Daleks (audio story)"])
Others[[edit] | [edit source]]
The Monk believed that his meddling would enable Shakespeare to have Hamlet premiere on television. (TV: "Checkmate" [+]Part of The Time Meddler, Loading...{"namedep":"Checkmate (4)","1":"The Time Meddler (TV story)"})
The Valeyard quoted a verse from scene one of act three of the work to the Sixth Doctor. (TV: The Ultimate Foe [+]Loading...["The Ultimate Foe (TV story)"])
The Daleks quoted various lines from Hamlet while working on a time machine with Professor Osric. (AUDIO: The Time of the Daleks [+]Loading...["The Time of the Daleks (audio story)"])
A line from Hamlet, Act 1, Scene 5 ("The time is out of joint. O cursed spite, that ever I was born to set it right.") was the password for entrance into Free Time's hideout on Gryben. (AUDIO: Weapon of Choice [+]Loading...["Weapon of Choice (audio story)"])
Behind the scenes[[edit] | [edit source]]
- In The Chase, Bacon speaks of Hamlet as if he's common knowledge. Indeed, Shakespeare warms to the idea without ever having been told who Hamlet was. The direct implication is that Hamlet is a real person in the DWU. This marks a clear distinction between the DWU and our world. In the real world, Shakespeare never intended that Hamlet be taken as a biography. The character of Hamlet is an entire fiction. However, in the real world it is theorised Shakespeare wrote Hamlet in response to a less successful play about Hamlet. This would have been based on the story of Amleth, a legendary Danish Prince.
- In The Mark of the Rani, the Sixth Doctor quotes a famous verse from the work ("There are more things in heaven and earth, than are dreamt of in your philosophy"), even if it is not explicitly attributed to it.
Doctor Who actors in Hamlet[[edit] | [edit source]]
- In 1947, the first telecast version of the play also saw the television debut of actor Patrick Troughton in the role of Horatio.
- A 1948 film version was the cinematic debut of Patrick Troughton in the role of the Player King. The film also had the first major film role for Peter Cushing who played Osric.
- In 1980, Derek Jacobi played Hamlet, Lalla Ward played Ophelia, and Claire Bloom played Gertrude in a BBC TV production of the play, opposite Patrick Stewart as Claudius. The production also included one more Time Lord: Geoffrey Beevers was the murderer in the play within the play.
- In 1996, Jacobi took the role of Claudius in a film that starred Kenneth Branagh as Hamlet. Brian Blessed, who had previously played Yrcanos in Mindwarp, played the ghost of King Hamlet. Richard Briers, who had played the Chief Caretaker in Paradise Towers, played Polonius. Nicholas Farrell, who would go on to play Brian Green in Children of Earth, played Horatio.
- In 2002, Christopher Eccleston played the Hamlet at the West Yorkshire Playhouse.
- In 2008, David Tennant took on the role of Hamlet in a Royal Shakespeare Company mounting of the play — opposite Stewart who once again played Claudius.
