Fourth wall
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Fourth wall (disambiguation)for other, similarly-named pages.
The fourth wall is a theatre term referring to the audience. This originates in the idea that there are three walls on a stage: one on the back, one to the left, and one to the right, as well as an imaginary fourth wall in front that contains the players within their play. To "break the fourth wall" means to show awareness of the audience or other things outside of it.
Examples[[edit] | [edit source]]
The character of Iris Wildthyme is often the culprit for many mischievous fourth wall breaks, such as winking directly at the reader, (PROSE: Iris Wildthyme and the Unholy Ghost) saying "you better be following this at home" when referring to the listener understanding the complicated mind swapping, (AUDIO: The Iris Wildthyme Appreciation Society) or even having a multitude of well spirited references about the narrative medium, of Doctor Who in particular. (PROSE: From Wildthyme With Love)
Television[[edit] | [edit source]]
First Doctor era[[edit] | [edit source]]
At the end of the first episode of The Aztecs, "The Temple of Evil", Tlotoxl looks directly into the camera as he announces Barbara to be a "false goddess" and vows to destroy her.
In The Web Planet, the Doctor struggles to answer a question asked by Ian Chesterton (in reality, William Hartnell failed to remember his line). After the Doctor finishes his less than coherent reply, Ian gives a bewildered expression to the camera.
The fourth wall was famously broken in the seventh episode of The Daleks' Master Plan, "The Feast of Steven", in which the Doctor turns to the camera and wishes the viewers "A happy Christmas to all of you at home." This is the only case in the series proper in which a character explicitly displays knowledge of being on TV; all other cases of fourth wall breaking involve the characters seeming to talk to or perform for the camera, but nothing that cannot be explained by another character or a mirror being in the position the camera is occupying or a character talking to themselves, and nothing which displays knowledge of being a TV character.
Fourth Doctor era[[edit] | [edit source]]
In Genesis of the Daleks part six, following Davros's extermination, a Dalek makes its "We are entombed, but we live on..." speech directly to the camera.
In The Face of Evil part one, on emerging from the TARDIS, the Doctor talks to the camera, saying that he doesn't think he is in Hyde Park, putting his landing down to a "nexial discontinuity" and reminding himself to "overhaul those tracers" before walking off into the jungle.
In Image of the Fendahl part four, the Doctor says "Time's running out!" directly to the camera.
In Underworld part three, having managed to successfully expel all the fumigation gas from the tunnels, the Doctor says to the camera, "I wonder where it all went?"
In The Invasion of Time part two, the Doctor breaks the fourth wall by looking at the camera and quipping, "Even the sonic screwdriver's not going to get me out of this one". At the end of the same serial, he grins mischievously to the camera.
In The Pirate Planet part two, it appears K9 makes an error when reporting data to the Doctor. The Doctor clarifies the figure and K9 replies, "Affirmative, Master." The Doctor then breaks the fourth wall by looking directly into the camera and says, "That's what I thought."
In the 2017 edition of Shada, the rapidly aged Doctor once again grins towards the camera at the end of the story.
In The Leisure Hive part four, the Doctor looks into the camera and says, "Now, where was it, exactly?" while looking for the anti-baryon shield.
Fifth Doctor era[[edit] | [edit source]]
In The Visitation part three, when Adric is ambushed, Nyssa exclaims "Oh no" to the camera.
In Enlightenment part three, Wrack looks at the camera while laughing about how she will destroy the Doctor.
In part three of The Caves of Androzani, Morgus looks directly at the camera when delivering a monologue about the Doctor's execution being a hoax. This fourth wall break came about as a result of Morgus's actor John Normington misunderstanding a stage direction, but it was kept by the production crew, who felt that it added a theatrical quality to the moment.
In the final scene of The Caves of Androzani, the Sixth Doctor looks directly at the camera and says, "Change, my dear — and it seems not a moment too soon".
Sixth Doctor era[[edit] | [edit source]]
A running joke throughout most televised stories with Peri Brown during the Sixth Doctor's era would be for Peri to, at some point, note confusion in her location because of the similar looking passageways ("All these corridors look the same to me" being the most common, but this could change in different scenarios). This was a reference to the numerous complaints that the BBC production crew would build few sets for corridors and tunnels and could simply change small things about the sets and camera angles to attempt to give the illustration of a larger construct. The added gag was suggested by Nicola Bryant, and has since become a piece of fan lore — notably used in both TV: The Curse of Fatal Death and GAME: The Gunpowder Plot. Similar lines had also been used prior to Bryant's suggestion in The Web of Fear, The Horns of Nimon and Frontios.
During the final chapter of The Trial of a Time Lord, The Ultimate Foe, the Valeyard — disguised as the Keeper of the Matrix — breaks the fourth wall in part fourteen's closing moments by looking directly into the camera and chuckling.
Seventh Doctor era[[edit] | [edit source]]
In Remembrance of the Daleks part two, as Ace walks out of the B&B, the television announces "A new sci-fi series, called Do...", before cutting to the next scene. In the cliffhanger of part three, after the Dalek ship lands outside Coal Hill School, despite the Doctor's prediction, the Doctor turns to camera and says, "I think I might have miscalculated" to the viewer. Unlike other cliffhangers of the classic series, the line is not repeated in the reprise at the start of part four.
Ninth Doctor era[[edit] | [edit source]]
During The End of the World [+]Loading...["The End of the World (TV story)"], Cassandra O'Brien says "Do you think it's cheap looking like this?", This is a joke because production spent a fortune working on Cassandra's model.
Tenth Doctor era[[edit] | [edit source]]
At the end of Forest of the Dead, River Song looks into the camera as she says good night to her children in the core.
During Journey's End, when the Children of Time are flying the Doctor's TARDIS, Martha Jones briefly turns and smiles at the camera, though the next shot implies she was meant to be smiling at the Doctor.
In the proms special, Music of the Spheres, the Doctor breaks the fourth wall by addressing the audience at the Royal Albert Hall.
Eleventh Doctor era[[edit] | [edit source]]
When the series aired on BBC America, episodes were opened by an intro sequence in which Amy Pond tells the audience about the Eleventh Doctor.
In Night Terrors, Alex Thompson notes to the Doctor that his son is scared of shows on the television and that he considers turning it off, the Doctor snaps "Don't do that!", in a reference to the controversy that Doctor Who had gained over the years for being frightening to children.
Just before her death in Asylum of the Daleks, Oswin Oswald says "Run, you clever boy. And remember", and turns to the camera.
At the end of The Snowmen, the Doctor breaks the fourth wall by saying "Watch me run" to the camera.
In The Night of the Doctor, the Eighth Doctor claims, "I'm a Doctor... but probably not the one you're expecting." In context, he is replying to Cass Fermazzi's conversation with a computer about doctors; however, the line also alludes to his unexpected appearance in the story.
In The Time of the Doctor, the Doctor makes eye contact with the camera as he says, "I will always remember when the Doctor was me".
Twelfth Doctor era[[edit] | [edit source]]
In Deep Breath [+]Loading...["Deep Breath (TV story)"], after the Half-Face Man has fallen from his "escape pod" and been skewered on a spike on the top of the Elizabeth Tower, the Doctor looks directly into the camera as the question is posed: "Did the robot self-destruct or did the Doctor kill him?"
The beginning of Before the Flood [+]Loading...["Before the Flood (TV story)"] features a lengthy segment where the Doctor talks directly to the audience and explains the "bootstrap paradox", telling the viewer to Google it. He uses an analogy of how a theoretical time traveller went back in time to meet his hero Ludwig van Beethoven, only to find out he didn't exist, so the time traveller copies down all of Beethoven's music based on his future knowledge, and then publishes them under Beethoven's name. However this means the time traveller was inspired by Beethoven, who was inspired by the time traveller. The Doctor then leaves the viewer with the question "Who composed Beethoven's fifth?", before he takes out an electric guitar and plays the Fifth Symphony, which transitions to the Doctor Who theme.
In Heaven Sent [+]Loading...["Heaven Sent (TV story)"], the Doctor breaks the fourth wall by saying he is nothing without an audience while looking directly at the screen. This fourth-wall break is among a few rare instances in the TV series that were specifically included at the script stage.
Fifteenth Doctor era[[edit] | [edit source]]
When Ruby Sunday leaves in the Fifteenth Doctor's TARDIS in The Church on Ruby Road [+]Loading...["The Church on Ruby Road (TV story)"], Mrs Flood explicitly breaks the fourth wall by turning to look directly into the camera and saying, "Never seen a TARDIS before?", before winking.
As the Doctor prepares to play the Notes of Banishment on John Lennon's Guitar in The Devil's Chord [+]Loading...["The Devil's Chord (TV story)"] the background music becomes louder and less distant before Maestro's musical notation lassos burst into the control booth and drag Ruby away. The Doctor then remarks that "I thought that was non-diegetic!" implying that he is aware of the background music that scores his adventures but that we assume can't be heard by those within the story.
Later in the episode, the Doctor explains to Ruby that "With all of my adventures throughout time and space, I have to tell you... There is always a twist at the end." The Doctor then winks into the camera before the Doctor, Ruby, the Beatles and Cilla Black amongst various others all start singing There's Always a Twist at the End, a song sharing the same lyrics and title as the line the Doctor had just said. The "Twist" being referenced could also be Susan Twist, whose name appears in the closing credits of the episode.
Spin-offs[[edit] | [edit source]]
From Series 3 to 5 of The Sarah Jane Adventures, episodes were opened by an intro sequence in which Clyde Langer tells the audience about Sarah Jane Smith and her adventures.
At the end of the Series 1 finale of K9, The Eclipse of the Korven, K9 Mark 2 breaks the fourth wall by looking directly at the camera and saying, "Affirmative".
Prose[[edit] | [edit source]]
On page 229 of the 280 page book The Infinity Doctors, the Doctor tells Omega:
The best thing about books is that you can always tell when you're getting to the end. No matter how tricky the situation the hero's in, you hold the book to your hand and think, "Hang on, I'm two hundred and twenty-nine pages in, with only another fifty-one to go."
Audio[[edit] | [edit source]]
In Bang-Bang-a-Boom! part four, the theme music starts and then cuts out when Mel points out that the supposed resolution was "too easy".
In Doctor Who and the Pirates, the Sixth Doctor mentions Hecate and says "not sure if that's canonical". The Hecate Cult were the villains of A Girl's Best Friend, the pilot episode of K9 and Company.
The cover of The Uncertainty Principle features a creature grabbing the banner on the left side.
The Torchwood - Monthly Range audio drama Torchwood_cascade_CDRIP.tor explicitly and blatantly breaks the fourth wall throughout, right down to its title and premise.
Captain John Hart regularly breaks the fourth wall and seemingly is aware not only that there are listeners, but also that he's in differing ranges. In Peach Blossom Heights [+]Loading...["Peach Blossom Heights (audio story)"], he notes that neither he nor Jack Harkness had adopted their pseudonyms at this point but dismisses the topic, stating that their continuity was "boring". Also in this boxset, he goes on to interrupt the story and address director Scott Handcock himself. In Dark Gallifrey The War Master [+]Loading...["The War Master (audio story)"], when Bernice Summerfield expresses her dismay at having the War Master convince her he was her good friend, Hart tells her that he was just pretending to be like the guy "with the name in the title", referencing the Doctor.
Comics[[edit] | [edit source]]
In Final Genesis, the Doctor hooks up Benny into the machine that will link her mind to Kathryn Paris'. Benny says, "No, not the mind-probe!", quoting the infamous line from The Five Doctors. The Doctor takes this as a joke, despite the fact he was not present for the scene in The Five Doctors.
In Silent Knight, the Eleventh Doctor addresses the reader directly and says, "Incidentally, a happy Christmas to all of you at home.", just as his first incarnation had done in The Daleks' Master Plan.
In Façades, the sixth part of the Prisoners of Time miniseries, the Sixth Doctor takes Peri Brown and Frobisher to a Nature Reserve in 7214, landing within a penguin enclosure, where its walls have been painted with an Antarctic landscape. Frobisher initially mistakes the enclosure as a real Antarctic environment before bending his bill against the hidden wall: to the reader, this moment is framed to make it look as if Frobisher is bending his bill against the edge of the comic panel.
In The Fourth Wall, the Twelfth Doctor is pulled into a Time Surgeon comic book by the Boneless.
The back-up story The Faceless Two features the Twelfth Doctor and Clara being reduced to sketchlines.
In the Titan Eleventh Doctor back-up comic Wholloween, after the Doctor sees that the TARDIS has been egged and TPed by angry trick-or-treaters, he remarks, "This is why I stick to Christmas Specials."
In the fourth instalment of the Titan Fifteenth Doctor story, Everyone Must Go!, The Scream Sommelier, upon being defeated, takes his leave whilst taking his cellar full of bottled screams with him, which is depicted as him taking the comic panel in which it appears and folding it up as if it were a piece of paper.
In the fourth part of the DWM strip, The Monster Makers, the Doctor plays some Venusian folk music on his TARDIS jukebox for Felice. He remarks that the music sounds like a carol, "and it isn't even Christmas!", as he looks directly at the reader and winks - a reference to this particular instalment being run in a Christmas issue.
