The Talons of Weng-Chiang (TV story): Difference between revisions

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:*Li H'sen Chang is reminiscent of [[Wikipedia:Fu Manchu|Fu Manchu]], the villain of a series of novels by [[Wikipedia:Sax Rohmer|Sax Rohmer]].
:*Li H'sen Chang is reminiscent of [[Wikipedia:Fu Manchu|Fu Manchu]], the villain of a series of novels by [[Wikipedia:Sax Rohmer|Sax Rohmer]].
*This is one of two stories in which Leela does not wear her "savage" costume. As the character was inspired by Eliza Doolittle, it was decided to try and move her away from her Sevateem trappings, such as this episode in which she wears period garb.
*This is one of two stories in which Leela does not wear her "savage" costume. As the character was inspired by Eliza Doolittle, it was decided to try and move her away from her Sevateem trappings, such as this episode in which she wears period garb.
*By the time Holmes had begun work on The Talons of Greel, it had become apparent that Hinchcliffe, and possibly Holmes would be leaving the show at the end of the current season. Hinchcliffe therefore decided to throw caution to the wind and spend record amounts on the production, utilising many different locations as well as agreeing to expensive night time shoots.
*During production of The Talons of Greel, Hinchcliffe’s successor Graham Williams gradually took over the reigns, his first concern being the character of Leela. Williams approached Louise Jameson with an offer of the actress staying on for Season Fifteen, this was a decision at odds with a promise Hinchcliffe had made to Tom Baker that Leela would be written out of the show at the conclusion of Season Fourteen. Baker was of the opinion that the character was too violent for the show and would have preferred to carry on without a companion at all. Jameson was initially reluctant to continue, mainly because of her frosty relationship with Baker and the brown contact lenses she was compelled to wear, when Williams offered to relinquish the need for contact lenses, Jameson agreed to sign a contract for the whole of Season Fifteen.


===Ratings===
===Ratings===

Revision as of 16:51, 18 October 2008


Synopsis

The Doctor brings Leela to Victorian London to see how her ancestors lived, but is rapidly drawn into a fiendish plot involving Chinese tongs, disappearing women, an Oriental stage magician, a murderous ventriloquist's dummy and giant rats in the sewers.

Plot

The Doctor and Leela arrive in London so that Leela can learn about the customs of her ancestors, specifically the musical theatre of Victorian England. Performing at the Palace Theatre on an extended run is the stage magician Li H'sen Chang, although the Doctor did hope to catch Little Tich. On their way to the Palace Theatre, the Doctor and Leela encounter a group of Chinese men who have apparently killed a cab driver. They attempt to silence the Doctor and Leela but are frightened away by the distant whistle of an approaching peeler. All but one escape, and he and the Doctor and Leela are taken to the local police station.

At the station, Li H'sen Chang is called in to act as an interpreter, but unbeknownst to everyone else he is the leader of the group and he secretly gives the captive henchman a pill of concentrated scorpion venom which he takes immediately and dies. The Doctor, upon a brief examination of the body finds a scorpion tattoo – the symbol of the Tong of the Black Scorpion, devout followers of an ancient god Weng-Chiang.

The body is taken to the local mortuary, along with the body of the cabbie which had just been found floating in the river. There they meet Professor Litefoot, who is performing the autopsies. The cabbie is Joseph Buller, who had been looking for his wife Emma, the latest in a string of missing women in the area. Buller had gone down to the Palace Theatre where he had confronted Chang about his wife's disappearance. Chang, knowing the truth, had sent his men, including the diminutive Mr Sin, to kill Buller. Chang is in the service of Magnus Greel, a despot from the 51st century who had fled from the authorities in a time cabinet. The technology of the cabinet is based on "zygma energy," which is unstable and has disrupted Greel's own DNA. This forces him to drain the life essences from young women to keep himself alive. At the same time, Greel is in search of his cabinet, taken from him by Chinese Imperial soldiers, and which in turn had been given by the Imperial Court to Professor Litefoot's parents as a gift. Mr Sin is also from the future but is a robotic toy constructed with the cerebral cortex of a pig. It is better known as the Peking Homunculus, a vile thing that almost caused World War Six when its organic pig part took over the toy's functions.

Greel tracks down the time cabinet and steals it, whilst concurrently the Doctor tracks Greel to the sewers underneath the Palace Theatre, aided (rather clumsily) by the theatre's owner, Henry Gordon Jago. However, Greel has already fled his lair, abandoning Chang to the police. Chang escapes but only to be mauled by one of the giant rats – products of Greel's experiments which were then used to guard his sewer hideout.

While the Doctor and Leela try to find Greel's new hideout, Jago comes across a bag of future technological artefacts, among which is the key to the time cabinet. He takes it to Professor Litefoot's house, and there, after leaving the artefacts and a note for the Doctor, the Professor and Jago set out to follow anyone coming around the Palace Theatre in search of the bag. However, they are captured for their efforts. Meanwhile, the Doctor and Leela happen upon Chang in an opium den; there, he tells them that Greel can be found in the House of the Dragon but dies before telling them its exact location.

The Doctor and Leela return to Professor Litefoot's house. There they find the note and the key to the time cabinet. They decide to wait for Greel and his henchmen. When they arrive, the Doctor uses the key, a fragile crystal known as a Trionic Lattice, as a bargaining chip. He asks to be taken to the House of the Dragon, offering the key in exchange for Lightfoot's and Jago's release. Instead, Greel overpowers the Doctor and locks him in with the two amateur sleuths.

Leela, who had been left at Litefoot's house at the Doctor's behest, has followed them and confronts Greel. She is captured and set in his life-essence extraction machine, a catalytic extraction chamber, but before her life essence is drained in order to feed Greel, the Doctor, Jago and Litefoot escape and rescue her. In a final confrontation, Mr Sin turns on Greel as the Doctor convinces it that Greel escaping in his time cabinet will create a catastrophic implosion. The Doctor defeats Greel by forcibly pushing him into his own catalytic extraction chamber, thus damaging it and causing it to overload. Having fallen victim to his own machine, Greel suffers Cellular Collapse and disintegrates. The Doctor defeats the Peking Homunculus by ripping its cerebral cortex from its toy-body before bringing the Zygma Experiment to a permanent end by destroying the lattice, just in time for the coming dawn and the muffin man.

As the Doctor prepares the TARDIS, Litefoot attempts to explain tea to Leela, only to baffle her further. The Doctor and Leela bid farewell to Jago and Litefoot as they enter the TARDIS. Confused by the police box, Litefoot is astonished by its dematerialisation, a stunt which Jago remarks that even Li H'san Chang could have appreciated.

Cast

Crew

References

Story Notes

  • This story had working titles of; The Foe From The Future and The Talons Of Greel.
  • Some associations and influences have been noted for The Talons of Weng-Chiang; among these are:
  • Magnus Greel's deformed face, the mask he uses to hide it, and the climactic scene in which the mask is torn off to reveal his true face, are all strongly reminiscent of Gaston Leroux's novel The Phantom of the Opera.
  • The Doctor wears a deerstalker hat, the characteristic headgear of Arthur Conan Doyle's detective Sherlock Holmes.
  • The giant rat is reminiscent of animals grown to enormous size in the H.G. Wells novel Food of the Gods. It also may be another Holmes reference, since there is a famous reference to a never-told mystery involving "the giant rat of Sumatra, a story for which the world is not yet prepared."
  • Li H'sen Chang is reminiscent of Fu Manchu, the villain of a series of novels by Sax Rohmer.
  • This is one of two stories in which Leela does not wear her "savage" costume. As the character was inspired by Eliza Doolittle, it was decided to try and move her away from her Sevateem trappings, such as this episode in which she wears period garb.
  • By the time Holmes had begun work on The Talons of Greel, it had become apparent that Hinchcliffe, and possibly Holmes would be leaving the show at the end of the current season. Hinchcliffe therefore decided to throw caution to the wind and spend record amounts on the production, utilising many different locations as well as agreeing to expensive night time shoots.
  • During production of The Talons of Greel, Hinchcliffe’s successor Graham Williams gradually took over the reigns, his first concern being the character of Leela. Williams approached Louise Jameson with an offer of the actress staying on for Season Fifteen, this was a decision at odds with a promise Hinchcliffe had made to Tom Baker that Leela would be written out of the show at the conclusion of Season Fourteen. Baker was of the opinion that the character was too violent for the show and would have preferred to carry on without a companion at all. Jameson was initially reluctant to continue, mainly because of her frosty relationship with Baker and the brown contact lenses she was compelled to wear, when Williams offered to relinquish the need for contact lenses, Jameson agreed to sign a contract for the whole of Season Fifteen.

Ratings

  • Part 1 - 11.3 million viewers
  • Part 2 - 9.8 million viewers
  • Part 3 - 10.2 million viewers
  • Part 4 - 11.4 million viewers
  • Part 5 - 10.1 million viewers
  • Part 6 - 9.3 million viewers

Myths

to be added

Filming Locations

  • Clink Street, Southwark, London
  • St. Mary's Overy Wharf, Southwark, London
  • Bridewell Place, Wapping, London
  • Wapping Old Stairs, Wapping High Street, London
  • Fish Street Rates Offices, Fish Street, Northampton
  • St Crispin's Hospital, Duston, Northampton
  • Cardinal Cap Alley, Bankside, London
  • Cambridge Park (No 24), Twickenham, Middlesex
  • Wapping Pier Head, Wapping High Street, London
  • St. Katharine's Dock, London
  • Royal Theatre, Guildhall Road, Northampton
  • BBC Television Centre (TC1 and TC8), Shepherd's Bush, London

Discontinuity, Plot Holes, Errors

  • There are modern power points, covered with masking tape, on the walls of Litefoot's lab
  • A 1970s newspaper (the headline concerns Denis Healey) can be seen in Litefoot's laundry basket in part three.
  • A boom mike shadow is visible on the curtains near the stage in the final fight.
  • There is more than one giant rat in the sewers, so what happens to the rest of them?
  • Why does Greel need girls rather than young people in general?

Continuity

DVD, Video, and Other Releases

DVD Releases

4s-dvd.jpg
Talonsna.jpg

Released as Doctor Who: The Talons of Weng-Chiang in a two disc set.

Released:

PAL - BBC DVD BBCDVD1152
NTSC - Warner Video E1814

Contents:

Video Releases

4s-video.jpg

Released as Doctor Who: The Talons of Weng-Chiang.

Released:

PAL - BBC Video BBCV4187

Notes: The video had some slight edits to remove material of the Doctor breaking and entering, as well as being edited into a movie-format.

Novelisation

Talons of Weng-Chiang novel.jpg
Main article: Doctor Who and the Talons of Weng-Chiang

External Links

Template:Season 14

TVStub.png
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