The Lazarus Experiment (TV story)

The Lazarus Experiment
Doctor:	Tenth Doctor
Companion(s):	Martha
Main enemy:	Richard Lazarus
Main setting:	London, 2008
Key crew
Writer:	Stephen Greenhorn
Director:	Richard Clark
Producer:	Phil Collinson
Release details
Story number:	183
Premiere broadcast:	5 May 2007
Premiere network:	BBC One
Format:	1 45-minute Episode
Production code:	3.6
Confidential:	[[confidential::Monsters Inc.|Monsters Inc.]]
Doctor Who television stories
← Previous	Evolution of the Daleks
Next →	42
Production order
← Previous	Gridlock
Next →	Daleks in Manhattan

The Lazarus Experiment was the sixth episode of the third series of Doctor Who. It saw regular writer Mark Gatiss take on an acting role and marked the Doctor's acceptance of Martha as his regular companion. It included a large number of "Harold Saxon" references and saw Francine Jones' first involvement with his aides.

Synopsis

To have an adventure investigating the unusual, there's no time like the present!

After travelling backwards, forwards and backwards again in time, Martha Jones has returned home. However, before the Doctor can bid farewell to her, he hears Professor Richard Lazarus announcing that he'll "change what it means to be human." What could this mean? And could it lead to something far more dangerous than a simple scientific failure?

Plot

The TARDIS materialises in Martha's flat. The Doctor tells her that they had agreed - one trip and home. It is about twelve hours after they left; something the Doctor failed to do with Rose in his previous life. Martha's phone rings, but she does not pick it up; it is her mother Francine, saying that her sister Tish is on the news. Martha turns the television on and, alongside Tish, an elderly man, Professor Richard Lazarus, announces that tonight he "will change what it means to be human." The Doctor says goodbye to Martha and, oblivious to her upset, steps into the TARDIS. It dematerialises, but quickly rematerialised. The Doctor reemerges, saying, "No, I'm sorry, did he say he was going to change what it meant to be human?"

At Lazarus Laboratories, Professor Lazarus and Lady Thaw discuss the need for the experiment to work, with Thaw mentioning that Mr Saxon is funding their research. Tish comes in, asking if Lazarus would like to check over the guest list again. He stops her and tries flirting by asking what kind of perfume she wears; she tells him "soap" and quickly excuses herself.

The Doctor (dressed in his tux from Rise of the Cybermen/The Age of Steel) and Martha attend Professor Lazarus' reception that evening, as do Martha's mother and her brother Leo. Martha introduces the Doctor to her family; Francine is suspicious of him. Tish also meets the Doctor, wondering how he got in as he's not on the guest list. Martha explains Tish works in the PR department before Tish corrects her; she's HEAD of the PR department, having put together the party herself. The Doctor inquires what kind of experiment Lazarus is going to perform with the large capsule in the room, being labelled a "science geek" by using big words. He questions Martha as to what it means, seeming rather pleased with the answer.

The lights of the room dim and a spotlight focuses on Lazarus, who announces he is to perform a "miracle", and steps into the manipulator's capsule. As technicians operate the machine, the Doctor notices that the system is overloaded and jumps in to avert disaster.

The rejuvenated Lazarus emerges.

Lazarus emerges, looking decades younger. Despite the momentary crisis, his experiment appears to have been a success - but the Doctor is certain there are dangers the professor has overlooked. He talks to Lazarus having experience with a similar process, taking notice that he's experiencing hunger from a depletion of energy; the Doctor tells him that he couldn't have thought of ALL the variables that could have happened. Lazarus scoffs at the Doctor's warnings, so the Doctor and Martha sneak off to conduct their own tests, taking a DNA sample from Martha's hand, which Lazarus has just kissed. Their test shows Lazarus hacked his own DNA and instructed it to rejuvenate. However, "something's been activated; something that won't let him stabilize, something that's trying to change him."

Meanwhile, Lazarus speaks with Lady Thaw in his office on the top floor, telling a story about his childhood during World War II. Thaw expresses her desire to be the next to be rejuvenated so they can continue their partnership both personally and professionally. He rejects her, joking that not only did he learn cruelty from her, she has a gift for it. As she threatens to complain to Mr. Saxon, Lazarus' financial backer, Lazarus begins spasming. To Thaw's horror, Lazarus mutates into a hideous scorpion-like creature and attacks her. Downstairs, Francine asks Tish and Leo whether Martha has ever mentioned the Doctor to them before. She worries there is "something going on", but Leo tries calming her down by saying Martha's found someone to be with. Lazarus returns to the reception, back to being himself and wearing a different suit, and invites Tish upstairs with him. Tish, now willing to return his advances, follows without argument.

The Doctor and Martha find Lady Thaw's body, or rather, just the shell of her body; the Doctor says she had all the life energy drained to supply energy to the processes caused by Lazarus' fluctuating DNA. Worried he will kill again, they go back downstairs, only to learn that he has gone off with Tish. They rush off, the Doctor accidentally spilling a drink on Francine. Another man replaces her drink, and darkly warns that Martha should be more careful in choosing her friends.

Lazarus takes Tish to the roof, where he talks about nearby Southwark Cathedral and quotes T.S. Eliot, a quote the Doctor completes. As they argue, Martha gets Tish away from Lazarus before he transforms again into a monster. They run away, tripping a security lockdown. The Doctor gives Martha the sonic screwdriver to unlock the doors, and warns everyone at the reception to get out, but Lazarus kills one woman and Leo suffers a concussion. The Doctor draws Lazarus away from Francine. Lazarus chases the Doctor down a corridor. Martha examines Leo, gets everyone out of the building, and goes back inside to help the Doctor despite Francine's protests. Tish guesses that "maybe she loves him". The man who replaced Francine's drink earlier calls the Doctor "dangerous", and whispers in Francine's ear the things he says she "should know" about him.

The Doctor tries to find a way out of Lazarus' machine.

The Doctor turns on the gas in a lab and leaps away from the resulting fireball, but Lazarus survives. Martha hears the explosion and finds the Doctor as she runs toward its source. She returns the sonic screwdriver to the Doctor. They flee together, and end up hiding in the capsule of Lazarus' machine, on the Doctor's hunch that Lazarus is unlikely to destroy his own creation. The Doctor comments that what Lazarus has transformed into is an accidentally-unlocked evolutionary dead-end lying dormant in human genes. Lazarus turns on the machine as the Doctor fiddles with the wiring inside. The Doctor "reverses the polarity" so that it affects the outside of the capsule instead of the inside, transforming Lazarus back to human in appearance - and apparently killing him.

Outside, as the ambulance carrying Lazarus' body pulls away, Francine slaps the Doctor, and tells him to keep away from Martha.

Suddenly, all turn their heads when they hear a loud crash nearby. The Doctor, Martha and Tish take off and find that the ambulance has gone off the road. Opening up the back doors, they find that Lazarus has killed both paramedics for their energy and escaped. They find him in human form inside Southwark Cathedral, where as a child he took refuge during the London Blitz. The Doctor says he was present during the Blitz, but Lazarus says that he is not old enough to have been there. They argue again about the benefits and curse of longevity. Martha (accompanied by Tish) then lures Lazarus away to the top of the bell tower; the Doctor told her earlier that Lazarus could be defeated if he could just get him up there.

The Doctor watches Lazarus's death.

As the Lazarus monster chases the Jones sisters at the top of the cathedral, the Doctor pulls out all the stops on the pipe organ, inserts the sonic screwdriver, and plays it at maximum volume, setting up a resonance in the bell above Lazarus that interferes with his sonic-based experiment. Lazarus falls to the cathedral floor below, transforming one last time - back into the elderly man he once was.

Back in Martha's flat, the Doctor offers Martha one more trip, but Martha refuses to go with him on that basis, as a mere passenger being given a treat. The Doctor says, "Okay, then, if that's what you want." She thinks he means to leave her again, but he indicates with a nod that she is welcome to rejoin him on her terms, and admits she was "never really just a passenger". They leave together in the TARDIS. As it disappears, Martha's phone rings; it is Francine. She warns Martha about "who this Doctor really is", saying, "This information comes from Harold Saxon himself. You're not safe!"

Cast

• The Doctor — David Tennant
• Martha Jones — Freema Agyeman
• Tish Jones - Gugu Mbatha-Raw
• Leo Jones - Reggie Yates
• Francine Jones - Adjoa Andoh
• Professor Lazarus — Mark Gatiss
• Lady Thaw - Thelma Barlow
• Party Guest - Lucy O'Connell
• Mysterious Man - Bertie Carvel

Crew

Executive Producers   Russell T Davies and Julie Gardner

Written by Stephen Greenhorn	Produced by Phil Collinson	Directed by Richard Clark	Director of Photography Rory Taylor	Production Designer Edward Thomas	Visual Effects The Mill
Make-up Designer Barbara Southcott	Casting Director Andy Pryor CDG	Music Murray Gold	Costume Designer Louise Page	Edited by John Richards	Special Effects Any Effects
Original theme music by Ron Grainer  •  With thanks to the BBC National Orchestra of Wales

General production staff Production Executive - Julie Scott Production Manager - Tracie Simpson Location Manager - Lowri Thomas Unit Manager - Rhys Griffiths Production Co-ordinator - Jess van Niekerk Production Secretary - Kevin Myers Production Accountant - Endaf Emyr Williams Contracts Assistant - Kath Blackman Finance Manager - Chris Rogers Script department Script Editor - Simon Winstone Camera and lighting department 1st Assistant Director - Dan Mumford 2nd Assistant Director - Jennie Fava 3rd Assistant Director - Sarah Davies Floor Runners - Lowri Denman, Barry Phillips Continuity - Non Eleri Hughes Focus Puller - Steve Rees Polecam Operator - Andy Leonard Grip - John Robinson Camera Assistant - Penny Shipton Boom Operators - Jon Thomas, Bryn Thomas Gaffer - Mark Hutchings Best Boy - Peter Chester	Art department Chief Supervising Art Director - Stephen Nicholas Supervising Art Director - Arwel Wyn Jones Art Department Production Manager - Jonathan Marquand Allison Art Department Co-ordinator - Matthew North Associate Designer - James North Set Decorator - Malin Lindholm Props Buyer - Blaanid Maddrell Design Assistants - Peter McKinstry, Ben Austin Cyfle Trainee - Naseem Syed Standby Props - Phill Shellard, Nick Murray Standby Carpenter - Paul Jones Standby Art Director - Leonie Rintler Standby Rigger - Bryan Griffiths Standby Painter - Ellen Woods Chief Props Master - Adrian Anscombe Chief Props Maker - Barry Jones Props Makers - Penny Howarth, Mark Cordory, Nick Robatto Construction Manager - Matthew Hywel-Davies Construction Chargehand - Allen Jones Graphics - BBC Wales Graphics Costume department Costume Supervisor - Lindsay Bonaccorsi Costume Assistants - Sheenagh O'Marah, Kirsty Wilkinson	Make-up and prosthetics Make-up Artists - Pam Mullins, Steve Smith, John Munro Prosthetics - Millennium FX Prosthetics Designer - Neill Gorton Prosthetics Supervisor - Rob Mayor Prosthetics Technicians - Helen Rowe, Alex Wathey Movement Stunt Co-ordinator - Tom Lucy Stunt Performer - Charles Jarman Casting Casting Associate - Andy Brierley General post-production staff Post-production Supervisors - Samantha Hall, Chris Blatchford Post-production Co-ordinator - Marie Brown Assistant Editor - Tim Hodges On-line Editor - Matthew Clarke Special and visual effects Visual FX Producers - Will Cohen, Marie Jones Visual FX Supervisor - Dave Houghton VFX Editor - Ceres Doyle VFX Co-ordinators - Jenna Powell, Rebecca Johnson On-set VFX Supervisor - Barney Curnow SFX Co-ordinator - Ben Ashmore SFX Supervisor - Paul Kelly SFX Technicians - Danny Hargreaves, Henry Brook 3D Artists - Nicholas Hernandez, Jean-Claude Deguara, Neil Roche, Jean Yves Audouard, Jeff North 2D Artists - Sara Bennett, Melissa Butler-Adams, Tim Barter, Greg Spencer, Adam Rowland, Bryan Bartlett Colourist - Mick Vincent Digital Matte Painters - Simon Wicker, Charlie Bennett Sound Sound Recordist - Julian Howarth Dubbing Mixer - Tim Ricketts Supervising Sound Editor - Paul McFadden Sound Effects Editor - Paul Jefferies Sound Editor - Doug Sinclair Foley Editor - Kelly-Marie Angell

Not every person who worked on this adventure was credited. The absence of a credit for a position doesn't necessarily mean the job wasn't required. The information above is based solely on observations of the actual end credits of the episodes as broadcast, and does not relay information from IMDB or other sources.
David Bednall was uncredited for his organ performance.

References

• The Doctor references "something bad happening" whenever he wears a tuxedo. (TV:Rise of the Cybermen/The Age of Steel)
• Martha states the Doctor is her "Plus One." The Doctor said Rose Tyler was his "Plus One" in The End of the World.
• Jackie Tyler was the last mother to slap the Doctor. (TV: Aliens of London)
• The Doctor states that he has to turn the sound "to eleven", a reference to the mockumentary "This is Spinal Tap".
• The Tenth Doctor, after getting out of the chamber, remarks, "Reversing the polarity shouldn't take that long... I must be getting rusty" - the Third Doctor was known to "reverse the polarity" on devices regularly.
• The Doctor claims to have been taught how to play the pipe organ by Beethoven.

Story notes

• This is the second time in the revived series when the Doctor jumps from an explosion, first seen in The Unquiet Dead.
• Gatiss's appearance makes him one of a select few to have both written for and acted in the show, and the first of the revived series to do so. Gatiss' involvement with the Doctor Who franchise dates back to writing for the Virgin New Adventures novel series in the early 1990s, as well as appearing in and writing several independent spin-off video productions. Gatiss also appears in Victory of the Daleks, an episode he also wrote.
• The name 'Lazarus' is a reference to the Biblical man who was resurrected from the dead, similar to being given youth back. The comparison is made explicit when he escapes the ambulance and the Doctor says, "Lazarus, back from the dead. Should've known, really."
• The set piece for the capsule of Lazarus's Genetic Manipulation Device is actually the redecorated descent capsule from The Impossible Planet/The Satan Pit.
• Lazarus (Mark Gatiss) says he once lived above a butcher's shop as a child. In his role as Hilary Briss in the BBC series The League of Gentlemen, Gatiss is well known for playing a butcher.
• When Martha introduces the Doctor to Francine, Francine's response is "Doctor what?"
• As is routine for post-2005 Doctor Who, a "NEXT TIME" trailer for the next episode is shown at the end of the episode.

Ratings

• 7.19 million viewers - BARB Final Rating
• 6.7 million viewers - Overnight
• 0.98 million viewers - BBC3 Repeat

Filming locations

• The National Museum of Wales was used for the exterior and several interiors of Lazarus Laboratories.
• For the exteriors of Southwark Cathedral, the real cathedral was used. But the interiors are from Wells Cathedral in Wells, Somerset. (Coincidentally, Wells is also the location of the Wookey Hole Caves, where Revenge of the Cybermen was partly filmed.)

Production errors

If you'd like to talk about narrative problems with this story — like plot holes and things that seem to contradict other stories — please go to this episode's discontinuity discussion.

Continuity

• The Ninth Doctor saw the Blitz first hand in The Empty Child/The Doctor Dances, then again in his eleventh incarnation in Victory of the Daleks.
• At the beginning of the episode Harold Saxon is mentioned by Dr. Lazarus and his wife, and again at the end by Francine.
• Lazarus' project insignia, a circular pattern of circles seen many times within the laboratory, is the same pattern seen on the Master's ring at the end of Last of the Time Lords.

Home video releases

Series 3 Volume 2 DVD Cover

• This episode was released with Daleks in Manhattan, Evolution of the Daleks and 42 on the Series 3 Volume 2 DVD.
• It is also part of the series 3 DVD box set.
• A deleted scene establishes that the Doctor once helped Thomas Jefferson draft the US Declaration of Independence, and he specifically takes credit for the reference to "the pursuit of happiness". The Doctor finds the first draft of the document in his tuxedo pocket.

See also

• TV: Mawdryn Undead
• TV: The Five Doctors

External links

• Official BBC Website The Lazarus Experiment
• The Lazarus Experiment at the Doctor Who Reference Guide
• The Lazarus Experiment at The Locations Guide