Night Terrors (TV story)

Night Terrors (TV story)

left

Night Terrors
Doctor:	[[doctor::Eleventh Doctor]]
Companion(s):	Amy Pond Rory Williams
Main enemy:	Peg Dolls
Main setting:	Earth, 2011 George's cupboard, 2011
Key crew
Writer:	Mark Gatiss
Director:	Richard Clark
Producer:	Sanne Wohlenberg
Release details
Story number:	219
Release number:	Series 6
Premiere broadcast:	3rd September 2011
Format:	1x 45 minutes episode
Production code:	6.9
Confidential:	[[confidential::About a Boy|About a Boy]]

Night Terrors was the ninth episode in the sixth series of Doctor Who.

Synopsis

The Doctor receives a distress call from the scariest place in the Universe: a child’s bedroom. Every night George lies awake, terrorised by every fear imaginable – fears that live in his bedroom cupboard. His parents are getting desperate – George needs a doctor. Fortunately for George, his pleas for help break through the barriers of all time and space and the Doctor makes a house call. But allaying his fears won’t be easy. George’s monsters are real.

Plot

to be added

Cast

• The Doctor - Matt Smith
• Amy Pond - Karen Gillan
• Rory Williams - Arthur Darvill
• Alex - Daniel Mays
• George - Jamie Oram
• Claire - Emma Cunniffe
• Jim Purcell - Andrew Tiernan
• Elsie Rossiter - Leila Hoffman
• Julie - Sophie Cosson

Crew

Executive Producers   Steven Moffat, Piers Wenger and Beth Willis

General production staff Production Executive - Julie Scott Line Producer - Diana Barton Production Manager - Steffan Morris Location Manager - Nicky James Location Assistant - Geraint Williams Unit Manager - Rhys Griffiths Production Co-ordinator - Claire Hildred Assistant Production Co-ordinator - Helen Blyth Production Assistant - Charlie Coombes Production Secretary - Scott Handcock Production Accountant - Dyfed Thomas A/Production Accountant - Rhys Evans Script department Script Executive - Lindsey Alford Camera and lighting department 1st Assistant Director - Mick Pantaleo 2nd Assistant Director - James DeHaviland 3rd Assistant Director - Heddi-Joy Taylor-Welch Assistant Directors - Janine H Jones, Michael Curtis Script Supervisor - Caroline Holder Camera Operator - Bob Shipsey Focus Pullers - Steve Rees, Jonathan Vidgen Grip - John Robinson Assistant Grip - Owen Charnley Camera Assistants - Simon Ridge, Svetlana Miko, Matthew Lepper Gaffer - Mark Hutchings Best Boy - Pete Chester Electricians - Ben Griffiths, Bob Milton, Stephen Slocombe, Alan Tippets	Art department Supervising Art Directors - Stephen Nicholas, Karl Probert Assistant Art Director - Jackson Pope Production Buyer - Ben Morris Petty Cash Buyer - Kate Wilson Set Decorator - Julian Luxton Props Buyer - Adrian Anscombe Concept Artist - Richard Shaun Williams Dolls - Robert Allsopp Graphic Artist - Christina Tom Standby Props - Phil Shellard, Katherine Archer Standby Carpenter - Will Pope Standby Art Director - Ciaran Thompson Standby Rigger - Bryan Griffiths Standby Painter - Helen Atherton Store Person - Jayne Davies Props Master - Paul Aitken Props Chargehand - Rhys Jones Dressing Props - Martin Broadbent, Kristian Wilsher Props Driver - Medard Mankos Props Makers - Penny Howarth, Nicholas Robatto Construction Manager - Matthew Hywel-Davies Construction Chargehand - Scott Fisher Practical Electrician - Albert James Graphics - BBC Wales Graphics Draughtsman - Julia Jones Costume department Costume Supervisor - Bobbie Peach Assistant Costume Designer - Caroline McCall Costume Assistants - Jason Gill, Yasemin Kascioglu, Emma Jones	Make-up and prosthetics Make-up Supervisor - Pam Mullins Make-up Artists - Vivienne Simpson, Allison Sing Movement Stunt Co-ordinator - Crispin Layfield Stunt Performers - Gordon Seed, Bean Peel, Danielle da Costa Choreographer - Ailsa Berk Casting Casting Associate - Alice Purser General post-production staff Post-production Supervisor - Nerys Davies Post-production Co-ordinator - Marie Brown Assistant Editor - Becky Trotman On-line Conform - Mark Bright On-line Editor - Jeremy Lott Special and visual effects Visual FX Producer - Beewan Athwal VFX Editor - Cat Gregory Colourist - Mick Vincent Sound Sound Recordist - Bryn Thomas Dubbing Mixer - Tim Ricketts Sound Maintenance Engineers - Jeff Welch, Dafydd Parry Dialogue Editor - Paul McFadden Supervising Sound Editor - Paul McFadden Sound Effects Editor - Paul Jefferies Foley Editor - Jamie Talbutt

Not every person who worked on this adventure was credited. The absence of a credit for a position doesn't necessarily mean the job wasn't required. The information above is based solely on observations of the actual end credits of the episodes as broadcast, and does not relay information from IMDB or other sources.

References

The Doctor

• The Doctor mentions three of his favourite bedtime stories as a child: The Three Little Sontarans, The Emperor Dalek's New Clothes and Snow White and the Seven Keys to Doomsday.

Foods and beverages from the real world

• The Doctor and Alex drink tea.
• The Doctor mentions Jammie Dodgers.

Races and species

• George is a Tenza. He is able to match himself to people's needs and create perception filters.

Television series from the real world

• Rory mentions EastEnders.

Story notes

• This episode had the working titles: House Call, (The Doctor notes that he doesn't often make house calls) and What are Little Boys Made of? (a play on the Star Trek episode What are Little Girls Made Of?).
• This was originally going to be the fourth episode of the series, but was moved to the second half as Steven Moffat felt that the first half was "too dark". This necessitated minor changes to the episode. A scene with Madame Kovarian was removed, and the ending with the data file from Let's Kill Hitler was added.
• The scene where the Doctor and Alex are being sucked into the cupboard is very similar to the movie Poltergeist where the daughter is sucked into the spirit realm through her bedroom cupboard.
• When Alex is looking at pictures, an announcer from the television can be heard. She says that he is watching BBC One on Saturday night, the same channel and day Doctor Who is on.

Ratings

• UK Overnight: 5.5 million

Myths

• Amy will be turned into a doll. This was proven true.

Filming locations

• Dyrham House, Bristol

Production errors

If you'd like to talk about narrative problems with this story — like plot holes and things that seem to contradict other stories — please go to this episode's discontinuity discussion.

to be added

Continuity

• Inside the dollhouse, Rory initially thinks he and Amy are "dead again". (DW: Amy's Choice, Cold Blood, The Pandorica Opens) He also believes at one point that the TARDIS is altering time and space again. (DW: The Doctor's Wife)
• The Doctor asks for a Jammie Dodger. (DW: Victory of the Daleks, The Impossible Astronaut)
• When the Doctor and Alex wake up in the Doll House, Alex wonders how it can be bigger on the inside. The Doctor says "More common than you'd think, actually" referring to the TARDIS, among other things.
• When the Doctor explains to Alex that George is using a perception filter, he stops in the hallway to look in a mirror and makes the same face he did when he first saw his reflection in DW: The Vampires of Venice.
• The Doctor performs his odd greeting kiss to Claire. (DW: The Lodger)
• The sonic screwdriver doesn't work on wood. (DW: Silence in the Library, The Hungry Earth, The Curse of the Black Spot)
• The information of the Doctor's death is shown (DW: Let's Kill Hitler) and the story arc involving his death is continued with the Peg Dolls nursery rhyme (see plot above).
• The Eighth Doctor was previously turned into a doll by the Celestial Toymaker in a manner similar to Amy. (CC: Solitaire)
• The Doctor again shows a connection to and concern for children. (DW: The Beast Below, The Hungry Earth, A Christmas Carol, The Impossible Astronaut, The Curse of the Black Spot).
• The Doctor asks if there are any Jelly Babies he can have.
• The Doctor says "It's good to be all back together again, in the flesh.", which may or may not be foreshadowing that one or more of Amy, Rory, and the Doctor are not actually there, but The Flesh.
  • Considering that this episode was originally filmed for the first half of the series, it was probably meant to be foreshadowing for DW: The Rebel Flesh/The Almost People.

Timeline

• This story occurs after: DW: Let's Kill Hitler
• This story occurs before: DW: The Girl Who Waited

Home video releases

This episode will be released on DVD and Blu-ray shortly after the airing of episode thirteen.

External links

to be added