The Time of Angels (TV story)

The Time of Angels
Doctor:	[[doctor::Eleventh Doctor]]
Companion(s):	Amy Pond River Song (guest)
Main enemy:	Weeping Angels
Main setting:	The Delirium Archive, 171st Century Alfava Metraxis, 51st century
Key crew
Writer:	Steven Moffat
Director:	Adam Smith
Producer:	Tracie Simpson
Release details
Story number:	206a
Release number:	Series 5
Premiere broadcast:	24th April 2010
Format:	1x 45 minute episode

The Time of Angels is the fourth episode of Series Five. It is the first part of a two-part story. It marks the re-appearance of River Song and the Weeping Angels.

Synopsis

The enigmatic River Song hurtles back into the Doctor life but she's not the only familiar face returning... The Weeping Angels are back! The Doctor is recruited by Father Octavian to track the last of the Angels, that have have escaped from River's spaceship, through the terrifying Maze of the Dead.

Plot

A guard is found in a green field, surrounded by trees. He is approached by a man being followed by two guards, each armed. The first guard has his lips wiped with tissue, revealing hallucinogenic lipstick, the calling card of River Song. They are all found to be in the tunnels of the spaceship. River Song finds a vault and quickly manages to blast the door with a firearm so it opens, she then uses the same firearm to burn ancient Gallifreyan language into the artifact that is found in the vault, a Home Box, the equivalent of a black box in planes, except it homes. Meanwhile, 12,000 years into the future, the Doctor and Amy Pond are in a museum, the Doctor explaining that most things there are incorrect until they come across the same home box. Amy is told of the power of the language of Time Lords and when Amy asks what it says, he replies "Hello sweetie", soon after, the Doctor and Amy steal the box and retreat into the TARDIS.

The Doctor, River, and Father Octavian leave the dropship to work out how they will deal with the Weeping Angel. While working out a plan, River mentions to the Doctor that he once gave her all of his faces for whenever they meet.

While the Doctor, River, and Father Octavian plan out their exploits, Amy stays in the dropship and watches the feed from the security vault. She notices that the four-second loop changes, and the Weeping Angel is now facing the camera, arms spread. Amy attempts to turn the television off, but it turns itself back on. After trying to convince herself a recording can't move, she attempts to unplug the television, to no avail. When Amy looks back up, the Weeping Angel has again moved closer to the camera, it's face now consuming the screen. Amy tries opening the dropship's airlock, but it is sealed, and the Weeping Angel is now screaming into the camera.

Outside, the Doctor questions why a waring about the Weeping Angels has no pictures of the Angels. Re-reading the warning, he realizes that the image of an Angel becomes and Angel itself. At the same time, Amy looks back to the screen and the Weeping Angel is projecting itself inside the dropship as a hologram with image noise. The Doctor attempts to open the door with his sonic screwdriver, but it won't work, and neither will attempting to cut off power to the ship's television from outside. The Doctor warns Amy to not look into the eyes of the Angel explaining they arent the window to the soul, but the door. This is useless though, because Amy has already looked into the eyes of the angel. Amy finally defeats the Angel by freezing the image on the television between loops. The doors unlock and the Doctor enters and pulls the power cord to the television. The Doctor explains that the Angel was trying to reach out to them through the television and is no longer dormant. The Christian soldiers outside are able to break through into the temple and the Doctor leaves exclaiming "It's begun," but not before Amy rubs her eye, and tells River that there was something in it.

The team climbs down into the temple and discovers a gravity well inside. The Doctor throws a flashlight into the well, and it floats into the middle of the chamber, revealing a room filled with stone statues. The Doctor goes off to explore, giving Father Octavian a moment to ask River if he "knows" yet. River tells Octavian that it is too soon in the Doctors timeline, to which Octavian responds "Well, don't let him work it out." She ends the conversation by telling Octavian that she has "no intention of going back to prison." Octavian lets River leave and then sends Cleric's Bob and Angelou to search the one visible exit from the chamber.

While exploring with the Doctor and River, Amy rubs her eye again. This time, sand runs out of it and through her fingers. River notices Amy looking at her hand, and asks if she is alright. Amy shakes the question off and asks what a maze of the dead is. River tells her its not as bas as it sounds, and that its just called that because dead people are buried in the walls.

Cast

• The Doctor - Matt Smith
• Amy Pond - Karen Gillan
• River Song - Alex Kingston
• Alistair - Simon Dutton
• Christian - Mark Springer
• Father Octavian - Iain Glen
• Cleric Christian - Mark Springer
• Cleric Angelo - Troy Glasgow
• Cleric Bob - David Atkins
• Cleric Pedro - Mark Monero
• Cleric Marco - Darren Morfitt
• Cleric Phillip - George Russo
• Weeping Angel - Marie McGonigle
• Weeping Angel - Caroline Royce
• Security Guard - Mike Skinner

Crew

Executive Producers   Steven Moffat, Piers Wenger and Beth Willis

General production staff Production Executive - Julie Scott Line Producer - Patrick Schweitzer Unit Manager - Rhys Griffiths Production Management Assistant - Claire Thomas Production Runner - Sian Warrilow Production Accountant - Ceri Tothill A/Production Accountant - Carole Wakefield Script department Script Editor - Lindsey Alford Camera and lighting department 1st Assistant Director - Dan Mumford 2nd Assistant Director - James DeHaviland 3rd Assistant Director - Heddi-Joy Taylor-Welch Runners - Nicola Enyon Price, Laura Jenkins Continuity - Non Eleri Hughes Camera Operator - Joe Russell Focus Pullers - Steve Rees, Anna James Grip - John Robinson Camera Assistants - Tom Hartley, Jon Vidgen Boom Operator - Dafydd Parry Gaffer - Mark Hutchings Best Boy - Pete Chester Electricians - Benn Griffiths, Steve Slocombe, Bob Milton, Alan Tippets	Art department Supervising Art Director - Stephen Nicholas Art Department Co-ordinator - Amy Pope Associate Designer - James North Production Buyer - Ben Morris Set Decorator - Julian Luxton Props Buyer - Adrian Anscombe Set Designer - Ben Austin Storyboard Artist - Matthew Savage Concept Artists - Richard Shaun Williams, Peter McKinstry Graphic Artist - Jackson Pope Standby Props - Phill Shellard, Tom Evans Standby Carpenter - Will Pope Standby Art Director - Ciaran Thompson Standby Rigger - Keith Freeman Standby Painter - Ellen Woods Props Master - Paul Aitken Props Chargehand - Matt Wild Dressing Props - Martin Broadbent, Rhys Jones Props Makers - Penny Howarth, Nicholas Robatto Construction Manager - Matthew Hywel-Davies Construction Chargehand - Scott Fisher Practical Electrician - Albert James Scenic Artists - John Pinkerton, John Whalley Graphics - BBC Wales Graphics Costume department Costume Supervisor - Bobby Peach Costume Assistants - Sara Morgan, Maria Franchi	Make-up and prosthetics Make-up Supervisor - Pam Mullins Make-up Artists - Abi Brotherton, Morag Smith Prosthetics - Millennium FX Movement Stunt Co-ordinator - Crispin Layfield Casting Casting Associates - Andy Brierley, Alice Purser General post-production staff Post-production Supervisors - Samantha Hall, Chris Blatchford Post-production Co-ordinator - Marie Brown Assistant Editor - Cat Gregory On-line Conform - Matthew Clarke, Mark Bright Special and visual effects VFX Editor - Ceres Doyle Colourist - Mick Vincent Sound Sound Recordist - Bryn Thomas Dubbing Mixer - Tim Ricketts Sound Maintenance Engineer - Jeff Welch Supervising Sound Editor - Paul McFadden Sound Effects Editor - Paul Jefferies Foley Editor - Helen Dickson

Not every person who worked on this adventure was credited. The absence of a credit for a position doesn't necessarily mean the job wasn't required. The information above is based solely on observations of the actual end credits of the episodes as broadcast, and does not relay information from IMDB or other sources.
Reza Karim and Jill Reeves were interviewed on the accompanying Doctor Who Confidential, credited as "Prosthetics Supervisors". Likewise, Ailsa Berk is clearly seen providing choreography for the Weeping Angels in Confidential. However, none of these people were listed in the end credits of The Time of Angels as originally broadcast on BBC One.

References

to be added

Story Notes

• This was the first episode of Series 5, and therefore the first episode featuring Matt Smith and Karen Gillan, to be filmed. The first scenes shot were of the Doctor, Amy, and River Song on a beach.[2]
• This is, in truth, the third appearance of the Weeping Angels if one counts non-TV appearances; they have previously featured in DW: Blink and in Captain Jack's Monster Files (See WC: A Ghost Story for Christmas)
• Steven Moffat stated in a TalkTalk interview that his son - while watching the episode - said 15 minutes through the episode: "Dad, that is the single most scariest thing I've ever seen in my life!"
• When teasing the new series, one of the things Moffat mentioned was "the Doctor's mistake in the maze of the dead" - no doubt a reference to this episode.
• A clip for the episode heavily indicates that this episode will not chronicle River Song's first meeting with the Doctor (from her perspective), as she knows, interestingly, how to pilot the TARDIS herself, and claims that he "leaves the brakes on" (causing the materializing noise) and talks about him as if they have traveled together before.
• The Weeping Angels crash their spaceship on purpose so that they can gain all of its energy.
• The Doctor ripping the strap off the ceiling of one of the small ships was not supposed to happen. Matt Smith accidentally pulled it off and it was put into the episode.

Ratings

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Filming Locations

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Rumours

• People have said that Sally Sparrow from the episode Blink will make a come-back, but this has not yet been confirmed. Rory's presence in Flesh and Stone may indicate that part of this two-parter is set on 21st century Earth, which would mean that such a return is possible. However, given that actress Carey Mulligan was, at the time the episode was filmed, in extreme demand due to her star-making turn in the film An Education, including being in the midst of filming Wall Street 2 in the US, such an appearance is unlikely unless the role has been recast. This was proved to be false.
• River Song's presence in this episode may indicate that it is set in the 51st century, but this is not certain, as it is unknown precisely where in the timeline River Song comes from. The Doctor very briefly mentioned that it was the 51st century.
• The Doctor will meet Father Octavian at Amy and Rory's wedding. Octavian will be a able to see the future like Carmen and foreseen the Doctor's showdown with the Weeping Angels and send him after them. This turned out to be false.
• A Teaser from Digital Spy has implied a Data Ghost device will appear in this episode.[3]This was proved false, but a similar device was used when Bob was killed by the Weeping Angel.

Production errors

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Continuity

• The Weeping Angels previously appeared in DW: Blink
• River Song previously appeared in DW: Silence in the Library/Forest of the Dead
• The Doctor refers to the events of DW: Blink
• River Song mentioned the crash of the Byzantium in DW: Silence in the Library.
• The Doctor previously used the TARDIS to chase a crashing space ship in DW: The Empty Child
• A gravity globe was previously used in DW: The Impossible Planet
• Amy refered visiting a spaceship and Winston Churchil in cabinet war-rooms. (DW: The Beast Below, DW: Victory of the Daleks)

External Links

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