Three's a Crowd (audio story): Difference between revisions

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'''''{{StoryTitle}}''''' was the sixty-ninth [[Big Finish Doctor Who audio stories|monthly ''Doctor Who'' audio story]] produced by [[Big Finish Productions]].  It sits almost exactly in the middle of the run of stories featuring the former [[Pharaoh]] [[Erimem]]. Released in May 2005, it was the first audio written by [[Colin Brake]], who had authored several ''[[Doctor Who]]'' novels. It featured 1960s television regular [[Deborah Watling]] in a new role.
'''''{{StoryTitle}}''''' was the sixty-ninth [[Big Finish Doctor Who audio stories|monthly ''Doctor Who'' audio story]] produced by [[Big Finish Productions]].  It sits almost exactly in the middle of the run of stories featuring the former [[Pharaoh]] [[Erimem]]. Released in May 2005, it was the first audio written by [[Colin Brake]], who had authored several ''[[Doctor Who]]'' novels. It featured 1960s television regular [[Deborah Watling]] in a new role.


''Crowd'' explores the [[George Orwell|Orwellian]] theme of individuality and conformity. Indeed it can be viewed as a pastiche of ''[[Nineteen Eighty-Four]]'', in the same way that ''[[The Brain of Morbius]]'' is an homage to ''[[Frankenstein]]'' and ''[[Robot (TV story)|Robot]]'' evokes ''[[King Kong]]''.
''Crowd'' explores the [[George Orwell|Orwellian]] theme of individuality and conformity. Indeed it can be viewed as a pastiche of ''[[Nineteen Eighty-Four]]'', in the same way that ''[[The Brain of Morbius]]'' is an homage to ''[[Frankenstein]]'' and ''[[Robot (TV story)|Robot]]'' evokes ''[[King Kong]]''.  


A major subplot is of [[Erimem]] recovering from the unpleasant experiences of ''[[The Roof of the World (audio story)|The Roof of the World]]''.  Indeed, the opening TARDIS interior scenes share some common beats with [[Tegan]]'s opening scenes in both ''[[The Visitation (TV story)|The Visitation]]'' and ''[[Mawdryn Undead (TV story)|Mawdryn Undead]]'' as she struggled to deal with [[Mara]] encounters in the previous stories.  Erimem's disquiet, however, isn't just mentioned in the opening episode and then forgotten; rather it's a comparatively more complex part of ''Crowd''{{'}}s narrative. It also reaches all the way back to ''[[The Eye of the Scorpion (audio story)|The Eye of the Scorpion]]'', and at last addresses the way in which Peri effectively forced Erimem into the TARDIS and onto an apparently unenthused Doctor.
A major subplot is of [[Erimem]] recovering from the unpleasant experiences of ''[[The Roof of the World (audio story)|The Roof of the World]]''.  Indeed, the opening TARDIS interior scenes share some common beats with [[Tegan]]'s opening scenes in both ''[[The Visitation (TV story)|The Visitation]]'' and ''[[Mawdryn Undead (TV story)|Mawdryn Undead]]'' as she struggled to deal with [[Mara]] encounters in the previous stories.  Erimem's disquiet, however, isn't just mentioned in the opening episode and then forgotten; rather it's a comparatively more complex part of ''Crowd''{{'}}s narrative. It also reaches all the way back to ''[[The Eye of the Scorpion (audio story)|The Eye of the Scorpion]]'', and at last addresses the way in which Peri effectively forced Erimem into the TARDIS and onto an apparently unenthused Doctor.

Revision as of 23:41, 9 July 2017

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audio stub

Three's a Crowd was the sixty-ninth monthly Doctor Who audio story produced by Big Finish Productions. It sits almost exactly in the middle of the run of stories featuring the former Pharaoh Erimem. Released in May 2005, it was the first audio written by Colin Brake, who had authored several Doctor Who novels. It featured 1960s television regular Deborah Watling in a new role.

Crowd explores the Orwellian theme of individuality and conformity. Indeed it can be viewed as a pastiche of Nineteen Eighty-Four, in the same way that The Brain of Morbius is an homage to Frankenstein and Robot evokes King Kong.

A major subplot is of Erimem recovering from the unpleasant experiences of The Roof of the World. Indeed, the opening TARDIS interior scenes share some common beats with Tegan's opening scenes in both The Visitation and Mawdryn Undead as she struggled to deal with Mara encounters in the previous stories. Erimem's disquiet, however, isn't just mentioned in the opening episode and then forgotten; rather it's a comparatively more complex part of Crowd's narrative. It also reaches all the way back to The Eye of the Scorpion, and at last addresses the way in which Peri effectively forced Erimem into the TARDIS and onto an apparently unenthused Doctor.

As the title suggests, the story is in some ways about whether the Doctor and Erimem really want to travel together and Peri's struggle to stabilise them all into a coherent, three-person "TARDIS team". However, the title has a double meaning. It also refers to the people whom the Doctor and his friends meet. Made acutely agoraphobic by the rules of their society, it's intensely difficult for even two of them to physically meet. For them, three is very definitely a crowd.

Publisher's summary

On an almost lifeless planet in a remote star system, Earth Colony Phoenix is struggling to survive. The colonists, utterly dependent on transmat technology and unable to leave the security of their Habitat Domes, have developed severe agoraphobia... not to mention an inability to deal with visitors...

The TARDIS crew arrives on an apparently abandoned space station in orbit above the planet and soon discover that they and the remaining colonists are in the gravest danger.

To survive, the Fifth Doctor, Peri and Erimem must uncover the colony's darkest secrets before it is too late.

Something inhuman is stalking the colony...

...and it's hungry!

Plot

to be added

Cast

References

Notes

Continuity

External links