Return of the Cybermen (audio story): Difference between revisions

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=== Individuals ===
=== Individuals ===
* The Doctor claims he is good friends with [[Rudolf Nureyev]].
* The Doctor claims he is good [[Friendship|friends]] with [[Rudolf Nureyev]].


== Notes ==
== Notes ==
[[File:Return of the Cybermen Alt.jpg|thumb|Alternative Cover Art|link=Special:FilePath/Return_of_the_Cybermen_Alt.jpg]]
[[File:Return of the Cybermen Alt.jpg|thumb|Alternative Cover Art|link=Special:FilePath/Return_of_the_Cybermen_Alt.jpg]]
* This story was recorded on [[4 November (production)|4]] and [[11 November (production)|11 November]] [[2019 (production)|2019]] at [[Audio Sorcery]].
* This story was recorded on [[4 November (production)|4]] and [[11 November (production)|11 November]] [[2019 (production)|2019]] at [[Audio Sorcery]].
* ''Return of the Cybermen'' is the very first Big Finish audio story to feature [[Sarah Jane Smith]] as a performed character since the [[Dreamland (audio story)|conclusion]] of the [[Sarah Jane Smith (audio series)|''Sarah Jane Smith'' audio series]] in [[2006 (releases)|2006]], although the character had appeared in numerous ''[[Short Trips (series)|Short Trips]]'' in the interim.
* ''Return of the Cybermen'' is the very first full-cast audio story to feature [[Sarah Jane Smith]] since the [[Dreamland (audio story)|conclusion]] of the [[Sarah Jane Smith (audio series)|''Sarah Jane Smith'' audio series]] in [[2006 (releases)|2006]], although the character had appeared in numerous ''[[Short Trips (series)|Short Trips]]'' in the interim.
*Sarah Jane is played by [[Sadie Miller]], the daughter of the character's original actress, [[Elisabeth Sladen]]. Miller sought the advice of her father, [[Brian Miller (actor)|Brian Miller]], another ''[[Doctor Who]]'' alumni, before accepting the role. [[Nicholas Briggs]] was very enthusiastic about Sadie's involvement and performance, though he felt that the story itself did not do Sarah much justice. ([[BFX]]: ''Return of the Cybermen'')
*Sarah Jane is played by [[Sadie Miller]], the daughter of the character's original actress, [[Elisabeth Sladen]]. Miller sought the advice of her father, [[Brian Miller (actor)|Brian Miller]], another ''[[Doctor Who]]'' alumni, before accepting the role. [[Nicholas Briggs]] was very enthusiastic about Sadie's involvement and performance, though he felt that the story itself did not do Sarah much justice. ([[BFX]]: ''Return of the Cybermen'')
** Miller joins [[Daisy Ashford]], the daughter of [[Caroline John]], in taking on the role of a televised [[companion]] played by their mother. Ashford previously took on her mother's role as [[Liz Shaw]] in ''[[Primord (audio story)|Primord]]'' in ''[[The Third Doctor Adventures: Volume Five]]''.
** Miller joins [[Daisy Ashford]], the daughter of [[Caroline John]], in taking on the role of a televised [[companion]] played by their mother. Ashford previously took on her mother's role as [[Liz Shaw]] in ''[[Primord (audio story)|Primord]]'' in ''[[The Third Doctor Adventures: Volume Five]]''.
**Both Sarah and Harry also join Liz, [[Barbara Wright]], [[Ben Jackson]] and [[Katarina]] as companions who have been recast for audio.
**Both Sarah and Harry also join Liz, [[Barbara Wright]], [[Ben Jackson]] and [[Katarina]] as companions who have [[List of recast actors at Big Finish|been recast for audio]].
* Nicholas Briggs professed a great nostalgic fondness for ''Revenge of the Cybermen'', and so requested further time to work on the music and sound design for ''Return''. ([[BFX]]: ''Return of the Cybermen'')
* Nicholas Briggs professed a great nostalgic fondness for ''Revenge of the Cybermen'', and so requested further time to work on the music and sound design for ''Return''. ([[BFX]]: ''Return of the Cybermen'')


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Although the scene was not included in the final product, being deemed "too silly", Dorney nevertheless shared the pages on Twitter on [[24 October (production)|24 October]] [[2020 (production)|2020]], the day after Big Finish first revealed the cover and cast.<ref>[https://twitter.com/MrJohnDorney/status/1319930958179696640/ John Dorney on Twitter: Very, very silly...]</ref>
Although the scene was not included in the final product, being deemed "too silly", Dorney nevertheless shared the pages on Twitter on [[24 October (production)|24 October]] [[2020 (production)|2020]], the day after Big Finish first revealed the cover and cast.<ref>[https://twitter.com/MrJohnDorney/status/1319930958179696640/ John Dorney on Twitter: Very, very silly...]</ref>


Some similar ideas were present in ''[[A Device of Death (novel)|A Device of Death]]'', a novel in the [[Virgin Missing Adventures]], which takes place between ''Genesis'' and ''Revenge''. It established that the fallout from ''Genesis'' resulted in changes to the timeline which were closely observed by the [[Time Lord]]s, who follow up the Doctor in an attempt to make the best of his mission's shortcomings.
Some similar ideas were present in ''[[A Device of Death (novel)|A Device of Death]]'', a novel in the [[Virgin Missing Adventures]], which takes place between ''Genesis'' and ''Revenge''. It established that the fallout from ''Genesis'' resulted in changes to the timeline which were closely observed by the [[Time Lord]]s, who follow up the Doctor in an attempt to make the best of his mission's shortcomings. The novel's focus on this aspect is primarily limited to the immediate effects on [[Dalek]] history; ''Return'' would have expanded this to draw attention to the wider consequences.


The scene can still be read as a coda to the audio release, much in the style of ''[[Wish You Were Here (WEB short story)|Wish You Were Here]]'', the short script release bridging the gap between the two [[The Adventure Games|adventure game]] instalments ''[[Blood of the Cybermen (video game)|Blood of the Cybermen]]'' and ''[[TARDIS (video game)|TARDIS]]''. Unlike that example, however, the ending of ''Return'' was not released in an official capacity and so it falls outside the scope of what is considered a [[tardis:Valid sources|valid source]] by [[Doctor Who Wiki|this wiki]].
The scene can still be read as a coda to the audio release, much in the style of ''[[Wish You Were Here (WEB short story)|Wish You Were Here]]'', the short script release bridging the gap between the two [[The Adventure Games|adventure game]] instalments ''[[Blood of the Cybermen (video game)|Blood of the Cybermen]]'' and ''[[TARDIS (video game)|TARDIS]]''. Unlike that example, however, the ending of ''Return'' was not released in an official capacity and so it falls outside the scope of what is considered a [[tardis:Valid sources|valid source]] by [[Doctor Who Wiki|this wiki]].

Revision as of 16:43, 24 April 2021

RealWorld.png

audio stub

Return of the Cybermen was the first release in the sixth series of The Lost Stories. It was based on the original drafts of the TV story Revenge of the Cybermen originally written by Gerry Davis, the scripts were adapted by John Dorney and featured Tom Baker as the Fourth Doctor, Sadie Miller as Sarah Jane Smith and Christopher Naylor as Harry Sullivan.

Publisher's summary

The Doctor, Sarah Jane Smith and Harry Sullivan return to Space Station Nerva in search of the TARDIS. Instead, they find peril, disease and... Cybermen!

These cybernetic monsters have devised a plan to eliminate the greatest threat to their existence. And if the Doctor and his human compatriots do not play their part in this scheme, they are to be destroyed.

Plot

Part one

to be added

Part two

to be added

Part three

to be added

Part four

to be added

Cast

References

The Cybermen

  • The Doctor states that Cybermen are logical. The best way to survive Cybermen is to be useful to them, so that they keep you alive for longer. When a person's usefulness is over, the Cybermen will simply destroy them.
  • Upon discovering a body, the Doctor tells Harry that it wasn't a Cybermen as they do not simply murder for gain.
  • The Cybermen do not understand the word "insane".
  • The Cybermen do not understand "pacts" or "giving your word", claiming them to be merely humanoid constructs.

Individuals

Notes

Alternative Cover Art

Deviations from Revenge of the Cybermen

  • The single most significant change between the two stories is the complete excision of Voga, the Vogans and the civil war subplot of Revenge. Voga is replaced with a gold-rich asteroid, the Vogans by a lost tribe of colonists who inhabit the asteroid. The tribe plays a far smaller role than the Vogans do in Revenge. Much of the action resultantly takes place aboard Nerva Beacon.
  • While the basic plot line aboard Nerva is largely similar to Revenge, the Cybermen intend to launch the Beacon at the asteroid straight away, rather than attempt the Cyber-bomb strategy first. The Cyber-ship plays no part in the story, with the Cybermen already having infiltrated Nerva and hidden themselves onboard, as volunteers on a kamikaze mission.
  • No references are made to the Cyber-Wars, although the Cybermen are still thought to have died out long ago and consider gold a threat.
  • The Doctor, Sarah and Harry arrive on Nerva in the mess hall and begin eating the food. Kellman tries to have them quickly eliminated in a crusher trap.
  • Anitra is added to the Nerva crew. Previously, Sarah was the only female character in the story. In Return, she is joined by Anitra and Coetzee.
  • Lester and Warner are given first names, Bill and Jim respectively.
  • Commander Stevenson is played as a gruffer, hardened character. Nicholas Asbury claimed this was because he interpreted the dialogue in the script in this way, in contrast to Ronald Leigh-Hunt's more traditional "clipped and RP" portrayal of the character in 1975. (BFX: Return of the Cybermen)
  • The Cybermat infection blackens the victim's veins, similar to The Moonbase, rather than emitting the red glow seen in Revenge. The infection lines were previously described as black in the novelisation however.
  • Noticing familiarities in the mystery of Nerva, the Doctor frequently consults his Five Hundred Year Diary.
  • The first Cybermen to confront the Doctor and the crew are fought off with radiation from an X-ray machine, calling back to The Tenth Planet. By showing themselves able to resist the Cybermen, the Doctor argues the crew have gained some bargaining power.
  • The Doctor claims Cyber-Leaders are "larger" than standard Cybermen.
  • Kellman's actions and motives are consistently more self-centred and villainous. In Revenge, he is in league with the Vogans, whereas in Return, he is taking advantage of the lost colonists out of greed. He is killed deliberately by Coetzee rather than accidentally by Harry.
  • Harry, Sarah, Stevenson and Lester do not leave Nerva during the story. Sarah is cured from her infection by the Cyberman antidote instead of the transmat.
  • The Doctor, Sarah and Harry depart in the TARDIS before the Doctor announces the Brigadier has tried to contact them. This is also where John Dorney's original ending would have occurred had it been included (see below).

Original ending

The story tells a different version of the events of Revenge of the Cybermen, but contains no in-universe attempt to reconcile the conflicting accounts. John Dorney had originally factored this into his original adaptation of the script, although it was ultimately not recorded.

The scene in question saw the reappearance of the Time Lord messenger from Genesis of the Daleks, explaining that the failure of the Doctor's mission on Skaro had caused history, and the Doctor's own timeline, to rewrite itself as a result of the fallout of the Last Great Time War. While offering an explanation for how Return could coincide with Revenge, it also brought up other continuity issues, including:

The Tenth Doctor is also referred to as the Doctor's "eleventh bod[y]", alluding to the existence of the War Doctor.

The Time Lord would have then vanished as he insinuates that the Doctor's actions have caused a Time War. The Doctor and company then experience further timeline distortion as the Return timeline "become[s] redundant". When the distortion settles, the trio arrive back on Nerva Beacon, where the final lines of dialogue delivered by Sarah and the Doctor quite literally echo their opening lines from Revenge:

  • SARAH: (ECHO) Thank heavens for that! We've made it. Haven't we?
  • DOCTOR: (ECHO) Of course we've made it. Did you think we wouldn't?

The end of Return therefore would have led directly into the start of Revenge, with the events of the latter, as in the real world, essentially overwriting the former, but still allowing both versions to exist within the same continuity.

Although the scene was not included in the final product, being deemed "too silly", Dorney nevertheless shared the pages on Twitter on 24 October 2020, the day after Big Finish first revealed the cover and cast.[1]

Some similar ideas were present in A Device of Death, a novel in the Virgin Missing Adventures, which takes place between Genesis and Revenge. It established that the fallout from Genesis resulted in changes to the timeline which were closely observed by the Time Lords, who follow up the Doctor in an attempt to make the best of his mission's shortcomings. The novel's focus on this aspect is primarily limited to the immediate effects on Dalek history; Return would have expanded this to draw attention to the wider consequences.

The scene can still be read as a coda to the audio release, much in the style of Wish You Were Here, the short script release bridging the gap between the two adventure game instalments Blood of the Cybermen and TARDIS. Unlike that example, however, the ending of Return was not released in an official capacity and so it falls outside the scope of what is considered a valid source by this wiki.

Continuity

External links

References