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{{real world}} | {{real world}} | ||
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{{Infobox Story SMW | {{Infobox Story SMW | ||
|image = Space Babies | |image = The Space Babies 1.jpg | ||
|season number = Season 1 (Doctor Who 2023) | |season number = Season 1 (Doctor Who 2023) | ||
|series episode number = 1 | |series episode number = 1 | ||
|story number = 305 | |story number = 305 | ||
|epcount = 1 | |epcount = 1 | ||
|novelisation = | |novelisation = Space Babies (novelisation) | ||
|doctor = Fifteenth Doctor | |doctor = Fifteenth Doctor | ||
|companions = [[Ruby Sunday|Ruby]] | |companions = [[Ruby Sunday|Ruby]] | ||
|featuring = Carla Sunday | |featuring = Carla Sunday | ||
|featuring2 = Cherry Sunday | |featuring2 = Cherry Sunday | ||
|enemy = | |enemy = | ||
|setting = | |setting = [[Baby Station Beta]], [[solar system (Space Babies)|star system]], [[21506]] | ||
|writer = Russell T Davies | |writer = Russell T Davies | ||
|director = Julie Anne Robinson | |director = Julie Anne Robinson | ||
| Line 29: | Line 28: | ||
|next = The Devil's Chord (TV story) | |next = The Devil's Chord (TV story) | ||
|trailer = Here are all the adventures to look forward to in Season 1! 💞 -DoctorWho | |trailer = Here are all the adventures to look forward to in Season 1! 💞 -DoctorWho | ||
|clip = | |clip = The Butterfly Effect! - PREVEW - Space Babies - Doctor Who | ||
|clip2 = | |clip2 = Ruby's First Time in Space! - PREVIEW - Space Babies - Doctor Who | ||
|clip3 = | |clip3 = | ||
|bts = | |bts = Behind the Scenes - Space Babies - Doctor Who | ||
}} | }} | ||
'''''Space Babies''''' | '''''Space Babies''''' was the first episode of [[Season 1 (Doctor Who 2023)|Season 1]] of ''[[Doctor Who (TV series)|Doctor Who]]'', broadcast on [[11 May (releases)|11 May]] [[2024 (releases)|2024]], and as a first for the franchise, back-to-back with the second episode, {{cs|The Devil's Chord (TV story)}}.<ref name="Release Date">{{cite_web|url=https://www.doctorwho.tv/news-and-features/doctor-who-season-one-premieres-11th-may-2024|title=Doctor Who Season One Premieres 11th May 2024|date of source=2024-03-15|website name=Doctor Who|archiveurl=https://web.archive.org/web/20240411061645/https://www.doctorwho.tv/news-and-features/doctor-who-season-one-premieres-11th-may-2024|archivedate=2024-04-11}}</ref> | ||
The episode and the one it was paired with marked the beginning of a brand new release method for the series; from here on, before their traditional linear [[Saturday]] night broadcast on [[BBC One]], new episodes would be uploaded to [[BBC iPlayer]] in [[the UK]] at [[12 (number)|12]] [[midnight]], simultaneous with the episodes being added to [[Disney+]] across the rest of the world, which in some countries would mean [[Friday]] at [[4 (number)|4]]pm Pacific Time/[[7 (number)|7]]pm Eastern Time. | |||
== Synopsis == | == Synopsis == | ||
''to | For [[Ruby Sunday]]'s first trip aboard [[the TARDIS]] with [[Fifteenth Doctor|the Doctor]], after a false start, they find themselves on a mysterious [[Baby Station Beta|space station]] crewed by... babies? A mysterious [[Bogeyman (Space Babies)|monster]] that strikes fear into even the Doctor's hearts roams the lower decks, and a lone [[Jocelyn Sancerre|adult]] protects the (space) babies from behind a screen. Can the Doctor and Ruby solve the mystery and get the babies to safety before the Bogeyman gets them? | ||
== Plot == | == Plot == | ||
''to be | [[Ruby Sunday]] boards [[the TARDIS]], and looks around, amazed. She tries to get a handle on the new situation she's found herself entering into, asking about [[Fifteenth Doctor|the Doctor]]'s past to a certain extent, what his actual name is - she can't just call him "the Doctor". He says that [[Time Lord|the species]] that adopted him, all wiped out but him, tended to use [[vocational name|titles]], and if you use one for long enough that just becomes your name. | ||
He changes the subject, and picks a random spot for the two venture to, landing 150 million years in the past. Excited to venture out, half in disbelief, Ruby is concerned about the [[butterfly effect]], but the Doctor tells her there's nothing to worry about – nobody ever steps on [[Butterfly|butterflies]]. However, shortly after stepping into prehistoric [[Wyoming]], [[dinosaur]]s and all, Ruby steps on a butterfly. The Doctor finds that Ruby has been replaced with [[Rubathon Blue]], but with some quick thinking, grabs the butterfly from beneath her and nurtures it back to health, restoring Ruby's existence in the process. He quickly ushers her back onboard the TARDIS – noting that the controls are new, and he forgot about the [[butterfly compensation switch]] – and decides to take her to the future instead, asking Ruby to give him a year. She belts out [[21506]] digit by digit, and the two land on a broken down, derelict [[Baby Station Beta|space station]]. Exploring the bowls of the space station, they encounter a menacing creature that frightens the two of them, causing them both to run into a nearby elevator. | |||
[[File:Baby farm (SB).jpg|thumb|left|"We've gone from baby to baby. I'm not saying things are connected, and yet... things connect".]] | |||
They manage to escape to an upper level, but the Doctor is confused as to why the creature evoked that response from him, as he's usually not scared of new things. Looking around they find themselves in a less run down area of the space station, a [[parthenogenesis machine]], a [[baby farm]], orbiting above [[Pacifico Del Rio]]. As they discuss the distance the human race has come, the Doctor insists that Ruby call [[Carla Sunday|her mum]], using his [[Fifteenth Doctor's sonic screwdriver|sonic screwdriver]] to give her phone the ability to call the 21st century. Ruby does so, half reluctantly, checking in with her just to note that everything is alright before dashing off again. As the Doctor and Ruby discuss the situation on the ship, [[Eric (Space Babies)|a baby]] in an automated [[pram]] rolls in, talking to himself about the maintenance of the station. As they step out to greet him, he becomes excited, exclaiming that after all this time [[mother|mummy]] and [[father|daddy]] are here, and he rolls off to tell the others. | |||
The Doctor and Ruby follow the pram to a control centre filled with other babies in automated prams, all excited to see mummy and daddy, all determined to show how good they've been at running the station while they've been gone, using jury-rigged contraptions and bits of string to hit buttons and pull levers to keep it in order. The Doctor and Ruby regrettably explain that they're not mummy and daddy, and express their sympathy to the crew, such as it is. The Doctor tries to go through the station's logs and finds that the actual crew abandoned ship, leaving the parthenogenesis machine running when they did so. Ruby asks the babies how they've survived so long on their own, but the babies say they're not alone, they have [[Jocelyn Sancerre|Nanny]], and a computerized voice comes on over the intercom, greeting the two visitors, as well as telling the babies that it's time for their noses to be blown. The Doctor, amused by the situation, asks if the creature downstairs is their "pet dog". The babies freak out, saying that downstairs is the [[Bogeyman (Space Babies)|Bogeyman]]. In their state of panic, the Doctor finds a private line to Nanny and tries to talk to her, trying to diagnose the deeper underlying issues with the station. Nanny repeatedly insists he go to a storage unit on the floor, and finally he relents, Ruby following. | |||
As the two head to find the unit, they find themselves talking about Ruby's past, and how she was left in the snow on a Church, on Ruby Road. The Doctor's mind flashes back to the memory he has of going there to save her, not so long ago, but this time things are different; rather than walking away, the hooded figure who left Ruby there turns to him as it departs, points at him, before Ruby snaps him out of the memory. As he comes out of the memory, the duo find themselves inexplicably immersed in [[Snow (The Church on Ruby Road)|snowfall]], still on the space station. As they shake the situation off, a woman darts out from a nearby storage cupboard and insists they enter, Nanny. Once inside, the pair watch a series of videos of the former crew signing off for their forced departure from Baby Station Beta, protesting its abandonment; a recession caused it to be shut down, but the law forced the parthenogenesis machine to be kept running. Nanny, Jocelyn Sancerre, has been trying to take care of the babies for the past six years, as the station has been collapsing around her, the education software running amok, food and air slowly running out bit by bit. Looking at a map of the [[solar system (Space Babies)|solar system]], a planet farther out is a [[DuBarryDuPlessy]] [[Mondo Caroon|world]], that could take in refugees, but the group would need to get there first. Now, they have the TARDIS, and can get there, but between them and the TARDIS is the Bogeyman. Jocelyn has no real understanding of the creature; it just appeared six years ago, not on the manifest. | |||
[[File:Nose blow (SB).jpg|thumb|right|"We saw it. The nose-blowing. The machine was literal, and so it grew the Bogeyman out of bogeys".]] | |||
As the trio is talking, they notice on the screen that Eric, one of the babies has gone down into the bowls of the space station to confront the Bogeyman, as if this entire situation was like a children's story and he was the hero. Over the intercom, Jocelyn insists that he has to leave, but he refuses. Upset that she had inspired Eric's course of action, Ruby and the Doctor dash downstairs, manage to find Eric, and the three hide and flee from the Bogeyman. After some of the baby crew saves them using a flamethrower, Eric is sent back to the upper level; the Doctor and Ruby stay in the area below to figure out what's going on with the Bogeyman. They find it leaving large amounts of [[spoor]] throughout the lower levels, and take a sample to a terminal of the parthenogenesis machine nearby, where they analyze the composition of the material. Finally getting answers, they discover that the Bogeyman was generated from the [[snot]] of the babies, and was built by the education system that had run amok, literally trying to tell a real story, generating a real fairytale monster that the babies could learn from. The Bogeyman finds the pair and chases after them, but Jocelyn manages to lead the pair through the maze of corridors below, closing off doors to manoeuvre the Bogeyman into an airlock, which she opens, determined eject the monster into space, to protect her children. | |||
[[File:Save them all (SB).jpg|thumb|left|"That's what you do, Jocelyn. You save them all".]] | |||
The Doctor insists that she shouldn't do this, that the Bogeyman is just the same, that it ''is'' one of her children, but Jocelyn refuses to listen. He sends Ruby up to stop her as he dives into the airlock himself, hitting the emergency close switch. Back atop with Jocelyn and the babies finally united with each other, he shows them all that the Bogeyman is safe and sound in the airlock, but unable to hurt them. He also shows them the nearby world that's willing to take them, and says that part of the ship's problems have come from the buildup of [[methane]] from old nappies stored in one place, so he releases the methane as propulsion, sending them towards their new home. | |||
[[File:Come with me (SB).jpg|thumb|right|"I have the whole universe at my fingertips, and I'm all on my own. So I'd love it if you came with me".]] | |||
The Doctor and Ruby depart, Ruby being given a [[TARDIS key]], travelling back to Christmas, to Ruby's flat and to her mother Carla, materialising in the middle of her kitchen, damaging the ceiling. As the Doctor departs the TARDIS to join Ruby and Carla and explain things, a scanner blinks in the background, analyzing Ruby's [[DNA]], bit by bit, as snow falls across the console room. | |||
== Cast == | == Cast == | ||
* [[Fifteenth Doctor|The Doctor]] - [[Ncuti Gatwa]] | * [[Fifteenth Doctor|The Doctor]] - [[Ncuti Gatwa]] | ||
* [[Ruby Sunday]] - [[Millie Gibson]] | * [[Ruby Sunday]] - [[Millie Gibson]] | ||
* | * [[Bogeyman (Space Babies)|Bogeyman]] - [[Robert Strange]] | ||
* [[Carla Sunday]] - [[Michelle Greenidge]] | |||
* [[ | * [[Eric (Space Babies)|Eric]] - [[Mason McCumskey]] | ||
* [[Eric (Space Babies)|Eric]] - [[Mason McCumskey]] | * Voice of Eric - [[Sami Amber]] | ||
* Voice of Eric - [[Sami Amber]] | * [[Poppy (Space Babies)|Poppy]] - [[Sienna-Robyn Mavanga-Phipps]] | ||
* [[Poppy (Space Babies)|Poppy]] - [[Sienna-Robyn Mavanga-Phipps]] | * Voice of Poppy - [[Shola Olaitan-Ajiboye]] | ||
* Voice of Poppy - [[Shola Olaitan-Ajiboye]] | * Voice of [[Sandra (Space Babies)|Sandra]] - [[Cadence Williams]] | ||
* Voice of [[Sandra (Space Babies)|Sandra]] - [[Cadence Williams]] | * Voice of [[Marcel (Space Babies)|Marcel]] - [[Param Patel]] | ||
* Voice of [[Marcel (Space Babies)|Marcel]] - [[Param Patel]] | * Voice of [[Adjani (Space Babies)|Adjani]] - [[Lonnee Archibong]] | ||
* Voice of [[Adjani (Space Babies)|Adjani]] - [[Lonnee Archibong]] | * [[Jocelyn Sancerre]] - [[Golda Rosheuvel]] | ||
* [[Rico Trieste]] - [[Jesus Reyes Ortiz]] | * [[Rico Trieste]] - [[Jesus Reyes Ortiz]] | ||
* [[Lucia Colasanto]] - [[Yasmine Bouabid]] | * [[Lucia Colasanto]] - [[Yasmine Bouabid]] | ||
* [[ | * [[Cherry Sunday]] - [[Angela Wynter]] | ||
=== Uncredited cast === | === Uncredited cast === | ||
| Line 63: | Line 82: | ||
* Marcel - TBA | * Marcel - TBA | ||
* Adjani - TBA | * Adjani - TBA | ||
* [[Tasha (Space Babies)|Tasha]] - [[Rome Johns]]<ref name="Tasha 1">{{Cite_web|url=https://www.instagram.com/reel/C63R5prslIZ/|title=So proud of our baby boy, GO ROMEY 🪐👶🏽 + so proud of his space baby friends!! What an incredible experience and so lucky to be a part of this amazing series!! Thankful and blessed, always 💫❤️<br/>•<br/>•<br/>•<br/>•<br/>•<br/>#doctorwho #doctorwhospacebabies #spacebabies #babyactor #whovians #bbcdoctorwho|author=@amarahromeandme|coauthors=@alyssaalexanderx|date of source=2024-05-12|archiveurl=https://archive.ph/nYcyJ#selection-647.0-647.195|archivedate=2024-05-15}}</ref><ref name="Tasha 2">{{cite_web|url=https://www.instagram.com/reel/C1msY8aIFg-/|title=Blessed & grateful !!! That's my baby 🫶🏼|author=@alyssaalexanderx|date of source=2024-01-02|archiveurl=https://archive.ph/M8yC0|archivedate=2024-05-15}}</ref> | |||
* [[Ruben (Space Babies)|Ruben]] - TBA | |||
* [[Saltine (Space Babies)|Saltine]] - TBA | |||
* [[Boo (Space Babies)|Boo]] - TBA | |||
* [[Ruby Sunday's mother]] - TBA | |||
* [[Gina Scalzi]] - [[Susan Twist]]<ref name="Twist">{{Cite_web|url=https://www.radiotimes.com/tv/sci-fi/doctor-who-susan-twist-theories/|title=Who is Susan Twist's character in Doctor Who? All the theories|author=Louise Griffin|date of source=2024-05-11|website name=RadioTimes.com|archiveurl=https://web.archive.org/web/20240512013933/https://www.radiotimes.com/tv/sci-fi/doctor-who-susan-twist-theories/|archivedate=2024-05-12}}</ref> | |||
== Crew == | == Crew == | ||
{{Wales crew | {{Wales crew | ||
|Writer=Russell T Davies | |Writer = Russell T Davies | ||
|ExecutiveProd=Russell T Davies | |ExecutiveProd = Russell T Davies | ||
|ExecutiveProd2=Julie Gardner | |ExecutiveProd2 = Julie Gardner | ||
|ExecutiveProd3=Jane Tranter | |ExecutiveProd3 = Jane Tranter | ||
|ExecutiveProd4=Joel Collins | |ExecutiveProd4 = Joel Collins | ||
|ExecutiveProd5=Phil Collinson | |ExecutiveProd5 = Phil Collinson | ||
| | |ExecutiveProd6 = Julie Anne Robinson | ||
|Director=Julie Anne Robinson | |Producer = Vicki Delow | ||
|OriginalTheme=Ron Grainer | |Director = Julie Anne Robinson | ||
|TitleSequence=Painting Practice & Realtime Visualisation | |StuntCoOrdinator = Derek Lea | ||
|CastingDirector=Andy Pryor CDG | |Stunt = Paul Joseph | ||
|Music=Murray Gold | |Stunt2 = Jessica Barfoot | ||
|ProductionDesigner=Phil Sims | |MovementCreatureChoreo = Paul Kasey | ||
|CostumeDesigner=Pam Downe | |Puppeteer = Eliot Gibbins | ||
|Make-upDesigner=Claire Williams | |Puppeteer2 = Josh Elwell | ||
|2ndUnitDirector = Dave Houghton | |||
|1stAD = Dan Mumford | |||
|2ndAD = Lauren Pate | |||
|Crowd2ndAD = Charlie Campbell | |||
|3rdAD = Jennifer Day | |||
|FloorRunner = Jac Lewis | |||
|FloorRunner2 = Devante Fleming | |||
|FloorRunner3 = Emmy Williams | |||
|SAWFloorRunner = Micah Joshua Brown | |||
|BaseRunner = Jamal Price | |||
|SAWFloorRunnerStandIn = Beyagy Demba | |||
|FloorRunnerStandIn = Emmy Williams | |||
|SAWCastAssistant = Juanee Scott | |||
|ProductionManager = Delmi Thomas | |||
|ProductionCoOrdinator = Sandra Cosfeld | |||
|AsstProductionCoOrdinator = Liam Hobbs | |||
|TravelAccommodationCoOrd = Ariana Scott | |||
|TravelAccommodationSecretary = Adam Byard | |||
|ProductionSecretary = Florence Trott | |||
|ProductionSecretary2 = Chris Harkus | |||
|ProductionOfficeRunner = Danilo Van-Der Nguyen | |||
|ProductionOfficeRunner2 = Lisa Elena Williams | |||
|SAWDirectorsAsst = Rugie Begum | |||
|SAWDirectorsAsst2 = Abdoul Razak Ceesay | |||
|CreativeCoOrdinator = Fabia Sinigaglia | |||
|ExecutiveAsstTo1 = Dee Brooker | |||
|AssistedExec1a = Jane Tranter | |||
|ExecutiveAsstTo2 = Kaleigh O'Boyle | |||
|AssistedExec2a = Julie Gardner | |||
|ExecutiveAsstTo3 = Joshua M.G. Thomas | |||
|AssistedExec3a = Russell T Davies | |||
|AssistedExec3b = Phil Collinson | |||
|AssistedExec3c = Joel Collins | |||
|LocationManager = Baljinder Sidhu | |||
|AssistantLocationManager = Alex Moore | |||
|AssistantLocationManager2 = Shuaib Said | |||
|UnitManager = Kyle Yates | |||
|LocationAssistant = Robyn Selby | |||
|LocationAssistant2 = Nathan Rose | |||
|StudioManager = Richard Balshaw | |||
|StudioAssistant = Lloyd Di Mauro | |||
|1stAsstAccountant = Greg Robinson | |||
|APAsstAccountant = Devon Anscombe | |||
|AsstAccountantPayroll = Aimee Bond | |||
|AsstAccountantPayroll2 = Laura Gardner | |||
|Cashier = Joseff Thomas | |||
|SAWAccountsTrainee = Lauren Mackey | |||
|AccountsClerk = Amber Cripps | |||
|CameraOperator = James Chesterton ACO | |||
|FocusPuller = Jonathan Vidgen | |||
|FocusPuller2 = Steve Rees | |||
|ClapperLoader = Sarah Macleod | |||
|ClapperLoader2 = Evangeline Davies | |||
|CentralLoader = Farah Rose | |||
|CameraTrainee = Chai Lee Tan | |||
|CameraTrainee2 = Andrea Jovanovska | |||
|DigitalImagingTechnician = Nick Everett | |||
|DataManager = David Buckley | |||
|KeyGrip = Bobby Williams | |||
|Grip = Ken Hodgson | |||
|BestBoyGrip = Moses Stringer-Ogundeji | |||
|GripTrainee = Rhys Jones | |||
|EntryLevelGripTrainee = Emily Badger-Knight | |||
|AssistantScriptEditor = Rasheed Bello | |||
|ScriptSupervisor = Nicki Coles | |||
|EntryLevelScriptSupervisor = Ines Mayorga | |||
|1stAssistantSound = James Bowen | |||
|2ndAssistantSound = Angharad Evans | |||
|SAWSoundTrainee = Tayne McIntosh-Barrett | |||
|Gaffer = Pete Chester | |||
|RiggingGaffer = Chris Kiley | |||
|BestBoy = Sion Davies | |||
|RiggingBestBoy = Scott Smallwood | |||
|LightingRigger = Paul Davies | |||
|DeskOperator = Alan Tippetts | |||
|RiggingDeskOperator = Pete Davies | |||
|Electrician = Andy Green | |||
|Electrician2 = Joe Jennings | |||
|Electrician3 = Jon Down | |||
|ScreenSkillsTraineeElectrician = Bianca Parris | |||
|ScreenSkillsTraineeElectrician2 = Daniel Williams | |||
|SupervisingArtDirector = Robyn Paiba | |||
|SeniorArtDirector = Rhys Ifan | |||
|SeniorArtDirector2 = Gareth Cousins | |||
|ArtDirector = Alex Stannus | |||
|ArtDirector2 = Jon Horsham | |||
|ArtDirector3 = Kartik Kundan Nagar | |||
|ArtDirector4 = Hattie Gent | |||
|PropArtDirector = Michael van Kesteren | |||
|AssistantArtDirector = Eleri Lloyd | |||
|StandbyArtDirector = Brad Perry | |||
|SetDecorator = Adrian Anscombe | |||
|SetDresser = Vicki Male | |||
|AsstSetDecorator = Verity Scott | |||
|AsstSetDecorator2 = Billie Blue Williams | |||
|ProductionBuyer = Helen O'Leary | |||
|ActionPropsBuyer = Tara Lily Johnston | |||
|AssistantBuyer = Taymar Lee | |||
|AssistantBuyer2 = Camilla Blair | |||
|AssistantBuyer3 = Harriet Wall | |||
|PettyCashBuyer = Charlie Shelley | |||
|PettyCashBuyer2 = Llinos Jones | |||
|PettyCashBuyer3 = Oyrania Vakoulis-Morris | |||
|SetDecoratingAsst = Lois Drage | |||
|JuniorDraughtsperson = Lucia Heseltine | |||
|JuniorDraughtsperson2 = Lakota Gunter | |||
|JuniorDraughtsperson3 = Katja Allen-Kormylo | |||
|JuniorDraughtsperson4 = Diana Samuila | |||
|JuniorDraughtsperson5 = Sam Hanson | |||
|ArtDeptCoOrdinator = Jason Davies-Redgrave | |||
|ArtDeptAssistant = Ilee Khezrzadeh | |||
|StoryboardArtist = Michael Collins | |||
|PropMaster = Nick Thomas | |||
|PropsChargehand = Stuart Rankmore | |||
|PropsChargehand2 = Ifan Ramage | |||
|StandbyProps = Phill Bull | |||
|StandbyProps2 = Jonathan Barclay | |||
|PropHand = Declan Petryna | |||
|PropHand2 = Atiff Tahir | |||
|PropHand3 = John Thomas | |||
|PropHand4 = Ingo Hans | |||
|PropHand5 = Joseph Craig | |||
|PropHand6 = Jason White | |||
|PropHand7 = Matt Shrimpton | |||
|PropHand8 = Ieuan Parker | |||
|PracticalElectrician = Phillip Jones | |||
|Storeman = Charlie Malik | |||
|PropStoresAssistant = Stephen Bright | |||
|PropPainter = Maria Faurie | |||
|StandbyPainter = Jessie Thomas | |||
|GraphicArtDirector = Erica McEwan | |||
|ConceptArtist = Nandor Moldovan | |||
|JuniorConceptArtist = Jordan Reynolds | |||
|GraphicDesigner = Stephen Fielding | |||
|AsstGraphicDesigner = Sophie Cowdrey | |||
|JuniorGraphicDesigner = Aled Llyr Griffiths | |||
|HODPropModeller = Barry Jones | |||
|Modeller = Grant Humberstone | |||
|Modeller2 = Paul Mazonas | |||
|Modeller3 = Stephanie Howell | |||
|Modeller4 = Penny Howarth | |||
|PropSculptor = Valma Hiblen | |||
|FabricationBuyer = Hester Haslett-Venus | |||
|Rigging = Shadow Rigging | |||
|StandbyRigger = Nigel Owen | |||
|ConstructionManager = Rhys Griffiths | |||
|ConstructionCoordinator = Ffion Roberts | |||
|HODScenicArtist = Jody Raynes | |||
|StandbyCarpenter = Sam Crowley | |||
|Construction = 4Wood TV & Film | |||
|SpecialEffects = Real SFX | |||
|CreatureFX = Millennium FX | |||
|AsstCostumeDesigner = Raïssa Hans | |||
|CostumeSupervisor = Laura Baker | |||
|CostumeDesignAsst = Charlotte Godfrey | |||
|CostumeCoOrdinator = Anthony Williams | |||
|PrincipalCostumeStandby = Kitty Carin-Boyd | |||
|PrincipalCostumeStandby2 = Leila Headon | |||
|CrowdCostumeSupervisor = Nicola Clay Vidales | |||
|CrowdCostumeStandby = Nicola Rodd | |||
|CostumeArtist = Heather Waterton | |||
|CostumeMaker = Issy Lawrence | |||
|CostumeMaker2 = Jessica Hardy | |||
|CostumeMaker3 = Hannah Carey | |||
|CostumeCutter = Mein Roberts | |||
|SAWPrincipalCostumeTrainee = Lizzie Doody | |||
|SAWCrowdCostumeTrainee = Hettie Kitson | |||
|SAWCostumeTrainee = Harley Jenkins | |||
|HairMake-upSupervisor = Clarice Gill | |||
|CrowdHairMake-upSupervisor = Scott Beswick | |||
|SeniorHairMake-upArtist = Sarah Davies | |||
|SeniorHairMake-upArtist2 = Juliet Ireland | |||
|Make-upArtistTo1a = Bella Arghiros | |||
|Made-upActor1 = Ncuti Gatwa | |||
|HairMake-upArtist = Becky Lingham | |||
|Hairdresser = Stuart Cheadle | |||
|TraineeHairMake-upArtist = Madison Garland | |||
|TraineeHairMake-upArtist2 = Charlotte Threadwell | |||
|Facilities = AP Transport c/o Bob Gurney and Richard Gurney | |||
|CastingAssociate = Becky Rossmaur | |||
|CastingAssistant = Kristian Wall | |||
|1stAsstEditor = Emily Lawrence | |||
|1stAsstEditor2 = Joseph Keirle | |||
|VFXEditor = Matt Nathan | |||
|VFXEditorTrainee = Catrin Rees | |||
|VFXTempEditor = Chris Thomas | |||
|AsstOnlineEditor = Luke Stanbury | |||
|PostProdSupervisor = Liv Duffin | |||
|PostProdCoOrdinator = Lauren Pate | |||
|SAWPostProdTrainee = Amelia Goadby | |||
|AudioPostProduction = Bang Post Production | |||
|CrowdADR = Wild ADR | |||
|VFXSupervisor = Dave Houghton | |||
|VFXSupervisor2 = Jim Parsons | |||
|VFXArtDirectionConceptArtist = Dan May | |||
|VFXOnSetSupervisor = Daniel Roberts | |||
|VFXLineProducer = Liam Tully | |||
|VFXCoOrdinator = Siân Reynish | |||
|VFXCoOrdinator2 = Livvy Edwards | |||
|DataWrangler = Hattie Williams | |||
|VFXAssistant = Sarah-Hoor Aboubakar | |||
|CreatureConceptMotionPrevisVFXArt = Painting Practice | |||
|VisualEffects = Goodbye Kansas | |||
|AdditionalVFX = BBC Wales Graphics | |||
|PostProdFacility = Gorilla (post-production) | |||
|MusicPerformedBy = BBC National Orchestra of Wales | |||
|MusicConductedBy = Alastair King | |||
|OriginalTheme = Ron Grainer | |||
|MusicSupervisor = Ollie White | |||
|AsstMusicSupervisor = Marnie Davidge | |||
|TitleSequence = Painting Practice & Realtime Visualisation | |||
|CoProducer = Ellen Marsh | |||
|ScriptEditor = Scott Handcock | |||
|Colourist = Gareth Spensley | |||
|OnlineEditor = Christine Kelly | |||
|VFXProducer = Will Cohen | |||
|PostProdProducer = Ceres Doyle | |||
|SupervisingLocationManager = Iwan Roberts | |||
|SoundRecordist = Alex Thompson (sound recordist) | |||
|Re-recordingMixer = Paul McFadden | |||
|CastingDirector = Andy Pryor CDG/CSA | |||
|Music = Murray Gold | |||
|Editor = Tim Hodges BFE | |||
|DOP = Tobias Datum | |||
|ProductionDesigner = Phil Sims | |||
|CostumeDesigner = Pam Downe | |||
|Make-upDesigner = Claire Williams | |||
|FinancialController = Dyfed Thomas | |||
|LineProducer = Mark Devlin | |||
|ProductionFinanceManager = Sean Kenneally | |||
|FinanceDirector = Mary Furlong | |||
|SeniorBusinessLegalExec = Ifty Khan | |||
|HeadLegalAndBusiness = Beth Wyllie | |||
|JuniorProductionExec = Charlotte Cox | |||
|ProductionExec = Steffan Morris | |||
|DirectorOfProduction = Emily Russell | |||
|ProductionExecBBCStudios = John Hamer | |||
|ExecutiveProdForTheBBC = Rebecca Ferguson | |||
|CommissioningEditorBBC = Lindsay Salt | |||
}} | }} | ||
== Worldbuilding == | == Worldbuilding == | ||
'' | === Technology === | ||
* The TARDIS controls are still new to the Doctor. | |||
* The [[TARDIS console (The Star Beast)|TARDIS console]] has a [[butterfly compensation switch]]. | |||
* Ruby mentions [[matter transporter]]s, which she likens to something out of ''[[Star Trek]]''. | |||
* The Doctor updates Ruby's [[mobile phone]] for transtemporal communication | |||
=== Universes === | |||
* An [[alternate timeline (Space Babies)|alternate timeline]] is created as a result of the [[butterfly effect]] when Ruby accidentally treads on [[butterfly (Space Babies)|a butterfly]] ― this alters Ruby into becoming [[Rubathon Blue]] of the [[57th Hemisphere Hatchlings]], whose [[Rubathon Blue's species|species]] is left unnamed. | |||
* After Ruby mentions ''[[Star Trek]]'', The Doctor responds that they should "[[Federation universe|visit them]] one day." | |||
=== The Doctor === | |||
* The Doctor is aware of [[history-proofing|a change in his memory]] of seeing Ruby being abandoned at the church on Ruby Road. He now remembers the woman he saw leave Ruby behind pointing at him. | |||
* The Doctor revives a butterfly | |||
* The Doctor reveals that Gallifrey used multiple addressing titles such as the Bishop, the Conquistador, the Pendant and Sagi-Shi. | |||
* The Doctor gives Ruby a [[TARDIS key]]. | |||
=== Ruby Sunday === | |||
* Ruby's DNA scan by the TARDIS has a genetic ID of JD6784. | |||
* The scan confirms her species as ''[[Homo sapiens]]'' and her age as [[19 (number)|19]] years and [[3 (number)|3]] hours. | |||
* Other scanned traits mentioned on the monitor include [[nucleotide composition]], which remains incomplete. | |||
== | == Story notes == | ||
* The title of the episode was revealed on the [[Official Doctor Who Twitter|official ''Doctor Who'' Twitter account]] on [[31 March (releases)|31 March]] [[2024 (releases)|2024]].<ref name=" | * The title of the episode was revealed on the [[Official Doctor Who Twitter|official ''Doctor Who'' Twitter account]] on [[31 March (releases)|31 March]] [[2024 (releases)|2024]].<ref name="Title">{{Cite_web|url=https://twitter.com/bbcdoctorwho/status/1774421389421765059|title=SPACE BABIES <br/ >Writer: Russell T Davies<br />Director: Julie Anne Robinson<br />#DoctorWho|author=[[Official Doctor Who Twitter|@bbcdoctorwho]]|date of source=2024-03-31|archiveurl=https://archive.ph/sHXj9|archivedate=2024-05-28}}</ref> | ||
* Parts of the script of this episode were used in auditions for [[Ruby Sunday]]. The script for self-tapes from potential actors were truncated from the scripts of this episode and [[The Devil's Chord (TV story)|the next]]; however, the longer script for in-person auditions<ref name="DWM 586b">[[DWM 586]] - ''A Brand New Face'', Page 21</ref> in [[London]]<ref name="DWM 586a">[[DWM 586]] - ''Hello, Ruby Sunday'', Pages 16-20</ref> was adapted solely from this.<ref name="DWM 586b"/> | * Parts of the script of this episode were used in auditions for [[Ruby Sunday]]. The script for self-tapes from potential actors were truncated from the scripts of this episode and [[The Devil's Chord (TV story)|the next]]; however, the longer script for in-person auditions<ref name="DWM 586b">[[DWM 586]] - ''A Brand New Face'', Page 21</ref> in [[London]]<ref name="DWM 586a">[[DWM 586]] - ''Hello, Ruby Sunday'', Pages 16-20</ref> was adapted solely from this.<ref name="DWM 586b"/> | ||
* [[Russell T Davies]] revealed in the ''[[Letter from the Showrunner]]'' column for [[DWM 589]] that the script includes the words "roar", "[[Glastonbury]]", and "conquistador".<ref name="DWM 589">[[DWM 589]], ''[[Letter from the Showrunner]]''</ref> | * [[Russell T Davies]] revealed in the ''[[Letter from the Showrunner]]'' column for [[DWM 589]] that the script includes the words "roar", "[[Glastonbury]]", and "conquistador".<ref name="DWM 589">[[DWM 589]], ''[[Letter from the Showrunner]]''</ref> | ||
** Davies also said that the episode's title was coincidentally spoken in an episode of the third season of the television series {{wi|Star Trek: Picard}}.<ref name="DWM 591">[[DWM 591]]</ref> | ** Davies also said that the episode's title was coincidentally spoken in an episode of the third season of the television series {{wi|Star Trek: Picard}}.<ref name="DWM 591">[[DWM 591]]</ref> This turned out to be the episode ''No Win Scenario'': | ||
::: Jack: ''We match speed with the wave, use the energy drawn from it and, Bob's your uncle, Fanny's your aunt, we hightail it out the nebula, away from the gravity well, away from that ship out there and away from our new friends the space babies.'' | |||
* It was the first time since ''[[Legend of the Sea Devils (TV story)|Legend of the Sea Devils]]'' that a trailer was shown during before or after the end credits for the next episode, and the first time since ''[[Ascension of the Cybermen (TV story)|Ascension of the Cybermen]]'' that the caption 'NEXT TIME' was used. | |||
*It was also the first time since ''[[Survivors of the Flux (TV story)|Survivors of the Flux]]'' that no cold opening was used, not including any 'PREVIOUSLY' recaps. | |||
*The title sequence was also updated with a new shot and an updated logo effect. | |||
=== Myths === | === Myths === | ||
| Line 99: | Line 386: | ||
=== Ratings === | === Ratings === | ||
4.01 million viewers<ref name="Ratings">{{cite web|url=https://guide.doctorwhonews.net/info.php?detail=ratings&start=0&type=date&order=|title=Doctor Who Ratings|accessdate=08/06/2024}}</ref> | |||
=== Production errors === | === Production errors === | ||
{{discontinuity}} | {{discontinuity}} | ||
''to | * The [[title sequence]] is out of sync with the [[Doctor Who theme|theme music]] (this error has been seen in previous episodes as well) | ||
* When [[The Doctor's TARDIS|the TARDIS]] is seen exiting the [[time vortex]], as it spins around, the [[Outer door|TARDIS doors]] and the "Pull to Open" sign disappear in the first spin but re-appear in the second spin. | |||
* Before Ruby enters [[The Doctor's TARDIS|the TARDIS]] for the first time, the TARDIS is slightly left of the curb it was parked on as seen in at the end of [[The Church on Ruby Road (TV story)|The Church on Ruby Road]]. The white car also seems to have vanished, before returning when the Doctor takes off, as the TARDIS is back in the correct parking spot as it was in The Church on Ruby Road. | |||
* [[Frederick Place]], the real name of the street used for Minto Road, appears on a building opposite the Sunday's home. | |||
== Continuity == | == Continuity == | ||
''to be | * The Doctor tells Ruby he is the last of the [[Time Lords]] following a genocide, as first established in [[TV]]: {{cs|Spyfall (TV story)}}. He also recalls that he was adopted by the Time Lords, as revealed to the [[Thirteenth Doctor]] in [[TV]]: {{cs|The Timeless Children (TV story)}}. | ||
* The Doctor can snap his fingers to control the TARDIS, this time to change lights, as in [[TV]]: {{cs|Forest of the Dead (TV story)}}. | |||
* The Doctor mentions the possibility of visiting ''Star Trek''. The [[Fourth Doctor]] and [[Eleventh Doctor]] met ''Star Trek'' characters when [[N-Space]] merged with the [[Federation universe]] in [[COMIC]]: {{cs|Assimilation² (comic story)}}. | |||
* The Doctor confirms the TARDIS landed in 1963 once ([[TV]]: {{cs|An Unearthly Child (TV story)}}) and it still looks like a Police Box because the Chameleon circuit is still broken ([[TV]]: {{cs|Logopolis (TV story)}}) | |||
* The Doctor uses his sonic screwdriver to enable Ruby’s phone to call across time, which he did to [[Martha Jones]]’ phone in [[TV]]: {{cs|42 (TV story)}} and [[Rose Tyler]]'s phone in [[TV]]: {{cs|The End of the World (TV story)}}. | |||
* The Doctor lists [[Vocational name|the names]] of other Time Lords using "the" titles, including [[the Rani]] — a recurring foe introduced in [[TV]]: {{cs|The Mark of the Rani (TV story)}} — as well as [[the Conquistador]], a title previously seen to be used by a young member of the species during [[the War]] in [[PROSE]]: {{cs|The Short Briefing Sergeant's Tale (short story)}}. | |||
* Asked why a planet would implement [[parthenogenesis machine]]s, the Doctor muses that "a whole world" might go "sterile", or else "go mad and ban kissing". According to some sources, [[Gallifrey]] itself was an example of this phenomenon, implementing [[loom|genetic looms]] either because of a [[Pythia's Curse|curse of sterility]] placed on the entire planet by the [[Pythia]], as originally suggested in [[PROSE]]: {{cs|Cat's Cradle: Time's Crucible (novel)}}, or because [[Rassilon]] had decided to ban the [[womb-born]] of his own volition, as per [[PROSE]]: {{cs|Cold Fusion (novel)}}. | |||
* The Baby Station has a [[Mavity (term)|mavity]] reading, continuing the thread established in [[TV]]: {{cs|Wild Blue Yonder (TV story)}}. | |||
* The Doctor and Ruby discuss her being abandoned at the [[Church, Ruby Road|church]] on [[Ruby Road]], as depicted in [[TV]]: {{cs|The Church on Ruby Road (TV story)}}) | |||
* The Doctor reveals that the TARDIS translates foreign languages to Ruby when she asked about everything being in English. [[Sarah Jane Smith]] previously asked the same question to the [[Fourth Doctor]] in [[TV]]: {{cs|The Masque of Mandragora (TV story)}}, when she knew she should be hearing [[Italian (language)|Italian]]. | |||
* The Doctor secretly uses the TARDIS scanner to check if Ruby is human or not. He previously secretly used it to check if Amy Pond was pregnant or not in [[TV]]: {{cs|Day of the Moon (TV story)}}. | |||
* The Bogeyman is made from human [[snot]], or "bogeys". The [[Seventh Doctor]] and [[Ace]] previously encountered a [[Snot monster|similar monster]] in [[AUDIO]]: {{cs|The Dark Husband (audio story)}}, [[Snot monster (The Runaway Bogey)|as did]] the [[Eleventh Doctor]] and [[Decky Flamboon]] in [[COMIC]]: {{cs|The Runaway Bogey (comic story)}}. Furthermore, the [[Twelfth Doctor]] and [[Clara Oswald]] encountered the [[Sandman (Sleep No More)|Sandmen]], beings made from human [[sleep dust]], in [[TV]]: {{cs|Sleep No More (TV story)}}. | |||
== Home media releases == | == Home media releases == | ||
| Line 122: | Line 423: | ||
{{DWTV}} | {{DWTV}} | ||
[[Category:2024 television stories]] | [[Category:2024 television stories]] | ||
[[Category:Fifteenth Doctor television stories]] | [[Category:Fifteenth Doctor television stories]] | ||
[[Category:Stories set in 21506]] | |||
[[Category:Stories set in London]] | |||
[[Category:Stories set in 2023]] | |||
[[Category:Stories set in the United States]] | |||
[[Category:Stories set in the distant past]] | |||
[[fr:Space Babies (TV)]] | |||
Latest revision as of 23:47, 25 August 2024
Space Babies was the first episode of Season 1 of Doctor Who, broadcast on 11 May 2024, and as a first for the franchise, back-to-back with the second episode, The Devil's Chord [+]Loading...["The Devil's Chord (TV story)"].[1]
The episode and the one it was paired with marked the beginning of a brand new release method for the series; from here on, before their traditional linear Saturday night broadcast on BBC One, new episodes would be uploaded to BBC iPlayer in the UK at 12 midnight, simultaneous with the episodes being added to Disney+ across the rest of the world, which in some countries would mean Friday at 4pm Pacific Time/7pm Eastern Time.
Synopsis[[edit] | [edit source]]
For Ruby Sunday's first trip aboard the TARDIS with the Doctor, after a false start, they find themselves on a mysterious space station crewed by... babies? A mysterious monster that strikes fear into even the Doctor's hearts roams the lower decks, and a lone adult protects the (space) babies from behind a screen. Can the Doctor and Ruby solve the mystery and get the babies to safety before the Bogeyman gets them?
Plot[[edit] | [edit source]]
Ruby Sunday boards the TARDIS, and looks around, amazed. She tries to get a handle on the new situation she's found herself entering into, asking about the Doctor's past to a certain extent, what his actual name is - she can't just call him "the Doctor". He says that the species that adopted him, all wiped out but him, tended to use titles, and if you use one for long enough that just becomes your name.
He changes the subject, and picks a random spot for the two venture to, landing 150 million years in the past. Excited to venture out, half in disbelief, Ruby is concerned about the butterfly effect, but the Doctor tells her there's nothing to worry about – nobody ever steps on butterflies. However, shortly after stepping into prehistoric Wyoming, dinosaurs and all, Ruby steps on a butterfly. The Doctor finds that Ruby has been replaced with Rubathon Blue, but with some quick thinking, grabs the butterfly from beneath her and nurtures it back to health, restoring Ruby's existence in the process. He quickly ushers her back onboard the TARDIS – noting that the controls are new, and he forgot about the butterfly compensation switch – and decides to take her to the future instead, asking Ruby to give him a year. She belts out 21506 digit by digit, and the two land on a broken down, derelict space station. Exploring the bowls of the space station, they encounter a menacing creature that frightens the two of them, causing them both to run into a nearby elevator.
.jpg)
They manage to escape to an upper level, but the Doctor is confused as to why the creature evoked that response from him, as he's usually not scared of new things. Looking around they find themselves in a less run down area of the space station, a parthenogenesis machine, a baby farm, orbiting above Pacifico Del Rio. As they discuss the distance the human race has come, the Doctor insists that Ruby call her mum, using his sonic screwdriver to give her phone the ability to call the 21st century. Ruby does so, half reluctantly, checking in with her just to note that everything is alright before dashing off again. As the Doctor and Ruby discuss the situation on the ship, a baby in an automated pram rolls in, talking to himself about the maintenance of the station. As they step out to greet him, he becomes excited, exclaiming that after all this time mummy and daddy are here, and he rolls off to tell the others.
The Doctor and Ruby follow the pram to a control centre filled with other babies in automated prams, all excited to see mummy and daddy, all determined to show how good they've been at running the station while they've been gone, using jury-rigged contraptions and bits of string to hit buttons and pull levers to keep it in order. The Doctor and Ruby regrettably explain that they're not mummy and daddy, and express their sympathy to the crew, such as it is. The Doctor tries to go through the station's logs and finds that the actual crew abandoned ship, leaving the parthenogenesis machine running when they did so. Ruby asks the babies how they've survived so long on their own, but the babies say they're not alone, they have Nanny, and a computerized voice comes on over the intercom, greeting the two visitors, as well as telling the babies that it's time for their noses to be blown. The Doctor, amused by the situation, asks if the creature downstairs is their "pet dog". The babies freak out, saying that downstairs is the Bogeyman. In their state of panic, the Doctor finds a private line to Nanny and tries to talk to her, trying to diagnose the deeper underlying issues with the station. Nanny repeatedly insists he go to a storage unit on the floor, and finally he relents, Ruby following.
As the two head to find the unit, they find themselves talking about Ruby's past, and how she was left in the snow on a Church, on Ruby Road. The Doctor's mind flashes back to the memory he has of going there to save her, not so long ago, but this time things are different; rather than walking away, the hooded figure who left Ruby there turns to him as it departs, points at him, before Ruby snaps him out of the memory. As he comes out of the memory, the duo find themselves inexplicably immersed in snowfall, still on the space station. As they shake the situation off, a woman darts out from a nearby storage cupboard and insists they enter, Nanny. Once inside, the pair watch a series of videos of the former crew signing off for their forced departure from Baby Station Beta, protesting its abandonment; a recession caused it to be shut down, but the law forced the parthenogenesis machine to be kept running. Nanny, Jocelyn Sancerre, has been trying to take care of the babies for the past six years, as the station has been collapsing around her, the education software running amok, food and air slowly running out bit by bit. Looking at a map of the solar system, a planet farther out is a DuBarryDuPlessy world, that could take in refugees, but the group would need to get there first. Now, they have the TARDIS, and can get there, but between them and the TARDIS is the Bogeyman. Jocelyn has no real understanding of the creature; it just appeared six years ago, not on the manifest.
.jpg)
As the trio is talking, they notice on the screen that Eric, one of the babies has gone down into the bowls of the space station to confront the Bogeyman, as if this entire situation was like a children's story and he was the hero. Over the intercom, Jocelyn insists that he has to leave, but he refuses. Upset that she had inspired Eric's course of action, Ruby and the Doctor dash downstairs, manage to find Eric, and the three hide and flee from the Bogeyman. After some of the baby crew saves them using a flamethrower, Eric is sent back to the upper level; the Doctor and Ruby stay in the area below to figure out what's going on with the Bogeyman. They find it leaving large amounts of spoor throughout the lower levels, and take a sample to a terminal of the parthenogenesis machine nearby, where they analyze the composition of the material. Finally getting answers, they discover that the Bogeyman was generated from the snot of the babies, and was built by the education system that had run amok, literally trying to tell a real story, generating a real fairytale monster that the babies could learn from. The Bogeyman finds the pair and chases after them, but Jocelyn manages to lead the pair through the maze of corridors below, closing off doors to manoeuvre the Bogeyman into an airlock, which she opens, determined eject the monster into space, to protect her children.
.jpg)
The Doctor insists that she shouldn't do this, that the Bogeyman is just the same, that it is one of her children, but Jocelyn refuses to listen. He sends Ruby up to stop her as he dives into the airlock himself, hitting the emergency close switch. Back atop with Jocelyn and the babies finally united with each other, he shows them all that the Bogeyman is safe and sound in the airlock, but unable to hurt them. He also shows them the nearby world that's willing to take them, and says that part of the ship's problems have come from the buildup of methane from old nappies stored in one place, so he releases the methane as propulsion, sending them towards their new home.
.jpg)
The Doctor and Ruby depart, Ruby being given a TARDIS key, travelling back to Christmas, to Ruby's flat and to her mother Carla, materialising in the middle of her kitchen, damaging the ceiling. As the Doctor departs the TARDIS to join Ruby and Carla and explain things, a scanner blinks in the background, analyzing Ruby's DNA, bit by bit, as snow falls across the console room.
Cast[[edit] | [edit source]]
- The Doctor - Ncuti Gatwa
- Ruby Sunday - Millie Gibson
- Bogeyman - Robert Strange
- Carla Sunday - Michelle Greenidge
- Eric - Mason McCumskey
- Voice of Eric - Sami Amber
- Poppy - Sienna-Robyn Mavanga-Phipps
- Voice of Poppy - Shola Olaitan-Ajiboye
- Voice of Sandra - Cadence Williams
- Voice of Marcel - Param Patel
- Voice of Adjani - Lonnee Archibong
- Jocelyn Sancerre - Golda Rosheuvel
- Rico Trieste - Jesus Reyes Ortiz
- Lucia Colasanto - Yasmine Bouabid
- Cherry Sunday - Angela Wynter
Uncredited cast[[edit] | [edit source]]
- Sandra - TBA
- Marcel - TBA
- Adjani - TBA
- Tasha - Rome Johns[2][3]
- Ruben - TBA
- Saltine - TBA
- Boo - TBA
- Ruby Sunday's mother - TBA
- Gina Scalzi - Susan Twist[4]
Crew[[edit] | [edit source]]
| Executive Producers Russell T Davies, Julie Gardner and Jane Tranter with Joel Collins and Phil Collinson |
|
|
|
|
| Not every person who worked on this adventure was credited. The absence of a credit for a position doesn't necessarily mean the job wasn't required. The information above is based solely on observations of the actual end credits of the episodes as broadcast, and does not relay information from IMDB or other sources. |
Worldbuilding[[edit] | [edit source]]
Technology[[edit] | [edit source]]
- The TARDIS controls are still new to the Doctor.
- The TARDIS console has a butterfly compensation switch.
- Ruby mentions matter transporters, which she likens to something out of Star Trek.
- The Doctor updates Ruby's mobile phone for transtemporal communication
Universes[[edit] | [edit source]]
- An alternate timeline is created as a result of the butterfly effect when Ruby accidentally treads on a butterfly ― this alters Ruby into becoming Rubathon Blue of the 57th Hemisphere Hatchlings, whose species is left unnamed.
- After Ruby mentions Star Trek, The Doctor responds that they should "visit them one day."
The Doctor[[edit] | [edit source]]
- The Doctor is aware of a change in his memory of seeing Ruby being abandoned at the church on Ruby Road. He now remembers the woman he saw leave Ruby behind pointing at him.
- The Doctor revives a butterfly
- The Doctor reveals that Gallifrey used multiple addressing titles such as the Bishop, the Conquistador, the Pendant and Sagi-Shi.
- The Doctor gives Ruby a TARDIS key.
Ruby Sunday[[edit] | [edit source]]
- Ruby's DNA scan by the TARDIS has a genetic ID of JD6784.
- The scan confirms her species as Homo sapiens and her age as 19 years and 3 hours.
- Other scanned traits mentioned on the monitor include nucleotide composition, which remains incomplete.
Story notes[[edit] | [edit source]]
- The title of the episode was revealed on the official Doctor Who Twitter account on 31 March 2024.[5]
- Parts of the script of this episode were used in auditions for Ruby Sunday. The script for self-tapes from potential actors were truncated from the scripts of this episode and the next; however, the longer script for in-person auditions[6] in London[7] was adapted solely from this.[6]
- Russell T Davies revealed in the Letter from the Showrunner column for DWM 589 that the script includes the words "roar", "Glastonbury", and "conquistador".[8]
- Davies also said that the episode's title was coincidentally spoken in an episode of the third season of the television series Star Trek: Picard.[9] This turned out to be the episode No Win Scenario:
- Jack: We match speed with the wave, use the energy drawn from it and, Bob's your uncle, Fanny's your aunt, we hightail it out the nebula, away from the gravity well, away from that ship out there and away from our new friends the space babies.
- It was the first time since Legend of the Sea Devils that a trailer was shown during before or after the end credits for the next episode, and the first time since Ascension of the Cybermen that the caption 'NEXT TIME' was used.
- It was also the first time since Survivors of the Flux that no cold opening was used, not including any 'PREVIOUSLY' recaps.
- The title sequence was also updated with a new shot and an updated logo effect.
Myths[[edit] | [edit source]]
to be added
Filming locations[[edit] | [edit source]]
to be added
Ratings[[edit] | [edit source]]
4.01 million viewers[10]
Production errors[[edit] | [edit source]]
If you'd like to talk about narrative problems with this story — like plot holes and things that seem to contradict other stories — please go to this episode's discontinuity discussion.
- The title sequence is out of sync with the theme music (this error has been seen in previous episodes as well)
- When the TARDIS is seen exiting the time vortex, as it spins around, the TARDIS doors and the "Pull to Open" sign disappear in the first spin but re-appear in the second spin.
- Before Ruby enters the TARDIS for the first time, the TARDIS is slightly left of the curb it was parked on as seen in at the end of The Church on Ruby Road. The white car also seems to have vanished, before returning when the Doctor takes off, as the TARDIS is back in the correct parking spot as it was in The Church on Ruby Road.
- Frederick Place, the real name of the street used for Minto Road, appears on a building opposite the Sunday's home.
Continuity[[edit] | [edit source]]
- The Doctor tells Ruby he is the last of the Time Lords following a genocide, as first established in TV: Spyfall [+]Loading...["Spyfall (TV story)"]. He also recalls that he was adopted by the Time Lords, as revealed to the Thirteenth Doctor in TV: The Timeless Children [+]Loading...["The Timeless Children (TV story)"].
- The Doctor can snap his fingers to control the TARDIS, this time to change lights, as in TV: Forest of the Dead [+]Loading...["Forest of the Dead (TV story)"].
- The Doctor mentions the possibility of visiting Star Trek. The Fourth Doctor and Eleventh Doctor met Star Trek characters when N-Space merged with the Federation universe in COMIC: Assimilation² [+]Loading...["Assimilation² (comic story)"].
- The Doctor confirms the TARDIS landed in 1963 once (TV: An Unearthly Child [+]Loading...["An Unearthly Child (TV story)"]) and it still looks like a Police Box because the Chameleon circuit is still broken (TV: Logopolis [+]Loading...["Logopolis (TV story)"])
- The Doctor uses his sonic screwdriver to enable Ruby’s phone to call across time, which he did to Martha Jones’ phone in TV: 42 [+]Loading...["42 (TV story)"] and Rose Tyler's phone in TV: The End of the World [+]Loading...["The End of the World (TV story)"].
- The Doctor lists the names of other Time Lords using "the" titles, including the Rani — a recurring foe introduced in TV: The Mark of the Rani [+]Loading...["The Mark of the Rani (TV story)"] — as well as the Conquistador, a title previously seen to be used by a young member of the species during the War in PROSE: The Short Briefing Sergeant's Tale [+]Loading...["The Short Briefing Sergeant's Tale (short story)"].
- Asked why a planet would implement parthenogenesis machines, the Doctor muses that "a whole world" might go "sterile", or else "go mad and ban kissing". According to some sources, Gallifrey itself was an example of this phenomenon, implementing genetic looms either because of a curse of sterility placed on the entire planet by the Pythia, as originally suggested in PROSE: Cat's Cradle: Time's Crucible [+]Loading...["Cat's Cradle: Time's Crucible (novel)"], or because Rassilon had decided to ban the womb-born of his own volition, as per PROSE: Cold Fusion [+]Loading...["Cold Fusion (novel)"].
- The Baby Station has a mavity reading, continuing the thread established in TV: Wild Blue Yonder [+]Loading...["Wild Blue Yonder (TV story)"].
- The Doctor and Ruby discuss her being abandoned at the church on Ruby Road, as depicted in TV: The Church on Ruby Road [+]Loading...["The Church on Ruby Road (TV story)"])
- The Doctor reveals that the TARDIS translates foreign languages to Ruby when she asked about everything being in English. Sarah Jane Smith previously asked the same question to the Fourth Doctor in TV: The Masque of Mandragora [+]Loading...["The Masque of Mandragora (TV story)"], when she knew she should be hearing Italian.
- The Doctor secretly uses the TARDIS scanner to check if Ruby is human or not. He previously secretly used it to check if Amy Pond was pregnant or not in TV: Day of the Moon [+]Loading...["Day of the Moon (TV story)"].
- The Bogeyman is made from human snot, or "bogeys". The Seventh Doctor and Ace previously encountered a similar monster in AUDIO: The Dark Husband [+]Loading...["The Dark Husband (audio story)"], as did the Eleventh Doctor and Decky Flamboon in COMIC: The Runaway Bogey [+]Loading...["The Runaway Bogey (comic story)"]. Furthermore, the Twelfth Doctor and Clara Oswald encountered the Sandmen, beings made from human sleep dust, in TV: Sleep No More [+]Loading...["Sleep No More (TV story)"].
Home media releases[[edit] | [edit source]]
to be added
Gallery[[edit] | [edit source]]
- Main article: Space Babies (TV story)/Gallery
External links[[edit] | [edit source]]
- Official Space Babies page on the Doctor Who website
Footnotes[[edit] | [edit source]]
- ↑ Doctor Who Season One Premieres 11th May 2024. Doctor Who (2024-03-15). Archived from the original on 2024-04-11.
- ↑ @amarahromeandme; @alyssaalexanderx (2024-05-12). So proud of our baby boy, GO ROMEY 🪐👶🏽 + so proud of his space baby friends!! What an incredible experience and so lucky to be a part of this amazing series!! Thankful and blessed, always 💫❤️
•
•
•
•
•
#doctorwho #doctorwhospacebabies #spacebabies #babyactor #whovians #bbcdoctorwho. Archived from the original on 2024-05-15. - ↑ @alyssaalexanderx (2024-01-02). Blessed & grateful !!! That's my baby 🫶🏼. Archived from the original on 2024-05-15.
- ↑ Louise Griffin (2024-05-11). Who is Susan Twist's character in Doctor Who? All the theories. RadioTimes.com. Archived from the original on 2024-05-12.
- ↑ @bbcdoctorwho (2024-03-31). SPACE BABIES
Writer: Russell T Davies
Director: Julie Anne Robinson
#DoctorWho. Archived from the original on 2024-05-28. - ↑ 6.0 6.1 DWM 586 - A Brand New Face, Page 21
- ↑ DWM 586 - Hello, Ruby Sunday, Pages 16-20
- ↑ DWM 589, Letter from the Showrunner
- ↑ DWM 591
- ↑ Doctor Who Ratings. Retrieved on 08/06/2024.
