Asylum of the Daleks (TV story)

Asylum of the Daleks
Doctor:	[[doctor::Eleventh Doctor]]
Companion(s):	Amy, Rory
Main enemy:	Daleks
Main setting:	The Dalek Asylum
Key crew
Writer:	Steven Moffat
Director:	Nick Hurran
Producer:	Marcus Wilson
Release details
Story number:	225
Premiere broadcast:	1 September 2012
Format:	1x50 minute episode
Doctor Who television stories
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Asylum of the Daleks was the first episode of the seventh series of Doctor Who produced by BBC Wales. It was the first television story to prominently feature the Daleks since 2010's Victory of the Daleks, following their deliberate side-lining.

Synopsis

Kidnapped by his oldest enemies, more powerful than ever, The Doctor is forced on a mission - to a place even the Daleks are scared of... the Asylum. A planetary prison confining the most terrifying and insane of their kind - The Doctor and ex-companions Amy and Rory must find a way to escape. But with Amy and Rory's marriage in meltdown, it is up to the Doctor to save his oldest enemies... and his friends' marriage.

Plot

On Skaro, a woman called Darla meets the Doctor in a huge Dalek statue. She asks the Doctor to save her daughter from a Dalek prison camp, and she says she escaped before. It turns out she is a Dalek puppet, with an eyestalk inside her head. She shoots the doctor, as a Dalek saucer arrives.

On Earth, Amy Pond is posing for the camera when her secretary tells her that her husband wants to see her. She remarks that she doesn't have a husband anymore. She walks in to a make up room, where Rory asks her to sign the divorce papers. Once done so, he leaves as Amy's make-up artist enters. It turns out she is also a Dalek puppet and she teleports Amy away.

Rory gets on a bus, and the bus driver turns out to also be a Dalek puppet who in turn teleports Rory to the Daleks.

He wakes up to see Amy, and looks outside a small window to see lots of Dalek saucers. The Doctor enters with a Dalek and they are taken to the Parliament of the Daleks. The Daleks ask him to save them, and he remarks that this was new.

The Daleks bring them to a planet they call the Asylum; a place that the Doctor has heard of only in legened. He explains that it's a place where the Daleks dump those of their kind who go wrong; the insane, the battle-scarred and the uncontrollable. The whole planet is automated and surrounded by an impenetrable shield but the Daleks have detected a signal of unknown origin on the planet. The Doctor traces the signal to a woman called Oswin Oswald who has been hiding out on the remains of a crashed starliner for a year.

The Doctor realises when the star liner crashed it ruptured the planet's shield leading to the risk of the inmates escaping. A planet of insane Daleks roaming free is something that scares even the Daleks, who captured the Doctor and his allies to deal with the threat. The shield is still strong enough to resist an assult from orbit so the Doctor and the Ponds will be sent down to the planet to deactivate the shield so the planet can be "cleansed". The three are given protective bracelets so they will not be affected by the Nanocloud that surrounds the planet and are sent down.

Cast

• The Doctor - Matt Smith
• Amy Pond - Karen Gillan
• Rory Williams - Arthur Darvill
• Oswin - Jenna-Louise Coleman
• Darla - Anamaria Marinca
• Cassandra - Naomi Ryan
• Harvey - David Gyasi
• Voice of the Daleks - Nicholas Briggs
• Dalek 1 - Barnaby Edwards
• Dalek 2 - Nicholas Pegg

Crew

Executive Producers   Caroline Skinner and Steven Moffat

Written by Steven Moffat	Produced by Marcus Wilson	Directed by Nick Hurran	Director of Photography Neville Kidd	Production Designer Michael Pickwoad	Visual Effects The Mill
Make-up Designer Barbara Southcott	Casting Director Andy Pryor CDG	Music Murray Gold	Costume Designer Howard Burden	Edited by Jamie Pearson	Special Effects Real SFX
Original theme music by Ron Grainer  •  With thanks to the BBC National Orchestra of Wales  •  Conducted and orchestrated by Ben Foster  •  Recorded and mixed by Jake Jackson   Daleks created by Terry Nation

General production staff Production Executive - Julie Scott Script Producer - Denise Paul Line Producer - Diana Barton Production Manager - Phillipa Cole Location Manager - Nicky James Unit Manager - Geraint Williams Production Co-ordinator - Claire Hildred Assistant Production Co-ordinator - Gabriella Ricci Production Assistants - Rachel Vipond, Samantha Price Production Secretary - Sandra Cosfeld Production Accountant - Jeff Dunn A/Production Accountants - Rhys Evans, Justine Wooff Script department Assistant Script Editor - John Phillips Camera and lighting department 1st Assistant Director - Fay Selby 2nd Assistant Director - James DeHaviland 3rd Assistant Director - Heddi-Joy Taylor-Welch Assistant Director - Danielle Richards Script Supervisor - Steve Walker Camera Operator - Joe Russell Focus Pullers - James Scott, Julius Ogden Grip - Gary Norman Assistant Grip - Owen Charnley Camera Assistants - Meg De Koning, Sam Smithard, Cai Thompson Gaffer - Mark Hutchings Best Boy - Stephen Slocombe Electricians - Bob Milton, Gareth Sheldon, Matt Wilson	Art department Supervising Art Director - Paul Spriggs Art Director - Lucienne Suren Assistant Art Director - Richard Hardy Art Department Co-ordinator - Donna Shakesheff Production Buyers - Charlie Lynam, Adrian Greenwood Petty Cash Buyer - Helen O'Leary Set Decorator - Adrian Anscombe Set Dresser - Jayne Davies Graphic Artist - Christina Tom Graphic Designer - Chris Lees Standby Props - Phill Shellard, Helen Atherton Standby Carpenter - Will Pope Standby Rigger - Bryan Griffiths Props Master - Paul Smith Props Chargehand - Bernie Davies Dressing Props - Mike Elkins, Ian Griffin Props Driver - Gareth Fox Props Makers - Penny Howarth, Alan Hardy, Jamie Thomas, Tom Belton Construction Manager - Terry Horle Construction Chargehand - Dean Tucker Graphics - Peter Anderson Studio Costume department Costume Supervisor - Carly Griffith Assistant Costume Designer - Fraser Purfit Costume Assistants - Katarina Cappellazzi, Gemma Evans	Make-up and prosthetics Make-up Artists - Sara Angharad, Vivienne Simpson, Allison Sing Prosthetics - Millennium FX Movement Stunt Co-ordinators - Crispin Layfield, Gordon Seed Casting Casting Associate - Alice Purser General post-production staff Post-production Supervisor - Nerys Davies Assistant Editor - Becky Trotman On-line Conform - Mark Bright On-line Editor - Jeremy Lott Special and visual effects VFX Editor - Joel Skinner Colourist - Mick Vincent Sound Sound Recordist - Deian Llŷr Humphreys Dubbing Mixer - Tim Ricketts Sound Maintenance Engineers - Ross Adams, Chris Goding Dialogue Editor - Darran Clement ADR Editor - Matthew Cox Sound Effects Editor - Paul Jefferies Foley Editor - Jamie Talbutt

Not every person who worked on this adventure was credited. The absence of a credit for a position doesn't necessarily mean the job wasn't required. The information above is based solely on observations of the actual end credits of the episodes as broadcast, and does not relay information from IMDB or other sources.

References

Daleks

• The Daleks have a Prime Minister.
• The Daleks refer to the Doctor as the "Predator of the Daleks".

Individuals

• Amy can no longer have children due to what happened on Demons Run.

Music

• The music played by Oswin Oswald is from the opera Carmen.
• The Doctor claims to have played the triangle for the recording of "L'amour est un oiseau rebelle" that is heard in the Parliament of the Daleks.

Planets

• Skaro is the original planet of the Daleks, it still exists with the remains of a large Dalek-shaped building.

Transport technology

• The Doctor brags that he has exceptional aim with teleports after he teleports himself and the Ponds into his TARDIS.

Story notes

• This story premiered in Australia on the Australian Broadcasting Corporation's on-demand and catch-up service iView at 5.10am AEST; immediately following the UK broadcast. This was the first time Doctor Who had debuted on Australian TV in this way. A traditional free-to-air screening on ABC1 will follow on the 8 September.
• This story marks the first appearance of a new title sequence. It contains the same music and time vortex animation as the sequence used for the two previous seasons, but the font of the opening credits and the style of the logo have changed.

Ratings

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Filming locations

to be added

Production errors

• The first Dalek Rory approaches inside the asylum has indicators on both sides from his perspective, but when the camera is behind the Dalek the light on the right hand side is missing.
• The Doctor has a plaster on his finger that keeps disappearing and reappearing.

Continuity

• The Asylum is stylistically similar to the city in DW: The Daleks.
• The Doctor's death is public knowledge across the Universe. (DW: The Wedding of River Song)
• Rory mentions waiting outside a box for two thousand years. (DW: The Big Bang)
• On the Dalek Asylum, Nanogenes turn people both living and dead into Daleks. (DW: The Empty Child, The Doctor Dances)

A special weapons Dalek.

• Various models of the Daleks from different points in the series are visible in the Asylum, mostly in the background. These include many of the gold, post-Time War Daleks, (DW: Dalek onwards) one or more Supreme Daleks of the New Dalek Paradigm, (DW: Victory of the Daleks onwards) a Special Weapons Dalek, (DW: Remembrance of the Daleks) several Renegade Daleks, (DW: Resurrection of the Daleks, Remembrance of the Daleks) several of the earlier silver Daleks, (DW: The Power of the Daleks, The Evil of the Daleks) and the grey wooden-looking Dalek models, (DW: Day of the Daleks to DW: The Five Doctors) and a black Dalek identical to Dalek Sec. (DW: Doomsday, Daleks in Manhattan, Evolution of the Daleks)
• The Daleks in the intensive care section of the Asylum are survivors of encounters with the Doctor on planets such as Spiridon (DW: Planet of the Daleks), Kembel (DW: The Daleks' Master Plan), Aridius (DW: The Chase), Vulcan (DW: The Power of the Daleks), and Exxilon (DW: Death to the Daleks).
• The Doctor is seen on Skaro. The planet was last seen on-screen in Doctor Who (despite its destruction in DW: Remembrance of the Daleks). It has also appeared more recently in the Adventure Game City of the Daleks, in which it looks the same as it does in this episode, complete with acid rain.
• The Doctor brags that he has exceptional aim with teleports after he teleports himself and the Ponds into the TARDIS. Rose Tyler had previously remarked that the Doctor was "good with teleports." (DW: Boom Town)
• The chair Oswin sits in appears to be identical to the chair in Jenny's spaceship. (DW: The Doctor's Daughter)

Home video releases

DVD releases

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Blu-ray releases

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External links

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Footnotes