The Stones of Venice (audio story): Difference between revisions

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* The [[First Doctor]] previously visited Venice in the company of [[Steven Taylor]] and [[Dodo Chaplet]] in [[1609]] ([[PROSE]]: ''[[The Empire of Glass]]'') whereas the [[Eleventh Doctor]], [[Amy Pond]] and [[Rory Williams]] would later do so in [[1580]] ([[TV]]: ''[[The Vampires of Venice]]'').
* The [[First Doctor]] previously visited Venice in the company of [[Steven Taylor]] and [[Dodo Chaplet]] in [[1609]] ([[PROSE]]: ''[[The Empire of Glass]]'') whereas the [[Eleventh Doctor]], [[Amy Pond]] and [[Rory Williams]] would later do so in [[1580]] ([[TV]]: ''[[The Vampires of Venice]]'').
* The artwork in [[Churchwell]]'s collection of the woman in the jar is most likely a reference to the  [[Scarlet Empress|Empress]]' predecessors in [[Paul Magrs]]' [[PROSE]]: ''[[The Scarlet Empress]]''.
* The artwork in [[Churchwell]]'s collection of the woman in the jar is most likely a reference to the  [[Scarlet Empress|Empress]]' predecessors in [[Paul Magrs]]' [[PROSE]]: ''[[The Scarlet Empress]]''.
[[File:Scan0005.jpg|thumb]]
[[File:Scan0005.jpg|thumb|Art by Lee Sullivan from DWM 302]]


== External links ==
== External links ==

Revision as of 17:42, 19 January 2013

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audio stub

The Stones of Venice was the eighteenth monthly Doctor Who audio story produced by Big Finish Productions. Written by Paul Magrs this is his first contribution to audio-based Doctor Who, although not his first time writing for the Eighth Doctor. Magrs had previously written The Scarlet Empress and The Blue Angel (with Jeremy Hoad) both novels were part of the BBC Eighth Doctor Adventures novel range.

Publisher's summary

The Eighth Doctor and Charley decide to take a well-deserved break from the monotony of being chased, shot at and generally suffering anti-social behaviour at the hands of others.

And so they end up in Venice, well into Charley's future, as the great city prepares to sink beneath the water for the last time...

Which would be a momentous, if rather dispiriting, event to witness in itself. However, the machinations of a love-sick aristocrat, a proud art historian and a rabid High Priest of a really quite dodgy cult combine to make Venice's swansong a night to remember.

And then there's the rebellion by the web-footed amphibious underclass, the mystery of a disappearing corpse and the truth behind a curse going back further than curses usually do.

The Doctor and Charley are forced to wonder just what they have got themselves involved with this time...

Plot

to be added

Cast

References

Culture

  • The Doctor likens the cult worshiping Estella to Liza Minelli being the daughter of Judy Garland, in that the Duke's wife and Liza Minelli's mother were both "taken away" and deified by the populace.

Notes

Continuity

File:Scan0005.jpg
Art by Lee Sullivan from DWM 302

External links