Victory of the Daleks (TV story)

Victory of the Daleks
Doctor:	[[doctor::Eleventh Doctor]]
Companion(s):	Amy Pond
Main enemy:	Daleks
Main setting:	Earth, 1941, World War II Dalek Saucer
Key crew
Writer:	Mark Gatiss
Director:	Andrew Gunn
Producer:	Peter Bennett
Release details
Story number:	205
Release number:	Series 5
Premiere broadcast:	17th April 2010
Format:	1 x 45 minute episode

Victory of the Daleks is the third episode of Matt Smith's first series. It marks the re-appearance of the Daleks and the Eleventh Doctor's first encounter with them.

Synopsis

The Doctor and Amy are called to London during World War II by an old friend of the Doctor: Winston Churchill. To the Doctor's horror he finds the Daleks posing as a manmade "secret weapon" that Churchill calls "ironsides" and hopes will win him the war.

File:Dalek...jpg

A Dalek emerges

Plot

The Doctor and Amy are called to London during the Second World War by an old friend of the Doctor: Winston Churchill. To the Doctor's horror he finds the Daleks posing as a manmade "secret weapon" that Churchill calls "ironsides" and hopes will win him the war. The ironsides have been created by Professor Edwin Bracewell and are extremely effective at shooting German Heinkels down; however, rather than being typically aggressive, they are docile, offering to help their human colleagues and serving them cups of tea. Confronting them with their true names, the Doctor is horrified to learn that the Daleks' goal all along was to encounter the Doctor. One of the Daleks transmits a recording of the Doctor, described as a "testimony", to a Dalek in a spaceship which is seen hiding behind the moon. After their last encounter with him, a three Daleks were able to escape in a single Dalek ship equipped with a 'Progenitor device' capable of recreating the Dalek race, but due to the Daleks having been grown from Davros's cells the Progenitor would not recognise them as 'true' Daleks until the Doctor did so himself. The Doctor's testimony is enough for Progenitor device to recognise the Daleks and accept instructions to create a new race of Daleks. When these new Daleks appear they exterminate their predecessors and begin the countdown on a bomb capable of destroying the Earth. Despite wanting to end a new Dalek reign of terror before it can begin, the Doctor is forced to allow them to depart in order to return to Earth and stop the detonation of the bomb.

Cast

• The Doctor - Matt Smith
• Amy Pond - Karen Gillan
• Winston Churchill - Ian McNeice
• Edwin Bracewell - Bill Paterson [1]
• Blanche - Nina De Cosimo [2]
• Lilian - Susannah Fielding [3]
• Peter - James Albrecht [4]
• Captain Childers - Tim Wallers[5]
• ARP Warden - Colin Prockter[6]
• Civil Servant - Jamal Nasir[7]
• Spitfire Pilot - Mark Gatiss
• Dalek (Operator) - Barnaby Edwards
• Dalek (Operator) - Nicholas Pegg[8]
• Dalek (Voice) - Nicholas Briggs[9]

Crew

Executive Producers   Steven Moffat, Piers Wenger and Beth Willis

Written by Mark Gatiss	Produced by Peter Bennett	Directed by Andrew Gunn	Director of Photography Graham Frake	Production Designer Edward Thomas	Visual Effects The Mill
Make-up Designer Barbara Southcott	Casting Director Andy Pryor CDG	Music Murray Gold	Costume Designer Ray Holman	Edited by John Richards	Special Effects Real SFX
Original theme music by Ron Grainer  •  Title sequence by Framestore  •  With thanks to the BBC National Orchestra of Wales   Daleks created by Terry Nation

General production staff Production Executive - Julie Scott Line Producer - Patrick Schweitzer Location Managers - Gareth Skelding, Paul Davies Unit Manager - Rhys Griffiths Assistant Unit Manager - Geraint Williams Production Co-ordinator - Jess van Niekerk Assistant Production Manager - Claire Thomas Production Runner - Sian Warrilow Production Accountant - Ceri Tothill A/Production Accountant - Carole Wakefield Script department Script Editor - Brian Minchin Camera and lighting department 1st Assistant Director - Steve Robinson 2nd Assistant Director - James DeHaviland 3rd Assistant Director - Heddi-Joy Taylor-Welch Runners - Nicola Enyon Price, Laura Jenkins Continuity - Non Eleri Hughes Camera Operator - Martin Stephens Focus Pullers - Steve Rees, Shirley Schumacher Grip - John Robinson Camera Assistants - Tom Hartley, Jon Vidgen Boom Operator - Dafydd Parry Gaffer - Mark Hutchings Best Boy - Pete Chester Electricians - Ben Griffiths, Steve Slocombe, Bob Milton, Alan Tippets	Art department Supervising Art Director - Stephen Nicholas Art Department Co-ordinator - Amy Pope Associate Designer - James North Production Buyer - Ben Morris Set Decorator - Arwel Wyn Jones Props Buyer - Catherine Samuel Set Designer - Ben Austin Storyboard Artist - Rod Knipping Concept Artists - Richard Shaun Williams, Peter McKinstry Graphic Artist - Jackson Pope Standby Props - Phill Shellard, Tom Evans Standby Carpenter - Will Pope Standby Art Director - Dafydd Shurmer Standby Rigger - Keith Freeman Standby Painter - Ellen Woods Props Master - Paul Aitken Props Chargehand - Matt Wild Dressing Props - Martin Broadbent, Rhys Jones Props Makers - Penny Howarth, Nicholas Robatto Construction Manager - Matthew Hywel-Davies Construction Chargehand - Scott Fisher Practical Electrician - Albert James Scenic Artists - John Pinkerton, John Whalley Graphics - BBC Wales Graphics Costume department Costume Supervisor - Lindsay Bonaccorsi Costume Assistants - Sara Morgan, Maria Franchi	Make-up and prosthetics Make-up Supervisor - Pam Mullins Make-up Artists - Abi Brotherton, Morag Smith Prosthetics - Millennium FX Movement Stunt Co-ordinator - Crispin Layfield Stunt Performer - Stewart James Casting Casting Associates - Andy Brierley, Alice Purser General post-production staff Post-production Supervisors - Chris Blatchford, Samantha Hall Post-production Co-ordinator - Marie Brown Assistant Editor - Cat Gregory On-line Conform - Matthew Clarke, Mark Bright Special and visual effects VFX Editor - Ceres Doyle Colourist - Mick Vincent Sound Sound Recordist - Bryn Thomas Dubbing Mixer - Tim Ricketts Sound Maintenance Engineer - Jeff Welch Supervising Sound Editor - Paul McFadden Sound Effects Editor - Paul Jefferies Foley Editor - Helen Dickson

Not every person who worked on this adventure was credited. The absence of a credit for a position doesn't necessarily mean the job wasn't required. The information above is based solely on observations of the actual end credits of the episodes as broadcast, and does not relay information from IMDB or other sources.

References

• One of the disguised Daleks says, "I am your soldier." This is an obvious paraphrase of the Dalek line, "I am your servant." from The Power of the Daleks.
• The Doctor refers to a Jammy Dodger as a TARDIS Self-destruct tool to threaten the Daleks with.
• The Doctor threatens the Daleks with "the final end", referencing The Evil of the Daleks.
• In Doctor Who Confidential, Gatiss confirms that the brightly coloured restored Daleks are a nod to the 1960s Amicus films.
• Churchill remarks that the Doctor has changed his face again, implying that he has encountered at least two incarnations of his prior to the current one.
• "Broadsword calling Danny Boy" is a quote from the film Where Eagles Dare.

Story Notes

The three different covers of the Radio Times

• In Doctor Who Confidential, the red Daleks are stated to be the soldiers, the blue Daleks are strategists, and the orange Daleks are scientists. The yellow Dalek is stated to be "the Eternal", but Moffat and Gatiss both admit they don't know what that means yet ("but it sounds cool").
  • The red, blue and yellow Daleks were first revealed in the Radio Times and the colours were used to symbolise the different colours of the British Parliment parties: Labour (red), Conservative (blue) and Liberal Democrats (yellow). The yellow Dalek issue was produced with less quantity and are therefore harder to get than the blue and red.
• Colin Prockter previously appeared as the Head Chef in DW: The Long Game.
• Winston Churchill wants the Doctor's TARDIS key.
• Like DW: The Unquiet Dead in Series 1, this episode is the third in the series, is a pseudo-historical, is penned by Mark Gatiss, and is both preceded and followed by two episodes by the head writer.
• Ian McNeice previously portrayed Winston Churchill in the Royal National Theatre's 2008 production of Never So Good.
• This is the second Dalek episode in the new series to use the infamous "___ of the Daleks" title scheme, the first being DW: Evolution of the Daleks.
• Mark Gatiss said in the Radio Times: "They're bigger than they've ever been; and in technicolor!" This would show that the new Daleks shall be different colours like the 'classic' Daleks of the earlier eras.
• This is the third time in the new series that the Daleks have featured mid-way in the series, following Dalek in series one and then in series three two part story Daleks in Manhattan and Evolution of the Daleks. This could mean that the Daleks do not feature in the last two episodes.
• The Daleks are deliberately bigger, designed to match Amy Pond's size rather than Rose.
• For narrative and filming purposes, the Cabinet War Rooms in the episodes are far larger than the real ones and have an RAF "spotter" table that was not really present.
  

  The Doctor threatens the Daleks with a Jammy Dodger

Ratings

to be added

Filming Locations

to be added

Rumours proven false

• Adolf Hitler was rumoured to make a brief appearance.

The Eleventh Doctor with the 'Dalek Plan'

Production errors

to be added

Continuity

• The Doctor mentions sending the Daleks back into the Void and saving the whole of reality from their efforts. (DW: Doomsday, The Stolen Earth/Journey's End) Amy Pond being unaware of the last adventure is flagged up as a sign that something is wrong.
• Subservient Daleks is also the theme of the first Second Doctor adventure. (DW: The Power of the Daleks)
• The end of DW: The Beast Below directly follows up into this story.
• The Dalek Saucer seen in the dogfight with the Spitfires is the same sort as those from DW: Bad Wolf/The Parting of the Ways and DW: The Stolen Earth/Journey's End
• The Doctor has been pointed at by guns while exiting the TARDIS before, in the Torchwood Tower. (DW: Army of Ghosts).
• The Doctor mentions that his TARDIS is a Type 40 TARDIS. (DW: The Ribos Operation)
• The new Daleks use a Time corridor to depart from the era. The last time a Time corridor was used on-screen was in DW: Resurrection of the Daleks.

DVD/Blu-Ray release

• BBC Video - Doctor Who Series Five - Volume One is scheduled for release on DVD and Blu-Ray on 7th June 2010 (UK only), featuring The Eleventh Hour, The Beast Below, Victory of the Daleks, and the featurette The Monster Diaries.

External Links

to be added