Midnight (TV story)

Midnight (TV story)

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Midnight
Doctor:	[[doctor::Tenth Doctor]]
Companion(s):	Donna Noble (cameo)
Main enemy:	Midnight Entity
Main setting:	Midnight, 27th century
Key crew
Writer:	Russell T Davies
Director:	Alice Troughton
Producer:	Phil Collinson
Release details
Story number:	196
Release number:	Series 4
Premiere broadcast:	14th June 2008
Format:	1 x 45 minute episode
Production code:	4.8
Confidential:	[[confidential::Look Who's Talking|Look Who's Talking]]

Midnight was the tenth episode of the fourth series of the BBC Wales version of Doctor Who. It was notable for being the first "companion-lite" televised Doctor Who story.

In production terms, it was novel for being the first episode of Doctor Who to be filmed primarily in narrative order since the practice was abandoned around the time Jon Pertwee began portraying the Doctor. It was the only story in which the antagonist was never even partially glimpsed, thereby leaving the threat to be realized mostly by the actors and the sound editors. It was also the second episode of 2008 to guest star the child of an actor who had previously played the Doctor.

It was an especially award-winning episode of the programme, with the sound team of Tim Ricketts, Paul McFadden, Paul Jefferies and Julian Howarth sharing both a Royal Television Society Award and a Welsh BAFTA for their work.

Synopsis

The Doctor and Donna rest at a Leisure Palace in the future on planet Midnight inbetween their adventures, but when the Doctor decides to take a bus trip to the Saphiere Waterfall, this go bad for him, starting with the vehicale shutting down...

Plot

The Doctor and Donna spend some leisure time on the crystalline planet Midnight, which orbits close enough to its sun that the Xtonic radiation exposure would vaporise any living thing to walk unprotected on its surface. Donna opts to relax at a spa while the Doctor takes a four-hour shuttle bus ride to the Sapphire Waterfall. Other passengers include the Cane family (Val, Biff, and their teenage son Jethro); Professor Hobbes, who is investigating the waterfall; his assistant Dee Dee Blasco; and recently-divorced businesswoman Sky Silvestry.

There is a long wait until they reach their destination, and the entertainment provided for passengers consists of several annoying television programs, so the Doctor discreetly disables them with his sonic screwdriver, forcing all of the passengers to interact and get to know each other better. Prof. Hobbes has been studying the planet and considers himself an expert on it, so he presents a slide-show he has with him about Midnight. Hobbes explains that while he considers himself more of an expert on Midnight and Xtonic radiation than anyone else, that's really because no one has ever researched Midnight before, and he emphasizes that essentially nothing is known about the planet. Xtonic radiation would vaporize any known form of life in seconds, so Midnight has been totally undisturbed for millions of years: there are entire landscapes which living eyes have never seen. Hobbes notes that even the Leisure Palace was pre-fabricated and dropped in from orbit. Jethro points out, to the disapproval of his parents, that no one can really know anything about the planet, or whether or not life resides there. Even with his parents' scolding, Hobbes agrees with Jethro's point: no one has ever really set foot on Midnight, and no one has any real idea what is on or underneath the surface.

The trip initially goes smoothly despite the shuttle being rerouted to a new course, but suddenly the shuttle stops. The Doctor checks with the shuttle's driver and mechanic, confirming that there's nothing wrong with the vehicle. He convinces them to open the shutter to look outside, and the mechanic believes he sees a shadow moving towards the bus. The crew--driver Joe, mechanic Claude, and a hostess--calls for a rescue vehicle while the Doctor returns to the main cabin. A few moments later, something begins knocking on the shuttle's hull, repeating the passengers' knocks when they knock back. The knocking moves around the shuttle, making its way towards Sky Silvestry, apparently the most frightened of the lot, and dents the door she is standing by. The lights then temporarily fail and the shuttle is violently rocked. When the lights are restored, there is a working screen behind the Doctor, with a muted video of Rose Tyler on it who seems to be shouting "Doctor!" but no one seems to notice. The seats near Sky have been ripped off the floor and she is cowering in the corner. An attempt to speak to the crew reveals that their cabin has also been ripped away, vaporising driver Joe and mechanic Claude.

The Hostess dragging Sky out the cabin door

Sky initially remains motionless, but is coaxed into turning around by the Doctor. Attempts to get her to speak causes her to start repeating everyone. The passengers find this very unsettling as she repeats precisely what everyone says at all times. They become very emotional and scared as the Doctor speculates about what is happening and what will happen to Sky. As the Doctor tries to figure this out, the delay between Sky's repetitions becomes shorter and shorter until eventually, she is speaking everyone's words simultaneously with them. Cabin fever has completely set in at this point and the passengers contemplate throwing her outside. This horrifies the Doctor, who thinks that the entity might be trying to learn and he tries to calm everyone down. However, he fails when the passengers become suspicious of him, especially when he proves unwilling to reveal his real name or origin and admits to feeling a thrill from the situation. The passengers contemplate throwing him out too, if he gets in the way. Sky then stops repeating everyone's words and starts repeating only the Doctor's. He attempts to communicate with whatever is inside Sky, offering it help finding a voice of its own without stealing his. Sky is unmoving in her aims and finally events reach their climax; Sky speaks before the Doctor.

The Doctor is now repeating Sky's words, motionless and clearly strained as if he were fighting something. Most of the passengers reason that it is the Doctor who must now be possessed, as Sky can move again. However, the hostess and Dee Dee think that this is just the next step: stealing the voice of another as the Doctor had predicted. The other passengers refuse to listen and decide to throw the Doctor out the nearest door, all the while being goaded on by Sky. The Doctor shows minimal signs of resistance while Sky describes how the entity is insidious and gets inside the humans' heads. However, the hostess realises that Sky is not talking in her own voice; she uses two phrases that the Doctor had used earlier (Molto bene and Allons-y). The entity in Sky has stolen the Doctor's voice. Before the other passengers can throw the Doctor out, the hostess sacrifices herself by dragging Sky out of another door, out into the Xtonic sunlight. The Doctor slowly recovers and as the passengers wait for the rescue shuttle, he realises that no one knew the hostess' name. At the spa, the Doctor mournfully reunites with Donna. When Donna attempts to copy one of the Doctor's phrases, he tells her not to do that.

Cast

• The Doctor - David Tennant
• Donna Noble - Catherine Tate (Brief)
• Rose Tyler - Billie Piper (Cameo)
• Hostess - Rakie Ayola
• Sky Silvestry - Lesley Sharp
• Val Cane - Lindsey Coulson
• Biff Cane - Daniel Ryan
• Jethro Cane - Colin Morgan
• Professor Hobbes - David Troughton
• Dee Dee Blasco - Ayesha Antoine
• Mechanic Claude - Duane Henry
• Driver Joe - Tony Bluto

Crew

Executive Producers   Russell T Davies and Julie Gardner

Written by Russell T Davies	Produced by Phil Collinson	Directed by Alice Troughton	Director of Photography Ernie Vincze BSC	Production Designer Edward Thomas	Visual Effects The Mill
Make-up Designer Barbara Southcott	Casting Director Andy Pryor CDG	Music Murray Gold	Costume Designer Louise Page	Edited by Philip Kloss	Special Effects Any Effects
Original theme music by Ron Grainer  •  With thanks to the BBC National Orchestra of Wales

General production staff Production Executive - Julie Scott Production Manager - Peter Bennett Location Manager - Gareth Skelding Unit Manager - Rhys Griffiths Production Co-ordinator - Jess van Niekerk Assistant Production Co-ordinator - Debi Griffiths Production/Script Secretary - Kevin Myers Production Accountant - Oliver Ager Contracts Assistants - Lisa Hayward, Kath Blackman Finance Manager - Chris Rogers Script department Script Editor - Helen Raynor Camera and lighting department 1st Assistant Director - Gareth Williams 2nd Assistant Director - Jennie Fava 3rd Assistant Director - Sarah Davies Continuity - Non Eleri Hughes Camera Operators - Julian Barber, Joe Russell Focus Pullers - Steve Rees, Duncan Fowlie Grip - John Robinson Camera Assistant - Tom Hartley Boom Operator - Jeff Welch Gaffer - Mark Hutchings Best Boy - Peter Chester Electricians - Steve Slocombe, Clive Johnson, Ben Griffiths	Art department Chief Supervising Art Director - Stephen Nicholas Supervising Art Director - Arwel Wyn Jones Art Department Production Manager - Jonathan Allison Art Department Co-ordinator - Amy Pope Associate Designer - James North Set Decorator - Tim Dickel Props Buyer - Catherine Samuel Storyboard Artist - Shaun Williams Design Assistant - Al Roberts Standby Props - Phill Shellard, Nick Murray Standby Carpenter - Will Pope Standby Art Director - Ciaran Thompson Standby Rigger - Keith Freeman Standby Painter - Ellen Woods Property Master - Phil Lyons Dressing Chargehand - Matt Wild Senior Props Maker - Barry Jones Props Maker - Penny Howarth Construction Manager - Matthew Hywel-Davies Construction Chargehand - Allen Jones Graphics - BBC Wales Graphics Costume department Costume Supervisor - Lindsay Bonaccorsi Assistant Costume Designer - Rose Goodhart Costume Assistants - Barbara Harrington, Louise Martin	Make-up and prosthetics Make-up Artists - Pam Mullins, Steve Smith, John Munro Movement Stunt Co-ordinator - Crispin Layfield Casting Casting Associate - Andy Brierley General post-production staff Post-production Supervisors - Samantha Hall, Chris Blatchford Post-production Co-ordinator - Marie Brown Assistant Editor - Carmen Roberts On-line Editors - Matthew Clarke, Mark Bright Special and visual effects Visual FX Producers - Will Cohen, Marie Jones Visual FX Supervisor - Dave Houghton VFX Editor - Ceres Doyle On-set VFX Supervisor - Tim Barter SFX Co-ordinator - Ben Ashmore SFX Supervisor - Danny Hargreaves 3D Artists - Jean Claude Deguara, Nicholas Hernandez, Bruce Magroune 2D Artists - Sara Bennett, Bryan Bartlett, James Etherington, Lyndall Spagnoletti, Adriano Cirulli Colourist - Mick Vincent Matte Painter - Alex Fort Sound Sound Recordist - Julian Howarth Dubbing Mixer - Tim Ricketts Supervising Sound Editor - Paul McFadden Sound Effects Editor - Paul Jefferies Sound Editor - Doug Sinclair Foley Editor - Kelly-Marie Angell

Not every person who worked on this adventure was credited. The absence of a credit for a position doesn't necessarily mean the job wasn't required. The information above is based solely on observations of the actual end credits of the episodes as broadcast, and does not relay information from IMDB or other sources.

References

Cultural references

• A Betty Boop cartoon and Italian soubrette Raffaella Carrà are briefly shown on a screen during the voyage as part of the animation archives.

Demons

• Jethro Cane causes the Midnight Entity to repeat the number 666, the number of the Beast.

The Doctor

• During Sky's constant copying of the Doctor, he mentions such things as Rose Tyler, Donna Noble, Martha Jones, TARDIS, Bananas and the Medusa Cascade.
• Attempts to pass himself off as 'John Smith' when asked what his name is, which treated with skepticism by the others.

Languages

• When Donna impersonates the Doctor's Italian accent at the end, the Doctor says, "Don't do that," similarly to how he addressed Martha Jones and Rose Tyler's earlier attempts at accents; however on this occasion it is with serious intent and more directly referencing the fact that he is uncomfortable with her repeating his words.

Moons

• The Lost Moon of Poosh is mentioned.

Story notes

• Working titles included Crusader Five and Crusader 50.
• This is the first episode in Series 4 in which the Doctor was present when Rose Tyler appeared on screen, although he did not see her.
• Donna was largely absent from this episode, as Catherine Tate was filming Turn Left. While the previous two series included one episode each referred to as "Doctor-lite" for including only brief appearances by the Doctor and, by extension, his companion, this was the first time a "companion-lite" episode focusing on the Doctor by himself has been attempted in the revived series.
• Dee Dee mentions the lost moon of Poosh, continuing the theme of disappearing planetary bodies featured throughout series 4.
• This episode was originally intended to be episode 8, before Steven Moffat's two-parter, but was pushed back to episode 10. The name of the shuttle bus, Crusader 50, was a reference to it originally being in the 50th episode of the new series to be screened and David Troughton was going add symmetry as he was in the 50th story of the classic series. It was however the 50th episode of the 'New Series' to be filmed. A similar reference was made in Planet of the Dead, with the bus numbered 200 referencing the 200th episode of Doctor Who to be broadcast.
• This is the first televised story since Genesis of the Daleks in 1975 not to feature the TARDIS. The only other televised stories in the history of Doctor Who in which it does not appear are Mission to the Unknown, Doctor Who and the Silurians, The Sea Devils and The Sontaran Experiment.
• This is the second episode in which the Doctor has not had a companion to assist him. The first episode without a companion was The Deadly Assassin, althoughthe earlier story remains the only one in which no companion appears at all (as opposed to Donna's appearances at the beginning and end of this episode).
• For the first time ever in Doctor Who history, the villain in this episode is never actually revealed.
• David Troughton, who plays the professor, is the son of Patrick Troughton, who played the Second Doctor. Episode director Alice Troughton is not directly related. David Troughton appeared in his father's final story The War Games, and also in the Third Doctor story The Curse of Peladon and is a veteran contributor to the Big Finish Productions audio dramas.
• Sky Silvestry mentions to the Doctor that 'I found myself single recently, not by choice... she needed her own space', implying that she was in a lesbian relationship.
• Sky also says " A different galaxy in fact" The Doctor's response is " I had a friend who went a different universe". This is referencing Rose Tyler being trapped on a parallel Earth.
• Although rumoured to have originated from an earlier episode, the brief cameo of Rose was scripted for this episode and was filmed especially for this episode by director Alice Troughton during production of Turn Left. According to the DVD commentary for this episode, Russell T Davies decided to also include the clip in The Poison Sky, too, a fact Troughton -- and David Tennant -- were not made aware of until during the commentary recording for Midnight.
• Months after the episode aired, the story element of having two characters speaking the same words at the same time, and one character trying to throw the other off by spouting random references, would be duplicated in "The Arrival", an episode of the American series Fringe.
• This story was written, at short notice, to replace a script called Century House by Tom MacRae which Russell T Davies felt was too similar, in terms of plot, to The Unicorn and the Wasp.
• Colin Morgan who plays Jethro, appeared along side Catherine Tate in The Catherine Tate Christmas Show as a guest star; however, Morgan did not have any scenes with Tate in this episode.
• Reportedly, Davies (knowing that the next 3 episodes would heavily feature Rose) intentionally wrote in passing references to Rose as a type of dramatic irony as, in previous allusions to Rose, The Doctor becomes sad and mournful, showing how (in a sense) he is beginning to get over the pain of her departure before he encounters her again.

Rating

• Official BARB ratings - 8.05 million viewers. 'Midnight' was the 5th Most watched programme on British television for the week.

Myths and rumours

• Billie Piper's brief cameo was taken from an earlier episode, most likely The Idiot's Lantern in which she was also shown shouting silently from a TV screen, and was a last-minute addition. It was filmed during the fourth series, during Turn Left/The Stolen Earth/Journey's End episodes.
• The Entity was The Beast/The Master's Ghost.

Filming locations

Studio

• Upper Boat Studios, Trefforest

Location

• Dylan's Health Spa, Newport

Production errors

To Be Added

Continuity

• The entity seems almost identical to the species in (DWU: A Storm of Angels), which taking place in an alternate universe with a different Doctor showed what "might have happened".
• Rose Tyler is seen again this time in one of the shuttle bus's screens. This is the same clip that appeared for a second in (DW: The Poison Sky) except this time it was slightly longer, and Rose seemed to mouth "Doctor!" twice rather than the once in The Poison Sky.
• 'Molto Bene' is Italian for 'Very Well.' The Doctor first uttered this in a deleted scene from (DW: The Christmas Invasion), when the Doctor is thinking of a word to say instead of "Fantastic." In broadcast continuity, he first said it in (DW: The Runaway Bride). The Doctor's other favourite catchphrase "Allons-y" is also present and significant. He used it for the first time in (DW: Army of Ghosts). For the benefit of those who do not speak French, this is the first episode in which the phrase is actually translated as "Let's go!"
• The Lost Moon of Poosh is first introduced in this episode as another lost planet alongside Adipose 3 and Pyrovillia continuing this series trend of their having lost planets like the first series had Bad Wolf, the second had Torchwood and the third had Mr. Saxon. These planets are ultimately revealed to have been stolen by the Daleks and are found by the Doctor and Donna. The Lost Moon of Poosh is returned home by Donna in Journey's End is thus later no longer lost.
• This story takes place in the 27th century according to REF: The Time Traveller's Almanac, although the book does not explain how this date was arrived at.
• The last time a shuttle bus was featured on screen was in DW: The Greatest Show in the Galaxy.

• When the mechanic claims to have seen a shadow, the Doctor replies sounding slightly worried "What kind of shadow?" implying it may be Vashta Nerada from the previous episode.

• When The Doctor is talking to Sky, she tells the Doctor about her ex wanting more space. The Doctor mentions having a friend that went to a different universe. This reference's Rose Tyler's "exile" to Pete's World (DW: Doomsday) - foreshadowing her return in the next episode. It could also be considered a subtle reference to Romana staying behind in E-Space (DW: Warriors' Gate).
• When the Midnight Entity initially attacks the Crusader 50, the Doctor knocks on the cabin wall four times (to which the Entity also knocks four times). Later on, the Doctor learns of the prophecy stating that this would signify his death. In DW: The Waters of Mars, the Doctor prevents the Flood from knocking four times. This prophecy eventually comes true in DW: The End of Time.

Timeline

• This story takes place after NSA: Beautiful Chaos
• This story takes place before DW: Turn Left

Home video releases

Series 4 Volume 3 DVD Cover

• Released in the Series 4 DVD boxset in November 2008 along with the rest of the Series.
• Released as Series 4 Volume 3 in a vanilla edition alongside Silence in the Library and Forest of the Dead.

External links

• BBC Website - Episode Guide: Midnight
• Original script, posted online by Russell T Davies in conjunction with the release of his book REF: Doctor Who: The Writer's Tale.
• Midnight at the Doctor Who Reference Guide
• Midnight at Shannon Sullivan's A Brief History of Time (Travel)
• Midnight at The Locations Guide