The Mark of the Rani (TV story): Difference between revisions

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*This story was released on VHS in [[July]] of [[1995]].
*This story was released on VHS in [[July]] of [[1995]].


==Target Novelisations==
==Novelisation==
''to be added''
[[Image:Mark of the Rani novel.jpg|right|75px]]
: ''Main article: [[The Mark of the Rani (novelisation)]]''
 
* Novelised by [[Pip and Jane Baker]] in [[1986]].


==External Links==
==External Links==

Revision as of 01:58, 4 August 2008


The Mark of the Rani was the third story of Season 22 of Doctor Who. A new regular Time Lord villain, the Rani, first appeared in this serial. It is also significant in that it was the Sixth Doctor's only historical television story.

Synopsis

In 19th century England, the Doctor finds himself facing two competing enemies: his old adversary the Master, and the Rani, another Time Lord with a sinister plan. The local population are turning violent and unpredictable and, with a major meeting of the brains of the Industrial Revolution due to happen in the village soon, the Doctor must work out what exactly is causing all the problems. Only the Doctor can stop both the Master and the Rani's evil plans.

Plot

Part 1

Something is amiss in the mining village of Killingworth, in the early part of 19th-Century England. Miners are being gassed in the wash-house and transformed into thugs and vandals, attacking men and machinery, being perceived as Luddites by other locals. The Doctor and Peri Brown witness the phenomenon when they arrive in Killingworth looking for the cause of some sort of time distortion, and he also notices one of the rampaging miners has a strange red mark on his neck. With his usual audacity, The Doctor foists himself upon the local landowner, Lord Ravensworth, who is concerned by the ferocity of the local Luddite attacks, with the most passive of men suddenly turning violent and unpredictable.

The answer lies in the local wash-house. The Master has turned up at this key point in human history and forces his way into the presence of the old woman who runs the wash-house: in reality another Time Lord known as the Rani. She is a gifted chemist and is using the set-up of the wash-house to anaesthetise the miners and distill from them the neuro-chemicals that enable sleep. This is what accounts for the red mark on the victims. These chemicals are then synthesised for use back on Miasimia Goria, a planet she rules and which the Master visited, where her other experiments have left the inhabitants without the ability to rest. He persuades her that they need to deal with the Doctor together, but also steals some of the precious brain fluid she collected to ensure her collaboration. It is a rocky partnership, full of half-truths and deceptions. The Master heads off to deal with the Doctor, egging on local miners to attack his enemy and persuading some of them to throw the Doctor's TARDIS down a mine shaft.

The Doctor has meanwhile dressed as a miner and infiltrated the bath-house, where he soon deduces the Rani's schemes. She entraps him but he still challenges her ethics, prompting her to reveal she has been coming to Earth for centuries to harvest her precious chemicals. The Master convinces the Rani to let him deal with the Doctor. He has the TARDIS pushed down a mine shaft, and the angry Luddites put the Doctor in a cart to ensure that he follows it.

Part 2

After the Doctor is saved by inventor George Stephenson, he and Peri return to Lord Ravensworth's, where Stephenson has planned a meeting of scientific and engineering geniuses in the village. The Doctor is worried about the wisdom of such a meeting in the current circumstances, but elsewhere the Master is so desperate to see the event take place he uses mind-control over Stephenson's young aide, Luke Ward, telling him to kill anyone who tries to prevent it. The Master wants to use the finest brains of the Industrial Revolution to help speed up Earth's development and then use the planet as a powerbase. He strikes a deal with the Rani that she may return to Earth at any time to harvest more brain fluid if she helps him achieve this.

While the villains are away, the Doctor returns to the wash-house and dodges the booby traps to find a way into the Rani's TARDIS. Her control room contains jars of preserved dinosaur embryos. She summons her ship to the old mine workings using a remote control device, with the Doctor still inside. He hides while his adversaries converse, with the Rani confessing to have also laid landmines in nearby Redfern Dell; and when the coast is clear the Doctor slips away to report back to Ravensworth, Stephenson and Luke, whom he sees is behaving strangely.

To make herself useful Peri is using her botanical knowledge to make a sleeping draught for the afflicted miners, but her quest for herbs leads her to Redfern Dell. The Doctor gets there in time to save her, but not before Luke accidentally steps on a mine and is turned into a tree. The Doctor then surprises the Master and the Rani, who are lurking at the edge of the Dell, and takes them prisoner with the Master's own Tissue Compression Eliminator. Peri is given charge of them but the Rani's deviousness outstrips the Master's and she is the one who enables them to escape. The Rani and the Master flee in her TARDIS, but the Doctor has also developed a trick or two: he has sabotaged the navigational system and the ship starts heading out of control. In the destabilised condition, one of the jars containing an embryo tyrannosaurus rex falls to the floor and the creature begins to grow, affected by the time spillage.

The Doctor and Peri make an exchange with Ravensworth, who has retrieved the TARDIS and accepts the phial of brain fluid, which he is told to return to the affected miners. Before the eyes of an astonished scientist and his financier, the TARDIS departs…

Cast

Crew

References

The Rani, The Master

Story Notes

  • The working titles for this story were Too Clever By Far and Enter The Rani.
  • The music score for this story was provided by composer Jonathan Gibbs. John Lewis was originally hired to compose the score, but a sudden onset of illness — which ultimately resulted in his death — prevented him being able to finish the work and forced the production team to give the assignment to Gibbs just after Lewis had completed scoring the first episode. Lewis' score for the first episode was included on the DVD release.
  • The following was credited in both episodes: "The BBC wish to acknowledge the cooperation of the Ironbridge Gorge Museum."
  • This was the last story of the original series of Doctor Who to be directed by a woman. The next such occasion was the 2007 Tenth Doctor episode Blink (directed by Hettie MacDonald).

Ratings

  • Part 1 - 6.3m viewers.
  • Part 2 - 7.3m viewers.

Myths

  • John Nathan-Turner cast Kate O'Mara as the Rani because of her starring role in the popular American soap opera Dynasty. (O'Mara had yet to begin work on Dynasty when she was cast as the Rani. She was however well known for her appearances in a number of UK soap operas, including for the BBC The Brothers - opposite Colin Baker - and Triangle.)

Location Filming

  • Most of the location filming, including the village scenes, was done as Blists Hill Open Air Museum in Shropshire.
  • The scene of the TARDIS landing was filmed nearby at the Granville Colliery spoil heaps.
  • The mine/tree scenes were filmed at Park Wood, Ruislip in Middlesex.

Discontinuity

  • No Luddites ever attacked pit machinery, which didn't threaten their livelihoods.
  • Lord Ravensworth's amateur botany is the source of the drugs required - is there no local medic?
  • Three Time Lords turn up in the same place for entirely different reasons.
  • Kew Gardens was not open in the 1820s.
  • Thomas Edison was not born until 1847 (well after the Luddite riots).

Continuity

  • Kate O'Mara would go on to reprise the role of the Rani twice, in the Seventh Doctor's debut story Time and the Rani and the 30th anniversary special, Dimensions in Time.
  • The Master returns in this story, with no explanation given as to his escape from what appeared to be a fiery demise at the end of Planet of Fire. The novelisation appears to assume he had actually been shrinking out of existence, and gives the explanation that the flames generated gases that saved him.

DVD and Video Releases

DVD Releases

Mark rani region2.jpg

Released as Doctor Who: The Mark of the Rani'.

Released:

Contents:

  • Commentary by Colin Baker, Nicola Bryant and Kate O'Mara
  • Lords and Luddites - Actors and crew recall the making of The Mark of the Rani in this specially-shot documentary, featuring Colin Baker, Nicola Bryant, Kate O'Mara and Gary Cady, writers Pip & Jane Baker, script editor Eric Saward and composer Jonathan Gibbs
  • Deleted Scenes - Nearly ten minutes of additional material from an early edit of Part 1.
  • Now and Then - A short film featuring the Blists Hill Victorian Town location.
  • Playing With Time - An interview with the story's composer, Jonathan Gibbs.
  • Blue Peter - A short film from 1978 exploring the history of Ironbridge Gorge and Blists Hill
  • Saturday Superstore - An extract from March 1984 featuring Colin Baker, Nicola Bryant and Anthony Ainley.
  • Alternative Soundtrack - The option to view Part 1 with the partially-completed original music score by John Lewis
  • Isolated Music Score - Clean synchronous music is available for both episodes.
  • Radio Times Listings (DVD-ROM)
  • Photo Gallery
  • Production Subtitles

VHS Releases

  • This story was released on VHS in July of 1995.

Novelisation

Mark of the Rani novel.jpg
Main article: The Mark of the Rani (novelisation)

External Links

to be added

Template:Season 22