Oxygen (TV story)

Oxygen
Doctor:	Twelfth Doctor
Companion(s):	Bill, Nardole
Main enemy:	Smartsuits, Ganymede Systems
Main setting:	Chasm Forge, Far future
Key crew
Writer:	Jamie Mathieson
Director:	Charles Palmer
Producer:	Nikki Wilson
Release details
Story number:	269
Premiere broadcast:	13 May 2017
Premiere network:	BBC One
Format:	1x45 minute episode
Official trailer
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Memorable moment
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Behind the scenes video
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Doctor Who television stories
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Next →	Extremis
Production order
← Previous	The Return of Doctor Mysterio
Next →	The Eaters of Light

Oxygen was the fifth episode of the tenth series of Doctor Who produced by BBC Wales.

Most notably, in this episode, saving Bill robs the Doctor of his sight, rendering the Twelfth Doctor, potentially, permanently blind.

This shows the risks he often places himself in, in order to save his friends, but also the danger in which he might be leaving Earth, should he not return, alive and in good health. Oxygen represents a tipping point in the St Luke's vault arc, as the Doctor finally faces the consequences of not having taken his vow seriously.

Nardole joins the Doctor and Bill on this adventure, for the first time since The Pilot.

Synopsis

The Twelfth Doctor, Bill and Nardole investigate a strange space station, but are interrupted by walking dead in spacesuits... will they make it out alive? And how much does air actually cost?

Plot

The Doctor, Bill and an angry Nardole travel in the TARDIS to follow a distress call to a deep-space mining station. When the TARDIS is jettisoned by the station's computers, the trio are forced to wear "smartsuits", robotic spacesuits capable of independent operation tied to the station. The suits are also the only source of oxygen, as the mining company does not provide an oxygen atmosphere inside the station, and every activity is measured in breaths. The surviving crew warn them that some suits have received instructions to "deactivate" their "organic components", killing the wearer via an electrical discharge but remaining autonomous. This signal can be carried by touch, which has caused most of the crew to be turned into zombies, enslaved to the suits' programming. The Doctor and the others plan to walk outside the station to an uncompleted portion not updated in the computer systems to hide. Bill's suit malfunctions during depressurisation and forces her to remove her helmet. To save her, the Doctor gives her his helmet as they spacewalk. He survives the vacuum of space, but has gone blind from the ordeal.

The computer discovers their location, but as they flee, Bill's suit again malfunctions and will not move. The Doctor leaves her behind, assuring her she will not die. She is, however, electrocuted when they touch her. The Doctor reveals the limit of breaths is an algorithm to stop people "wasting" oxygen, part of the company's automated profit-making system; killing the wearers was just the logical endpoint of corporate profit over human life. He hacks the station's systems to cause the station to self-destruct if they are killed, and convinces the others this is a "good death" and revenge against the corporation. The computers recognise this threat and recalculates the suits' programming, and the zombies turn over their oxygen supplies to the survivors. The Doctor then revives Bill, knowing that her malfunctioning suit did not have enough power to lethally shock her.

The TARDIS is recovered, and they drop the survivors off at their head office to confront the company; the Doctor notes there was a successful rebellion six months later. Nardole restores the Doctor's eyes, but when they return to the university and Bill departs, the Doctor reveals that he "can't look at anything ever again. I'm still blind".

Cast

• The Doctor - Peter Capaldi
• Bill - Pearl Mackie
• Nardole - Matt Lucas
• Ivan - Kieran Bew
• Tasker - Justin Salinger
• Dahh-Ren - Peter Caulfield
• Abby - Mimi Ndiweni
• Ellie - Katie Brayben

Uncredited cast

• Student - Lauren Pate

Crew

Executive Producers   Steven Moffat and Brian Minchin

Written by Jamie Mathieson	Produced by Nikki Wilson	Directed by Charles Palmer	Director of Photography Mark Waters	Production Designer Michael Pickwoad	Visual Effects Milk BBC Wales VFX
Make-up Designer Barbara Southcott	Casting Director Andy Pryor CDG	Music Murray Gold	Costume Designer Hayley Nebauer	Edited by Will Oswald	Special Effects Real SFX
Original theme music by Ron Grainer  •  Titles by BBC Wales Graphics  •  With thanks to National Orchestra of Wales  Music conducted & orchestrated by Alastair King  •  Music score assistant - Jack Sugden   •  Music mixed by Jake Jackson  •  Music recorded by Gerry O'Riordan

General production staff Head of Production - Gordon Ronald Production Executive - Tracie Simpson Line Producer - Steffan Morris Production Manager - Adam Knopf Location Manager - Nicky James Unit Manager - Beccy Jones Production Co-ordinator - Sandra Cosfeld Assistant Production Co-ordinator - Nicola Chance Production Assistants - Virginia Bonet, Jamie Shaw Unit Drivers - Sean Evans, Kyle Davies Unit Medic - Glyn Evans Business Affairs Executive - Carol Griggs Production Accountant - Simon Wheeler Assistant Accountants - Justine Wooff, Matthew Fisher Script department Script Editor - Nick Lambon Script Executive - Lindsey Alford Assistant Script Editor - Emma Genders Camera and lighting department 1st Assistant Director - Simon Morris 2nd Assistant Director - James DeHaviland 3rd Assistant Director - Christopher J Thomas Assistant Directors - Rhun Llewelyn, Lauren Pate Script Supervisor - Nicki Coles Camera Operator - Mark McQuoid Focus Pullers - Jonathan Vidgen, Elhein De Wet Grip - John Robinson Assistant Grip - Sean Cronin Camera Assistants - Gethin Williams, Drew Marsden, Dan Patounas Gaffer - Mark Hutchings Best Boy - Andy Gardiner Electricians - Gawain Nash, Gareth Sheldon, Bob Milton, Sion Davies, Andrew Williams	Art department Supervising Art Director - Paul Spriggs Art Director - Tim Overson Art Department Accountant - Bethan Griffiths Production Buyer - Jen Saguaro Set Decorator - Adrian Anscombe Prop Buyers - Jo Pearce, Charlotte Lailey de Ville Storyboard Artist - Mike Collins Concept Artist - Darren Fereday Graphic Artists - Matt Clark, Lawrence Hearn Standby Props - Matt Ireland, Jonathan Barclay Standby Carpenter - Paul Jones Prop Hands - Scott Howe, Nigel Magni, Matt Watts Standby Art Director - Nick Murray Rigging - Shadow Scaffolding Standby Rigger - Nigel Owen Head Scenic Artist - Clive Clarke Painters - Steve Nelms, John Nelms, Paul Murray, Debby McShane Storeman - Jamie Southcott Prop Master - Paul Smith Props Chargehand - Kyle Belmont Props Driver - Gareth Fox Construction Manager - Terry Horle Construction Chargehand - Dean Tucker Construction Driver - Jonathan Tylke Construction Labourer - Jason Tylke Practical Electricians - Callum Alexander, Austin Curtis Graphics Assistant - Jack Bowes Draughtspersons - Matt Sanders, Kartik Nagar Chargehand Carpenter - John Sinnott Carpenters - Tim Burke, Matt Ferry, Chris Daniels, George Rees, Dan Berrow, Tom Berrow, Keith Richards, Campbell Frazer, Joe Painter, Alan Jones, Mike Venables Title Concept - Billy Hanshaw Costume department Costume Supervisor - Kat Willis Assistant Costume Designer - Zoe Howerska Costume Assistants - Rebecca Cunningham, Leila Headon, Jenny Tindle	Make-up and prosthetics Make-up Supervisor - James Spinks Make-up Artists - Megan Bowes, Lolly Goodship Movement Stunt Co-ordinators - Crispin Layfield, Belinda McGinley Stunt Performer - Elliot Philip Murray Choreographer - Ailsa Burke Wires - Bob Schofield Casting Casting Associate - Ri McDaid-Wren Casting Assistant - Louis Constantine General post-production staff Post-production Supervisor - Samantha Price Post-production Co-ordinator - Hannah Jones Assistant Editors - Becky Trotman, David Davies On-line Editors - Geraint Pari Huws, Mark Hardyman Assistant On-line Editor - Christine Kelly Special and visual effects VFX Editor - Dan Rawlings Special Creature Effects & Prosthetics - Millennium FX Wires - Bob Schofield Colourist - Gareth Spensley Sound Sound Recordist - Deian Llŷr Humphreys Dubbing Mixers - Mark Ferda, Darran Clement Sound Maintenance Engineers - Tam Shoring, Christopher Goding Dialogue Editor - Helen DIckinson ADR Editor - Matthew Cox Effects Editor - Harry Barnes Foley Editor - Simon Clement Foley Artist - Meltem Baytok

Not every person who worked on this adventure was credited. The absence of a credit for a position doesn't necessarily mean the job wasn't required. The information above is based solely on observations of the actual end credits of the episodes as broadcast, and does not relay information from IMDB or other sources.

References

Physics

• The Doctor gives a lecture about space, while the audience was expecting a lecture about crop rotation.
  • He describes how one dies when exposed to the vacuum of space.

Chemistry

• The boiling point of water is much lower in a vacuum.
• Electrolysis is splitting water into hydrogen and oxygen. Nardole assumes this is the Doctor's plan, to produce more oxygen which would last 5 minutes.

Biology

• Nardole mentions that he hasn't seen his true face for years. Swapped it for his current one on the run.
• The Doctor intentionally "maxes out" his companions' adrenaline: "Fear keeps you fast. Fast is good."
  • Fear also causes an acceleration in breathing, though, which would constitute a waste of oxygen credits while on Chasm Forge.
• When the suits kill the crew, they deactivate the organic component and disable the central nervous system.
• Bill wonders what happens if she were to throw up in the space helmet.
• After having been exposed to the vacuum of space, Bill suffers from oxygen deprivation.
• The Doctor says he has spare eyes in the TARDIS, though they're from lizards.

Technology

• The space helmets experience an error on the Radio Com Channel.
• The Doctor calls distress calls "[his] theme tune", and emphasises that "You only see the true face of the universe when it's asking for your help."
• Chasm Forge uses artificial gravity.
• The Doctor is happy that the "space doors", as Nardole calls them, are of a classic design. They have pressure seals and hinges. He and Nardole disagree on whether space doors should go "shk shk" or "nnnnn".
• The smartsuits employed at Chasm Forge uses gyro stabilisers, magnetic boots and gloves, and has on-board computers. According to the Doctor, it can run, jump and update one's Facebook. They also have force fields to keep the air in, and oxygen tanks for air supply.
  • A magnetic glove on one of the active suits destroys the Doctor's sonic screwdriver, though the sonic also fries the suit.
  • The suits' AI have "limited problem solving".
• The Smartsuits have unfolding helmets.
• To send the distress call, the miners boosted a smartsuit through the dish.
• Nardole relates the smartsuits' nav system to "when your satnav doesn't know a new road".
• The Smartsuits uses a Powercell to get into the Power Core.
• The Doctor hacks into the Coolant System.

Medicine

• The Doctor claims he has "stuff in [the TARDIS] that'll cure anything".

TARDIS

• The Doctor once told Nardole that the TARDIS can't go anywhere without the fluid link K57. However, he reveals this to be untrue (or, at least, no longer true).
• The air shell room in the TARDIS can provide oxygen to enough of the space station for them to stroll around.
• The Doctor is familiar enough with the layout of the console room that, despite apparently being blind, he is able to hide this and control the TARDIS as though he still had sight, including, it is implied, accurately piloting her both to Ganymede's head office and back to the university.

Travelling

• The Doctor compares going to outer space to camping, and refers to tents and campsites.
• Bill asks if there are reviews for space locations, like there are online for restaurants.

Units of measurement

• Distance is measured in average breaths, rather than in metres.

Locations

• The Doctor sent Nardole to Birmingham for a packet of crisps.
• Chasm Forge is a mining station in outer space. It has a crew of 40.
  • The TARDIS crew gets trapped in the repair station.
• The surviving workers ask the Doctor to drop them off at head office.

Business and economics

• The smartsuits are made by Ganymede Systems.
• Ganymede provides oxygen for personal use only, charging credits for air, and making breathing into a capitalist endeavour. Unauthorised oxygen is automatically expelled, to protect market value.
• The Doctor sees the endpoint of capitalism as "a bottom line where human life has no value at all".
• According to the psychic paper, TARDIS crew is from the Union.
• He remarks that, "like every worker everywhere, we're fighting the suits."

Currency

• The Chasm Forge crew has to pay oxygen credits to stay alive.

Resources

• Chasm Forge is a station for mining copper ore.
• The managers of Chasm Forge are seeking a bottom line for oxygen usage, and are seemingly prepared to kill off and replace workers if they're using too much of it.

Foods and beverages

• The Doctor says that in five whole minutes, "we could boil the hell out of an egg."
• Bill mentions lasagna when giving examples of what a restaurant review is.
• The Doctor sent Nardole out for crisps.
• The Doctor tells Dahh-Ren he sent him out for a latté.
• The Doctor says the phrase "the universe is your crustacean".

People

• Nardole recognises Bill's smartsuit's interface voice as his ex Velma, and remembers her as a "nice girl, actress. Bit orange, left me for an AI at a call centre."
• As a result of saving Bill from dying through exposure to the vacuum, the Doctor has now become blind. An attempt to return his vision was made, but only the colour in his eyes returned.

Time Lords

• Time Lords can survive in the vacuum of space longer than humans can. In the Doctor's case here, he survived but lost his sight.

Literature

• The Doctor says, "Death, where is thy sting?", quoting the First Epistle to the Corinthians in the New Testament.
• Bill reads a book called Leonardo, on Leonardo da Vinci. This book has the image of the Mona Lisa on its back cover.

Culture

• The Doctor makes use of a fun fact.^{[statement unclear]}
• The Doctor mentions, amongst other things the smartsuits can do, updating Facebook.
• Dahh-Ren cannot understand why Bill would experience racism herself. He suspects her to be racist because of her reactions to his blue skin.
  • Nardole says that "some of my best friends are bluish".
• The Doctor insinuates that the purpose of jokes, in general, is to distract people from whatever's about to kill them.
• The Doctor jokes that "too many rescue ships" is a "first-world problem".
• The Doctor quips that he thought he was just tweeting, rather than locking the crew out of the subroutine.
• Bill wonders whether the (missing) man in the working suit has "his tunes on", when he doesn't respond.

Story notes

File:Jamie Mathieson, Mimi Ndiweni & Kieran Bew - The Aftershow - Doctor Who The Fan Show File:Series 10 Teaser - Doctor Who - BBC

• Two scenes of the blind Doctor were featured in an early teaser shown at the end of The Return of Doctor Mysterio, except his eyes weren't cloudy in order to not to spoil this plot point.
• On The Fan Show, Jamie Mathieson worried that this episode would turn out "too political", due to its blatant anti-capitalist themes.
• The read-through for Oxygen took place on 12 October 2016 (immediately after Capaldi and Mackie returned from promoting series 10 at the 2016 New York Comic Con and in Toronto, Ont.), and filming on the episode took place between 17 October and 18 November.

Cast

• Three out of the five guest actors, this episode, had previously voiced roles in Big Finish Doctor Who or Bernice Summerfield. Namely, Kieran Bew was in The Lady of Mercia and The Helm of Awe, Peter Caulfield was in Cold Fusion, and Mimi Ndiweni was in Big Dig.
• On The Fan Show, Jamie Mathieson said that an ongoing joke on set was calling Peter Caulfield "Blue Peter", due to his character being blue. This was a reference to Blue Peter.

Allusions

• Two references to Star Trek are made:
  • The Doctor makes a speech about space being "the final frontier", quoting the monologue that opens each episode of Star Trek: The Original Series and Star Trek: The Next Generation.
  • Nardole mentions the "Swish Swish" sound the doors always make. The Doctor says he hates that noise.
• While standing with Dahh-Ren, Nardole states that some of his best friends are "bluish". This joke, of calling a blue person "bluish" as if it is their race, was first seen in the 1969 Beatles animated film The Yellow Submarine, where it was used by a Blue Meanie in an attempt to identify if the Beatles were a member of their ranks. The original use was meant as a satire of the then-common phrase "you don't look Jewish", but it was not intended to be derogatory.

Ratings

to be added

Filming locations

• St Luke's lecture hall scenes were shot in the Reardon Smith Theatre (National Museum Cardiff).
• The Doctor's office was shot on location at Cardiff University.

Production errors

If you'd like to talk about narrative problems with this story — like plot holes and things that seem to contradict other stories — please go to this episode's discontinuity discussion.

to be added

Continuity

• The Doctor wears his sonic sunglasses again. (TV: The Magician's Apprentice - The Husbands of River Song, The Pilot) Their sonic function, however, is not utilized.
• Nardole once more stresses the Doctor's oath to stay on Earth to guard the vault. (TV: The Pilot, Smile, Thin Ice, Knock Knock)
• The Doctor once more gives a lecture. (TV: The Pilot)
• Bill wonders if people ever hit the Doctor. (TV: Aliens of London, The Runaway Bride, The Lazarus Experiment, The End of Time, The Big Bang, The Angels Take Manhattan, Into the Dalek, Last Christmas)
• The Doctor and his companions are almost sucked into the vacuum of space. (TV: The Daleks' Master Plan, The Impossible Planet, Voyage of the Damned)
• The Doctor uses his psychic paper. (TV: The End of the World et al.)
• The Doctor refuses to believe he can't save his companion. (TV: Voyage of the Damned, The Snowmen, Hell Bent, et al)
• The Doctor previously faced an enemy that hijacked spacesuits to control them. (TV: Silence in the Library/Forest of the Dead)
• Bill mentions being on the receiving end of racism, (TV: Thin Ice) and is accused of racism herself. Dahh-Ren is surprised by this, unsure of why Bill would be persecuted.
• A picture of Bill's mum appears in Bill's flashback. (TV: The Pilot, Knock Knock)

The Fifth Doctor makes his way through the vacuum of space, in TV: Four to Doomsday.

• The sonic screwdriver is broken. (TV: The Visitation, Smith and Jones, The Eleventh Hour, A Christmas Carol, COMIC: The Tragical History Tour)
• Time Lords can survive in a vacuum for limited periods of time, (TV: Four to Doomsday, The Doctor, the Widow and the Wardrobe, GAME: TARDIS) far longer than humans can.
• The TARDIS extends its airshell so those around the outside of it can breathe (TV: The Runaway Bride, The Beast Below, GAME: TARDIS)
• The Doctor says that fear is good. He previously described it as a superpower (TV: Listen) and as a generator of savagery. (TV: Amy's Choice)
• Nardole removes the Doctor's fluid link in an attempt to keep him grounded on Earth. (TV: The Daleks)
• The Doctor has previously encountered blue humanoids. (TV: The End of the World, A Good Man Goes to War)
• The Doctor says that there's always the last option to be "dying well". He previously didn't think this was possible. (TV: For Tonight We Might Die)
• The Doctor confirms that he is out of his mind, but that it's not a recent thing.
• The Doctor uses the word "expensive" to stop the Smartsuits. He previously used a simple word, "surrender", to stop an enemy, (TV: Mummy on the Orient Express) and the word "one". (TV: Voyage of the Damned)
• The Doctor is back in his office. (TV: The Pilot, Thin Ice)
• The Doctor plays with his yo-yo. (TV: Robot, The Ark in Space, Genesis of the Daleks, Revenge of the Cybermen, The Brain of Morbius, The Seeds of Doom, The Masque of Mandragora, The Robots of Death, The Talons of Weng-Chiang, Kill the Moon, The Girl Who Died)

Home video releases

DVD releases

to be added

Blu-ray releases

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Digital releases

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