The Lazarus Experiment (TV story)

The Lazarus Experiment
Doctor:	Tenth Doctor
Companion(s):	Martha
Featuring:	Tish, Francine
Main enemy:	Professor Lazarus
Main setting:	London, 2008
Key crew
Writer:	Stephen Greenhorn
Director:	Richard Clark
Producer:	Phil Collinson
Release details
Story number:	183
Premiere broadcast:	5 May 2007
Premiere network:	BBC One
Format:	1x45-minute Episode
Production code:	3.6
Confidential:	Monsters Inc.
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Doctor Who television stories
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The Lazarus Experiment was the sixth episode of series 3 of Doctor Who. It was written by Stephen Greenhorn, directed by Richard Clark and featured David Tennant as the Tenth Doctor and Freema Agyeman as Martha Jones.

It saw regular writer Mark Gatiss take on an acting role and marked the Doctor's acceptance of Martha as his regular companion. It included a large number of "Harold Saxon" references and saw Francine Jones' first involvement with his aides.

It once more brought up the Doctor's perspective on a long life; in his eyes, a long life only ensures one will end up alone as everyone and everything else turns to dust.

Synopsis

To have an adventure investigating the unusual, there's no time like the present!

After travelling backwards, forwards and backwards again in time, Martha Jones has returned home. However, before the Tenth Doctor can bid farewell to her, he hears Professor Richard Lazarus announcing that he'll "change what it means to be human." What could this mean? And could it lead to something far more dangerous than a simple scientific failure?

Plot

The TARDIS materialises in Martha's flat. The Tenth Doctor tells her that they had agreed — one trip and home. It is about twelve hours after they left, something the Doctor failed to do with Rose in his previous life. Martha's phone rings, but she does not pick it up; it is her mother Francine, saying that her sister Tish is on the news. Martha turns the television on and, alongside Tish, an elderly man, Professor Richard Lazarus, announces that tonight he "will change what it means to be human." Though looking thoroughly perturbed at what was just said, the Doctor says goodbye to Martha and, oblivious to her upset, steps into the TARDIS. It dematerialises, but quickly rematerialises. The Doctor reemerges, saying, "No, I'm sorry, did he say he was going to change what it means to be human?". Evidently, he cannot resist this.

Hours later, night at Lazarus Laboratories. Professor Lazarus and Lady Thaw discuss the need for the experiment to work, with Thaw mentioning that Mr Saxon is funding their research. Lazarus tells Thaw not to worry as "our friend will get his money's worth." Tish comes in, asking if Lazarus would like to check over the guest list for the reception again. He stops her and tries flirting by asking what kind of perfume she wears; she tells him "soap" and quickly excuses herself.

Outside, the Doctor and Martha are walking to the entryway of Lazarus Laboratories for the black-tie reception. The Doctor is making some last-minute inspections to his suit, making sure everything is in place; he complains about how something bad always happens when he wears black tie. Martha remarks that it is simply him, not the outfit and that she thinks it makes him look like James Bond in a way, flattering him.

They meet Martha's mother Francine and her brother Leo. Tish also meets the Doctor, wondering how he got in as he's not on the guest list; Martha explains the Doctor is her plus one. Martha explains Tish works in the PR department before Tish corrects her; she's head of the PR department, having put together the party herself. The Doctor inquires what kind of experiment Lazarus is going to perform with the large capsule in the room, being labelled a "science geek" by using big words. He questions Martha as to what it means, seeming rather pleased with the answer.

The lights of the room dim and a spotlight focuses on Lazarus, who announces he is to perform a "miracle", which will outstrip all other human accomplishments in the field of science, even the splitting of the atom and the landing of Armstrong on the Moon. Declaring that they will wake tomorrow to a world changed forever, the elderly professor steps into the manipulator's capsule. Technicians flip the switch and the capsule flares to life with a blinding flash of light; four manipulator arms circle the capsule at breakneck speed while manipulating threads o light up and down it. As the machine builds in intensity, an alarm blares and the consoles smoke and spark. The Doctor notices that the system is overloading and jumps in to avert disaster. Lady Thaw demands that someone stop him, but the Doctor declares that if the machine explodes it will take the entire building with it. He pulls the plug, and the machine comes to a stop. Martha rushes forward at the Doctor's urging and yanks the door open.

The rejuvenated Lazarus emerges.

The crowd advance slowly on the capsule. Out of the steam steps a young blond man; Lazarus. He smiles as he touches his newly rejuvenated face and declares that he is 76 years old, "And I am reborn!". Martha is nothing less than stunned, questioning the Doctor as to what just happened; the Doctor flatly tells her that Lazarus has kept his word and changed what it meant to be human. He has created a scientific "fountain of youth".

Lazarus is talking with the spectators with Lady Thaw, who is impressed he managed to do what he promised. Suddenly Lazaruds sucks in a pained breath and takes a plate of snacks from a passing waiter and eats them rapidly. Despite Lady Thaw scolding him for his poor manners, Lazarus defends it as him being famished. The Doctor steps up next to them, saying Lazarus is suffering from energy depletion and thus his body is trying to suppliment the lost energy by having him eat. Lazarus notes the Doctor seems awfully familiar with his work, to which the Doctor says he's had experience with a similar process. The Doctor tells him that he couldn't have thought of all the variables that could have happened. Lazarus arrogantly scoffs at the Doctor's warnings, kissing Martha's hand farewell as he and Lady Thaw head up to his office.

The Doctor sadly notes that Lazarus is being foolish; too bad they can't conduct a DNA test to find out what's happening with Lazarus. Smirking, Martha tells him that it's a good thing she just collected a DNA sample, waving her hand. The Doctor smiles at Martha, praising her quick thinking. In a lab, the Doctor and Martha look at a readout of Lazarus's DNA; it briefly spikes and change; something which should be impossible. The Doctor reels off a lot of complicated scientific lingo but simplifies it for Martha's benefit. Lazarus hacked his own DNA and instructed it to rejuvenate. However, "something's been activated; something that won't let him stabilise, something that's trying to change him."

Meanwhile, Lazarus speaks with Lady Thaw in his office on the top floor, telling a story about his childhood during World War II. Because of his work, Lazarus is likely to have a plaque placed upon his old home; however, he explains it was destroyed by a bombing, but the sentiment is nice. Thaw expresses her desire to be the next to be rejuvenated so they can continue their partnership both personally and professionally. He tells her that he won't waste another lifetime on her, prompting Thaw to ask if the process made him crueler; he jokes that not only did he learn cruelty from her, she has a gift for it. As she threatens to complain to Mr Saxon, Lazarus begins spasming and falls to the floor. To Thaw's horror, Lazarus mutates into something horrendous. A scorpion-like tail raises itself and lunges at her.

Downstairs, Francine asks Tish and Leo whether Martha has ever mentioned the Doctor to them before. She worries there is "something going on", but Leo tries calming her down by saying Martha's found someone to be with. Lazarus returns to the reception, back to being himself and wearing a different suit, and invites Tish upstairs with him. Tish, now willing to return his advances, follows without argument.

The Doctor and Martha emerge in Lazarus' office, searching for him. As Martha suggests trying back at the reception, her voice trails off as she spots a bony leg sticking out from behind the desk. Investigating, they find the shrivelled husk of Lady Thaw; the Doctor says she had all the life energy drained to supply energy to the processes caused by Lazarus' fluctuating DNA. Worried he will kill again, they go back downstairs, only to learn that he has gone off with Tish. They rush off, the Doctor accidentally spilling a drink on Francine. Another man replaces her drink and darkly warns that Martha should be more careful in choosing her friends.

Lazarus takes Tish to the roof, where he talks about nearby Southwark Cathedral and quotes T.S. Eliot, a quote the Doctor completes before they trade barbs; Lazarus believes he has perfected humanity by purging it of mortality, while the Doctor is infuriated at his disregard for the laws of Nature. As they argue, Martha gets Tish away from Lazarus before he transforms. They stand, transfixed in horror, as they behold Lazarus' mutated form; resembling a huge, skeletal scorpion, a facsimile of Lazarus' face stares out of the monstrosity. They flee indoors and the Doctor seals the door behind him. As they wait for the lift, Lazarus' attempts to smash the door down triggers a security lockdown; the lights dim, the lifts stop and the exits seal themselves, much to the confusion and slight panic of the guests. Rushing downstairs, the Doctor gives Martha the sonic screwdriver to unlock the doors, and warns everyone at the reception to get out. One woman refuses to believe this, stating jokingly that the biggest danger is choking on an olive. Suddenly, all heads turn as a great shattering of glass is heard and Lazarus appears on a balcony overlooking the reception area, roaring loudly.

Now more inclined to listen, the assembled guests scream and scatter as Lazarus wreaks havoc, striking Leo in the head with a table. As Martha finally gets the doors open and the partygoers scramble down the stairs, Lazarus advances on the olive woman and deploys his stinger; the Doctor shouts for him to leave her alone, but too late. Guests still in the room avert their eyes as the woman's withered husk hits the floor and Lazarus turns towards a prone Francine and Leo. The Doctor draws Lazarus away from Francine by taunting him; he attempted to defy Nature, only to get punished for his defiance. Lazarus chases the Doctor down a corridor. Martha examines Leo, gets everyone out of the building, and goes back inside to help the Doctor despite Francine's protests. Tish guesses that "maybe she loves him". The man who replaced Francine's drink earlier calls the Doctor "dangerous", and whispers in Francine's ear the things he says she "should know" about him.

The Doctor tries to find a way out of Lazarus' machine.

The Doctor turns on the gas in a lab and leaps away from the resulting fireball, but Lazarus survives. Martha hears the explosion and finds the Doctor as she runs toward its source. She returns the sonic screwdriver to the Doctor. They flee together and end up hiding in the capsule of Lazarus' machine, on the Doctor's hunch that Lazarus is unlikely to destroy his own creation even to get at them. The Doctor starts fiddling about with the wiring inside as the Lazarus creature futilely searches for a way in. Martha, still unsure of where it came from, inquires if it is alien but the Doctor nixes that; for once, the horrible creature trying to kill them is strictly human in origin. Martha reacts with disbelief, as the creature couldn't look any less human, but the Doctor explains that what happened is the machine unlocked something hidden away in Lazarus' genes; an option which evolution rejected for humanity, but the potential for which still lies dormant. Martha likens it to Pandora's Box, but their ruminations are cut short as Lazarus switches the machine on. The Doctor "reverses the polarity" so that the capsule will reflect the energy rather than receive it, which it does explosively. The shockwave blasts the creature away, transforming Lazarus back to human in appearance — and apparently killing him. As they gaze upon the body, Martha and the Doctor reflect on how pitiful he looks, the latter quoting T.S. Eliot: "This is the way the world ends, not with a bang but a whimper."

Outside, as the ambulance carrying Lazarus' body pulls away, Francine slaps the Doctor and tells him to keep away from Martha. Suddenly, all turn their heads when they hear a loud crash nearby. The Doctor, Martha and Tish take off and find that the ambulance has gone off the road. Opening up the back doors, they find that Lazarus has killed both paramedics for their energy and escaped.

Realising they are next to Southwark Cathedral, Tish guesses that Lazarus has taken shelter in it just like when he was hiding as a child in World War II. Inside, is Lazarus in human form, covered by a red cloth; he writhes in pain as his body spasms, seeming unwilling to stay human. The Doctor tells Martha he has a plan, but he needs to get Lazarus into the bell tower. Lazarus recalls a child he took refuge during the London Blitz, hiding among the dead in the crypt. The Doctor says he was present during the Blitz, but Lazarus says that he is not old enough to have been there. "Neither are you." the Doctor jokes, prompting Lazarus to laugh. They argue again about the benefits and curse of longevity. Lazarus states that he will feed soon, eyeing the Doctor; however, Martha instead temps Lazarus to come after "fresher meat" as the Doctor is old and bitter.

The Doctor fakes reprimanding Martha, who takes off with Tish as Lazarus gives chase. Heading up the stairs, they hear Lazarus scream, meaning he's transformed again. They get to the bell tower, where Tish questions what they are supposed to do; Martha tells her that this is where the Doctor told her to lure Lazarus. Tish is less than pleased with being bait. The Doctor gets the pipe organ and zaps it with the sonics screwdriver, playing as loud as he can.

The Doctor watches Lazarus's death.

As Lazarus tries to get to the sisters, he manages to knock Martha over the rail and have her handing on for life. Tish grabs Martha's hand, leaving both vulnerable to his sting. Realizing that the music isn't loud enough, the Doctor boosts the sound waves of the organ, setting up a resonance in the bell above Lazarus that interferes with his sonic-based experiment. Lazarus falls to the cathedral floor below, transforming one last time — back into the elderly man he once was. Martha meets the Doctor, who explains he was taught how to play piano by Ludwig van Beethoven.

Back in Martha's flat, the Doctor offers Martha one more trip, but Martha refuses to go with him on that basis, as a mere passenger being given a treat. The Doctor says, "Okay, then, if that's what you want." She thinks he means to leave her again, but he indicates with a nod that she is welcome to rejoin him on her terms, and admits she was "never really just a passenger". They leave together in the TARDIS. As it disappears, Martha's phone rings; it is Francine. She warns Martha about "who this Doctor really is", saying, "This information comes from Harold Saxon himself. You're not safe!"

Cast

• The Doctor - David Tennant
• Martha Jones - Freema Agyeman
• Tish Jones - Gugu Mbatha-Raw
• Leo Jones - Reggie Yates
• Francine Jones - Adjoa Andoh
• Richard Lazarus - Mark Gatiss
• Lady Thaw - Thelma Barlow
• Olive Woman - Lucy O'Connell
• Mysterious Man - Bertie Carvel

Crew

Executive Producers   Russell T Davies and Julie Gardner

Written by Stephen Greenhorn	Produced by Phil Collinson	Directed by Richard Clark	Director of Photography Rory Taylor	Production Designer Edward Thomas	Visual Effects The Mill
Make-up Designer Barbara Southcott	Casting Director Andy Pryor CDG	Music Murray Gold	Costume Designer Louise Page	Edited by John Richards	Special Effects Any Effects
Original theme music by Ron Grainer  •  With thanks to the BBC National Orchestra of Wales

General production staff Production Executive - Julie Scott Production Manager - Tracie Simpson Location Manager - Lowri Thomas Unit Manager - Rhys Griffiths Production Co-ordinator - Jess van Niekerk Production Secretary - Kevin Myers Production Accountant - Endaf Emyr Williams Contracts Assistant - Kath Blackman Finance Manager - Chris Rogers Script department Script Editor - Simon Winstone Camera and lighting department 1st Assistant Director - Dan Mumford 2nd Assistant Director - Jennie Fava 3rd Assistant Director - Sarah Davies Floor Runners - Lowri Denman, Barry Phillips Continuity - Non Eleri Hughes Focus Puller - Steve Rees Polecam Operator - Andy Leonard Grip - John Robinson Camera Assistant - Penny Shipton Boom Operators - Jon Thomas, Bryn Thomas Gaffer - Mark Hutchings Best Boy - Peter Chester	Art department Chief Supervising Art Director - Stephen Nicholas Supervising Art Director - Arwel Wyn Jones Art Department Production Manager - Jonathan Marquand Allison Art Department Co-ordinator - Matthew North Associate Designer - James North Set Decorator - Malin Lindholm Props Buyer - Blaanid Maddrell Design Assistants - Peter McKinstry, Ben Austin Cyfle Trainee - Naseem Syed Standby Props - Phill Shellard, Nick Murray Standby Carpenter - Paul Jones Standby Art Director - Leonie Rintler Standby Rigger - Bryan Griffiths Standby Painter - Ellen Woods Chief Props Master - Adrian Anscombe Chief Props Maker - Barry Jones Props Makers - Penny Howarth, Mark Cordory, Nick Robatto Construction Manager - Matthew Hywel-Davies Construction Chargehand - Allen Jones Graphics - BBC Wales Graphics Costume department Costume Supervisor - Lindsay Bonaccorsi Costume Assistants - Sheenagh O'Marah, Kirsty Wilkinson	Make-up and prosthetics Make-up Artists - Pam Mullins, Steve Smith, John Munro Prosthetics - Millennium FX Prosthetics Designer - Neill Gorton Prosthetics Supervisor - Rob Mayor Prosthetics Technicians - Helen Rowe, Alex Wathey Movement Stunt Co-ordinator - Tom Lucy Stunt Performer - Charles Jarman Casting Casting Associate - Andy Brierley General post-production staff Post-production Supervisors - Samantha Hall, Chris Blatchford Post-production Co-ordinator - Marie Brown Assistant Editor - Tim Hodges On-line Editor - Matthew Clarke Special and visual effects Visual FX Producers - Will Cohen, Marie Jones Visual FX Supervisor - Dave Houghton VFX Editor - Ceres Doyle VFX Co-ordinators - Jenna Powell, Rebecca Johnson On-set VFX Supervisor - Barney Curnow SFX Co-ordinator - Ben Ashmore SFX Supervisor - Paul Kelly SFX Technicians - Danny Hargreaves, Henry Brook 3D Artists - Nicholas Hernandez, Jean-Claude Deguara, Neil Roche, Jean Yves Audouard, Jeff North 2D Artists - Sara Bennett, Melissa Butler-Adams, Tim Barter, Greg Spencer, Adam Rowland, Bryan Bartlett Colourist - Mick Vincent Digital Matte Painters - Simon Wicker, Charlie Bennett Sound Sound Recordist - Julian Howarth Dubbing Mixer - Tim Ricketts Supervising Sound Editor - Paul McFadden Sound FX Editor - Paul Jefferies Sound Editor - Doug Sinclair Foley Editor - Kelly-Marie Angell

Not every person who worked on this adventure was credited. The absence of a credit for a position doesn't necessarily mean the job wasn't required. The information above is based solely on observations of the actual end credits of the episodes as broadcast, and does not relay information from IMDB or other sources.
David Bednall was uncredited for his organ performance.

References

• The Doctor states that he has to turn the sound "to eleven", a reference to the mockumentary "This is Spinal Tap".
• The Doctor claims to have been taught how to play the pipe organ by Beethoven.
• Harold Saxon is mentioned by Dr Lazarus, Lady Thaw, and Francine.

Story notes

• This is the second time in the revived series when the Doctor jumps from an explosion, first seen in The Unquiet Dead.
• Gatiss's appearance makes him one of a select few to have both written for and acted in the show, and the first of the revived series to do so. Gatiss' involvement with the Doctor Who franchise dates back to writing for the Virgin New Adventures novel series in the early 1990s, as well as appearing in and writing several independent spin-off video productions. Gatiss also voices "Danny Boy" in Victory of the Daleks, which he also wrote, reprises the role in A Good Man Goes to War, portrays Gantok in The Wedding of River Song (credited under the name "Rondo Haxton"), and Archibald Hamish Lethbridge-Stewart in Twice Upon a Time.
• As the rejuvenated Lazarus, Mark Gatiss wears a wig he previously wore in an episode of The League of Gentlemen, playing a veterinary surgeon based on Peter Davison's character in All Creatures Great and Small. When the Doctor Who make-up department told him they didn't have time to get a new wig made, he offered to use the League of Gentlemen wig that he had at home. The BBC ended up hiring it from him for a hundred pounds. Gattis recounts the story in great detail on the audio commentary for The Lazarus Experiment.
• The name "Lazarus" is a reference to the Biblical man who was resurrected from the dead, similar to being given youth back. The comparison is made explicit when he escapes the ambulance and the Doctor says, "Lazarus, back from the dead. Should've known, really."
• The set piece for the capsule of Lazarus's Genetic Manipulation Device is actually the redecorated descent capsule from The Impossible Planet/The Satan Pit.
• Lazarus (Mark Gatiss) says he once lived above a butcher's shop as a child. In his role as Hilary Briss in the BBC series The League of Gentlemen, Gatiss is well known for playing a butcher.
• When Martha introduces the Doctor to Francine, Francine's response is, "Doctor what?"
• David Tennant and Mark Gatiss had previously appeared together in the Big Finish audio story Sympathy for the Devil.

Ratings

• 7.19 million viewers - BARB Final Rating
• 6.7 million viewers - Overnight
• 0.98 million viewers - BBC3 Repeat

Filming locations

• The National Museum of Wales was used for the exterior and several interiors of Lazarus Laboratories.
• For the exteriors of Southwark Cathedral, the real cathedral was used. But the interiors are from Wells Cathedral in Wells, Somerset. (Coincidentally, Wells is also the location of the Wookey Hole Caves, where Revenge of the Cybermen was partly filmed.)

Production errors

If you'd like to talk about narrative problems with this story — like plot holes and things that seem to contradict other stories — please go to this episode's discontinuity discussion.

to be added

Continuity

• The Doctor references experiencing the Blitz first hand, which he did in his ninth incarnation. (TV: The Empty Child/The Doctor Dances) He would later do so again, in his eleventh incarnation. (TV: Victory of the Daleks)
• The Doctor leaving in his TARDIS only to quickly come back to Martha mirrors when the Ninth Doctor did likewise to Rose Tyler. (TV: Rose)
• Lazarus' project insignia, a circular pattern of circles seen many times within the laboratory, is the same pattern later seen on the Master's ring. (TV: Last of the Time Lords)
• The Doctor references "something bad happening" whenever he wears a tuxedo. (TV: Rise of the Cybermen/The Age of Steel) This later happens to him again. (TV: Voyage of the Damned)
• Martha states the Doctor is her "Plus One." The Ninth Doctor said the same of Rose Tyler when watching the last day of planet Earth. (TV: The End of the World)
• Jackie Tyler was the last mother to slap the Doctor. (TV: Aliens of London)
• The Doctor mentions he "reversed the polarity", something his third incarnation did often. (TV: The Five Doctors, etc.) When his tenth and eleventh incarnations meet, they run into issues when they both do so. (TV: The Day of the Doctor)

Home video releases

Series 3 Volume 2 DVD Cover

• This episode was released with Daleks in Manhattan, Evolution of the Daleks and 42 on the Series 3 Volume 2 DVD.
• It is also part of the series 3 DVD box set.
• A deleted scene establishes that the Doctor once helped Thomas Jefferson draft the US Declaration of Independence, and he specifically takes credit for the reference to "the pursuit of happiness". The Doctor finds the first draft of the document in his tuxedo pocket.

External links

• Official BBC Website The Lazarus Experiment
• The Lazarus Experiment at the Doctor Who Reference Guide
• The Discontinuity Guide to: The Lazarus Experiment at The Whoniverse
• The Lazarus Experiment at The Locations Guide