Midnight (TV story)

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Midnight was the tenth episode of the fourth series of the BBC Wales version of Doctor Who. It was the first "companion-lite" televised Doctor Who story. It also featured the third abrupt cameo of Billie Piper as Rose Tyler in the series before her role in the seasonal arc fully unfolded.

In production terms, it was the first episode of Doctor Who to be filmed primarily in narrative order since the practice was abandoned around the time Jon Pertwee began portraying the Third Doctor. It was the only story in which the antagonist was never even partially glimpsed, leaving the threat to be realised by the actors and the sound editors. It was also the second episode of 2008 to guest star the child of an actor who had played the Doctor: David Troughton as Professor Hobbes, his father playing the Second Doctor.

The sound team of Tim Ricketts, Paul McFadden, Paul Jefferies and Julian Howarth shared a Royal Television Society Award and a Welsh BAFTA for their work on this episode.

Synopsis

The Tenth Doctor and Donna Noble go to the leisure planet of Midnight for a simple, relaxing holiday. However, life with the Doctor can never be that simple, and things go horribly wrong for the Doctor when he decides to go off on an bus trip to see the Sapphire Waterfall, starting with the bus shutting down. When a mysterious entity infiltrates the shuttle bus, no one is to be trusted. Not even the Doctor himself...

Plot

The Tenth Doctor and Donna spend some leisure time on the crystalline planet Midnight. It orbits so close to its sun that the X-tonic radiation exposure would vaporise any unprotected living thing on its surface in a split second. Donna receives a call from the Doctor, who wants her to go on a trip to see the Sapphire Waterfall, but she insists that she'd prefer relaxing at the spa and sunbathing. However, the Doctor warns her to be careful because of the X-tonic radiation. Paying him no mind, Donna agrees to try out the anti-gravity restaurant (with bibs) once he gets back. Despite her warning him to be careful, the Doctor jinxes himself: "Taking a bus full of strangers across a diamond planet called 'Midnight', what could possibly go wrong?"

He boards a shuttle bus ride to the Sapphire Waterfall. Other passengers include the Cane family (Val, Biff, and their teenage son Jethro); Professor Hobbes, who is investigating the waterfall; his assistant Dee Dee Blasco; and recently-divorced businesswoman Sky Silvestry. Before they take off, the driver informs them they are taking a different route to the Waterfall Palace because of a diamond fall on the regular path. For the long journey to their destination, the hostess activates the prerendered entertainment for passengers, consisting of several annoying television programs. Most of the passengers find the entertainment to be rather irritating, rather than pleasing. The Doctor discreetly disables them with his sonic screwdriver; most of them are thankful for the small mercy that they've been granted. This forces the passengers to talk and get to know each other better.

The Doctor has an amusing conversation with Biff and Val. Later, during the passengers' meal time, the Doctor talks with Sky about travelling, remarking that he "had a friend who went to a different universe" (Romana in E-Space or Rose in Pete's World.) After the meal, the Doctor talks with Dee Dee about the lost moon of Poosh over coffee in the back; Dee Dee wrote about it and was selected as by Hobbes as his assistant. However, Dee Dee admits Hobbes uses her as a errand girl, rather than a proper assistant. Smiling, the Doctor asks whether or not the lost moon was found. Laughing, Dee Dee tells him no; the Doctor suggests that finding the moon might be her great discovery some day. They toast glasses.

Later, Prof. Hobbes, who has been studying Midnight, presents a slide-show about it; he considers himself an expert because no one has ever researched it before, and that essentially nothing is known about Midnight. X-tonic radiation would vaporise any known form of life in seconds, so Midnight has been totally undisturbed for millennia. Hobbes notes even the Leisure Palace was prefabricated and dropped in from orbit. Jethro points out, to the disapproval of his parents, no one can really know anything about the planet, or whether or not life resides there. Hobbes agrees with him; no one has ever really set foot on Midnight, and no one has any real idea what is on or underneath the surface.

Suddenly the shuttle stops, everyone guesses that they must be there. However, Professor Hobbes tells them that he's been on the trip twelve times; they never stop and it's too early for them to have arrived. Curious, the Doctor uses his psychic paper to pose as someone from the Leisure Palace insurance company. He talks to driver Joe and mechanic Claude, learning that there is nothing wrong with Crusader 50's systems; however, they are stopped. He convinces them to open the shutter to look outside as the landscape is beautiful. The mechanic believes he sees a shadow moving towards the bus before closing the shutter.

Joe tells the doctor that a rescue vehicle is on the way, and to keep quiet about things. The Doctor returns to the cabin, where the Hostess pushes past him to talk to the duo. Mrs. Silvestry asks him what's going on, prompting everyone to talk over themselves to ask him question. This leads them to start wondering about the amount of oxygen they have. However, the Doctor calls for silence and prompts Dee Dee, an expert on vehicles as her father is a mechanic, to explain; the air is recycled, so they can breath for years inside the bus without any worry.

A few moments later, something begins knocking on the hull. Again, everyone panics, but the Doctor temporarily pacifies them as he listens to the knocks with his stethoscope. Biff knocks thrice on the door to prove the ship is sturdy; the knocks repeats his pattern. Everyone freaks out as the Doctor knocks four times on the hull to confirm if there is something outside despite Hobbes' attempts to make everyone believe nothing can be outside. However, everyone ignores him since they do not believe him. The knocking moves around the shuttle, making its way towards Sky, who has become hysterical, remembering a past threat her partner made to her during the divorce. The knocking stops as a dent appears in the door Sky is next to. The lights fail and the shuttle is violently rocked.

When the lights are restored, there is a working screen behind the Doctor, who turns away when he sees a singer on it, but it quickly turns to a muted video of Rose, who is shouting, "Doctor!" No one notices. The hostess distributes torches and everyone looks around to see if any are injured. Jethro notices the seats near Sky have been ripped off the floor and she is cowering in the corner. The hostess fails to contact the crew in the cabin, realises the main generator is down and opens the door to the driver cabin. Only X-tonic light can be seen, forcing her to close the door. The Doctor opens up a systems panel with his sonic screwdriver to examine it for any faults, but behind the face plate are several cut wires; the driver's cabin has been ripped away, vaporising driver Joe and mechanic Claude.

Jethro calls everyone's attention back to the cowering Sky; the Doctor kneels next to her and tries conversing with her. Sky initially remains motionless, but is coaxed into turning around by the Doctor. Attempts to get her to speak cause her to start repeating what everyone else says. Deciding to test how well Sky can copy them, the Doctor says the square root of pi, becoming amazed she repeated every number even when they were talking over each other. The Doctor speculates about what is happening and what will happen to Sky, believing the entity that was knocking on the hull has taken over her consciousness. The back up generator comes on and the Professor tries to have everyone calm down and be rational. However, Jethro and the Doctor notice that Sky is speaking simultaneously with Hobbes, and everyone else for that matter.

The passengers contemplate throwing Sky outside, horrifying the Doctor, who thinks that the entity might be trying to learn. He tries to calm everyone down, but he fails when the passengers become suspicious of him, especially when he proves unwilling to reveal his real name or origin and admits to feeling a thrill from the situation. The passengers contemplate throwing him out too, if he gets in the way of them trying to save themselves. However, as the Doctor protests that they will need him to survive if the entity turns out to be malevolent, Sky stops repeating everyone and focuses solely on the Doctor. To try reasoning with the consciousness in Sky, the Doctor attempts to offer it help with finding a voice of its own without stealing his. However, when the Doctor asks the entity if it can agree with him, he has spoken after Sky.

The Doctor, terrified, as the entity forces him to order his own murder.

The Doctor is now repeating Sky's words, motionless and clearly strained as if fighting something. Most reason that it's the Doctor that is possessed now, as Sky can move again. However, the hostess and Dee Dee think this is just the next step: stealing the voice of another as the Doctor had predicted. The other passengers refuse to listen to reason and decide to throw the Doctor out the nearest door, all the while being goaded on by Sky, who is strangely happy despite the madness going on. The Doctor shows minimal signs of resistance to being pulled towards a door by Biff and Hobbes as Sky describes how the entity is insidious and gets inside the humans' heads.

The hostess sacrifices herself to save the Doctor.

However, the hostess realises that Sky is not talking in her own voice; she uses two phrases the Doctor had used earlier (Molto bene and Allons-y). The entity in Sky has stolen the Doctor's voice. "Sky" notices the hostess is not fooled by her performance and is fearful. To save the Doctor, the hostess sacrifices herself to drag the entity out of the bus and out into the X-tonic sunlight, vaporising them both.

The Doctor slowly recovers from his paralysis; Val tries defending herself by saying she knew it was Sky. He simply glares at her. The passengers wait for the rescue vehicle in a haunted silence. When the rescue bus finally comes for them, the Doctor realises that no one knew the name of the hostess.

Back at the spa, the Doctor mournfully reunites with Donna. The two later discuss what happened with the Doctor still clueless over the origin of the creature, if it survived or how many more there may be. Either way, he intends to inform the Leisure Palace Company and have them leave Midnight behind, silently orbiting the X-tonic star once again. Donna can't fathom what the Doctor would be like without a voice. The Doctor tells her, "Molto bene", with a smile. Donna copies him. Disturbed, the Doctor tells Donna not to do that, then looks away, clearly still haunted.

Cast

Crew

General production staff

Script department

Camera and lighting department

Art department

Costume department

Make-up and prosthetics

Movement

Casting

General post-production staff

Special and visual effects

Sound



Not every person who worked on this adventure was credited. The absence of a credit for a position doesn't necessarily mean the job wasn't required. The information above is based solely on observations of the actual end credits of the episodes as broadcast, and does not relay information from IMDB or other sources.


References

Cultural references from the real world

  • A Betty Boop cartoon and Italian soubrette Raffaella Carrà are briefly shown on a screen during the voyage as part of the animation archives.

The Doctor

Astronomy

  • The lost moon of Poosh is mentioned.

Species

  • Biff tells a story of his encounter with a Shamboni.

Story notes

  • Working titles included Crusader Five and Crusader 50.
  • This is the first episode in Series 4 in which the Doctor is present when Rose Tyler appears although he does not see her.
  • Donna was largely absent from this episode, as Catherine Tate was filming Turn Left. While the previous two series included one episode each referred to as "Doctor-lite" for including only brief appearances by the Doctor and, by extension, his companion, this was the first time a "companion-lite" episode focusing on the Doctor by himself has been attempted in the revived series.
  • Dee Dee mentions the lost moon of Poosh, continuing the theme of disappearing planetary bodies featured throughout series 4.
  • This episode was originally intended to be episode 8, before Steven Moffat's two-parter, but was pushed back to episode 10. The name of the shuttle bus, Crusader 50, was a reference to it originally being the 50th episode of the new series to be screened and David Troughton was going to add symmetry as he was in the 50th story of the classic series. It was however the 50th episode of the "new series" to be filmed. A similar reference was made in Planet of the Dead, with the bus numbered 200 referencing the 200th Doctor Who story to be broadcast.
  • This is the first televised story since Genesis of the Daleks in 1975 not to feature the TARDIS. The only other televised stories in the history of Doctor Who in which it does not appear are Mission to the Unknown, Doctor Who and the Silurians, The Mind of Evil, The Daemons, The Sea Devils and The Sontaran Experiment.
  • This is the second episode in which the Doctor has not had a companion to assist him. The first episode without a companion was The Deadly Assassin, although the earlier story remains the only one in which no companion appears at all (as opposed to Donna's appearances at the beginning and end of this episode).
  • For the first time ever in Doctor Who history, the villain in this episode is never actually revealed.
  • David Troughton, who plays the professor, is the son of Patrick Troughton, who played the Second Doctor. Episode director Alice Troughton is not directly related. David Troughton appeared in his father's final story The War Games, and also in the Third Doctor story The Curse of Peladon and is a veteran contributor to the Big Finish Productions audio dramas.
  • Sky Silvestry mentions to the Doctor that "I found myself single recently, not by choice... she needed her own space". This is in keeping with the increased mentions of same-sex relationships in humanity's future, once again suggesting a more tolerant viewpoint by this point about it.
  • Sky also says that her ex went to "a different galaxy, in fact". The Doctor's response is, "I had a friend who went a different universe", referencing Rose Tyler's departure in Doomsday, and foreshadowing her return in Turn Left.
  • Although rumoured to have originated from an earlier episode, the brief cameo of Rose was scripted for this episode and was filmed especially for this episode by director Alice Troughton during production of Turn Left. According to the DVD commentary for this episode, Russell T Davies decided to also include the clip in The Poison Sky, too, a fact Troughton — and David Tennant — were not made aware of until during the commentary recording for Midnight.
  • Months after the episode aired, the story element of having two characters speaking the same words at the same time, and one character trying to throw the other off by spouting random references, would be duplicated in "The Arrival", an episode of the American series Fringe.
  • This story was written, at short notice, to replace a script called Century House by Tom MacRae which Russell T Davies felt was too similar, in terms of tone, to The Unicorn and the Wasp. (DWM 400)
  • When Donna impersonates the Doctor's Italian accent at the end, the Doctor says, "Don't do that," as he addressed Martha Jones and Rose Tyler's earlier attempts at accents; however on this occasion it is with serious intent and more directly references the fact that he is uncomfortable with her repeating his words as he had just recovered from an adventure with a mysterious entity that wanted his voice.
  • The lost moon of Poosh is first introduced in this episode as another lost planet alongside Adipose 3 and Pyrovillia, continuing this series' trend of having lost planets, and the trend of a unique story arc per series. The first series had the Bad Wolf, the second had Torchwood, and the third had Mr. Saxon. These planets are ultimately revealed to have been stolen by the Daleks and are found by the Doctor and Donna. The lost moon of Poosh is returned home by Donna in Journey's End is thus later no longer lost.

Rating

  • Official BARB ratings - 8.05 million viewers. Midnight was the 5th most watched programme on British television for the week.

Myths

  • Billie Piper's brief cameo was taken from an earlier episode, most likely The Idiot's Lantern, in which she was also shown shouting silently from a TV screen, and was a last-minute addition. It was filmed during the fourth series, during Turn Left and The Stolen Earth/Journey's End episodes.

Filming locations

Studio

  • Upper Boat Studios, Trefforest

Location

  • Dylan's Health Spa, Newport

Production errors

If you'd like to talk about narrative problems with this story — like plot holes and things that seem to contradict other stories — please go to this episode's discontinuity discussion.
  • Donna's phone in the prologue is clearly the handset of a wired phone due to the jack on the bottom. She was supposed to hold it upside down so no one would notice, but nobody on set caught the mistake.
  • Also in the prologue, as the Doctor is saying his last words to Donna on the phone, behind him you can see a green screen that is supposed to be the bus depot on where he travels to the bus.
  • While trying to turn off the entertainment, the Doctor extends his sonic screwdriver. The camera then switches to Sky, then to the Doctor where he extends the sonic screwdriver again.
  • When the Hostess tells Dee Dee that Sky has "stolen" the Doctor's voice, the second shot of Dee Dee is mirrored. The first shot shows her with a black blur to her left, presumably Jethro's shirt, and a bracelet on her right wrist, but in the second shot, it is reversed. Also, on there is a different pattern on the wall that switches sides between shots.
  • When the hostess apologises for the entertainment braking you can see the boom mic operator in the reflection of the glass behind her.

Continuity

Home video releases

Series 4 Volume 3 DVD Cover

External links

Footnotes