Romeo and Juliet: Difference between revisions
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In Act V Scene I, [[Apothecary (The True and Most Excellent Comedie of Romeo and Juliet)|an apothecary]] in [[Mantua]] sold Romeo a vial of [[poison]] which he intended to use to commit [[suicide]], having heard of Juliet's "death". The Doctor, Amy, and Rory, arrived moments too late once again and were unable to prevent him from buying the vial. Instead, they spoke to the apothecary, who was initially unwilling to answer [[question]]s regarding Romeo's whereabouts. However, the Doctor gave him some [[gold]], persuading him to tell them that Romeo was headed directly to the [[Capulet tomb]] to lie with his [[love]]. The trio immediately set off again, bound for the [[tomb]] in [[Verona]]. ([[PROSE]]: ''[[The True and Most Excellent Comedie of Romeo and Juliet (short story)|The True and Most Excellent Comedie of Romeo and Juliet]]'') | In Act V Scene I, [[Apothecary (The True and Most Excellent Comedie of Romeo and Juliet)|an apothecary]] in [[Mantua]] sold Romeo a vial of [[poison]] which he intended to use to commit [[suicide]], having heard of Juliet's "death". The Doctor, Amy, and Rory, arrived moments too late once again and were unable to prevent him from buying the vial. Instead, they spoke to the apothecary, who was initially unwilling to answer [[question]]s regarding Romeo's whereabouts. However, the Doctor gave him some [[gold]], persuading him to tell them that Romeo was headed directly to the [[Capulet tomb]] to lie with his [[love]]. The trio immediately set off again, bound for the [[tomb]] in [[Verona]]. ([[PROSE]]: ''[[The True and Most Excellent Comedie of Romeo and Juliet (short story)|The True and Most Excellent Comedie of Romeo and Juliet]]'') | ||
In Act V Scene III, the Doctor, Amy, and Rory arrived in time to stop Romeo from drinking his poison and were able to convince him that Juliet was merely feigning death. Romeo awoke her with a [[kiss]] and the two shared a brief reunion. Juliet suggested leaving Verona to start a new life with Romeo but the Doctor vetoed this idea, telling them they had to help heal the rift between their feuding families. He then revealed doubles of [[Romeo Montague (clone)|Romeo]] and [[Juliet Capulet (Teselecta)|Juliet]], a [[Sontaran]] [[clone]] and a [[Teselecta]] respectively, which then took up positions on the tomb's altar as if they had chosen to kill themselves. Romeo and Juliet's [[father]]s, [[Montague (The True and Most Excellent Comedie of Romeo and Juliet)|Montague]] and [[Capulet]], as well as their [[mother]]s and [[Juliet Capulet's nurse|Juliet's nurse]], came to mourn their loved ones after the death scene had been discovered by [[Chief Watchman (The True and Most Excellent Comedie of Romeo and Juliet)|the Chief]] of Verona's watch. The two patriarchs immediately vowed to end their conflict as per their offspring's wishes. The Doctor emerged from the TARDIS at this point, where everyone had been hiding out of [[sight]], and revealed that the bodies were not those of Romeo and Juliet. He came under instant suspicion but his claim was substantiated when they also exited the TARDIS. A short celebration then ensued but Romeo noted his remorse for the deaths of [[Tybalt]] and [[Paris (The True and Most Excellent Comedie of Romeo and Juliet)|Paris]] by his [[sword]] tarnished their [[joy]]. As a final "small surprise" the Doctor announced that they also lived; the [[Paris (Nestene duplicate)|Paris slain by Romeo]] was a [[Nestene duplicate]] while [[Tybalt (Zygon)|the living Tybalt]] was secretly a [[Zygon]] who owed the Doctor a favour. Paris stated he longed for Juliet no more and had found love with [[Rosaline (The True and Most Excellent Comedie of Romeo and Juliet)|Rosaline]], prompting [[Friar Laurence]] to disclose his "secret love" for the Nurse, feelings which she reciprocated. With all the [[Couple|couples]] "set to [[Wedding|wed]]", and telling his friends "their work [was] done", it was the Doctor who closed the play in this alternative draft. He stated that though it was often said "no tale could [[hope]] to overset the love of Romeo for Juliet, never was there a more joyful [[story]] than that of Amy Pond and her dear Rory". ([[PROSE]]: ''[[The True and Most Excellent Comedie of Romeo and Juliet (short story)|The True and Most Excellent Comedie of Romeo and Juliet]]'') | |||
In [[August]] [[1937]], [[Lucas Seyton]] stole an original draft of ''Romeo and Juliet'' from the Palace Theatrical Museum in [[London]]. ([[PROSE]]: ''[[The Shadow of Weng-Chiang (novel)|The Shadow of Weng-Chiang]]'') | In [[August]] [[1937]], [[Lucas Seyton]] stole an original draft of ''Romeo and Juliet'' from the Palace Theatrical Museum in [[London]]. ([[PROSE]]: ''[[The Shadow of Weng-Chiang (novel)|The Shadow of Weng-Chiang]]'') |
Revision as of 19:56, 6 May 2022
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Romeo and Juliet was a play written by William Shakespeare. It was also the name of its two main characters, Romeo Montague and Juliet Capulet.
History
Inspirations
According to a publication which published much of the Shakespeare Notebooks, it was "generally agreed" that Shakespeare took the poem The Tragical History of Romeus and Juliet by Arthur Brook as its main inspiration. The play as it was reproduced in Quarto and Folio closely followed the narrative of the poem, using the same character names and the same ending, with the deaths of both Romeo and Juliet. (PROSE: The True and Most Excellent Comedie of Romeo and Juliet)
Drafts
The Shakespeare Notebooks contained as one of its longest pieces an earlier and somewhat lighter draft of Romeo and Juliet. The non-fiction book which reprinted it stated it "appear[ed]" that under pressure from James Burbage to "make dark tragedie light", Shakespeare prepared a second version of the play with a happy ending, which he dubbed "the story as it did truly unfold, by misfortune unmarred". This turned the play, which was already highly comic for its first three acts, into an out-and-out comedy. This alternative version added a trio comprising of the Doctor, Amy, and Rory, who could travel great distances in seconds thanks to a blue box called the TARDIS. These new characters were clearly based upon the Eleventh Doctor and his companions Amy Pond and Rory Williams.
In Act IV Scene III of this draft, the Doctor and his friends arrived in Juliet's bedroom and attempted to stop her from drinking a sleeping draught which made her appear lifeless. They entered just too late, with the Doctor calling out to her as she fell upon her bed. With nothing more to do and fearing the consequences should they be found with Juliet's body, they swiftly left.
In Act V Scene I, an apothecary in Mantua sold Romeo a vial of poison which he intended to use to commit suicide, having heard of Juliet's "death". The Doctor, Amy, and Rory, arrived moments too late once again and were unable to prevent him from buying the vial. Instead, they spoke to the apothecary, who was initially unwilling to answer questions regarding Romeo's whereabouts. However, the Doctor gave him some gold, persuading him to tell them that Romeo was headed directly to the Capulet tomb to lie with his love. The trio immediately set off again, bound for the tomb in Verona. (PROSE: The True and Most Excellent Comedie of Romeo and Juliet)
In Act V Scene III, the Doctor, Amy, and Rory arrived in time to stop Romeo from drinking his poison and were able to convince him that Juliet was merely feigning death. Romeo awoke her with a kiss and the two shared a brief reunion. Juliet suggested leaving Verona to start a new life with Romeo but the Doctor vetoed this idea, telling them they had to help heal the rift between their feuding families. He then revealed doubles of Romeo and Juliet, a Sontaran clone and a Teselecta respectively, which then took up positions on the tomb's altar as if they had chosen to kill themselves. Romeo and Juliet's fathers, Montague and Capulet, as well as their mothers and Juliet's nurse, came to mourn their loved ones after the death scene had been discovered by the Chief of Verona's watch. The two patriarchs immediately vowed to end their conflict as per their offspring's wishes. The Doctor emerged from the TARDIS at this point, where everyone had been hiding out of sight, and revealed that the bodies were not those of Romeo and Juliet. He came under instant suspicion but his claim was substantiated when they also exited the TARDIS. A short celebration then ensued but Romeo noted his remorse for the deaths of Tybalt and Paris by his sword tarnished their joy. As a final "small surprise" the Doctor announced that they also lived; the Paris slain by Romeo was a Nestene duplicate while the living Tybalt was secretly a Zygon who owed the Doctor a favour. Paris stated he longed for Juliet no more and had found love with Rosaline, prompting Friar Laurence to disclose his "secret love" for the Nurse, feelings which she reciprocated. With all the couples "set to wed", and telling his friends "their work [was] done", it was the Doctor who closed the play in this alternative draft. He stated that though it was often said "no tale could hope to overset the love of Romeo for Juliet, never was there a more joyful story than that of Amy Pond and her dear Rory". (PROSE: The True and Most Excellent Comedie of Romeo and Juliet)
In August 1937, Lucas Seyton stole an original draft of Romeo and Juliet from the Palace Theatrical Museum in London. (PROSE: The Shadow of Weng-Chiang)
Performances and adaptations
In 1866, Henry Gordon Jago auditioned for the role of Romeo at the Alhambra Theatre. (AUDIO: The Year of the Bat)
In 1953, Adrian Cooper played Romeo in David Owen's film adaptation of the play. Cooper, who was famous for his ego, demanded that the script be rewritten so that Romeo survived and got the girl. (PROSE: Swamp of Horrors (1957) - Viewing Notes)
The play's sixth act included a wedding scene between the title characters, which was heavily requested from BardCorp in the early years of the City of the Saved. Francis Bacon claimed to have written Mercutio's bawdy best man's speech. (PROSE: The Smallest Spark)
References
While a captive of Saladin in 1190, Barbara Wright was going to tell him the stories of Romeo and Juliet, Gulliver's Travels and Hans Christian Andersen's fairy tales. (TV: The Crusade)
Lucie Miller compared Kalkin and Sararti to Romeo and Juliet. When Tayden asked if that was good, Lucie replied "Er - actually, no, come to think of it". (AUDIO: Immortal Beloved)
While on Zeta Minor, the Fourth Doctor quoted a line from Romeo and Juliet. (TV: Planet of Evil)
Behind the scenes
- Many of the period costumes seen in The Masque of Mandragora were first used in Renato Castellani's 1954 feature film production of Romeo and Juliet.[1]
- According to The Brilliant Book 2012, a book that contains non-narrative based information, Amy Pond and Rory Williams saw Romeo and Juliet at the Theatre in 1605 before they were arrested by King James I.
- The title of the audio story He Jests at Scars... is a reference to the line "He jests at scars that never felt a wound" from Romeo and Juliet Act 2, Scene 2.
- Clive Swift, Keith Skinner, Patrick Ryecart, Esmond Knight, David Sibley, Jacqueline Hill, Vernon Dobtcheff, John Savident, Bunny Reed and Jeremy Young have all worked on film productions of "Romeo and Juliet".
Footnotes
- ↑ Production notes, The Masque of Mandragora DVD