The Doctor, the Widow and the Wardrobe (TV story)

The Doctor, the Widow and the Wardrobe
Doctor:	[[doctor::Eleventh Doctor]]
Featuring:	Madge, Lily, Cyril, Amy, Rory
Main setting:	United Kingdom, 1941 and a unnamed planet, 5345, London, 2013
Key crew
Writer:	Steven Moffat
Director:	Farren Blackburn
Producer:	Marcus Wilson
Release details
Story number:	224
Premiere broadcast:	25 December 2011
Premiere network:	BBC One
Format:	1 x 60 minute episode
Production code:	7.X
Doctor Who television stories
← Previous	The Wedding of River Song
Next →	Good as Gold
Production order
← Previous	The Wedding of River Song
Next →	Dinosaurs on a Spaceship

The Doctor, the Widow and the Wardrobe was the 2011 Christmas special of Doctor Who. Much like the Christmas special from the previous year, this one also takes its name from a popular story in literature, albeit this time with some alteration to the title.

Synopsis

Christmas Eve, 1938. Madge Arwell comes to the aid of an injured Spaceman Angel, who promises to repay her kindness – all she has to do is make a wish. Three years later, Madge escapes war-torn London with her two children for a dilapidated house in Dorset. Crippled with grief at the news her husband has been lost over the English Channel, she wishes to give her children the best Christmas ever. The Arwells are greeted by the Doctor, who acts as their madcap caretaker. However, a mysterious Christmas gift from him leads them into a wintry, magical world. Madge must learn how to be braver than she ever thought possible and that wishes can come true.

Plot

A spaceship approaches Earth, 1938, and prepares its weapons to destroy the planet. Instead, it blows up thanks to the Doctor; he's running for his life now. Sealing off the part of the ship that is exploding, the Doctor finds the section he's in has fallen apart; the vacuum of space is pulling him out. Seeing a space suit nearby, he tries reaching for it, but it falls out. Using his respiratory bypass system, the Doctor lets go of the ship and falls after the suit, barely missing getting caught in the explosion. Grabbing hold of the suit, he struggles to put it on as he enters the Earth's atmosphere.

In England, Madge Arwell is riding her bike home when something falls from the sky into a nearby field. She finds a space suit inside a crater as a groan comes from it. Madge opens the visor to find the wearer with the helmet on backwards, and informs him of this when he believes he's gone blind. Explaining he "got dressed in a hurry", the Doctor asks Madge to help him find a police box. Madge returns home to retrieve the keys to her neighbor's car, informing her children to tell their dad she is helping a spaceman angel find a police box. When her husband asks where she is going, their son simply says "out"; her story is obviously ridiculous.

After

The Doctor promises to repay Madge for her help

a bumpy drive to find the TARDIS, Madge finds a police box and helps the Doctor out of the car; he bumps into a street lamp. She wonders why he hasn't taken off his suit and he explains it's an impact suit; it's healing him from the fall. The Doctor tells Madge that he will repay her kindness; all she has to do is make a wish. However, the Doctor asks if they can try again; it's not the TARDIS.

Three years later, in the Second World War, Madge's husband, Reg is flying his plane blind, looking for a guide to navigate his way. Seeing none, he looks at a picture of Madge and apologies.

Madge receives a telegram, informing her that Reg was lost at sea. She does not tell her children, Cyril and Lily, what happened to keep them happy at Christmas. Because of the bombing, they are to leave for Uncle Digby's country estate. As her children break a wishbone, Madge makes a silent wish for help.

They arrive at Digby's estate, where the Doctor introduces himself to them as the caretaker. He shows them around the estate, explaining he "repaired" several boring rooms; he upgraded them with delightful gizmos. Upon showing the children their room, which has everything a child could want for their hobbies at the cost of their beds (they'll have to sleep in hammocks), Madge tells the Doctor to stop and sends the children out of the room. She explains that their father is dead, but then wonders why she keeps shouting at them. The Doctor explains that it's because she knows that they will be very sad when she tells them the bad news; their being happy until then is upsetting her.

Before anything more can be said, they are interrupted by cries of delight from Cyril and Lily. They go to the room where the Doctor has set up an elaborate tree with a large gift box. Madge is shocked by the many toys the Doctor has put in the room. She turns to find him leaving once the children wonder who left them a gift.

That night, Cyril decides to open the Doctor's present before Christmas. He finds it contains a portal to another world, one covered in snow. A tree sprouts what seem to be ornaments. He grabs one, sees a face on it and drops it to run back. Something hatches from the ornament and walks off.

Back in the house, Lily is worried about Cyril. She notices lights from the attic. She finds the Doctor working on the electrics with the TARDIS next to him. He lies that the TARDIS is his wardrobe, painted to look like a police box. The Doctor wonders if Cyril is still in bed once he observes a beeping light he is holding. To prove to the Doctor that Cyril is in bed, Lily takes him to see, but finds the Doctor was right; Cyril is not there. Impressed with Cyril's cleverness, the Doctor decide to look for him.

They head for the sitting room with the tree and find him re-entering the portal. The Doctor enters and pulls Lily after him, explaining that its a portal to another planet; they arrived a few minutes after him because of the nature of the portal. The Doctor explains this gift was supposed to be a supervised trip to one of the safest planets he knows because of its beautiful natural Christmas trees. Meanwhile, Cyril has traced footprints left by the creature which hatched from the 'bauble' to a tower-like structure.

Back in the house, Madge feels uneasy and looks around for Cyril, Lily and the Doctor, only to find them gone. She finds the portal and enters the forest herself. She meets three Harvest Rangers, who hold her at gunpoint. They explain that the forest is private property and she's in danger because of the acid rain coming to melt the trees down into fuel. They do a scan of her, finding that she is not from their era; the portal lead to the future. Madge begins crying from the stress and shock of what's happening. Deciding Madge will trust them if they are unarmed, the three do so, asking if they can interrogate her now. Madge then turns the tables on them by pointing a gun at them, telling them she's from the time of the second world war.

Cyril has entered the structure and made his way to the top; inside are wooden statues of a king and a queen. When Cyril sits on a throne in the top of the tower, the Wooden Queen comes to life and puts a crown on him. At the same time, the Doctor and Lily arrive and ascend the stairs. The Wooden King comes to life and follows them up. They find Cyril. The Doctor questions the Queen and King. They are trying to evacuate the forest's life force before the Androzani Trees are melted. They lured Cyril to them, but he is too weak to carry their life force off the planet. To the Doctor's chagrin, he is also too weak. Lily is strong, but too young.

Madge is taken to the Harvest Rangers vehicle, where she has all but the female member of the trio tied up to get some answers; Madge trusts her more than the men. The female ranger says they can scan for her children and set up a radio feed to receive any voices within the area. However, as soon as this is set up, a warning about the acid ran sounds and the rangers are teleported away. Madge hears Cyril over the radio, saying he will wait at the tower until she comes as she always comes.

Worried for the child's life, the Doctor tries explaining to Cyril that the portal they used to get to this planet will close soon, and they have to leave right away if they have a chance of avoiding the acid rain. However, the child is adamant and the rain begins; the tower won't hold up for long. They notice the ground shaking. Outside, the rangers' vehicle, a giant robot is being piloted poorly towards the tower. The Doctor recognizes the driving style: Madge. She tells the Doctor he is fired as caretaker before crashing the robot next to the tower.

The Doctor rushes her inside, where the Wooden Queen and King decide she is strong and old enough. The Doctor realizes they are saying that all life comes from the "mother ship". The forest's life force enters Madge as the room separates from the tower and launches itself into the time vortex. On the Queen's instruction to think of her destination, the Doctor tells her to think of all the memories and emotions of home until it hurts. Complying, Madge begins thinking of her husband and how he followed around all the time until she promised to marry him. However, she then sees a display of her husband's plane, lost at sea. Not wanting to see her husband crash, Madge asks the Queen and King not to show her that. Lily and Cyril realise she's been keeping a secret from them.

In a flash of light, everyone is transported to Digby's lawn. The Doctor explains that the trees' life force, the Wooden Queen and Wooden King have left and are now out in space. Madge tries hugging her children, but they ask what she meant about their father dying. The Doctor excuses himself. When he steps outside, he rushes back to tell Madge to come out; Reg landed right behind them. The Doctor explains that her love led him into the time vortex and he used the light from the escape pod as a guide. Reg wonders what happened until he is told it's Christmas. He puts aside thought to enjoy the holiday with his family.

Later, Madge enters the attic as the Doctor prepares to leave. Seeing the TARDIS, she realises the Doctor was the spaceman she helped years earlier. She asks him to stay and enjoy Christmas, but he tells her he cannot. Madge thinks he has family of his own, but the Doctor says they think he died. Madge orders the Doctor to go see his family; they shouldn't think he's dead at Christmas. As he enters the TARDIS, the Doctor tells Madge that if she ever needs his help again, she should make another wish. Reg enters as the TARDIS dematerializes. Madge explains the Doctor has returned to the time vortex; she thinks it's a lovely place.

The Doctor arrives at Amy and Rory's. Amy answers the door with a water gun, thinking it Christmas carolers again. He greets her awkwardly, wondering how long it has been since they last met. Amy tells him two years. She says River told them the truth and she's not hugging first. After they hug, she invites the Doctor in, calling Rory to see who's at the door. Rory tries pretending to be surprised, but Amy tells him that they've been past that. The Doctor asks if they have room for one more. They tell him that they always set a place for him. As Amy and Rory head in, the Doctor leaks a few tears, then joins his friends for Christmas dinner.

Cast

• The Doctor - Matt Smith
• Amy Pond - Karen Gillan
• Rory Williams - Arthur Darvill
• Madge Arwell - Claire Skinner
• Cyril Arwell - Maurice Cole
• Lily Arwell - Holly Earl
• Reg Arwell - Alexander Armstrong
• Co-Pilot - Sam Stockman
• Wooden King - Spencer Wilding
• Ven-Garr - Paul Bazely
• Droxil - Bill Bailey
• Billis - Arabella Weir
• Wooden Queen - Paul Kasey

Crew

Executive Producers   Steven Moffat, Piers Wenger and Caroline Skinner

Written by Steven Moffat	Produced by Marcus Wilson	Directed by Farren Blackburn	Director of Photography Stephan Pehrsson	Production Designer Michael Pickwoad	Visual Effects The Mill
Make-up Designer Barbara Southcott	Casting Director Andy Pryor CDG	Music Murray Gold	Costume Designer Edward K. Gibbon	Edited by Tim Porter	Special Effects Real SFX
Original theme music by Ron Grainer  •  With thanks to the BBC National Orchestra of Wales  •  Orchestrated by Ben Foster  •  Conducted and additional orchestrations by Jeremy Holland-Smith  •  Recorded by Gerry O'Riordan  •  Mixed by Jake Jackson

General production staff Production Executive - Julie Scott Line Producer - Diana Barton Associate Producer - Denise Paul Production Manager - Phillipa Cole Location Manager - Iwan Roberts Location Assistant - Beccy Jones Unit Manager - Rhys Griffiths Production Co-ordinator - Claire Hildred Production Assistant - Sandra Cosfield Production Accountant - Richard McNeill A/Production Accountant - Rhys Evans Script department Script Executive - Caroline Henry Camera and lighting department 1st Assistant Director - Matthew Shrivener 2nd Assistant Director - James DeHaviland 3rd Assistant Director - Heddi-Joy Taylor-Welch Assistant Director - Danielle Richards Script Supervisor - Caroline Holder Camera Operator - Joe Russell Focus Pullers - Simon Walton, Jonathan Vidgen Grip - Gary Norman Assistant Grip - Owen Charnley Camera Assistants - Tom Hartley, Rebecca Pescod, Owain Thatcher Boom Operator - Paul Naughton Gaffer - Mark Hutchings Best Boy - Stephen Slocombe Electricians - Gafin Riley, Gareth Sheldon, Matt Wilson	Art department Art Director - Karl Probert Assistant Art Director - Dan Martin Art Department Production Manager - Ben Morris Petty Cash Buyer - Holly McCarthy Set Decorator - Adrian Anscombe Props Buyer - Lizzi Wilson Graphic Artist - Christina Tom Standby Props - Phill Shellard, Helen Atherton Standby Carpenter - Will Pope Prop Hands - Michael Elkins, Austin J. Curtis, Tom Belton Standby Art Director - Sophia Stapleton Standby Rigger - Bryan Griffiths Scenic Painters - John Whalley, Steven Fudge Props Master - Bernie Davies Props Chargehand - Mathew Tooher Props Makers - Penny Howarth, Nicholas Robatto Construction Manager - Scott Fisher Construction Chargehand - Brian Jones Practical Electrician - Albert James Graphics - BBC Wales Graphics Costume department Costume Supervisor - Rebecca Duncan Costume Assistants - Gemma Evans, Claire Polydorou, Lloyd Middleton	Make-up and prosthetics Make-up Artists - Vivienne Simpson, Julie Davies Prosthetics - Millennium FX Movement Stunt Co-ordinators - Crispin Layfield, Gordon Seed Stunt Performers - Will Willoughby, Tracy Caudle Casting Casting Associate - Alice Purser General post-production staff Post-production Supervisor - Nerys Davies Post-production Co-ordinator - Marie Brown Assistant Editor - Becky Trotman On-line Conform - Mark Bright On-line Editors - Matt Mullins, Jeremy Lott Special and visual effects Additional Visual Effects - BBC Wales Graphics, Space Digital VFX Editor - Joel Skinner Colourist - Mick Vincent Sound Sound Recordist - Robert Flanagan Dubbing Mixer - Tim Ricketts Dialogue Editor - Darran Clement ADR Editor - Matt Cox Sound Effects Editor - Paul Jefferies Foley Editor - Jamie Talbutt Sound Assistant - Abdul Amoud

Not every person who worked on this adventure was credited. The absence of a credit for a position doesn't necessarily mean the job wasn't required. The information above is based solely on observations of the actual end credits of the episodes as broadcast, and does not relay information from IMDB or other sources.

References

Real world

• The country house belongs to "Uncle Digby" and the family spends their Christmas there to escape the bombing in London. In C.S. Lewis' The Lion, the Witch and the Wardrobe, the main characters are sent to the country home of Professor Digory Kirke to escape the bombing of London and discover a portal to Narnia in a wardrobe.

• A miniaturised model of the house is placed in the children's bedroom. The Doctor apologises for it not being quite to scale. In Back to the Future, Doctor Emmett Brown constantly apologises for the same thing.

Planets

• The Doctor says that the planet is one of the safest planets he knows.
• According to the Doctor, "Fairyland" doesn't look anything like the planet they're on.

Story notes

• Alexander Armstrong (Reg Arwell) supplied the voice of Mr Smith throughout the run of The Sarah Jane Adventures and in the Doctor Who story The Stolen Earth / Journey's End.
• Arabella Weir (Billis) previously played an alternative, female version of the Third Doctor in NOTDWU: Exile.
• Spencer Wilding (the Wooden King) previously played the Minotaur in TV: The God Complex.
• This is the first Doctor Who story of the Matt Smith era where neither Karen Gillan nor Arthur Darvill's names appear in the opening credits. Claire Skinner's name appears instead.
• At seven words, this episode has the longest title of any Doctor Who episode.
• At the end of the episode, Amy Pond points a water pistol at the Eleventh Doctor when he shows up on her doorstep. Previously, she has twice aimed a gun at her daughter, River Song (TV: The Impossible Astronaut, TV: A Good Man Goes to War) and at Silents. (TV: The Wedding of River Song) The Tenth Doctor once protected Donna Noble by bluffing the Soothsayers with a water pistol. That episode was the first that Karen Gillan ever appeared in, as a Soothsayer. (TV: The Fires of Pompeii)

Ratings

• UK Overnights: 8.92m (34.2% share)
• UK Final: 10.77m

Filming locations

Lincolnshire Aviation Heritage Centre East Kirkby Airfield, East Kirkby, Near Spilsby, Lincolnshire, PE23 4DE - Used for filming of Avro Lancaster NX611 "Just Jane". Filming took place overnight on 2nd and 3rd October 2011 with Alexander Armstrong present

Production errors

If you'd like to talk about narrative problems with this story — like plot holes and things that seem to contradict other stories — please go to this episode's discontinuity discussion.

• When the Doctor is wearing the impact suit, the eye holes left for the actor's vision have not been digitally removed, in the same way that they were removed in TV: The Girl Who Waited with the Handbot.

Continuity

• The Doctor has the Magna Carta. (TV: The King's Demons)
• The Harvest Rangers are from Androzani Major. (TV: The Caves of Androzani)
• The Doctor mentions a tree from the Forest of Cheem fancying him, referencing Jabe. (TV: The End of the World)
• The sonic screwdriver doesn't work on wood. (TV: Silence in the Library, The Hungry Earth, Night Terrors)
• The Doctor's respiratory bypass system has previously let him survive briefly in the vacuum of space. (TV: Four to Doomsday)
• The Doctor describes crying when happy as being "humany-wumany", and refers to the workbench he outfitted the children's bedroom with as "sciency-wiency", which are both similar to his other terms including "wibbly-wobbly, timey-wimey" (TV: Blink) and "spacey-wacey". (TV: The Doctor's Wife)
• Reg says, "I'm sorry, my love", much as River Song said to the Doctor. (TV: The Pandorica Opens/The Big Bang)
• The Doctor says he has been travelling in the TARDIS for nine hundred years. The TARDIS previously noted they had been travelling together for seven hundred years. (TV: The Doctor's Wife) This episode is set after The Wedding of River Song, tying in with the Doctor's stated age at that time. (TV:The Impossible Astronaut)

Home video releases

DVD cover

• The Doctor, the Widow and the Wardrobe has been released on a standalone DVD and Blu-ray on 16 January 2012.

External links

to be added

Footnotes