The Arts in Space (comic story): Difference between revisions
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== Plot == | == Plot == | ||
=== Part one === | === Part one === | ||
Given a choice between the past, present, and future, [[Gabby Gonzalez]] picks the future. The [[Tenth Doctor]] suggests the [[Pentaquoteque Gallery]] on [[Ouloumos]]. Finding herself on an alien planet, Gabby is amazed by the alien landscape of a sea of [[star]]s, [[sky aqueduct]]s and the subtle differences from [[Earth]]: the animals, the birdsong, the sand, the grass. She can barely understand how the Doctor can take it all in without much notice. | |||
The two look around the Pentaquoteque Gallery, where the Doctor shows her a variety of different art | The two look around the Pentaquoteque Gallery, where the Doctor shows her a variety of different art styles, both futuristic and known in her time. The Doctor wants to show Gabby [[block transfer sculpture]]s by the artist and his friend [[Zhe Ikiyuyu]]. Surprised to find an empty room where their sculptures used to be, the Doctor and Gabby visit the museum [[Curator (The Arts in Space)|curator]]. She explains that a century ago, having faced some criticism, Zhe had withdrawn their works and exiled themself to their private retreat on the planet's [[Zhe's moon|moon]], which can be accessed by a private [[space elevator]]. Since then, the only person to attempt a visit was an [[Art dealer (The Arts in Space)|art dealer]], who quickly returned in a great rush. | ||
The elevator's robotic pilot [[Vernon (The Arts in Space)|Vernon]] recognises the Doctor using a DNA analysis, treating Gabby as a "plus one" and letting them board. Gabby is in awe of the view of Ouloumos from the elevator. On the other hand, the sculpture garden surrounding the path to Zhe's house seems somewhat old fashioned to her when compared to the art she's seen in the Pentaquoteque Gallery. The Doctor explains that Zhe found beauty in any form - humanoid and alien — and that they used body augmentation to change between [[gender]]s and forms to see the world from different perspectives. | |||
Suddenly, the sculptures | Suddenly, the sculptures start moving and attack the visitors. The Doctor lifts Gabby and throws her out of harm's way, then grabs her hand and runs towards the gates. He is surprised as matter manipulation on such a scale should have been too complex for Zhe. He correctly guesses that the sculptures will not enter the gates and proceeds to Zhe's house. | ||
The Doctor | The Doctor and Gabby are greeted by a male figure, who calls himself "[[The Apprentice (The Arts in Space)|the Ultimate Apprentice]]". He seems worried that the newcomers want to become apprentices too. But the Doctor assures him that he's an old friend of Zhe's and just came for a friendly visit. The Apprentice then brings them to a room where Zhe sits without movement. She has four arms, more than during the Doctor's last visit. Upon a closer examination, the Doctor concludes that this is a block-transfer-sculpture self-portrait. | ||
Suddenly, the Doctor and Gabby find themselves separated: the Doctor is still in the room with motionless likeness of Zhe and the male Apprentice, whereas Gabby is in a different room with a figure almost identical to the Apprentice but female. The female Apprentice accuses Gabby of lying and of trying to become an apprentice and also calls herself "the Ultimate Apprentice". Gabby asks her about the male "Ultimate Apprentice" she just met. At this, the female Apprentice grows a second male head and claims to be all aspects. Without waiting for the Apprentice to grow more extremities, Gabby runs away in search of the Doctor. | |||
Meanwhile, the male Apprentice grows scissor hands and proceeds to attack the Doctor, accusing him of being a critic. The Doctor escapes onto the roof terrace, hears Gabby's cries and observes her throwing a plant pot at the multi-armed and two-headed Apprentice below. He calls to her and suggest to try finding Zhe in their studio in the glass wing. As Gabby runs back into the house pursued by the two-headed Apprenitice, the male Apprentice catches back with the Doctor. The Doctor tries to reach the main stairwell, but the Apprentice has changed the house layout, and the Doctor falls down an infinite stairwell. | |||
=== Part two === | === Part two === | ||
Revision as of 00:48, 20 April 2017
The Arts in Space was the second story of the Doctor Who: The Tenth Doctor comic story series published in 2014.
Summary
In exchange for the invaluable assistance she offered defending New York – and to say sorry for dropping into her life like a tornado! – the Doctor has promised Gabby one trip – just one trip! – in the TARDIS.
With the whole universe laid before her, all of time and space, where will Gabriella Gonzalez choose to go? What will they find when they get there... and can one trip in the TARDIS ever be enough?
More importantly, the Doctor has been hurt by the fate of his companions before – and recently! With Donna still fresh in his mind, can Gabby convince him that he shouldn't travel alone, for just a little while longer?
Plot
Part one
Given a choice between the past, present, and future, Gabby Gonzalez picks the future. The Tenth Doctor suggests the Pentaquoteque Gallery on Ouloumos. Finding herself on an alien planet, Gabby is amazed by the alien landscape of a sea of stars, sky aqueducts and the subtle differences from Earth: the animals, the birdsong, the sand, the grass. She can barely understand how the Doctor can take it all in without much notice.
The two look around the Pentaquoteque Gallery, where the Doctor shows her a variety of different art styles, both futuristic and known in her time. The Doctor wants to show Gabby block transfer sculptures by the artist and his friend Zhe Ikiyuyu. Surprised to find an empty room where their sculptures used to be, the Doctor and Gabby visit the museum curator. She explains that a century ago, having faced some criticism, Zhe had withdrawn their works and exiled themself to their private retreat on the planet's moon, which can be accessed by a private space elevator. Since then, the only person to attempt a visit was an art dealer, who quickly returned in a great rush.
The elevator's robotic pilot Vernon recognises the Doctor using a DNA analysis, treating Gabby as a "plus one" and letting them board. Gabby is in awe of the view of Ouloumos from the elevator. On the other hand, the sculpture garden surrounding the path to Zhe's house seems somewhat old fashioned to her when compared to the art she's seen in the Pentaquoteque Gallery. The Doctor explains that Zhe found beauty in any form - humanoid and alien — and that they used body augmentation to change between genders and forms to see the world from different perspectives.
Suddenly, the sculptures start moving and attack the visitors. The Doctor lifts Gabby and throws her out of harm's way, then grabs her hand and runs towards the gates. He is surprised as matter manipulation on such a scale should have been too complex for Zhe. He correctly guesses that the sculptures will not enter the gates and proceeds to Zhe's house.
The Doctor and Gabby are greeted by a male figure, who calls himself "the Ultimate Apprentice". He seems worried that the newcomers want to become apprentices too. But the Doctor assures him that he's an old friend of Zhe's and just came for a friendly visit. The Apprentice then brings them to a room where Zhe sits without movement. She has four arms, more than during the Doctor's last visit. Upon a closer examination, the Doctor concludes that this is a block-transfer-sculpture self-portrait.
Suddenly, the Doctor and Gabby find themselves separated: the Doctor is still in the room with motionless likeness of Zhe and the male Apprentice, whereas Gabby is in a different room with a figure almost identical to the Apprentice but female. The female Apprentice accuses Gabby of lying and of trying to become an apprentice and also calls herself "the Ultimate Apprentice". Gabby asks her about the male "Ultimate Apprentice" she just met. At this, the female Apprentice grows a second male head and claims to be all aspects. Without waiting for the Apprentice to grow more extremities, Gabby runs away in search of the Doctor.
Meanwhile, the male Apprentice grows scissor hands and proceeds to attack the Doctor, accusing him of being a critic. The Doctor escapes onto the roof terrace, hears Gabby's cries and observes her throwing a plant pot at the multi-armed and two-headed Apprentice below. He calls to her and suggest to try finding Zhe in their studio in the glass wing. As Gabby runs back into the house pursued by the two-headed Apprenitice, the male Apprentice catches back with the Doctor. The Doctor tries to reach the main stairwell, but the Apprentice has changed the house layout, and the Doctor falls down an infinite stairwell.
Part two
The Doctor realises the stairwell is an illusion, and manages to create an escape trapeze with his mind. Zhe transforms into a dragon and pursues the Doctor down a corridor.
Gabby locates Zhe's studio, and though they are initially hostile, they calm when Gabby says her work is amazing and shifts back into her female form. Gabby says that she likes to draw but is never any good at it, and Zhe shows her more sketches and holographic sculptures, and explains her process of creating art from numbers. The Doctor observes that her gallery has shifted into its recognisable form. Gabby walks into the room and tells him she has found Zhe's studio. The Doctor concludes that because the house's art and furnishings have been created by block transfer techniques, they are in a state of flux. However, the Doctor thinks there is something not quite right with her, and Gabby's hand morphs into obscure tendrils and attacks the Doctor, and into his male form. The Doctor narrowly avoids him and returns to the entrance, coming to the realisation that the statue is indeed Zhe, simply in stasis, and tries to penetrate her mind.
Gabby continues to be impressed by Zhe, and realises the best art makes you think differently. Gabby is amazed with her whole artistic process. Zhe offers to impart her ability on Gabby, and is stunned by images of butterflies and her own song. However, Zhe senses the Doctor's interference and is greeted by her male form. He joins with her, proclaiming "We must destroy the Doctor!" They approach the entranced, meditating Doctor, shifting back into two forms and morphing their hands to attack the Doctor. Gabby enters, pleading for his life. Zhe, the Originator, awakens from stasis as the Doctor gives her rest. Zhe's female form attacks his male form, who retaliates by anthropomorphising a sculpture, vowing to destroy the artwork. Gabby joins with her female form, giving her the power to reassemble the gallery and bring the real Zhe back to her former self, pulling the spirited binary pair into her. These 'apprentices' are only conflicting aspects of her psyche. Gabby is surprised by a series of black floating shapes which speak her history, and these morph into lips formed from her psyche.
Speaking over tea, Zhe reveals that she had been lonely and in need of a muse, and so created a sculpture with an AI persona. However, in the process, she had created a physical manifestation of her own self-doubt. She spent a century trying to drain the binary aspects of their power, slipping into voluntary stasis. Zhe concludes that Gabby may have enhanced ability as an after effect, but that will fade - but the Doctor must have thought her to be special to bring her to the gallery in the first place. Gabby found herself feeling connected to the universe in a new way.
The curator congratulates Gabby and the Doctor for returning Zhe. Zhe offers Gabby a role as her apprentice if she ever gets tired of the Doctor, sensing they have travelled for a long time, however Gabby says that it was a one-time trip. However, the Doctor is intrigued by her perceptions and lets her stay as his companion.
Characters
- Tenth Doctor
- Gabby Gonzalez
- Zhe Ikiyuyu
- The Apprentice
- Curator
- Vernon
- Quark
- Handbot
- Kamelion
- Alpha Centauran
- White Robot
- Ood
References
- The Tenth Doctor jokingly tells Gabby Gonzalez that TARDIS stands for "Threshold and Ridiculous Domain of Insanity and Supercool".
- The Doctor explains that the outside of the TARDIS is a "disguise".
- The Doctor briefly considers taking Gabby to Academia Stellaris on Sirius 5. Gabby's sketchbook journal also illustrates him mentioning Louvre III on Paris IV before deciding on the Gallery on Ouloumos.
- The Doctor says that he is over nine hundred years old.
- Gabby writes Cindy about psychic paper but then realises that she only saw it later.
- The Doctor tells Gabby not to worry about understanding other languages.
- A painting of a woman emerging from the sea in a seashell is housed in Pentaquoteque Gallery on Ouloumos.
- Gabby keeps a sketchbook journal of her travels with the Doctor. As the pair enters the museum, she draws in it a number of aliens: K1, a Quark, Handbot, Ice Warrior, Kamelion, Alpha Centauran and a White Robot.
- A painting in Zhe's gallery shows the Fourth Doctor and Romana II visiting the gallery.
- The Doctor states Zhe was trained on Logopolis.
- The Doctor shows Gabby a 3D pointilist painting, which is based off of the ideas of Georges Seurat. It changes based off of which angle it is viewed from.
- The Gossiping Scrolls of Bumfoodle XIII look like Chinese paintings, but whisper.
- Nanites are in the museum. When people approach them, they mimic the shapes of their faces.
- Other art forms in the museum include several original Picassos, synched sequential continuum comics, brushes which paint in real time, and paintings made from metal from a giant gas planet's core and held in stasis.
- Gabby mentions IKEA.
- The Doctor thinks that sculptures in Zhe's garden bear the touch of Giacometti and Henry Moore.
- Gabby calls a gigantic moving sculpture from Zhe's garden "the Incredible Bulk", referring to the comic-book hero the Incredible Hulk.
Notes
- The title is a play on that of The Ark in Space.
- Parts of the story are presented as Gabby's letter written to Cindy accompanied by her sketches.
- When the story was republished in Revolutions of Terror, the panel showing various monsters encountered by Gabby and the Doctor was changed to include aliens from The Arts in Space.
- The Doctor mentions Zigma-shields. A character named Zigma is present in the Eleventh Doctor DWA comic story Picture Imperfect.
- The Apprentice calls himself "the Ultimate Apprentice" and says: "There can be only one". This is a reference to the movie Highlander, where the protagonist fights for the ultimate prize.
Original print details
to be added
Continuity
- Not sure she will be able to send it, Gabby still writes a letter to her friend Cindy (COMIC: Revolutions of Terror) to record her adventures in coloured sketches.
- The Tenth Doctor previously offered Martha Jones "just one trip" in the TARDIS. (TV: Smith and Jones).
- The Doctor asks Gabby if she wants to travel to the past, present or future; she chooses future. The Ninth Doctor asked a similar question to Rose and received the same answer. (TV: The End of the World)
- The Doctor mentions that rules in travelling to the future only apply to fixed points in time. This reflects his more cavalier attitude to intervention. (TV: The Fires of Pompeii, TV: The Waters of Mars)
- The Doctor mentions they could visit the Louvre III on Paris IV. He visited the original Louvre in Paris with Romana II in his fourth incarnation. (TV: City of Death)
- The Second Doctor also encountered a space elevator. (AUDIO: The Great Space Elevator)
- The Doctor explains that Block Transfer Computation cannot be aided by computers. (TV: Logopolis)
- Gabby mentions fighting monsters on the New York subway. (COMIC: Revolutions of Terror)
- Gabby has a vision of an Ood singing (who begins a warning before falling apart: "happening so many years ago and in the future, changing the now...") (TV: The End of Time) and herself singing a pop song while wearing Doctor's psychic headgear. (COMIC: Revolutions of Terror)
- The Doctor says that he has seen block transfer computation used to make sentient beings once before. (TV: Castrovalva)
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