Love & Monsters (TV story)

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General production staff

Script department

Camera and lighting department

Art department

Costume department

Make-up and prosthetics

Movement

Casting

General post-production staff

Special and visual effects

Sound



Not every person who worked on this adventure was credited. The absence of a credit for a position doesn't necessarily mean the job wasn't required. The information above is based solely on observations of the actual end credits of the episodes as broadcast, and does not relay information from IMDB or other sources.
          
  • William Grantham, the creator of the Abzorbaloff, was not a professional. Instead, he was the 9-year-old winner of the 2006 Blue Peter design-a-monster competition. On the commentary which accompanied the episode, producer Phil Collinson said Grantham was disappointed with the small stature of the finished monster. He claimed Grantham said, "It was meant to be as big as a double-decker bus." Some doubt has since been cast on this story by Grantham himself. In the BBC DVD documentary, Who Peter, an older Grantham expressed no misgivings about the creature's realisation, but rather claimed to have been "stunned" because the monster had been so well-realised by Millennium FX.


References

Culture

Planets

Locations

  • The Doctor refers to the living Shadow that killed Elton's mother as originating from the "Howling Halls".
  • LINDA used to meet under the library on Maccateer Street.
  • Mr Skinner found a sighting of the TARDIS in Woolwich.

Businesses

  • Elton first meets Jackie in the Wash Inn laundrette.

Real world

Diseases and illnesses

  • Victor Kennedy claims to suffer from "eczeema", which causes him to blister to the touch. Elton asks if he means eczema and later suggests a rash and an itch as possible symptoms.

Foods and beverages

  • Jackie makes Elton a cup of tea.
  • Jackie gives Elton a glass of wine.
  • Elton buys pizza to eat with Jackie.
  • Victor claims that Ursula tastes like chicken.

Story notes

  • The working title for this episode was I Love The Doctor. It was created as a comic strip.
  • This episode contains a reference to each of the first four series' story arcs: Bad Wolf, Torchwood, Mr Saxon and missing planet Clom.
  • There are references to Rose, Aliens of London and The Christmas Invasion, with new footage showing Elton's point of view of those events.
  • The foreshadowing of Rose's departure begun in the previous episode continues with Elton wondering how long it will be before Rose and Jackie pay the price for touching the Doctor.
  • In the episode commentary, Russell T Davies notes that in an early draft, Elton had been witness to more events in Doctor Who history, specifically incidents from the 1963-1989 run: in this draft, Elton's third birthday party was evacuated because of the "Shoreditch Incident", his mother was killed by a plastic daffodil, and Elton also witnessed the Loch Ness Monster rising from the Thames. Davies had also considered making the viewpoint character of the story a woman.
  • This is the first modern attempt at a "Doctor-lite" episode. In these episodes, the Doctor's appearances are restricted to only a few select scenes, in order to allow two episodes of the series to be filmed at the same time; this scheduling was introduced with the 2006 season in order to allow production of a 14th episode, a Christmas special, in the same time it takes to produce 13 regular episodes. This would become an annual tradition henceforth, with a "companion-lite" episode, Midnight, being introduced during the 2008 season.
  • Radio Times credits Peter Kay as "Victor Kennedy/Abzorbaloff", while the on-screen credit reads "Victor Kennedy".
  • There are conflicting accounts of William Grantham's reception towards the televised presentation of the Abzorbaloff. Producer Phil Collinson attested in the episode's commentary that Grantham was disappointed by the monster's human-sized depiction, having intended it to be the size of a double-decker bus. However, Grantham stated in the 2010 documentary Who Peter that he enjoyed the Abzorbaloff's presentation. Andrew Pixley's notes for the story in DWMSE 14, published in 2006, provided a middle ground by stating that Grantham enjoyed the Abzorbaloff's depiction, but was bemused by its smaller size.
  • The sequence where the Doctor and Rose chase the Hoix through a corridor lined with passageways, ending up completely disorientated, mirrors a running gag popularised by the American Hanna-Barbera cartoon Scooby Doo.
  • The episode contains a number of possible hints suggesting Elton may be an unreliable narrator, such as the above-mentioned Scooby-Doo door sequence, the fact that we never see Ursula's face on the camera at the end of the episode, and the slightly exaggerated performances during Elton's recap of his supposed presence at key events in the modern series' timeline.
  • On the episode page on the official Doctor Who website, neither David Tennant nor Billie Piper are credited as the Doctor or Rose.
  • Russell T Davies described the episode, "It's an experimental script. Not so experimental that people will run away screaming from Saturday-night BBC1, because you can experiment too much. People still want a bit of a monster and a bit of a thrill and a bit of the Doctor, so it still delivers as normal Doctor Who. But just as you think you know everything this programme can do, this puts a little bit of spin on it".
  • The acronym "LINDA" was previously used on the British children's television programme Why Don't You?, which featured the "Liverpool Investigation 'N' Detective Agency". Russell T Davies worked on the series for some years.
  • The very first scene of the episode, when Elton sees the TARDIS near the warehouses, was originally supposed to be shot at the dockside. However, due to a large shipment of steel cables, that location fell through at the last minute.
  • The original concept concerned a female fan of the Doctor's who was essentially stalking him. With a surfeit of strong female characters already conceived for the season, however, Russell T Davies decided to instead replace the female stalker with a more well-intentioned male named Elton.
  • Peter Kay had written a letter to Davies after the new series began in June 2005, and Davies replied to him in September offering a guest spot in an episode.
  • Peter Kay was originally offered the part of Elton, but he felt the "UFO-spotter type" was too similar to his character on Coronation Street and much preferred playing the "baddie".
  • The creature that Elton sees at the start of the episode is credited as the "Hoix". Russell T Davies notes in the commentary that the name was invented only after the episode was shot and a name was needed for the credits.
  • Director Dan Zeff said of the tone the production team wished to capture, "Working with an inspirational design team, we wanted to emphasise a melancholy feel, an emptiness in the world around our characters – big urban spaces that once may have been full of life, but now lay abandoned, rusting, decayed. Amidst this, Elton and his fragile group of friends would almost feel cast adrift – increasingly vulnerable as they are led astray by the sinister Victor Kennedy."
  • In 2012, Peter Kay named his guest appearance in this episode as the biggest mistake of his career to date. "I loved making it but when I saw it, I thought, "Oh my God. I'm a big green lizard running around Cardiff? Is that it?""
  • Victor Kennedy was based on Ian Levine.
  • Victor Kennedy's mysterious theme sounds similar to The Master's theme when he was played by Roger Delgado. Whether this was intentional or not is unknown.

Influences

Ratings

  • 6.7 million, making it the 15th-highest-watched episode of any programme for the week. (UK final)[1]

Myths

  • The Hoix heavily resembled a Sycorax, leading it to be mistaken for one in the "next time..." trailer.
  • William Graham was disappointed by the size of the Abzorbaloff, as he meant for the alien to be the size of a double-decker bus (He wasn't. Graham has since confirmed in a YouTube video that although that was the original idea, he was just as happy with the human-sized version depicted on-screen).

Filming locations

Love and Monsters was written specifically to be shot mostly on location, so that another unit could be simultaneously filming another episode in the studio. Consequently, it has one of the highest location counts in the history of Doctor Who.

  • Adam Street Car Park, Cardiff — The scenes with the Doctor, Rose, Elton and the Abzorbaloff
  • Burnell Street, Newport — Scenes near the warehouses in the teaser
  • Frederick Street, The Hayes, Cardiff
  • Glamorgan Building, Cardiff University
  • Hayes Island, Cardiff — Elton in the flashback to Rose
  • Helen Place, Splott, Cardiff — Elton spots Jackie Tyler in the street
  • Heol Pentwyn, Cardiff — Elton's childhood home
  • Jacob's Antique Centre, West Canal Wharf, Cardiff — LINDA headquarters interiors
  • Llandaff Fields, Llandaff, Cardiff — Elton and Ursula's initial meeting
  • Maeifa Shopping Centre, Llanedeyrn, Cardiff — Elton finds Jackie shopping
  • Newport Docks Impounding Station, Newport — The Doctor and Rose's initial scenes with a Hoix
  • The Port of Cardiff, Cargo Road, Cardiff Docks — Elton finds the TARDIS in the teaser
  • St. David's Market, St. David's Hall, Cardiff — Elton finds Jackie shopping again
  • St. Peter's Sports and Social Club, Minster Road, Cardiff — scenes with "young Elton"
  • Wash Inn, Broadway, Splott, Cardiff — Laundry scenes with Jackie and Elton
  • West Canal Wharf, Cardiff — Brief sequence of Elton running from Abzorbaloff, just prior to Doctor's arrival
  • West Wharf Road, Cardiff — LINDA headquarters exteriors
  • The Pop Factory, Jenkins Street, Porth

Studio work was completed in one day at Unit Q2, Imperial Park, Imperial Way, Newport

Production errors

If you'd like to talk about narrative problems with this story — like plot holes and things that seem to contradict other stories — please go to this episode's discontinuity discussion.
  • When Victor Kennedy makes his introduction, walking off from the elevator and introducing himself, a female crew member is clearly visible in the doorway behind his right shoulder as the lights come on.

Continuity

Home video releases

Series 2 Volume 4 DVD Cover

External links

Footnotes