Asylum of the Daleks (TV story)

Asylum of the Daleks
Doctor:	[[doctor::Eleventh Doctor]]
Companion(s):	Amy, Rory
Main enemy:	Daleks
Main setting:	The Dalek Asylum
Key crew
Writer:	Steven Moffat
Director:	Nick Hurran
Producer:	Marcus Wilson
Release details
Story number:	225
Premiere broadcast:	1 September 2012
Format:	1x50 minute episode
Doctor Who television stories
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Asylum of the Daleks was the first episode of the seventh series of Doctor Who produced by BBC Wales. It was the first television story to prominently feature the Daleks since 2010's Victory of the Daleks, following their deliberate side-lining.

Synopsis

Kidnapped by his oldest enemies, more powerful than ever, The Doctor is forced on a mission - to a place even the Daleks are scared of... the Asylum. A planetary prison confining the most terrifying and insane of their kind - The Doctor and ex-companions Amy and Rory must find a way to escape. But with Amy and Rory's marriage in meltdown, it is up to the Doctor to save his oldest enemies... and his friends' marriage.

Plot

On Skaro, a woman called Darla meets the Doctor in a huge Dalek statue. She asks the Doctor to save her daughter from a Dalek prison camp, and she says she escaped before. However, the Doctor realises that this is all a trap: unbeknownst to Darla, she has actually been converted into a sleeper agent of the Daleks. Right as he says this, her programming becomes active, and she stuns the Doctor, and a Dalek saucer arrives.

On Earth, Amy Pond is posing for the camera when her secretary tells her that her husband wants to see her. She remarks that she doesn't have a husband anymore. She walks in to a makeup room, where Rory asks her to sign the divorce papers. Once she has done so, he leaves as Amy's make-up artist enters. Unfortunately, it turns out she is also a Dalek puppet, and she teleports Amy away. Meanwhile, Rory gets on a bus, but the bus driver turns out to be yet another puppet, who in turn teleports Rory to the Daleks.

He wakes up to see Amy, and looks outside a small window to see an armada of Dalek saucers, wondering how much trouble they are in. The Doctor then enters, escorted by a Dalek, saying "between 1 and 10? 11." They are then taken to the Parliament of the Daleks, where the Doctor says it's finally Christmas for the Daleks because they managed to capture their greatest enemy. Much to the Time Lord's surprise, the assembled Daleks don't exterminate him. Wondering what other reason they could have captured him, the Doctor is met with a surprise; the Daleks want the Doctor to save them.

The Daleks bring them to a planet they call the Asylum; a place that the Doctor has heard of only in legend: it's a place where the Daleks dispose of those of their kind who go wrong: the insane, the battle-scarred and the uncontrollable. The Daleks kidnapped the Doctor's in-laws because their records show he is always accompanied by companions. The whole planet is automated and surrounded by an impenetrable shield, but the Daleks have detected a signal of unknown origin on the planet: The Doctor traces the signal to a woman called Oswin Oswald who has been hiding out on the remains of a crashed starliner for a year.

The Doctor realises when the starliner crashed, it ruptured the planet's shield, leading to the risk of the inmates escaping. A planet of insane Daleks roaming free is something that scares even the Daleks, who captured the Doctor and his allies to deal with the threat. The shield is still strong enough to resist an assult from orbit, so the Doctor and the Ponds will be sent down to the planet to deactivate the shield so the planet can be "cleansed". The three are given protective bracelets so they will not be affected by the Nanocloud that surrounds the planet and are sent down.

Amy is the first to come to after landing... And sees a man in a white coat approaching her. Panicking, she runs away, with him chasing after her. The Doctor is next to come to, finding a Dalek eye watching him; Oswin hasa discovered visitors. Speaking to her via the radio, the Doctor decides to look for Amy and Rory first. Eventually, he and Amy run into eachother, and the man reveals that he was a crew member of a ship that crashed into the planet's surface. Reaching the ship, the Doctor reveals to the confused man that the rest of the crew had ben dead a long time; the stranger thought he only talked to them hours ago. However, matters get worse when the man remembers he died and the cold preserved him, revealing the Nanocloud turned him into one of the Dalek sleeper agents charged with keeping the Asylum running. The Doctor and Amy quickly shut him into the storage unit of the ship.

While the Doctor rambles on about how anything living or dead not protected with one of the bracelets will become one of the "staff", Amy point out the second part of his explaination; even the DEAD are converted. As the skeletons of the crew come to life, the Doctor and Amy flee to another part of the ship. However, they grab Amy for a minute beofre the Doctor pulls her free and locks them out. They then notice, on the monitor, that the skeletons have a bracelet; Amy's is missing. Oswin contacts them, informing them of rope ladder leading down from the ship; it's the only way out now.

Elsewhere, Rory awakes to find himself underground. Oswin contacts him and leads Rory through the facility, where several deactivated Daleks litter the halls. Rory accidently trips on a peice of metal, making a loud noise that awakens one of the Daleks. It repeats "Eggs...", making Rory think it wants th orbs that have fallen out of its casing. However, the Dalek's voice finaly manages to unscramble; it's been saying "Exterminate." Rory runs through the room and locks himself in the teleport room on the other side. After Oswin makes a seductive joke, she tells Rory that she'll guide the Doctor and Amy to him.

In the tunnels below the ship, Amy questions the Doctor about what will happen to her due to missing her protective bracelet. The Doctor regretfuly explains memory is the first thing to affected; he's told her this four times already. When Amy says she's scared, the Doctor encourages to her to embrace the feeling; Daleks don't fear. They head for the exit, but the sound of the Daleks yelling "Exterminate" forces them to back away and shut the door. The Doctor converses with Oswin to know the number of the Daleks ahead of them, not noticing Amy walk away; she sees people in the room ahead. However, the Doctor, having noticed her, infroms Amy that her perception is being affected; she's looking at Daleks. One of them advances on them and identifies the Doctor. However, once the Doctor taunts the Dalek for not having the fire power to kill him, it activates it's self-destruct program. The Doctor sends it flying in reverse and straight into the other Daleks as it explodes.

Rory hears the explosion and leaves the teleport room to find several charred Dalek casings. Wondering who killed all the Daleks, Rory sees the Doctor carrying an unconcious Amy. With a smile, the Doctor rhetoricaly asks Rory he thought killed the Daleks. Once in the teleport room, the Doctor explains the situation to Rory and discovers the teleport has enough power to get them back to the Dalek ship in orbit. Oswin points out hostility, something Amy displayed by slapping Rory, is the first sign the conversion is becoming permenant. Amy jokes that it's because she's Scottish. Accepting this, Oswin asks to be taken along, but the Doctor questions her about how she keeps getting the ingrediants for her suffles.

His companions tell him to put the matter aside; they need to leave the planet before they lose Amy for good. The Doctor then wonders how Oswin is not being affected by the Nanocloud, learning she sheilded herself from it. Leaving Amy and Rory behind, the Doctor sets out to find Oswin. Rory offers to give Amy his bracelet to keep her human longer; he also has a greater deal of affection than her. As they argue, it's revealed Amy can no longer have children because of something the Silence did to her on Demons Run; Rory wanted children, so Amy gave him up so he had a better chance. They then realise the Doctor put his bracelt on Amy while she was out-cold; he tircked them into working out their relationship problems.

In the meantime, the Doctor reaches "Intesive Care"; it houses Daleks defeated in battles with his first, second, and third incarnations. Once the Doctor mentions they "survived" him, the Daleks (missing their guns) come back to life and corner him against the door leading to Oswin. Luckily, Oswin hacks into the Daleks' shared infromation network, and erases all data on him, effectively making them forget the Doctor. The Doctor says it's impossible to hack the network; even he couldn't. Oswin invites him to meet the person who did. However, once the Doctor enters her room, he tells Oswin that they have one small problem: Oswin is a Dalek; the room she'd been seen is exist within her imagination. The Doctor explains that the rope ladder he used to get into the facility was originaly used by her when she was human; Owsin had been captured by the Daleks because of her genius and converted.

The Doctor also points out that she wouldn't have been able to get eggs and flour for her suffles for an entire year because there'd be a limited supply. The shocking truth causes Oswin to revert to a Dalek personality, yelling "Exterminate." The Doctor yells for Oswin to regain control of herself, seemingly working as Oswin is next heard crying. She tells the Doctor to remember her, explaining that the sheild around the Asylum has been dropped. The Doctor thanks her and on her order, runs for his life. In the teleport room, Rory's wonders how long they can wait for the Doctor. Amy says for the rest of their lives and they kiss. The Doctor arrives and, dispite being anonoyed that Amy and Rory pick the worst times to kiss, activates the teleport.

On the Dalek Parliament ship, the Supreme Dalek reports that the destruction of the Asylum has been successful. However, the alarm goes off; a teleport from the Asylum has occured. The Doctor's voice is heard over the loud speaker, saying that he is very good with teleports before poping his head out fo the TARDIS, calling them "suckers". They demand that he identify himself, shocking the Doctor, who tells them who he is. However, he then realises that Oswin erased all information on him, not just for the Daleks in intesive care, but for every last one. He leaves, dropping Amy and Rory off in Leadworth; Amy has taken Rory back.

In the control room, the Doctor laughs to himself that the Daleks never stop asking "Doctor Who?", repeating it himself ot his own amusement.

Cast

• The Doctor - Matt Smith
• Amy Pond - Karen Gillan
• Rory Williams - Arthur Darvill
• Oswin - Jenna-Louise Coleman
• Darla - Anamaria Marinca
• Cassandra - Naomi Ryan
• Harvey - David Gyasi
• Voice of the Daleks - Nicholas Briggs
• Dalek 1 - Barnaby Edwards
• Dalek 2 - Nicholas Pegg

Crew

Executive Producers   Caroline Skinner and Steven Moffat

Written by Steven Moffat	Produced by Marcus Wilson	Directed by Nick Hurran	Director of Photography Neville Kidd	Production Designer Michael Pickwoad	Visual Effects The Mill
Make-up Designer Barbara Southcott	Casting Director Andy Pryor CDG	Music Murray Gold	Costume Designer Howard Burden	Edited by Jamie Pearson	Special Effects Real SFX
Original theme music by Ron Grainer  •  With thanks to the BBC National Orchestra of Wales  •  Conducted and orchestrated by Ben Foster  •  Recorded and mixed by Jake Jackson   Daleks created by Terry Nation

General production staff Production Executive - Julie Scott Script Producer - Denise Paul Line Producer - Diana Barton Production Manager - Phillipa Cole Location Manager - Nicky James Unit Manager - Geraint Williams Production Co-ordinator - Claire Hildred Assistant Production Co-ordinator - Gabriella Ricci Production Assistants - Rachel Vipond, Samantha Price Production Secretary - Sandra Cosfeld Production Accountant - Jeff Dunn A/Production Accountants - Rhys Evans, Justine Wooff Script department Assistant Script Editor - John Phillips Camera and lighting department 1st Assistant Director - Fay Selby 2nd Assistant Director - James DeHaviland 3rd Assistant Director - Heddi-Joy Taylor-Welch Assistant Director - Danielle Richards Script Supervisor - Steve Walker Camera Operator - Joe Russell Focus Pullers - James Scott, Julius Ogden Grip - Gary Norman Assistant Grip - Owen Charnley Camera Assistants - Meg De Koning, Sam Smithard, Cai Thompson Gaffer - Mark Hutchings Best Boy - Stephen Slocombe Electricians - Bob Milton, Gareth Sheldon, Matt Wilson	Art department Supervising Art Director - Paul Spriggs Art Director - Lucienne Suren Assistant Art Director - Richard Hardy Art Department Co-ordinator - Donna Shakesheff Production Buyers - Charlie Lynam, Adrian Greenwood Petty Cash Buyer - Helen O'Leary Set Decorator - Adrian Anscombe Set Dresser - Jayne Davies Graphic Artist - Christina Tom Graphic Designer - Chris Lees Standby Props - Phill Shellard, Helen Atherton Standby Carpenter - Will Pope Standby Rigger - Bryan Griffiths Props Master - Paul Smith Props Chargehand - Bernie Davies Dressing Props - Mike Elkins, Ian Griffin Props Driver - Gareth Fox Props Makers - Penny Howarth, Alan Hardy, Jamie Thomas, Tom Belton Construction Manager - Terry Horle Construction Chargehand - Dean Tucker Graphics - Peter Anderson Studio Costume department Costume Supervisor - Carly Griffith Assistant Costume Designer - Fraser Purfit Costume Assistants - Katarina Cappellazzi, Gemma Evans	Make-up and prosthetics Make-up Artists - Sara Angharad, Vivienne Simpson, Allison Sing Prosthetics - Millennium FX Movement Stunt Co-ordinators - Crispin Layfield, Gordon Seed Casting Casting Associate - Alice Purser General post-production staff Post-production Supervisor - Nerys Davies Assistant Editor - Becky Trotman On-line Conform - Mark Bright On-line Editor - Jeremy Lott Special and visual effects VFX Editor - Joel Skinner Colourist - Mick Vincent Sound Sound Recordist - Deian Llŷr Humphreys Dubbing Mixer - Tim Ricketts Sound Maintenance Engineers - Ross Adams, Chris Goding Dialogue Editor - Darran Clement ADR Editor - Matthew Cox Sound Effects Editor - Paul Jefferies Foley Editor - Jamie Talbutt

Not every person who worked on this adventure was credited. The absence of a credit for a position doesn't necessarily mean the job wasn't required. The information above is based solely on observations of the actual end credits of the episodes as broadcast, and does not relay information from IMDB or other sources.

References

Daleks

• The Daleks have a Prime Minister.
• The Daleks refer to the Doctor as the "Predator of the Daleks".
• The Daleks have the ability to turn people into their puppets, via the use of nanogenes. Time Lords are immune to this technology.

The Doctor

• The Doctor described himself as "the Oncoming Storm".

Individuals

• Amy is now physically unable to have children due to the events on Demons Run.

Foods and beverages

• Oswin says she's been surviving in her crashed ship by baking soufflès; this troubles the Doctor, as she has no access to milk or eggs.

Music

• The music played by Oswin Oswald is from the opera Carmen.
• The Doctor claims to have played the triangle for the recording of "L'amour est un oiseau rebelle" that is heard in the Parliament of the Daleks.

Planets

• Skaro is the original planet of the Daleks, it still exists with the remains of a large Dalek-shaped building.

Transport technology

• The Doctor brags that he has exceptional aim with teleports after he teleports himself and the Ponds into his TARDIS.

Story notes

• The presence of Jenna-Louise Coleman in this episode was successfully kept secret, despite the episode having several preview showings prior to broadcast. After broadcast, Coleman and Moffat both issued statements thanking fans and the media for keeping Coleman's debut - months before her official first episode, the 2012 Christmas special - a secret.
• This story premiered in Australia on the Australian Broadcasting Corporation's on-demand and catch-up service iView at 5.10am AEST; immediately following the UK broadcast. This was the first time Doctor Who had debuted on Australian TV in this way. A traditional free-to-air screening on ABC1 will follow on the 8 September.
• This story marks the first appearance of a new title sequence. It contains the same music and time vortex animation as the sequence used for the two previous seasons, but the font of the opening credits and the style of the logo have changed. The sequence appears to have some colour adjustments as well - the vortex has hints of green, while the TARDIS itself is a slightly darker blue with vibrant yellow lighting emanating from the TARDIS windows. The footage also has less-sharp focus, casting a more dream-like atmosphere to the sequence.
  • The production team have confirmed that the title sequence for every episode in series 7 will have slightly different opening titles, including stylized versions of the Doctor Who logo. For this episode the logo appeared to have a bumpy texture, as though covered in Dalek "bumps."
• A prequel was released on iTunes shortly before the release of the episode.

Ratings

This story was initially seen by 6.4 million people in the UK

Filming locations

to be added

Production errors

• The first Dalek Rory approaches inside the asylum has indicators on both sides from his perspective, but when the camera is behind the Dalek the light on the right hand side is missing.
• The Doctor has a plaster on his finger that keeps disappearing and reappearing.
• In the ending scene where The Doctor is in the TARDIS, you can see the overhead camera reflected in the glass floor next to the console.
• When the Doctor, Amy and Rory are in the Dalek Holding Cell, the circular platform they are standing on lifts. on one shot, it shows them and the Daleks looking all around them - the Doctor is looking towards 'us' - but in the next shot, the Doctor is looking upwards into the Dalek Parliament.
• When the Doctor says "It's Christmas!" in the Dalek Parliament, the shot shows bronze RTD era Daleks and a few Paradigm Daleks. Except the shot has been reversed and the suckers are where the guns should be, and the guns are where the suckers should be.
• The wide shots of the Dalek Parliament do not match the close-up shots.

Continuity

• The Asylum is stylistically similar to the city in DW: The Daleks.
• The Doctor's death is public knowledge across the Universe. (DW: The Wedding of River Song)
• Rory mentions waiting outside a box for two thousand years. (DW: The Big Bang)
• On the Dalek Asylum, Nanogenes turn people both living and dead into Daleks. The Doctor has come across nanogenes which altered humans into hostile creatures before. (DW: The Empty Child, The Doctor Dances)

A special weapons Dalek.

• Various models of the Daleks from different points in the series are visible in the Asylum. These include many of the bronze, post-Time War Daleks, (DW: Dalek onwards) one Strategist Dalek and one or more Supreme Daleks of the New Dalek Paradigm, (DW: Victory of the Daleks onwards) a Special Weapons Dalek, (DW: Remembrance of the Daleks) several Renegade Daleks, (DW: Resurrection of the Daleks, Remembrance of the Daleks) several of the earlier silver Daleks, (DW: The Daleks, The Evil of the Daleks) the grey wooden-looking Dalek models, (DW: Day of the Daleks to DW: The Five Doctors) and a black Dalek identical to Dalek Sec. (DW: Doomsday, Daleks in Manhattan, Evolution of the Daleks)
• The Daleks in the intensive care section of the Asylum are survivors of encounters with the Doctor on planets such as Spiridon (DW: Planet of the Daleks), Kembel (DW: The Daleks' Master Plan), Aridius (DW: The Chase), Vulcan (DW: The Power of the Daleks), and Exxilon (DW: Death to the Daleks).
• The Doctor is seen on Skaro. The planet was last seen on-screen in Doctor Who (despite its destruction in DW: Remembrance of the Daleks). It has also appeared more recently in the Adventure Game City of the Daleks, in which it looks the same as it does in this episode, complete with acid rain.
• The Doctor brags that he has exceptional aim with teleports after he teleports himself and the Ponds into the TARDIS. Rose Tyler had previously remarked that the Doctor was "good with teleports." (DW: Boom Town)
• The chair Oswin sits in appears to be identical to the chair in Jenny's spaceship. (DW: The Doctor's Daughter)

Home video releases

DVD releases

to be added

Blu-ray releases

to be added

External links

to be added

Footnotes