Journey to the Centre of the TARDIS (TV story)

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Journey to the Centre of the TARDIS was the tenth regular episode of the seventh series of Doctor Who produced by BBC Wales. It was the first time a TARDIS room other than a console room had been seen on television since The Christmas Invasion introduced the TARDIS wardrobe. It afforded by far the most expansive view of the TARDIS interior since the 1996 tele-film. As important to the series' narrative arc, it also contained the first instance of the Eleventh Doctor confronting Clara Oswald about her multiple lives and deaths.

Synopsis

Clara is lost in the depths of the Doctor's TARDIS which is damaged and captured by intergalactic salvage crew Van Baalen Bros., who want to sell it for scrap. However, the Doctor threatens to destroy the TARDIS by putting it in lockdown and activating the self-destruct if the salvage crew doesn't help him find Clara.

Plot

The android Tricky is polishing a part inside the Van Baalen Bros. salvage ship when the system alerts him and Bram that there is salvage to be verified. Bram believes that it's just space junk, but his brother Gregor wants to go for it, anyway. They suit up.

Meanwhile, the Doctor is hounding Clara to attempt to bond with the TARDIS, but she flatly refuses to talk to a piece of machinery. He gets her to agree to try flying it, and to make it easier, he puts it into Basic Mode. She flips some levers and suddenly, the ship shudders, losing then regaining power, and the music that the Van Baalen ship had been playing starts to play. The scanner screen cracks and shudders, and the Doctor starts to work the controls more frantically. He can't get the shields up, and the salvage ship's magno-grab nearly has them. The Doctor forces a lever up, and something in the TARDIS console explodes, throwing them both back. Clara asks him to tell her that there's a button he can press to fix it. He says, "Oh, yes, big, friendly button." Clara asks if he's lying to make her feel better, and he is. A hand-sized metal object rolls towards Clara, who picks it up. It burns her right hand, and she drops it.

The machinery of the salvage ship pulls the TARDIS into a bay, and, believing it to be a derelict escape pod, the brothers attempt to cut into it, but are unsuccessful. Tricky's bionic eyes pick up signs of a living being - a pair of shoes sticking out from under the wreckage. They withdraw, and Gregor is whispering a cover story to the other two when the Doctor pops in, saying it's not polite to whisper. Bram says that they found his ship drifting and the Doctor immediately corrects him, saying an illegal magno-grab broke his ship, which would have been safe if he hadn't disabled the defenses. He shows them that he found the remote to the magna-grab in Gregor's pocket.

The Doctor realises that Clara is not with them. Realising that she's still inside, he bolts for the TARDIS, but Tricky stops him, telling him that the fuel is leaking. The Doctor spots respirators, then talks the salvage crew into going with him, promising the salvage of a lifetime within the ship.

Inside the TARDIS, the Cloister Bell sounds. Clara awakes in a corridor, having been unconscious. She checks the hand that was burned. Coming to a door with a red light, she debates opening it. She regrets deciding to do so, as flames gush out. She runs down the corridor to escape.

In the console room, the Doctor is amused by the reaction of the others to the size of the TARDIS. He uses fans to vent the gas and smoke from the room. As they all take off their respirators, he tells the others that he needs them to help find Clara. They initially refuse, but he tells them he has activated the TARDIS self-destruct. Locking the doors so they can't leave, he informs them that the "salvage of a lifetime" he was talking with was not the ship, but Clara.

Moving around the TARDIS, Clara hears a growling noise. She takes refuge in a very large library. She goes to a large book entitled The History of the Time War. Flipping through a few pages, she pauses and reads something, muttering to herself "So that's who..." She then hears the growling noise again, and hides behind a bookshelf.

Cast

References

Books

The TARDIS

  • Tricky mistakenly describes the TARDIS as "some kind of escape pod."
  • The TARDIS' sentience is alluded to yet again; and when the salvage team tries to open it, Tricky senses that she seems to "suffer".
  • The Doctor tells Clara that the TARDIS is not like a cheese grater.
  • The TARDIS display that declares "Engine Status: Overload" also mentions the console room, Eye of Harmony, library, observatory, and Arch-Recon. These rooms are all seen in the episode, although Arch-Recon is named fully as architectural reconfiguration system.
  • Clara sees the swimming pool while wandering through the TARDIS.
  • The Doctor states that the TARDIS is "infinite."

Individuals

  • Tricky thinks he's an android, as this is what his brothers told him as a means of relieving boredom.

Story notes

The Doctor and Clara in the Heart of the TARDIS.
  • The name of the episode was influenced by the novel Journey to the Centre of the Earth.
  • This is the first televised story to include the word "TARDIS" in its title.
  • This episode aired on Jenna-Louise Coleman's 27th birthday.
  • At seven words long, this episode shares the record for the longest televised story title to date with The Doctor, the Widow and the Wardrobe, which also is a title inspired by a book/film.
  • Sarah Louise Madison, Ruari Mears and Paul Kasey (Time Zombies) are credited on-screen, but not in Radio Times.
  • Although the action was normal in the classic series, this is the first time since the series restarted that the Doctor has closed the TARDIS doors from the console, rather than manually shutting them.

Ratings

to be added

Filming locations

to be added

Production errors

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How could this lettering… …have come from this prop?

In a way totally unexplained by the narrative, the magno-grab remote prop has a different font to the scar it left behind on Clara's hand. Though it's not noticeable while watching the episode at normal speed, screen grabs make it immediately apparent that the letters just don't match up in any way. Most obviously, the prop's lettering is centre-justified, while the writing on her hand is left-justified. The error reveals a lack of continuity between the make-up department (or possibly VFX, if the scar was inserted digitally) and the art department.

If you'd like to talk about narrative problems with this story — like plot holes and things that seem to contradict other stories — please go to this episode's discontinuity discussion.

Continuity

Home video releases

to be added

External links

to be added