The Church on Ruby Road (TV story): Difference between revisions
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|ExecutiveProd4 = Phil Collinson | |ExecutiveProd4 = Phil Collinson | ||
|ExecutiveProd5 = Joel Collins | |ExecutiveProd5 = Joel Collins | ||
|Writer = | |SeriesProducer = Marcus Wilson | ||
|Writer = Russell T Davies | |||
|StoryBy = Pat Mills | |||
|StoryBy2 = Dave Gibbons | |||
|Director = Mark Tonderai | |Director = Mark Tonderai | ||
|CastingDirector = Andy Pryor CDG | |CastingDirector = Andy Pryor CDG | ||
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|CostumeDesigner = Pam Downe | |CostumeDesigner = Pam Downe | ||
|Make-upDesigner = Claire Williams | |Make-upDesigner = Claire Williams | ||
|SpecialCreatureEffectsAndProsthetics = Millennium Effects | |||
|SpecialEffects = Real SFX | |||
|MiniatureEffects = The Model Unit | |||
|SeniorProductionAccountant = Endaf Emyr Williams | |||
|ProductionAccountant = Jeff Dunn | |||
|VisualEffects = Axis VFX | |||
|ProductionExec = Steffan Morris | |ProductionExec = Steffan Morris | ||
|ProductionDesigner = Phil Sims | |ProductionDesigner = Phil Sims | ||
|Editor = John Richards | |||
|LineProducer = Tracie Simpson | |||
|LineProducerUS = David Mason | |||
|ScriptProducer = Denise Paul | |||
|AssociateProducer = Helen Vallis | |||
|CoProducer = Ellen Marsh | |||
|SoundRecordist = Deian Llŷr Humphreys AMPS | |||
|SoundRecordist2 = Richard Brookes | |||
|1stAD=Mick Pantaleo | |||
|2ndAD=James DeHaviland | |||
|3rdAD=Heddi-Joy Taylor-Welch | |||
|AD=Chris Thomas (assistant director) | |||
|AD2=Gareth Jones (assistant director) | |||
|AD3=Alex Miarli <!-- new --> | |||
|ADTrainee=Mathew-Lee Heath | |||
|Runner=Nicola Eynon Price | |||
|Runner2=Laura Jenkins | |||
|FloorRunner=Nicola Brown | |||
|FloorRunner2=Tom Evans | |||
|FloorRunner3=Bobby Williams | |||
|UtilityStandIn=Ian William George | |||
|SupervisingLocationManager=Iwan Roberts | |||
|LocationManager=Nicky James | |||
|LocationManager2=Gareth Skelding | |||
|LocationScout= | |||
|LocationAssistant=Tom Chalkley | |||
|AssistantLocationManager= | |||
|UnitManager=David Blayney | |||
|UnitManager2=Rhys Griffiths | |||
|AssistantUnitManager=Iestyn Hampson-Jones | |||
|ProductionManager=Delmi Thomas | |||
|ProductionManager2=Adrian Devane | |||
|ProductionManager3=Phillipa Cole | |||
|ProductionManagerNewYork=Moe Bardach<!--new--> | |||
|ProductionCoOrdinator=Sandra Cosfeld | |||
|AsstProductionCoOrdinator=Nicola Chance | |||
|ProductionManagerAsst= | |||
|ProductionManagementAsst=Claire Thomas | |||
|ProductionAssistant=Sion Crowle | |||
|ProductionAssistant2=Jade Stephenson | |||
|ProductionAssistant3=Sheryl Bradford | |||
|ProductionAssistant4=Jamie Shaw | |||
|ProductionAssistant5=Rachel Vipond | |||
|ProductionScriptSecretary= | |||
|ProductionOfficeRunner=Ellie Hilton | |||
|ProductionOfficeRunner2=Will Gorst | |||
|ExecutiveAssistant=Caroline Cook | |||
|ProductionSecretary=Kevin Myers | |||
|ScriptSecretary=Alexandra Bahiyyih Wain | |||
|ProductionRunner=Victoria Wheel | |||
|ProductionRunner2=Sian Warrilow | |||
|ProductionRunner3= | |||
|Driver= | |||
|Driver2= | |||
|AssistantAccountant=Bethan Griffiths | |||
|AssistantAccountant2=Matthew Fisher | |||
|AssistantAccountant3= | |||
|BSLMonitor=Jean St. Clair <!-- new --> | |||
|ContractsAssistant=Kath Blackman | |||
|ContractsAssistant2=Lisa Hayward | |||
|SeriesScriptEditor=Sheena Bucktowonsing | |||
|ScriptEditor=Scott Handcock | |||
|ScriptEditor2=David P Davis | |||
|ScriptEditor3=Elwen Rowlands | |||
|ScriptEditor4=Caroline Buckley | |||
|DevelopmentExecutive=Frances Du Pille<!--new--> | |||
|PublishingEditor=Gabby De Metteis<!--new--> | |||
|AssistantScriptEditor=Emma Genders | |||
|AssistantScriptEditor2=Hannah Mason | |||
|AssistantScriptEditor3=John Phillips<!--new--> | |||
|ScriptExecutive=Lindsey Alford | |||
|ScriptSupervisor=Nicki Coles | |||
|Continuity=Non Eleri Hughes | |||
|CameraOperator=Joe Russell | |||
|CameraOperator2=Mark McQuoid | |||
|BCameraOperator=Martin Stephens | |||
|2ndUnitCameraOperator=Rob Arrowsmith | |||
|2ndCameraOperator=Siân Elin Palfrey<!--new--> | |||
|FocusPuller=Steve Rees | |||
|FocusPuller2=Matt Hillier | |||
|FocusPuller3=Matthew Poynter | |||
|2ndUnitFocusPuller=Jonathan Vidgen | |||
|2ndFocusPuller=Elhein De Wet | |||
|PolecamOperator=Andy Leonard | |||
|KeyGrip=Gary Norman | |||
|KeyGrip2=John Robinson | |||
|AssistantGrip=Sean Cronin | |||
|AssistantGrip2=Owen Charnley<!--check form--> | |||
|AssistantGrip3=Ash Whitfield | |||
|CameraAsst=Gethin Williams | |||
|CameraAsst2=Drew Marsden | |||
|CameraAsst3=Dan Patounas | |||
|AdditionalFootage=Mitch Martinez | |||
|CameraTrainee=Darren Chesney | |||
|BoomOperator=Bryn Thomas | |||
|BoomOperator2=Dafydd Parry | |||
|StereoDit = Jay Patel | |||
|StereoSupervisor = Adam Sculthorp | |||
|StereoRigTech = John Perry | |||
|StereoRigTech2 = Donald Eke | |||
|SoundMaintenanceEngineer=Tam Shoring | |||
|SoundMaintenanceEngineer2=Christopher Goding | |||
|SoundMaintenanceEngineer3= | |||
|SoundAssistant=Abdul Amoud <!--new--> | |||
|Gaffer=Ben Purcell | |||
|Gaffer2=Mark Hutchings | |||
|RiggingGaffer=Andy Gardiner | |||
|BestBoy=Pete Chester | |||
|BestBoy2=Stephen Slocombe | |||
|Electrician=Bob Milton | |||
|Electrician2=Peter Scott | |||
|Electrician3=Gareth Sheldon | |||
|Electrician4=Gawain Nash | |||
|Electrician5=Rob Fernandes | |||
|BoardOperator=Jon Towler | |||
|StuntCoOrdinator=Crispin Layfield | |||
|StuntCoOrdinator2=Dani Biernat | |||
|StuntCoOrdinator3=Gordon Seed | |||
|StuntCoOrdinator4=Jo McLaren | |||
|Choreographer=Ailsa Altena-Berk | |||
|Wires=Kevin Welch | |||
|WireSupervisor=Bob Schofield | |||
|Stunt=Jamie Edgell | |||
|Stunt2=Belinda McGinley | |||
|Stunt3=Andrew Burford | |||
|Stunt4=Samuel Stefan | |||
|Stunt5=Lloyd Bass | |||
|Stunt6=Ian Pead | |||
|Stunt7=Liam Carey | |||
|Stunt8= | |||
|ChiefSupervisingArtDirector=Stephen Nicholas | |||
|ConstructionArtDirector=Julia Jones | |||
|SupervisingArtDirector=Martin Boddison | |||
|ArtDirector=Tim Overson | |||
|ArtDirector2=Vicki Stevenson | |||
|AssistantArtDirector=Jackson Pope | |||
|ArtDeptCoOrdinator=Gwenllian Llwyd | |||
|ArtDeptProdManager=Jonathan Marquand Allison | |||
|ArtDeptAccountant=Bethan Griffiths | |||
|ArtDeptAssistant=Celyn Davies | |||
|AssociateDesigner=James North | |||
|ProductionBuyer=Ben Morris | |||
|ProductionBuyer2=Sarah Frere | |||
|SetDecorator=Joelle Rumbelow | |||
|PropsBuyer=Catherine Samuel | |||
|PropBuyer=Jo Pearce | |||
|PropBuyer2=May Johnson | |||
|PropBuyer3=Charlotte Lailey De Ville | |||
|ActionPropsBuyer=Milannah Faith Summers | |||
|PettyCashBuyer=Jen Saguaro | |||
|StandbyArtDirector=Nick Murray | |||
|ASupervisingArtDirector=Cerys Lewis | |||
|SetDesigner=Ben Austin | |||
|StoryboardArtist=Mike Collins | |||
|ConceptArtist=Richard Shaun Williams | |||
|ConceptArtist2=Peter McKinstry | |||
|DesignAssistant=Sarah Payne | |||
|DesignAssistant2=Ian Bunting | |||
|DesignAssistant3=Al Roberts | |||
|DesignAssistant4= | |||
|CyfleTrainee=Naseem Syed | |||
|GraphicArtist=Sophie Powell | |||
|GraphicArtist2=Matthew Clark | |||
|MotionGraphics=Tom Munday | |||
|MotionGraphics2=Daniel Lazenby | |||
|GraphicsTrainee=Anya Kordeck | |||
|GraphicDesigner=Stephen Fielding | |||
|TraineeGraphicDesigner=Lois Drage | |||
|ConceptGraphicArtist=Sam Lamont | |||
|StandbyProps=Jonathan Barclay | |||
|StandbyProps2=Charlie Malik | |||
|StandbyProps3= | |||
|PropHand=Scott Howe | |||
|PropHand2=Nigel Magni | |||
|PropHand3=Matt Watts | |||
|PropHand4=Richard Barker | |||
|AnimatronicOperator=Colin Newman | |||
|StandbyCarpenter=Jamie Farrell | |||
|Rigging=Shadow Scaffolding | |||
|StandbyRigger=Colin Toms | |||
|StandbyRigger2=Thomas Williams | |||
|StandbyPainter=Kate Meyrick | |||
|StandbyScenicArtist=Louise Bohling | |||
|StorePerson=Jayne Davies | |||
|ChiefPropsMaster=Jon Grundon | |||
|PropMaster=Paul Smith | |||
|PropertyMaster= | |||
|AssistantPropsMaster=Adrian Anscombe | |||
|DressingChargehand=Matt Wild | |||
|PropsChargehand=Kyle Belmont | |||
|PropsStoreman=Stuart Wooddisse | |||
|SetDresser=Ian Griffin | |||
|SetDresser2=Mike Elkins | |||
|Storeman=Jamie Southcott | |||
|AssistantStoreman=Ryan Milton | |||
|DressingProps=Martin Broadbent | |||
|DressingProps2=Philip Everett-Lyons | |||
|ForwardDresser=Matthew North | |||
|SpecialistPropMaker=Nick Robatto | |||
|SeniorPropsMaker= | |||
|ChiefPropsMaker=Mark Cordory | |||
|PropsFabricationManager=Barry Jones | |||
|PropsMaker=Penny Howarth | |||
|PropsMaker2=Nicholas Robatto | |||
|PropsMaker3= | |||
|PropsDriver=Gareth Fox | |||
|PracticalElectrician=Callum Alexander | |||
|PracticalElectrician2=Austin Curtis | |||
|ArtDepartmentDriver=Tom Belton | |||
|ConstructionManager=Terry Horle | |||
|ConstructionWorkshopManager=Mark Hill | |||
|WorkshopManager= | |||
|WorkshopAssistant=Chris Slocombe<!--new--> | |||
|ConstructionChargehand=Dean Tucker | |||
|ConstructionChargehand2=Scott Fisher | |||
|ChargehandCarpenter=John Sinnott | |||
|Carpenter=Tim Burke | |||
|Carpenter2=Lawrie Ferry | |||
|Carpenter3=Matt Ferry | |||
|Carpenter4=Chris Daniels | |||
|Carpenter5=Julian Tucker | |||
|Carpenter6=George Rees | |||
|Carpenter7=Dan Berrow | |||
|Carpenter8=Keith Richards | |||
|Carpenter9=Campbell Fraser | |||
|Carpenter10=Mark Painter | |||
|Carpenter11=Joe Painter | |||
|Carpenter12=Michael Venables | |||
|ConstructionAssistant=Matthew Pike | |||
|ConstructionDriver=Jonathan Tylke | |||
|ConstructionLabourer=Mike Cox | |||
|HeadScenicArtist=Clive Clarke | |||
|ScenicPainter=Steve Nelms | |||
|ScenicPainter2=Matt Weston | |||
|ScenicPainter3=Paul Murray | |||
|ScenicPainter4=Tim Hobbis | |||
|ScenicPainter5=Ana Marlene Ribeiro | |||
|ScenicArtist=Tara McCourt | |||
|ScenicArtist2=Jeremy Duckham | |||
|Graphics=Peter Anderson Studio | |||
|GraphicsAsst=Jack Bowes | |||
|Draughtsperson=Zsofia Ekler | |||
|Draughtsperson2=Julia Jones | |||
|TraineeDraughtsperson=Rachel Ellis | |||
|TitleSequence=Ben Pickles | |||
|TitleConcept=Billy Hanshaw | |||
|CostumeSupervisor=Gayle Woodsend | |||
|CrowdSupervisor=Lindsay Bonacorssi | |||
|WardrobeSupervisor=Yolanda Peart-Smith | |||
|AsstCostumeDesigner=Gayle Playford | |||
|CostumeAsst=Rebecca Cunningham | |||
|CostumeAsst2=Jessica Lennon | |||
|CostumeAsst3=Chloe Henderson | |||
|CostumeCutterMaker=Brighde Penn | |||
|CostumeTrainee=Yiwen Lin | |||
|CostumeTrainee2=Nikki Lightfoot | |||
|Make-upSupervisor=James Spinks | |||
|Make-upSupervisor2=Anne Marie Williams | |||
|Make-upArtist=India Jones | |||
|Make-upArtist2=Derek Lloyd | |||
|Make-upArtist3=Cathy Davies | |||
|Make-upArtist4= | |||
|JuniorMake-upArtist=Nikki Salih | |||
|UnitDriver=Paul Watkins | |||
|UnitDriver2=Joylon Davey | |||
|UnitDriver3= | |||
|UnitDriver4= | |||
|UnitMedic=Glyn Evans | |||
|UnitMedic2=Andy Jones | |||
|CastingAssociate=Andy Brierley | |||
|CastingAssociate2=Alice Purser | |||
|CastingAssistant=Ri McDaid-Wren | |||
|CastingAssistant2=Louis Constantine | |||
|BusinessAffairsExecutive=Carol Griggs | |||
|DramaAccountManager=Edward Russell | |||
|TalentTeam=Hannah Williams<!--new--> | |||
|TalentTeam2=Leanne Bowcott<!--new--> | |||
|TalentTeam3=Jeanette Sigsworth<!--new--> | |||
|TalentTeam4=Deborah Evans<!--new--> | |||
|TalentTeam5=Clare Baker<!--new--> | |||
|AsstEditor=Katrina Aust (assistant editor) | |||
|AsstEditor2=Carmen Sanchez Roberts | |||
|SpecialEffectsCoOrdinator=Danny Hargreaves | |||
|VFXProducer=Beewan Athwal | |||
|VFXEditor=Dan Rawlings | |||
|VFXCoOrdinator=Alex Fitzgerald | |||
|VFXCoOrdinator2=Lorna Dumba | |||
|VFXProductionAssistant=Marianne Paton | |||
|VFXProductionAssistant2=Alexander Fitzgerald | |||
|OnSetVFXSupervisor=Tim Barter | |||
|AdditionalVFXArtist=Ben Pickles | |||
|LeadDigitalMattePainter=Simon Wicker | |||
|DigitalMattePainter=Ron Bowman | |||
|DigitalMattePainter2=Alex Fort | |||
|DigitalMattePainter3=Charlie Bennett | |||
|DigitalMatteArtist=Alexander Fort | |||
|DigitalMatteArtist2= | |||
|MattePainter=Doug Winder | |||
|MattePainter2=Lyndall Spagnoletti | |||
|PostProdSupervisor=Nerys Davies | |||
|PostProdSupervisor2=Ceres Doyle | |||
|PostProdCoOrdinator=Marie Brown | |||
|PostProdCoOrdinator2=Samantha Price | |||
|SFXCoOrdinator=Ben Ashmore | |||
|SFXSupervisor=Danny Hargreaves | |||
|SFXSupervisor2= | |||
|SFXTechnician=Dan Bentley | |||
|SFXTechnician2=Richard Magrin | |||
|ProstheticsDesigner=Neill Gorton | |||
|ProstheticsSupervisor=Rob Mayer | |||
|OnSetProstheticsSupervisor=Lotta Hagvist | |||
|ProstheticsTechnician=Lauren Welman | |||
|ProstheticsTechnician2=Helen Walker | |||
|ProstheticsTechnician3=Fiona Walsh | |||
|ProstheticsTechnician4=Tim Berry | |||
|ProstheticsTechnician5= | |||
|ProstheticsTechnician6= | |||
|ProstheticMakeUpArtist=Sarah Lockwood | |||
|ProstheticMakeUpArtist2=Christoph Suckow | |||
|Stereo3DConsultant=David Wigram | |||
|DubbingMixer=Mark Ferda | |||
|DubbingMixer2=Tim Ricketts | |||
|ADREditor=Matthew Cox | |||
|DialogueEditor=Darran Clement | |||
|SupervisingSoundEditor=Paul Jefferies | |||
|SoundSupervisor=Doug Sinclair | |||
|SoundEditor= | |||
|SoundEditor2= | |||
|EffectsEditor=Harry Barnes | |||
|ModelUnitSupervisor=Mike Tucker | |||
|ModelUnitDOP=Peter Tyler (cameraman) | |||
|ModelUnit=Lucas FX<!--new--> | |||
|HeadModelmaker=Lee Radford<!--new--> | |||
|ModelMaker=Julia Jones<!--new--> | |||
|Foley=Bang Post Production<!--new--> | |||
|FoleyEditor=Simon Clement | |||
|FoleyEditor2=Kelly-Marie Angell | |||
|FoleyArtist=Julie Ankerson | |||
|Colourist=Gareth Spensley | |||
|Colourist2= | |||
|SeniorVFXArtist=Craig Higgins | |||
|Lead3DArtist=Matt McKinney | |||
|LeadAnimator=Neil Roche | |||
|3DArtist=Jeff North | |||
|3DArtist2=Darren Byford | |||
|3DArtist3=Wayde Duncan-Smith | |||
|3DArtist4=Nick Webber | |||
|3DArtist5=Andy Guest | |||
|3DArtist6=Ruth Bailey | |||
|3DArtist7=Serena Cacciato | |||
|3DArtist8=Dominic Alderson | |||
|3DArtist9=Nick Bell | |||
|3DArtist10= | |||
|3DArtist11= | |||
|3DArtist12= | |||
|3DArtist13= | |||
|3DArtist14= | |||
|3DArtist15= | |||
|3DSupervisor=Jean-Claude Deguara | |||
|3DSupervisor2=Nicolas Hernandez | |||
|2DSupervisor=Izzy Barber | |||
|2DArtist=David Bowman | |||
|2DArtist2=Simon C. Holden | |||
|2DArtist3=Jennifer Herbert | |||
|2DArtist4=Bronwyn Edwards | |||
|2DArtist5=Astrid Busser-Casas | |||
|2DArtist6=Richard Roberts | |||
|2DArtist7=Chad Meire | |||
|2DArtist8= | |||
|2DArtist9= | |||
|2DArtist10= | |||
|Compositor=Greg Spencer | |||
|Compositor2=James Etherington | |||
|Compositor3=Joe Courtis | |||
|Compositor4=Arianna Lago | |||
|Compositor5=Bryan Bartlett | |||
|Compositor6=Sara Bennett | |||
|Compositor7=James Moxon | |||
|Compositor8=Lyndall Spagnoletti | |||
|Compositor9=Graine Freeman | |||
|Compositor10=Tim Barter | |||
|Compositor11=Rosemary Chester | |||
|Compositor12=Frank Hana | |||
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|FinanceManager=Chris Rogers | |||
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|VisualFXProducer=Jenna Powell | |||
|VisualFXProducer2= | |||
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|VisualFXSupervisor2= | |||
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|ZAProducer=Adam Friedlander<!-- South African crew --> | |||
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|ZACostumeSupervisor=Cathy Shields | |||
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|ZASoundMixer=Derek Mansvelt | |||
|WithThanksTo=BBC National Orchestra of Wales | |||
|WithThanksTo2=Sur-Film Production & Services S.L. | |||
|WithThanksTo3=Timanfaya National Park | |||
|WithThanksTo4=Martha Freud | |||
|SpecialThanks=Annetta Laufer | |||
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|Vocals=Neil Hannon<!--new--> | |||
|CounterTenor= | |||
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}} | }} | ||
Revision as of 03:50, 27 November 2023
This page absolutely does contain spoilers either about the behind-the-scenes or narrative elements of stories which have not yet been published or broadcast. Please see our spoiler policy for our rules governing articles about such subjects.
The Church on Ruby Road will be the 2023 Christmas Special of Doctor Who, broadcast on 25 December 2023.[1]
This will be the first full episode to feature the Fifteenth Doctor, as played by Ncuti Gatwa, and introduce audiences[2] to Ruby Sunday, the new companion, played by Millie Gibson, concluding the sixtieth anniversary year with the start of a brand new era.
This is the second time in the "New Who" era that a Doctor's first full post-regeneration story is a Christmas Special, following the Tenth Doctor in 2005's The Christmas Invasion [+]Loading...["The Christmas Invasion (TV story)"].
The story will also mark the return of the Christmas Specials to televised Doctor Who, having been absent since 2017's Twice Upon a Time [+]Loading...["Twice Upon a Time (TV story)"].
Synopsis
to be added
Plot
to be added
Cast
more to be added
Uncredited cast
to be added
Crew
Executive Producers Russell T Davies, Julie Gardner and Jane Tranter with Phil Collinson and Joel Collins |
Series Producer Marcus Wilson |
Written by Russell T Davies story by Pat Mills and Dave Gibbons |
Directed by Mark Tonderai |
Production Designer Phil Sims |
Visual Effects Axis VFX | |||||||
Make-up Designer Claire Williams
|
Casting Director Andy Pryor CDG
|
Music Murray Gold
|
Costume Designer Pam Downe |
Edited by John Richards |
Special Effects Real SFX | |||||
Original theme music by Ron Grainer
•
Title sequence by Ben Pickles
•
With thanks to the BBC National Orchestra of Wales, Sur-Film Production & Services S.L., Timanfaya National Park, Martha Freud
|
|
General production staff Art department |
Camera and lighting department |
Costume Hair and make-up Sound |
Not every person who worked on this adventure was credited. The absence of a credit for a position doesn't necessarily mean the job wasn't required. The information above is based solely on observations of the actual end credits of the episodes as broadcast, and does not relay information from IMDB or other sources. |
Worldbuilding
to be added
Notes
- The title of the story was officially announced by the official Disney+ Twitter account in a "Season's Streamings" promotional image on 6 November 2023,[1] ahead of any BBC announcements.
- This marks the return of the Christmas Specials; in the instalment of Russell T Davies's column Letter from the Showrunner printed in DWM 585, Davies had stated that a "Christmas Special" would be returning as the format of the first full episode of the Fifteenth Doctor's tenure, although clarifying that he considered the term to be synonymous with the Festive Specials. The Disney+ announcement clarified that The Church on Ruby Road will be a traditional Christmas Special.
- Parts of the script of this episode were used in auditions for Ruby Sunday; the script for self-tapes from potential actors were truncated from the scripts of this episode and the next, and the longer script for in-person auditions[3] in London[4] was adapted solely from this episode.[3]
Continuity
to be added
Home media releases
to be added
Gallery
to be added
Footnotes
|
|